La Paperson, “A Ghetto Land Pedagogy: An Antidote for Settler Environmentalism”

La Paperson begins “A Ghetto Land Pedagogy: An Antidote for Settler Environmentalism” with a road map. First, Paperson says, “I analyze an Urban Ecology lesson as an illustration of how settler environmentalism employs the logic of terra sacer, or sacred/accursed land, to describe ghettos as wastelands ripe for rescue by ecological settlers” (115). Then, Paperson considers the Occupy movement “as settler signifier for social justice, an extension of the settler pursuit of land” (115). After that, the essay considers land in the San Francisco Bay area (115). “In contrast to place as a site of settler belonging and identity, this discussion heeds Goeman’s (2013) call to think through ‘storied land’ as an antidote to settler colonial vanishing,” Paperson writes. “Storied land offers a method of land education, by extending critical cartography’s spatial analysis with a temporal analysis implied by Indigenous struggle and Black resistance: the when of land, not just the where of place” (115). “A ghetto land pedagogy thus attends to an analysis of settler colonialism, offers a critique of settler environmentalism, and forwards a decolonizing cartography as a method for land education,” Paperson writes (115).

The essay’s first section begins with a paragraph discussing urban planner Robert Moses as an epitome of settler colonialism’s evolution, because his highway network “laid waste to Black and working class neighbourhoods” in New York City (116). “Ghetto colonialism is a specialization of settler colonialism in North America,” Paperson writes (116). It “takes place at this intersection between Indigenous displacement and black dislocation” because of the way that settler colonialism (in the United States and other locations where slavery was a central part of the economy) divides people into three groups: white settlers entitled to the land, Indigenous people who must be removed from the land, and black people who are chattel slaves (116). “For settlers seeking new frontiers, the ghetto serves as an interior frontier to be laid waste in order to renew,” Paperson continues. “It is a terra sacer, doubling as sacred and accursed land, a murderable nonplace always available for razing and resettlement” (116). Paperson is drawing on the work of Giorgio Agamben’s discussion of homo sacer here (116). Indigenous land is the exterior frontier of imperialism, and the ghetto is its interior frontier: “the outcast, the alley and the underground” (116). According to Paperson, “[s]ettler colonial eyes see the ghetto as sacred wasteland that may be re-inhabited by anybody, with impunity” (117). This argument would be clearer if Paperson explored the way that land is both sacred and accursed simultaneously, rather than just mentioning Agamben’s use of the Latin term sacer. Sometimes an argument needs to slow down and engage with its audience in a more deliberate fashion.

For Paperson, “[t]erra sacer is a virulent variation of the settler colonial ideology of terra nullius, the colonial fiction of ‘empty land’ or ‘land not legally belonging to anyone. Nullius is the justification for the doctrine of discovery: that one can stab a flag into the earth or a needle into a person’s tissue and claim a colony” (117). The leap from a beach in the Caribbean in 1492 to the appropriation of genetic material without consent is a big one, but perhaps both are aspects of the same phenomenon. Terra nullius “is the founding covenant for settler colonial states” (117)—and it’s the basis of the Crown’s claim to ownership over land in Canada. However, as Paperson notes, land is usually not empty; instead, it must be made empty by declaring its inhabitants uncivilized and thus unworthy of the land they own (117). 

“The duality of land as desecrated, in pain, in need of rescue; and land as sacred, wild, and preserve-able; are contemporary discourses that justify re-invasion,” Paperson contends. “They collapse Native land and black space together, leading once again to re-settlement” (117). Settlers come to see themselves as ecological stewards, worthy of reinhabiting a rehabilitated land (117). “In this ecological dystopia, Indigenous Americans are largely extinct through regrettable genocide, or survive spectrally through the settler’s Indian heart,” Paperson continues. “Terra sacer is a proxy for settler humanity; like the land, settlers view them/ourselves as traumatized yet healable. This is the settler adoption fantasy . . . that they/we can adopt the land and be adopted by the land” (117). I’m not sure how the idea of terra sacer ends up being a projection of the settler’s self, or how it is an adoption fantasy; again, Paperson needs to be a little more methodical in explicating these ideas. Paperson refers to the essay “Decolonization Is Not a Metaphor” here, in which Tuck and Yang disqualify settlers from any relationship to the land beyond exploitation and unjust occupation. That essay one of the most frustrating and hopeless things I’ve read, and to be honest, if Tuck and Yang are right, then there’s no point in my research at all—it is doomed to fail, it is pointless, it is worse than useless. That essay leaves no place for settlers to do anything other than unjustly occupy Indigenous land. Perhaps that’s accurate; perhaps it’s an overstatement.

The “ecological destruction that has accompanied settler colonialism” has been critiqued: “environmental racism,” “‘nature’ as rape-able,” and “‘development’ as the normalized aim of modernity” have all been critiqued (117). However, those critiques “can miss the core of Indigenous relationships to lands and communities, particularly the complex relationships between urban Indigenous land and life, not to mention between Indigenous, Black, and ghettoized communities” (117). In addition, environmentalism “has been largely silent on land, that is, silent on the settler colonial recasting of land into ‘environment,’ and silent on broader Indigenous understandings of land as ancestor, as sovereign, as people-places with their own politics and identities” (117-18). I’m reminded of the ways that the creation of national parks in Canada involved the expulsion of the Indigenous people living in those places, or of recent reports suggesting that biodiversity is higher on lands managed by Indigenous peoples (see Swiderska). 

Here Paperson critiques the teaching of urban ecology at an Oakland high school as an example of “pain curriculum” that sets the stage “for a performance of environmentalist rescue” because it described “the negative consequences of the automobile” (118). I don’t know what to make of that. Does Paperson think the automobile has no negative consequences? Or that students shouldn’t learn about what making the automobile the centre of our transportation infrastructure has done to us or to our planet? The alternatives—public transit and cycling—“worked differently for white cosmopolitans than for ghettoized peoples” in the structure of the lesson, which taught a “metanarrative” within its “cartography of Oakland’s places and peoples”: “Downtown matters. Commuters count” (120). “Indeed, this urban ecology unit invited students to participate in their own disappearance: lend your voice to fixing the ghetto wasteland by paving bikeways and funding rapid commuter lines for the cosmopolitan citizen,” Paperson writes (120). I’m not sure if the critique here is of the lesson, or of public transit’s “metanarrative,” the way perhaps that transit systems tend to be designed on a hub-and-spoke principle that makes movement from one suburb to another difficult without going into the city centre as part of the journey—or if the complaint is that extending public transit to Oakland would enable gentrification that would price local people out of their own community (120). The latter, it seems, since Paperson devotes a paragraph to the effects of extending the transit system from San Francisco to Oakland. Is that an effect of transit, though, or of the outrageous real estate market in the Bay Area?

“Urban educators have few tools for engaging settler colonialism because terra sacer often under-girds environmental education in urban schools,” Paperson continues. “Environmental education offers three limited social justice frameworks: environmental racism—a framework that focuses on pain; green curriculum—a framework that focuses on rescue; and place-based curriculum—a framework that focuses on inclusion, and thus, the replacement of Native land/people with a multicultural immigrant nation” (120). Again, the suggestion that “pain” needs to be avoided baffles me. Students living in a city like Oakland might have direct experience of environmental racism, so why not acknowledge that experience by talking about it? What is the goal of environmental education, according to Paperson? Does “place-based curriculum” always occur at the expense of Indigenous perspectives? According to Paperson, “when strung together, such pedagogies concerning US ghettos contain a settler colonial teleology” (120).

Here Paperson turns to “[p]ain curriculum,” which “highlights, legitimately, the disproportionate toxification of air, soil, and water in poor, urban, communities of color” (120). And not just those communities, either: climate change doesn’t discriminate. In any case, Paperson continues: “reducing ghettos to pain-filled sites of environmental toxicity in need of salvation, echo[es] the settler colonial logics of terra sacer—wasteland whose inhabitants lack the liberal capitalist insights and technological know-how to properly occupy a city” (120). Where does that conclusion come from? Doesn’t thinking about environmental racism condemn those “liberal capitalist insights” for using their “technological know-how” to dump waste on communities whose protests can be ignored because they lack the power to resist the forces of capital and of governments captured by capital?

“Rescue curriculum,” on the other hand, focuses on green technologies and “the technologies of government” as solutions, but the subtext of this curriculum is, for Paperson, hidden: “The hidden curriculum of rescue naturalizes city planning, urban redevelopment, and de-ghetto-ification as inevitable remedies for pain. It positions ghettoized communities as wards under settler colonial sovereignty” (120). In addition, rescue curriculum “promotes green cities, a wealth of green consumption through which the multicultural cosmopolitan citizen earns his/her/our right to be the nouveau settler. Enter place-based curriculum” (120). I’m not sure what Paperson would propose instead of this “rescue curriculum”: green technologies are unlikely to save us from ourselves, but does that mean we should ignore their existence? Do green technologies really displace ghettoized communities or remove their agency? I am not following this argument.

Finally, Paperson takes on place-based curriculum. It “helps write the master narrative of future, green, metropolitan neo-colonies. Often inclusive, multicultural, and celebratory, such curriculum highlights the urban as a place of diversity, flavored by communities of color” (120). This fantasy “violently erases Indigenous understandings of that land and place,” Paperson argues. “If Native people are mentioned at all, they are almost always only as a premodern population who were pleasantly ‘one with nature,’ or ecological Indians so few in number that the ecological settler becomes a ‘good neighbour’ or benevolent reinhabitant” (121). This fantasy “inscribes settler colonialism as a done deal, renders urban native youth as inauthentic Indians, and denies contemporary Native relationships to land and place” (121). This curriculum contains a hidden teleology: “native people used to live here. White people settled here; they fled. People of color replaced white people; they suffer. Coming up, the multicultural cosmopolitan citizen will replace people of color. When the Great American City is finally built, all the white people will be colorful, and all the colored people will be gone” (121). I wonder where Paperson sees their own experience in this narrative. Where do they live? What is their relationship to ghettoized people of color or to Indigenous people? As in “Decolonization Is Not a Metaphor,” I get the sense here that the best thing for everyone would be white people leaving—that’s the point, I think, of Tuck and Yang’s fantasy about Natty Bumppo leaving or vanishing from the land he unjustly occupies:

In the unwritten decolonial version of Cooper’s story, Hawkeye would lose his land back to  the  Mohawk—the  real  people  upon  whose  land  Cooperstown  was  built  and  whose  rivers, lakes, and forests Cooper mined for his frontier romances. Hawkeye would shoot his last arrow, or his last long-rifle shot, return his eagle feather, and would be renamed Natty Bumppo, settler on  Native  land.  The  story  would  end  with  the  moment  of  this  recognition.  Unresolved  are  the questions: Would a conversation follow after that between Native and the last settler? Would the settler leave or just vanish? Would he ask to stay, and if he did, who would say yes? These are questions that will be addressed at decolonization, and not a priori in order to appease anxieties for a settler future. (Tuck and Yang 17)

Paperson, of course, is Yang—his faculty web site says that “[s]ometimes he writes as la paperson, an avatar that irregularly calls” (“Wayne Yang”)—and I see a crossover in the ideas expressed in the two essays. What I’m not seeing, yet, in either essay is a sense of where Yang positions himself and his experience, or any sense that settlers have any kind of future other than erasure. For Tuck and Yang, and for Paperson, there seems to be no way that settlers and Indigenous peoples can co-exist.

Paperson is “deeply ambiguous about critical environmentalisms, such as movements in eco-feminism, deep ecology, and antiracist environmental justice. These are important trajectories in critical scholarship and activism around environmental justice, and ought to inform any decolonizing framework,” but they are “not automatically the opposite of settler colonialism” (121). Settler colonialism, in its guise of settler environmentalism, “describes efforts to redeem the settler as ecological, often focusing on settler identity and belonging through tropes of Indigenous appropriations—returning to the wildman or demigoddess, claiming of one’s natural or ‘native’ self and thus the land, again” (121). Living off the grid, for instance, “is a terra nullius imaginary of a somewhere, nowhere, neverplace where one is no longer a settler” (121). Really? We have solar panels on the roof of our house, but I don’t deny being a settler: I think that Paperson is being unfair and obtuse here. It’s possible to try to live in a way that doesn’t tie one to electricity generated by burning coal without fantasizing that one isn’t a settler. I know that from personal experience.

For Paperson, “greening the ghetto can mask a neoliberal curriculum of whitening the ghetto with ‘better-educated,’ ecologically ‘responsible,’ global citizens,” but more radical forms of environmentalism “can also uphold the settler fantasy of sacred ‘wilderness’—another form of unpeopled land—that must be restored or preserved” (121). It can, sure, but is that fantasy inevitable? We know that Indigenous peoples managed the land for millennia, and that Indigenous science provides insights into ways that we can stop ourselves from destroying the environment we depend on for our survival (see Buckiewicz). How current are those fantasies of a sacred wilderness, empty of human presence, when we know that wilderness is replete with signs of Indigenous presences? Could one accuse Paperson of being somewhat reductive here? 

Paperson quotes Indigenous writer Sandy Grande’s argument that “both Marxists and capitalists view land and natural resources as commodities to be exploited” (qtd. 121), and suggests that “[s]ocial justice endeavors all take place on Native land,” before turning to the Occupy movement. I’m not that interested in the Occupy movement, which seems to have run its course—besides, I read Craig Fortier’s Unsettling the Commons: Social Movements Within, Against, and Beyond Settler Colonialism,a book-length critique of that movement, when I was studying for my comprehensives—so I’m going to skip over the way that Occupy Oakland failed to address issues related to decolonization and instead turn to Paperson’s discussion of critical cartography as a method. “Critical cartography is the mapping of structural oppression, as well as the critique of mapping as an exercise of power,” they write. “Although it uses tools from traditional cartography, it also redirects our gaze back onto the master narrative of maps. Mapping creates taxonomies of land, water, and peoples. It generates false territories and also false temporalities, as land becomes property in a linear history of shifting ownerships. Mapping is knowledge generated in the service of empire” (123). So, maps are not in themselves critical, “even if they document social injustice” (123). Rather, the stories told about maps, the narratives that surround them, may be critical (123). For Paperson, “[c]ritical cartography is an essential method for understanding the coloniality of space” (124).

Yet, according to Paperson, “critical cartography is not by itself a decolonizing method, just as deconstructing coloniality is not the same as decolonization” (124). Paperson cites Linda Tuhiwai Smith to argue that a decolonizing methodology “repatriates Indigenous land and life as they have survived before, during, and beyond colonialism” (124). “Decolonization is not just symbolic,” Paperson contends: “its material core is repatriation of Native life and land, which may be incommensurable with settler re-inhabitation of Native land. It is not a stance that grants an easy solidarity with more inclusive social justice projects—even if they are antiracist, feminist, or environmentalist” (124). Indeed, the incommensurability of decolonization with “settler re-inhabitation of Native land” would suggest a very difficult solidarity with social justice projects that involve settlers, since decolonization would apparently require the erasure or departure of settlers from Turtle Island. 

Paperson explains the difference between place and space, on the one hand, and land on the other: 

Land is not generalizable the way space and place are generalizable. Land is both people and place, that is, Native people constitute and are constituted by Native land. You was where you lived. Indigenous place-based education is land education. Place-based education, from a settler perspective, is far more inclusive—place becomes something everyone can claim, can tell a story about. Place-based education leads to restorying and re-inhabitation, whereas land education leads towards repatriation. (124)

So, if I’m reading Paperson correctly, settlers cannot use the term “land”; it is a term that is to be used by Indigenous people only, because it addresses the relationship between Indigenous peoples and their land. “Storied land moves place back, between, and beyond to Native land, providing a transhistorical analysis that unroots settler maps and settler time,” Paperson continues, suggesting, again, that the notion of storying land is also unavailable to settlers—because that would be a form of re-inhabitation, a recolonization (124). If this is true, what does it mean for the course I just finished, or for my larger research project? Nothing good, I fear.

Paperson now turns to specific sites near Oakland: the Mission Dolores in San Francisco, the Chevron refinery, San Quentin penitentiary, Alcatraz, and other prisons around San Francisco Bay, in what I think might be an example of restorying (124-25). “Despite being narrated as ghosts, as people long-gone, Indians are enough of a corporeal problem for the settler agenda that California has never stopped trying to legislate them out of the land,” Paperson writes (125). Part of that process of legislation allowed for Indian children to be removed from their families and sold into slavery (126). As I read Paperson’s words, I’m listening to an Elder from Cowessess First Nation, Florence Sparvier, describing her experience at Marieval Indian Residential School, where to date 751 unmarked graves have been discovered, and I’m thinking about the ways that legislation removed First Nations children from their families and then did not punish churches or the government for their negligence in caring for those children—because, perhaps, their physical deaths were as much part of the goal of those schools as were the deaths of their languages and cultures. The history is sickening—and it’s not really history, since it reverberates in the present. 

Paperson alludes to a project he helped to create in which young men from Oakland took classes from men serving life sentences at San Quentin. He refuses to give details about that project, except to say that it “provided outlawed wisdoms to be transmitted in the only form possible: storytelling” (126). Linked to that project was another in which activist Cesar Cruz brought gang-affiliated youth together, teaching them “to seek the sacred in between the cracks of desegregation” (126). Again, Paperson refuses to talk about those stories, except “to say that within them, the coloniality that dislocated black/brown/red/yellow/white peoples became their node of convergence as people relocated to Ohlone land” (126). I don’t understand what that means.

Finally, Paperson arrives at their conclusion: a discussion of the Shellmound Peace Walks organized by the group Indian People Organizing for Change. “Walks to the shellmound burial sites around the ancestral, unceded Ohlone lands: covering nearly 300 miles over 3 weeks at 18 miles a day, from Vallejo to San Jose to San Francisco,” they write (127). Indigenous people have always lived in the Bay Area: it “was a place of transboundary relationships among different Ohlone and Miwok people” (127). The Bay Area is not “an urban Commons to be re-inhabited, but Ohlone land, a social place, a place from which one misses home and a place to which one can enact some desires to leave home. As an intertribal place, Native-Native relations to Ohlone land and to each other can teach us valuable lessons in re-imagining ethical forms of solidarity beyond the ecological Commons,” they write (127). 

Storied land is a partial answer to the question of how to uproot settler maps of territory (127). “A poetics of land learns from human resistance to mapping, from peoples’ and nature’s transgressions of maps, and from land itself as a bearer of memory,” Paperson writes. Land resists notions of fixed space, they continue, citing Mishuana Goeman (127). But those stories must be told by Indigenous peoples, not by settlers. “Why Huey Newton became free in prison, while Johnny Cash hated every inch of San Quentin, has to do with a fundamental colonial difference between people who see themselves as constituted by versus dwelling in accursed/sacred space,” Paperson writes, conferring Indigeneity upon Newton in a perhaps surprising move (127). So Newton was constituted by prison, while Cash saw it as accursed. I think I would have to read Agamben’s book, Homo Sacer, to begin to unpack this argument, because Paperson seems reluctant to explain the concept of terra sacer and its connection to homo sacer clearly, or else I’m just too thick to understand their explanation. But Paperson gives another example of being constituted by a sacred connection to the land in a story about Geronimo Pratt, a Black Panther leader who was held in solitary confinement for years (129). Pratt “spoke about his time in solitary confinement in sacred terms of connection with the earth and sky,” Paperson writes. “He described initially despising the ants who would come into his cell. Through humility, he learned to learn from the ants, who offered a connection to the earth through the cracks in the prison. According to Pratt, the ants loved him back, bringing him food and providing him company” (128). I wonder if that story could be expanded outside of a prison cell, perhaps to think about loving other abject creatures—quack grass or dandelions or leafy spurge—or if, again, that expansion would be a form of appropriation, this time an appropriation of Pratt’s experience. Paperson’s essay leaves me with so many  unanswered questions like that one.

“A poetics of land is, because outlaw life and outlaw land inherently disrupt propertied life and land as property,” Paperson concludes. “As storied land contends with the current condition, settler colonialism, it elucidates pathways of de/colonization of land and people” (128). The essay ends with unanswered questions: “What are the colonial pathways that bring our people into this land? Where do our pathways diverge from Indigenous pathways? Where do they converge with settler colonial ones? In other words, what is our relationship to settler colonialism, to Indigenous survivance and tribal sovereignty?” (128). I sense Paperson implicating themselves here, in the pronoun “our,” as a settler, or at least as a non-Indigenous person, but I would like to see more of that self-implication. What is Paperson’s relationship to land as property? Do they own their own home? What is Paperson’s connection to either settler colonialism or Indigenous survivance? Where is Paperson in this argument, in other words? Perhaps the critiques made in this essay, and the activist pedagogical projects it describes, are intended to identify those connections, but while they suggest what’s wrong with settler environmentalism, they don’t offer any sense of how to create a form of environmentalism that doesn’t fall into those errors. So, as I’ve indicated in my comments as I read this essay—and this post is very much an immanent reading, a first encounter with the text, an admission of my failures to understand and my unanswered questions—I’m frustrated by this essay. Perhaps I should try again, but I’m not convinced that a second reading would increase my understandings or answer those questions. For the first time in ages, I find myself wishing for a seminar class in which a group of peers could try to unpack Paperson’s essay. That’s not on the agenda–the course for which I read this article is all over now, except for the final paper–and so I’m left somewhat confused about how it might relate to my research—or if it relates to my research at all, since as a settler, I’m part of the problem Paperson describes, rather than part of its solution. 

Works Cited

Buckiewicz, Amanda. “How Indigenous science could help us with our sustainability and diversity crisis.” Quirks and Quarks, CBC Radio, 4 June 2021. https://www.cbc.ca/radio/quirks/jun-5-shark-extinction-event-caffeine-can-t-keep-you-functional-the-pachyderm-s-proboscis-and-more-1.6052388/how-indigenous-science-could-help-us-with-our-sustainability-and-diversity-crisis-1.6052394.

Paperson, La. “A Ghetto Land Pedagogy: An Antidote for Settler Environmentalism.” Environmental Education Research, vol. 20, no. 1, 2014, pp. 115-30. DOI: 10.1080/13504622.2013.865115.

Swiderska, Krystyna. “Protecting indigenous cultures is crucial for saving the world’s biodiversity.” The Conversation, 14 February 2020, https://theconversation.com/protecting-indigenous-cultures-is-crucial-for-saving-the-worlds-biodiversity-123716.

Tuck, Eve, and K. Wayne Yang. “Decolonization Is Not a Metaphor.” Decolonization: Indigeneity, Education, & Society, vol. 1, no. 1, 2012, pp. 1-40. https://jps.library.utoronto.ca/index.php/des/article/view/18630.

“Wayne Yang, Professor & Provost of John Muir College.” Ethnic Studies Department, UC San Diego, https://ethnicstudies.ucsd.edu/people/yang.html.

Diane Conrad and Anita Sinner, editors, Creating Together: Participatory, Community-Based, and Collaborative Arts Practices and Scholarship Across Canada

This book is—I think—also required reading for the course I’m taking that begins tomorrow. I’ve had a copy for a while now—I got it as part of research for a paper on social aesthetics I had to write in another course a few years back—but I haven’t read it yet. Sometimes when you’re writing a paper you just run out of time and don’t get a chance to read all of the relevant material. Well, now I’m reading it. Today. And if it isn’t required reading for the course, well, it still might be relevant to my research anyway.

In the foreword, Rita L. Irwin obliquely suggests that the book came out of a workshop on collaborative arts practices (viii). “The chapters contained in this volume represent a stunning array of transdisciplinary perspectives that benefited from a unique after-submission event that called the authors together, to perform, to engage, to think, and to question their own and each other’s work in an effort to strengthen, extend, and enrich, not only the published document but the projects themselves,” she writes (vii-viii). She cites Claire Bishop’s suggestion that collaborative art focuses on three concerns: “activation, authorship, and community” (viii). Activation refers to “the ‘desire to create an active subject, one who will be empowered by the experience of physical or symbolic participation,’” Bishop states (qtd. viii). Authorship means “egalitarian or democratic authorial engagement that emerges from or creates a non-hierarchical model of socialization” (viii). In other words, the authorship of the work—if a tangible work is produced by the activity—is collective or collaborative. Finally, community is about “a human need for collective responsibility” and a collaborative production of meaning (viii). 

Bishop draws on the work of Guy Debord (I’ve read the text under discussion but don’t remember a reference to Debord, but my memory is fallible) and Nicolas Bourriaud (a touchstone for anyone writing about this topic) to suggest that contemporary artists set out to create new social relationships and therefore new social realities (viii). Yes, that’s true, some do, although it’s not universal. “In this sense artists are creating events as constructed situations and those involved become the medium of their socially engaged practices,” Irwin writes. “Artists are intervening in their constituencies creating situations that interrupt that which is taken for granted. Participants, audiences, viewers, and readers are not simply involved as a way of raising one’s consciousness” (viii). Whose consciousness? Instead, they are “physically involved as ‘an essential precursor to social change’” (Bishop, qtd. viii). Socially engaged artists—and that’s not quite the right term, because many forms of nonparticipatory art are socially engaged in other ways—“are less concerned with observing art as an object or performance and oftentimes perceive time and experience as their medium of choice” (viii). The use of Bishop here is interesting, because she’s notoriously skeptical about social or relational aesthetics, but she did write the text under discussion here, the introduction to a book about participation in contemporary art. 

Irwin believes that Conrad and Sinner are interested in activation, authorship, and community, and the workshop from which this book emerged “set up a constructed situation offering opportunities for new social relationships to emerge” and that “physically and affectively offered participants opportunities to renew their commitment to being active subjects, to rethinking authorship in participatory practices, and to reimagine what it means to be committed to an elaboration of meaning within arts communities” (viii-ix). So the process through which the book was produced echoes the kind of art making the papers it includes discuss.

In the introduction, Conrad and Sinner discuss art as a form of research—not surprising, since they are both professors of art education and thus social scientists as well as art practitioners. They suggest that arts research “is often framed as partnerships, set within community contexts, and involves deeply collaborative work, frequently residing on the academic margins as fertile yet sometimes suspect sites of inquiry” (xiii). That positioning generates several questions: 

How might we begin to understand what we sense to be different in the fluid, sometimes contradictory, even provocative demonstrations of intimate, embodied, and often messy expressions of scholarship? In what ways to the arts as research support new forms of creating collaborative understandings? Why does arts research matter across disciplines and within diverse communities of practice? What is our responsibility as arts researchers to create those very spaces that we know are needed to foster the scope, depth, and breadth of scholarship, which Rita Irwin so aptly describes as the arts with, in, and through our research? (xiii-xiv)

I don’t really consider my work to be a form of research—not literally, in the sense that Conrad and Sinner consider their work to be research—and in my experience, art that is considered as research is often more research than art. Maybe I’m reacting to the bad writing I’ve seen in autoethnographic texts that claim to be both art and research. It’s hard enough to learn an art practice; demanding that practice function as research makes it even more difficult. But that’s just my take on this, and I could easily be wrong. I’m sure that Conrad and Sinner would say that I am.

This book, Conrad and Sinner continue, is about “multidisciplinary arts research practices as sites for critical conversations central to defining, exploring, and investigating current practices,” and it takes on issues related to the arts that include “what constitutes expression and how to define the merits of creative scholarship to advance conceptual development and facilitate the maturation of creative research design,” issues that emphasize “theoretical, methodological, and practical considerations in ways that help highlight the conditions, as well as the emotional and embodied qualities of creating knowledge through the arts” (xiv). Whether the arts are intended to create knowledge is another question, one that’s not asked.

The collection includes “paradigms of thought about arts research that are defining this time and place in Canadian academic scholarship,” and that’s why the editors have put together chapters about “participatory, community-based, and collaborative arts practices as ‘through-lines’ for the anthology” (xiv). They note that the contributors come from many different fields outside the fine arts (xiv). The kinds of art discussed include “applied theatre, digital storytelling, photography, mural painting, performance art, and poetry” (xiv). 

Next, Conrad and Skinner trace “the genealogy of our ideas, concepts, and orientations to earlier work of Canadian artists and scholars interested in creativity, from which the uptake of arts research across disciplines in Canada has, arguably, been profound” in order to offer “tentative answers to the question of why this work, still in the process of emerging, is particularly vibrant within the current Canadian scholarly context” (xv). They note the ways that “generations of curriculum scholars” have reshaped “perceptions of learning and teaching through creative forms of expression,” including life writing, fiction, a/r/tography, and narrative inquiry (xv). (I Googled “a/r/tography” and couldn’t find a concise, coherent, concrete definition.) They suggest that Canadian funding agencies are particularly open to supporting various forms of research-creation work (xv). They also suggest that arts research is both a way to translate knowledge (from experts of specialists to the general public, I think) as well as “a way to produce knowledge, to contribute to human understanding, and to represent the complexities of human experience” (xvi). It is also a space where interdisciplinary research can take place (xvi). 

Next, they discuss the papers included in this anthology. Those papers focus on themes that include process, place, story, embodiment, health and well-being, witnessing and relationship (xvii). Most of those themes are self-explanatory, but it’s worth mentioning their notion of witnessing as “listening, seeing, attunement, and attentiveness, mindful attendance, or ‘with-ness’” (xvii). That kind of participatory practice “is rooted in humility, conviction, trust, and vulnerability on the part of the artist-collaborators and researchers” (xvii-xviii). Relationship, on the other hand, is about “honouring relations with others, with the land, with stories, and with the past” (xviii). The volume’s overarching themes, however, are community, particularly diverse and underrepresented communities; empowerment, “positioning community members as active agents for change”; and collaboration (xviii). The book is organized in three parts. The first looks at participatory arts practices; the second examines community-based arts scholarship; and the third thinks about collaborative arts approaches (xviii). I find myself wondering what the differences between practices, scholarship, and approaches might be. After a summary of the various papers included in the book, Conrad and Sinner conclude that the anthology is “a gathering, a project that has mobilized working definitions of participatory, community-based, and collaborative arts research practices as a conversation offered from many perspectives and places, across a series of openings that are the ideas, places, and peoples that we are collectively” (xxiii). They hope that the book “resonates as spaces of possibilities in which we may find the how and why of sustaining the inquiry that is indeed at the centre of our arts research practices” (xxiii).

The book begins with a section on participatory arts research. The first chapter is “Sharing the Talking Stones: Theatre of the Oppressed Workshops as Collaborative Arts-based Health Research with Indigenous Youth,” by Warren Linds, Linda Goulet, the late Jo-Ann Episkenew, Karen Schmidt, Heather Ritenburg, and Allison Whiteman. The authors begin by noting their personal connections to southern Saskatchewan and to the First Nations that are part of the File Hills Qu’Appelle Tribal Council (3). Their project adapts something called “Forum Theatre” workshops, using theatre games and similar activities, “to create a space for Indigenous youth to critically examine the choices they make that affect their health” (3). These workshops “provide a performance-based, theatrical structure for dialogue on significant social, cultural, and health issues” and “creative imaginative ‘blueprints’ for possible future choices” (3-4). They suggest that these workshops are holistic, “combining arts-based research with education and health,” and that they avoid the notion that the process and product of art-making are separated from each other and that meanings can be hidden from audiences (4). “Based on Indigenous view of holistic health, we use the arts to develop people’s relationships in physical, intellectual, social/emotional, and spiritual domains,” informed by theories of decolonization, Indigenous research, and embodied knowing (4). 

The project’s participants included youth between the ages of 12 and 18 from different First Nations, and First Nations and non-Indigenous professionals (4). Theatre games helped build trust in the group. The adult professionals involved are part of the group, not outside it. “We strive to address issues of power through more equitable interaction structures, such as talking circles,” the co-authors write (4). A community Elder “who speaks to and models First Nations values” was included in the workshops (5). 

The co-authors note that the work takes place in the context of colonization and decolonization. Colonization is violent, physical, embodied, but also about beliefs as well (5). Decolonization “is about self-determined action; agency is dependent on having a well-developed imagination” which allows people to envision what needs to change and the steps involved in making that change (5). “More important, one needs to have the volition and agency to enact the imagined changes,” they state (5). Decolonization “involves resistance to colonization and generating new ways of being that involve youth co-creating new possibilities for relating to each other and to use as facilitators,” and in the workshops this resistance happens through “an embodied process of interaction, overcoming the imaginary separation of body and mind, where the future is modelled and transformed through an aesthetic and playful process” (6). 

However, “the delivery of theatre workshops can also become a colonizing process” if adult “experts” focus on instructing and correcting the youth who are participating “without questioning what contributed to their challenges of situations” or if organizers go into communities and disregard “the theatrical traditions already in place there—in other words, repeating the colonizer-colonized relationship that is present when working with Indigenous communities” (6). The co-authors tell us that they are mindful of those aspects of their work, “questioning when we might be perpetuating oppressive ideologies and behaviours as opposed to being engaged in a collaborative process with both the community partners and the youth participants” (6).

The co-authors cite Cree scholar Walter Lightning’s discussion “of the relational and embodied nature of coming to know,” because learning is not a transmission of knowledge but “a process of creating and re-creating knowledge in a mutual relationship of personal interactions” that is cognitive, emotional, and physical (6). It also involves observation and sensory experience (6). All of these qualities are engaged in the workshops (7). Those workshops apply “concepts of co-determination and shared authority to describe adult-youth relationships” (7). “We set the direction for the general activity, then use situational leadership, where authority is retained, shared, or relinquished for a time depending on the learning needs of the group,” the co-authors state (7). The creative work “is co-determined and built upon the four Rs of research with Indigenous people”: respect, relevance, reciprocity, and responsibility (7). The relationship between the adults and the youth participants is dialogical, and leads to an emergence of knowledge through the artistic process (7).

The workshops involve talking circles (8). They begin with a prayer, led by the Elder, which “acknowledges and values the cultural protocols of Indigenous communities; links the youth to their heritage, spirituality, and language; and brings those links into the workshop space” (8-9). Then the sharing circle begins. Theatre games draw the youth into the workshop activities through playfulness: “In the dramatic space created by the games, they lose themselves in the fun, as their bodies are able to let go and move beyond the tightness of oppressive relationships where they have set roles or relationships to power” (9). The games also “open a space for decolonization and self-determined learning” (9). Playfulness creates a feeling of freedom (9). The “kinaesthetic approaches” of the workshops “are part of the knowing that emerges in our work and informs every level of the creative process rather than just remaining at the level of simple ‘warm-up’ games or energizers” (10). 

One challenge is that few of the youth have been exposed to drama; they find it difficult “to bring the rough work to the clarity of expression needed to communicate with an audience” (10). Multiple facilitators help keep the young people, working in small groups, focused on refining their performances (10). “We have found that because our creations are often group creations, the youth who find the art form engaging will encourage others’ participation, either directly or indirectly,” the co-authors note (10). The workshops challenge the youth participants, “enabling them to extend themselves and explore new aspects of themselves” (10). They develop “social, intellectual, creative, emotional, and physical skills” (10). The games enable the group to “find the balance between freedom and control, which is necessary to help people discover and explore the different facets of their personalities,” but those games are also “sufficiently structured to be ‘safe enough’ to build up a pattern of relationships within a group,” which generates “the security to take risks” (10).

Most of this discussion is focused on the games rather than the production of work for an audience, and I find myself wondering if the games aren’t perhaps more important than that goal. “Games become a process of re-engaging the body’s senses with the world,” the co-authors tell us, and the “chaos of play situates the body in dynamic relationship with the environment and transforms the relationships between the youth and their peers and their world, especially when the activity creates a physical connection among youth” (11). The games develop collaborative leadership (12-13). 

The next step in the workshops is “Image theatre, where bodies in relationship are a language, enabling participants to create static, and silent, at least at the first stage, group images to represent their stories” (13). Through this interactive process, they discuss “alternative ways to change power relationships,” which “leads to reflection, as well as possible solutions tested in new images, leading to a new round of possible actions” (13). The youth participants are guided “in constructing images of health concerns, as well as images that depict community power dynamics and perceptions of risk” (13). Those images “are used as a platform for animated and embodied short stories about a particular situation” (13). Workshops address topics like bullying and lateral violence (both physical and emotional) (13-14). 

The workshop organizers have been experimenting with “different debriefing techniques to encourage responses from youth because of experiences [they] have had asking questions that might not have been culturally appropriate”—or perhaps questions from non-Indigenous facilitators that repeat colonial histories without meaning to (15). Trust needs to be created before those debriefings can work (15). But the workshops cannot be “disconnected from the realities of the youths’ lives (and the colonized history of those realities) outside the workshop room” (15). 

A power dynamic emerges during the workshops: “This power shift can be among the participants, between participants and the facilitators, and among facilitators. If this complex, evolving process is not managed, either implicitly or explicitly, the collaborative process can collapse” (15). Shared authorship means that the facilitators “do not always know the specific direction of the learning that is happening, so uncertainty is at the core of collaboration” (15). Situational leadership and shared authority create spaces where the youth “can be self-determining, making decisions about the process to reflect their lived experiences” and where the facilitators provide guidance and set parameters “within the boundaries of the acitivity and the workshop norm of keeping self and others safe while taking risks” (16). The facilitators “are thus always in the ethical space between freedom and control” (16). The facilitators also try to collaborate across their diverse backgrounds: 

we learn collaboration as a team through collaboration with youth, who are also learning through collaboration with us and with each other. The workshops become a space where we can explore how we might interact with each other differently, and at least momentarily experience and work together outside the box of colonization, pointing the way to what decolonized relationships might look and feel like. (16)

The project, the co-authors conclude, “is constantly being redefined and new challenges or realizations emerge” (16). I find myself wondering when the project ended, or if it is still going on; I know that some of the facilitators are now doing other things, but others might have stepped in to carry on the work.

The next chapter, “Uncensored: Participatory Arts-based Research with Youth,” by Diane Conrad, Peter Smyth, and Wallis Kendal,” discusses High Risk Youth Uncensored: An Educational Exchange, a participatory research project using arts-based methods that was a partnership between iHuman Youth Society, Edmonton and Area Child and Family Services High Risk Youth Unit, and the University of Alberta (21). The term “high-risk youth,” as defined by the Alberta provincial government as young people between the ages of 14 and 22 whose drug or alcohol use interferes with their daily lives, “whose decisions may jeopardize their safety,” who lack healthy connections with adults, and who “have experienced multiple residential placements and multi-generational child protection involvement” (21). To that definition, the co-authors add mental health struggles, involvement with the criminal-justice system, experiences of racism, and “negative experiences at school leading to being pushed out or dropping out,” all of which makes their survival “precarious” (21). These characteristics were common among the youth engaged in the project, although they told the organizers that they don’t like that label (21).

Research that “works towards concrete improvements” in the lives of these youth is necessary (21). Participatory research, like the Uncensored project, “is a potential vehicle for such engagement” (22). The co-authors also describe the project as “an example of social innovation” and as “vernacular culture” that is “context-dependent, local, flexible, and diverse” and “in which all are encouraged to participate, focusing on community and relationships” (22). They cite the work of Gaztambide-Fernandez, who “re-envisions the arts as cultural production involving ‘practices and processes of symbolic creativity’” in which people “remake the world around their concerns and issues as part of our common culture” (qtd. 22-23). (Shouldn’t artists be re-envisioning the arts, rather than education professors?) Another term can be used to describe the Uncensored project: cultural democracy, which provides access “to the means for cultural production and decision-making” to communities and facilitates their engagement (23). “Cultural democracy is a powerful basis for driving participatory arts practices and scholarship,” the co-authors state. “The arts conceived in this way are integral to social justice initiatives through which academic scholarship that uses participatory arts-based approaches is making a contribution to social innovation” (23).

Uncensored began in 2009. The chapter’s authors “were the project’s primary facilitators” (23-24). After much discussion, exploratory sessions with youth began at the University of Alberta (24). (Why not somewhere in the community?) “Work began with discussions around a big table about what youth felt service providers needed to know about their lives,” the co-authors recall. “The youth immediately bought into the process, seeing it as an opportunity to tell their stories, to get their messages to service providers, and to help other youth experiencing similar challenges” (24). Seven themes emerged: “relations with law enforcement, educational issues, access to health care, the social services system, worker-client relations, family dynamics, and other youth experiences” (24). They surveyed service providers to gauge their interest in participating in workshops; the results helped them refine the project (24).

The project’s research questions were “How can we educate service providers to better prepare them for working with high-risk youth? What are effective methods for doing so? What is the role of youth in this process? What is the role of the arts in this process? To what extent are service providers receptive to such an educational undertaking?” (25). The project was intended “to develop curriculum and facilitate workshops for service providers and evaluate the outcomes from service-provider representatives” (25). The youth were to be co-researchers, rather than research participants, according to the participatory research design (25). The youth were paid for their time (26).

The methodology for the project drew on participatory research (PR) and arts-based research (ABR), with the former functioning as “an overarching philosophy” (26). “Rather than generating knowledge for knowledge’s sake, PR is interested in finding practical solutions to pressing community issues,” the co-authors write. “It produces reflective, embodied, practical knowledge that helps people to name, and consequently, to change their world” (26). Community partners were involved at all stages of the project (26). Uncensored used a number of art practices, “including applied theatre, storytelling, creative writing, poetry, rap, visual and digital arts, as well as drawing on content from youths’ experiences, as ways of engaging them to express and analyze issues that they identified as relevant” (27). The artworks created by the youth “were presented as starting points for the discussion and the interactive search for solutions or alternative responses” at workshops for service providers (27).

For the first two years, the project held weekly sessions (27). Some 100 youth participated (27). Most were young women (27). The majority were Indigenous (27). “Ideally, in a participatory project, the participants should take a major role in contributing to all stages of the research process,” the co-authors note. “For our project, although the youth did determine the substantive content of our work, it was the adult facilitators who initially identified the need for the project and shaped its direction” (27-28). The adult facilitators also did all the organizational and administrative work, because “assigning the burden of responsibility for societal change to youth is problematic” (28). At most of the sessions, the youth worked on their art projects; frequently they shared their stories (28). At the workshops for service providers, the project was introduced and the youth performed short scenarios; they ended “with an open talkback between the youth presenters and the audience” (28). The scenarios adapted Augusto Boal’s forum theatre style, in which scenes are presented without solutions, and audiences are asked to intervene in the action and to develop, collectively, “strategies for dealing with the personal and social issues raised” (28). The co-authors suggest that “the philosophy underlying our adaptations of forum theatre remained liberatory, with the aim of helping individuals and communities, through the theatrical process, to identify issues of concern, to analyze situations, and to look for solutions” (28).

The project’s theoretical perspectives were interdisciplinary and included harm reduction, alternative conceptions of justice (including restorative justice and therapeutic jurisprudence), psycho-social theories, rethinking the term “at risk,” and arts interventions (29-30). 

Some 25 workshops were held over two years (30). Workshop participants were surveyed (31). The facilitators “sensed great benefits for the youth involved beyond just the material benefits of payment for participation,” and so further research was conducted that asked some of the youth who had been involved about their experiences (32). That research found that the project allowed the youth to have fun and enriched their lives; that they felt accepted and that the weekly sessions were safe spaces for them; that they developed interpersonally by building relationships with others; that the project encouraged personal development and helped the youth build positive self-images; that the experience was empowering; that the youth gained practical benefits, including money and structure; and that the project enabled the youth to give back to their community by helping others (32-33). 

Feedback from the service providers suggested that the youth were appreciated, “admired for their courage, and accepted as teachers” (35). In the project, “the arts offered a way to engage youth in exploring their experiences and for communicating youths’ issues to service providers,” and the participatory arts-based methods “have a role to play for innovation in all areas of social life,” the co-authors conclude (35).

The next chapter, “The Co-Creation of a Mural Depicting Experiences of Psychosis,” by Katherine M. Boydell, Brenda M. Gladstone, Elaine Stasiulis, Tiziana Volpe, Bramilee Dhayanandhan, and Ardra L. Cole, documents their use of “arts-informed inquiry as an alternative form of data collection and representation to further illustrate the pathway to mental health care for youth experiencing psychosis” (39). The youth involved in the project worked with an artist to create a mural that was installed in a high school (39). “The overall goal of the project was to explore the impact of a form of research representation as a research methodology,” the co-authors write, and so the production of the mural was documented, the pathway to mental health care for young people was represented, and awareness and understanding of first-episode psychosis was promoted (39). This chapter focuses on the documentation of the mural creation process (39). 

The projects methodology, qualitative arts-informed health research, “combines traditional qualitative strategies such as participant observation, informal interviewing, and structured group discussions with methods informed by the arts” (41). “The use of the arts i knowledge creation allows for an appreciation of the intricacies and multi-dimensionality of creating new knowledge,” the co-authors state (41). Such forms of knowledge can be disseminated easily (41). 

Eight youth between the ages of 16 and 24 were recruited “through first-episode clinics in a large Canadian city” (41). Studio space and art supplies were provided (41). The work was drawn and painted on a 5 by 12 foot canvas, so that the mural would be able to travel between schools (42). The creation process was documented by participant observation by members of the research team (42). 

During the production of the mural, dialogue about the participants’ experiences of illness was facilitated, and they were led through drawing and painting exercises “designed to help them see in new ways, to challenge preconceived ideas about what ‘art’ is, and to discuss what it means to learn to use non-representational visual language to express emotion” (42). Participants drew portraits of each other and mixed colours (42). They heard excerpts from a qualitative study on psychosis “to inspire them to think about themes for their own drawings” (42). Some tried painting blindfolded (42-43). 

After those workshop sessions, participants were led through “a collaborative ‘thought exercise’” in which they developed themes for the mural by brainstorming “different concepts to represent their experiences” (43). In this way, the participants developed a visual narrative (43). This process is not easy: “Learning to use a visual language and think abstractly is often a difficult task if one is not familiar with this approach. The group attempted to unearth layers of their experiences, moving away from more literal representations and explicit symbols, searching for deeper connotations and more abstract representations” (43). The facilitator assisted with this process (43). “Tension between aesthetics and the representations of collaborators emerged, and we began to consider how these tensions were playing out in the mural creation process,” the co-authors recall (43). The facilitator steered the youth away from the use of clichés, which would support obvious assumptions about the mural’s meaning (43). All of this generated increasing tension “as a result of difficulties in moving beyond simple clichés” (43-44). The facilitator had to compromise with the youth over the inclusion of some clichés (44). 

Then the group’s narrative was transferred to the mural canvas (44). The participants worked individually in boxes on the canvas (44). They “learned to visually deconstruct their experiences as they worked to build layers onto the large canvas” (44-45). After it was finished, a focus group discussion was held, in which each artist “was invited to talk about the images he or she had selected to include on the mural as well as what it was like for them to participate in such a research project” (45).  The participants described the experience in terms of empowerment, camaraderie, and expression (46-47). 

When the mural travelled to schools in Ontario and Prince Edward Island, it had descriptions and explanatory text travelling along with it (45). The text explained the symbols used by the artists (45-46). That would seem to work against the facilitator’s suggestions that some of the stories included might be hidden or not revealed, and that the layers of paint used are “emblematic of participants’ journeys with mental illness” (45).

In their conclusion, the co-authors find that the project had challenges, and that research conducted through participatory arts-informed methodologies should not be assumed to generate “superior data” or engender “balanced power relationships” (48). However, the participants’ experiences of camaraderie and empowerment, the opportunity to work together and learn from each other, and the way the project normalized mental illness were all important (48).

The next chapter, “Participatory Action-Based Design Research: Designing Digital Stories Together with New-Immigrant/Refugee Communities for Health and Well-being,” has one author: Naureen Mumtaz. She describes her master of design thesis in this chapter, Journeys and Voices Together, which “was undertaken on the premise that design can influence positive social change in the context of new-immigrant/refugee communities’ health issues” (51). She used an “emergent design approach” in order to explore “how collaborative/participatory methods in design process could contribute to initiating and sustaining effective communication for healthier communities” (51). The questions that guided this study were:

How can access to health-care services for new immigrants and refugees be improved through a participatory design process? Can collaboratively designed artifacts give health brokers and new-immigrant/refugee clients a better understanding of each others’ needs? Can a design process, based on creative participation and collaboration, influence awareness about better health in new-immigrant and refugee communities? (51)

According to Mumtaz, this research project “contributes to an ongoing conversation with professionals and scholars interested in community-based participatory design methods and/or specifically focused on practices in ethno-culturally diverse contexts” (51).

Mumtaz discusses the context of the project, health, and its methodology, participatory design (52-55). Then she lands on the design of her research study:

Building on my previous experience of working with new-immigrant/refugee communities, I have conceptualized this study as a process that would evolve and adapt to the distinctive needs of community stakeholders ‘who are otherwise marginalized by design,’ with the conviction that the people who would ultimately be using the resulting artifact/product should have an active voice in its creative design process. (Nieusma, qtd. 55)

I’m still not clear what she’s designing, though, or how community-engaged or participatory design will address the problems of access to health care. Perhaps that is revealed later on. In any case, she states that her research “combined ethnographic methods (observation, shadowing, visual ethnography)” along with participatory design “for defining the problem, identifying an area for design intervention, and the creative design process” (55). Four interrelated stages—a thick description of the context; digital storytelling workshops; evaluation feedback and expert interviews; and reflection and project outcomes—led to her research plan (55-56). Some of those stages seem backwards—wouldn’t a research plan have to come before project outcomes? What am I missing? In any case, the result of this work is something she calls “a participatory action-based design research model” (56).

Mumtaz “spent time shadowing the health brokers in their various community meetings and community interactions” to learn about “the real-life, emotional, and cognitive aspects of community members” (56-57). That work led to increased trust between Mumtaz and the community (57). The digital storytelling workshops were intended to explain what the community required “to achieve better health and well-being” (58). Also, those workshops became “a means of collaboratively designing artifacts . . . which could be shared through a website” (59). Then came the research evaluation, which seems to mean digital storytelling showcasing events and the questionnaires and interviews that followed them (60-61). “Based on the analysis of our participatory approach of our participatory design approach, the health brokers were brainstorming for future design interventions for their communities’ well-being,” Mumtaz writes (61). Maybe I missed it, but I don’t know what she means by “health brokers” or what their connection to the community might be.

Five digital stories came out of the workshops, each written by a health broker (62). For Mumtaz, this process became one of the project’s outcomes (63). I still don’t know what, if anything, was actually designed as a result of this activity other than those digital stories. Frankly, this chapter is confusing and unclear.

The following chapter, “The Use of Staged Photography in Community-Based Participatory Research with Homeless Women,” by Izumi Sakamoto, Matthew Chin, Natalie Wood, and Josie Ricciardi,” is about “an arts- and community-based participatory research (CBPR) project exploring how ciswomen and transwomen with experiences of homelessness build support networks with each other to survive” (69). It used staged photographs “and subsequent art-related dissemination activities as methods of community-based participatory research informed by principles of anti-oppression, empowerment, and cultural democracy” (69).

I skipped over the lengthy discussion of the study’s context, homelessness in Toronto, and landed on a section entitled “Coming Together Project: Methods and Overall Findings.” the project was a collaboration between the Faculty of Social Work at the University of Toronto and two community agency partners, and it “sought to better understand the strengths, experiences, and marginalization of ciswomen and transwomen who had experienced homelessness” (72). The research team members included university social work faculty, a community artist, students, and the women who had experienced homelessness (72). The research continued over five years in different forms (72). It drew on principles of community-based participatory research and grounded theory “and was guided by an advisory board of research participants with experiences of homelessness” (72). The project’s first phase consisted of semi-structured interviews; the second phase involved staged photography sessions; and the third phase involved feedback sessions and an evaluation focus group (73-74). At some point—when isn’t clear—art-making sessions with homeless women were held (74). “In all settings, the participants expressed how they supported each other on individual and community levels about issues of poverty, isolation, discrimination, and accessing social services,” the co-authors write (74). Apparently, the women also painted the backdrops for the staged photography sessions (74). 

Three themes emerged from the project: the importance of networks of social support among women with experiences of homelessness; the recognition that individual experiences of homelessness are often affected by historical and ongoing systems of structural marginalization; and the need for services that build on the strengths of the women while recognizing and addressing the challenges that they face (76). 

In the discussion of the project’s methodological “learnings,” the co-authors suggest that the factors that played into the methods the project used included:

drawing on the diverse skills and expertise of the research team members; crafting a particular art modality that was accessible and accountable to the life experiences of ciswomen and transwomen who were homeless; building on pre-existing relationships to mediate the potential “strangeness” of the research process; facilitating openness and building relationships of trust among all research participants, and the fun that research participants experienced in taking part in this study. (77)

According to the co-authors, these factors were interconnected. 

The co-authors go on to describe each factor in detail. I skipped ahead to the discussion of the “art modality,” because I still didn’t understand what the chapter means by “staged photography.” The chapter explains: traditionally, in “staged” photography the artists take on the role of director in creating an image, using models (sometimes the artists themselves), props, costumes and lighting to create a sense of theatre that is photographed (79). Cindy Sherman’s work is offered as an example (79). They chose staged photography for several reasons: it is a collaborative methodology (is that always true?); there were time constraints on the photography sessions, which couldn’t be longer than three hours; the activities had to be completed in one session given the nature of the participants’ lives; the art process had to be meaningful and engaging for the participants but the time involved in the learning process would be minimal; and the participants needed to be able to express their stories in a way that showed both their diversity and their strengths, courage, and knowledge; and the participants had to be the heroes of their stories (80). The guiding philosophy for the art process was cultural democracy, which is “committed to promoting and supporting pluralism, participation, and equity in community life” (80). The participants “were asked to engage in a communal leadership process, which gave them opportunities to construct snapshots of their own realities,” they continue (80). They were their own writers, costume directors, makeup artists, and scene and backdrop painters. The artist involved listened, asked questions, made suggestions, and photographed the participants’ stories (80). 

The project’s effects included creating a sense of empowerment among the participants, transforming the participants from consumers to helpers and contributors, and “knowledge mobilization” (82-85): “the knowledge generated by this research” had to “be disseminated and mobilized to change structures of inequity and change the situations of those affected by the issues” (85). The project “led a larger collaboration of community-based, arts-informed research projects on homelessness in Toronto” and the knowledge produced was distributed in a variety of forms, including a policy report, a joint art exhibit, and a website (85-86). 

In their conclusion, the co-authors state that they believe “that the use of the method of staged photography alone, without the critical conditions mentioned, would not have yielded successful results” (86). By “critical conditions” they seem to be referring to the five methodological factors they describe earlier. “Ultimately, these conditions reflect the importance of attending to the particularities of the context, listening to participants, and building trusting relationships and spaces, which were of the utmost importance for the effectiveness of our community-based research efforts” (86). 

The book’s next section focuses on community-based arts scholarship. The first chapter in this section is “The Living Histories Ensemble: Sharing Authority Through Play, Storytelling, and Performance in the Aftermath of Collective Violence,” by Nisha Sajnani, Warren Linds, Alan Wong, Lisa Ndejuru, Lucy Lu, Paul L. Gareau, and David Ward. This chapter is be structured as a collaboration, a collection of voices. Nisha Sajnani begins. She explains that the Living Histories Ensemble “performs at the intersection of oral history, trauma studies, community dialogue, practice as research, and research creation” (93). For five years, ending in 2012, they worked on a “community-university oral history project Life Stories of Montrealers Displaced by Genocide, War, and Other Human Rights Violations” (93). “We care about how performance translates and transforms oral histories and how embodied approaches can help us understand and attend to each other better,” she states (93). It also helps the performers, and their audiences, to understand better the experiences of violence and its aftermath (93). 

Playback Theatre (PT), their methodology, “is a form of interactive theatre in which stories (large and small), volunteered by members of the audience, are extemporaneously transformed by skilled actors into words, movement, metaphor, and music” (94). A 90-minute PT performance is made up of a series of “entertaining, improvised sketches” which “coalesces into a dialogic collage” (94). “Done well, PT is a rewarding high-wire act of deep listening, risk-taking and white-knuckle creativity—a unique means for truly honouring stories and their tellers,” Sajnani states (94). This practice reflects the way that applied or popular theatre articulates the ways in which drama and theatre work as research-creation (94). They draw on a number of trends in practice as research, performance inquiry, improvisation as social practice, and embodied narrative inquiry, along with other forms of arts-based research, and understand their practice to be a “living inquiry” because “it involves the simultaneous tracking and transmission of tacit, emergent knowledge through embodied improvisational performance” (94-95).

Next is Alan Wong, who explains that the project was based at Concordia University’s Centre for Oral History and Digital Storytelling (97). The Life Stories project “brought together dozens of academic researchers and community members to solicit, record, collect, and explore approximately 500 oral histories of individuals living in Montreal who had been displaced by mass atrocities in their countries of origin,” primarily Haiti, Cambodia, and Rwanda, but also the Holocaust (95). The idea of “shared authority” was a heavy influence on the project, and it helped to make sure that “project participants would be empowered as they revisited, narrated, and reviewed the stories of their lives” (95). As the archive of stories grew, “affiliated researchers began using it as the basis for scholarly work in the fields of history, education, anthropology, sociology, communications, and political science. Artists created video documentaries, photographic displays, performance art, and narrative pieces for theatre and radio” (95). The Living Histories Ensemble continues to work “as an independent collective, retaining its focus and expertise in arts-based research related to communities affected by traumatic events” (95-96). 

That work, Sajnani states, involves four “overlapping, repetitive cycles of analysis”: closed rehearsals; preparatory discussions between members of the Living Histories Ensemble and community representatives, which always precede performances in the wider community; the performance itself; and debriefings and follow-up conversations (96-97). The first two of these “cycles of analysis” are described in the following pages—the chapter’s discussion of the group’s methods (97-101). Then the group describes its toolkit, the “standard ‘forms’” they use in performance, usually short-form sketches, which are “effective in gently moving an audience into a collaborative trusting space to deeply reflect on the aftermath of genocide and displacement” (101). They note that interviewers often experience vicarious forms of trauma (102). The members with histories of trauma have told their own stories and have seen them “transposed into metaphor,” which “created an interesting aesthetic distance” that evoked unexpressed feelings and permitted critical reflection (103). After that discussion of short-form sketches, the authors discuss the longer improvisations they create with audiences (104-06). They note that the end of their performances are “often marked with a cascading, embodied summative reflection of the images and stories that emerged” during their “improvised, performative conversation” (106). They conclude by suggesting that their practice is grounded in a relational aesthetic and in “relational authenticity” (Rowe, qtd. 107) and note that it demands “a willingness to fail in our best efforts to remain flexible and open, to live, and create amidst uncertainty and loss, to offer vulnerability and responsiveness to each other and our audiences, and to commit (again and again) to the members of our ensemble and to the integrity of our art” (107-08). 

In the chapter’s final paragraphs, Sajnani states, “Trauma challenges our sense of safety and trust, making it harder, yet all the more important, to find ways of acknowledging and expressing experience while remaining in relationship” (108). She contends that their “living inquiry is, in fact, a loving inquiry in that it relies on the simultaneous tracking and transmission of tacit, emergent knowledge discovered via mutual encounters held within the framework of a compassionate, respectful, improvisational performance practice,” and that “collaboration—moving together in relationship with shared authority—is at the core of finding hope, making meaning, and summoning the will to survive in the aftermath of violence” (108).

The next chapter, “Co-Activating Beauty, Co-Narrating Home: Dialogic Live Art Performance and the Practice of Inclusiveness,” by Devora Neumark, begins with the three historical factors that “were recalled in the shaping of one of [her] most recent series of live art events”: 

the establishment of the State of Israel and concomitant oppression of the Palestinians; the role that has been attributed to the beautification of home as an integral part of the survival of the Jewish people; and the Jewish cultural affirmation of home(land) as exemplified in the multiple iterations of the theatrical production entitled The Jewish Home Beautiful in the United States and Canada from the 1940s onward. (111)

Her work seems to consist of “critical re-enactments” of that production in which she examines “the ways in which Jewish cultural narratives and religious ideologies have made it possible to not only ignore the plight of the Palestinian people, but also to create official policies and unofficial actions that exclude, dominate, and oppress them” (112). Her “dialogic live art performance events” are “intended to explore the possibility of co-creating new narratives of nonviolent resistance” (112).

By “dialogic live art performance practice,” Neumark is referring to a process-oriented practice that is “capable of provoking social change” and “nurturing the emergence of new ways of knowing” (112-13). “Within such projects, especially those that are deliberately engaged with the interrogation of power dynamics and motivated by the desire to address injustice, collaboration is often embraced as a locus of and agent for an encounter with the aesthetic, social, and political forces that shape individual and communal life,” she writes (113). The specific of “dialogic live art performance practice” are not clear from this description, however. She states that she engaged in three re-enactments of The Jewish Home Beautiful in Montreal in 2010 and 2011 with a number of other performers. (What theatre or performance practice is not, on some level, collaborative?) She cites conceptual artist and philosopher Adrian Piper’s notion of a “modal imagination” here, and suggests that imagining what is possible “is necessarily rooted in the past and the present” and that it “requires a collective effort, in the political realm as much as in the artistic” (113). She also believes that “art seeking to practice inclusiveness” must be relational (114). Given her use of the term “dialogic,” it’s not surprising that she cites Grant Kester’s work as well (114-15).

Next, Neumark describes the three versions of The Jewish Home Beautiful (115-18), which were performances in which the audience was encouraged to participate, food was served, and objects that “paid homage to a particular ancestor” were shared and discussed. “Each event gave rise to the next as people’s comments led to changes in form and intention,” Neumark states (119). In addition, “all the events were unscripted and open-ended. What emerged was specific to the individuals and the unique configurations of individuals who attended each particular event,” which could not be repeated (119). The third event was very small, almost private, since the participants were Neumark’s friends (121). 

Neumark suggests that these dialogic live art events “can signal a cultural and political reframing of the exigencies of home and beauty within an increasingly precarious, changeable, and uncertain world,” but suggests that the “dialogic process does have its limits” (122). “Not only must we remain vigilant to not exclude those we disagree with, we must be willing to sit with the awkwardness that often arises when we are faced with a conflict of opinion,” she states. “Dialogic performance, in which co-reflexivity and co-creativity are deliberately interconnected, calls upon each participant to sit with their discomfort long enough to hear and acknowledge each other” (122). Of course, the subject matter Neumark’s performances addressed would have been unlikely to lead to recognition or acknowledgement.

Neumark also talks about her work as sense-making, “a complex and multi-dimensional social activity that includes introspection, retrospection, interpretation, and discernment,” which is “a particularly important aspect of co-creative narrative construction because while it is context-specific, it can also be transferred to other situations” (122-23). She suggests that “what emerges in the live art dialogic process is simultaneously experienced both in the symbolic realm and in/as real life” (123).

According to Neumark, audiences members—or participants? it’s not clear who she’s talking about—felt powerful emotions, memories were shared, ideas were challenged, and new connections created in the creation of the events as well as in the conversations she had with participants afterwards (124). “Such co-activating of beauty and co-narrating of home is indeed not without its risks, especially since the stories shared and shaped within the performance space are not intended to be experienced only on a symbolic level,” she states. “Perhaps the greatest risk was allowing ourselves to be vulnerable enough to listen deeply enough to others as to connect with their suffering and their hopes” (125). 

In her conclusion, Neumark states, “The aesthetics of memory and the aesthetics of present experience act upon one another in the co-activation of beauty and the co-narration of home. Here engagement with the material world is both equally connected with and influenced by the realms of dialogue, reminiscence, collective imagination and creativity” (126). As a form of research, dialogic live art involves risk: it assumes “that conditions that allow for intimacy among strangers and the sharing of tender, even traumatic, memories are to be thoughtfully established within the performance frame” (126-27). She suggests that “the very capacity to experience truthfulness and vulnerability in public . . . awakens a shared humanity and reminds each and every one of us of our individual power to act in the fact of injustice,” and that process is not without risk (127). However, it’s clear that she believes it’s not without reward, either.

The following chapter, George Belliveau’s “Using Drama to Build Community in Canadian Schools,” looks at two Canadian schools where “teaching artists are integrating participatory forms of theatre and drama to develop artistic and community engagement” (131). He suggests that these initiatives, one in Halifax and one in Vancouver, are forms of community-based theatre (CbT) and thus a form of applied theatre, “associated with approaches such as theatre for development, theatre for social change, and popular theatre” (131). “Contemporary CbT generally consists of artists working with a community to assist or guide them in sharing their story, to address a social, historical or political issue of concern,” Belliveau writes (131-32). He frames this research as a case study, an approach which “provides a rich descriptive lens to discuss the nature and nuances of learning that emerged within the communities through artistic developments initiated by the teaching artists in the schools” (132). His data collection methods included interviews, field observation, and “available literature about the schools and artists,” whatever that means (132). His initial analysis “included a search for recurring and outlying themes,” which was “followed by a close examination of the data for resonances among both sites, as well as moments where the arts-based work stimulated participatory opportunities within and for the communities” (132-33). By communities, I wonder if he means the schools themselves, or the wider communities in which those schools are located. 

Next, Belliveau describes Carrigan Academy in Halifax, and the Zuppa Circus, which works with students there (133-35), followed by a description of Cedar Springs Elementary in Vancouver and the UBC Teaching Artists (graduate students in theatre education) who are engaged with students in that school (135-37). Then he discusses his findings. “The nature of the theatre and drama initiatives appears to have fostered positive support for building school community and nurturing school and community initiatives,” he tells us (139). What students learned in the theatre classes has helped them understand and verbalize schoolyard conflicts (140). It has also encouraged social responsibility (140). 

The next chapter, “Witnessing Transformations: Art with a Capital ‘C’—Community and Cross-cultural Collaboration,” by Nancy Bleck, begins by noting that community-engaged art practices are not always accepted by the art world (145). She describes her work in the Uts’am Witness project, which operated at the Roundhouse Theatre in Vancouver for ten years, until 2007 (145-46). That project “connected urban city dwellers to their rainforest backyards three hours north, to learn more about Coast Salish culture, ecological issues that affect us all, and the absolute importance of community at the heart of practice” (146). Bleck was an artist and researcher in the project, although she’s a settler (146). She was gifted a name by her First Nations colleagues, but she notes she has no right to speak on behalf of “an Indigenous subjectivity” (146-47). “Instead, I call up what Donna Haraway describes as ‘situated knowledges,’ which involve a positioning of oneself calling for a critical genealogy of subjectivity,” she writes. “This embodied ethical standpoint forms the foundation of my artistic practice and postmodern condition” (147). I have a copy of Haraway’s book and I probably ought to read it, since my position in relation to my research is not dissimilar from Bleck’s position in relation to her research.

“A cross-cultural collaborative methodology informs the scope of the work I describe in this chapter; the nature of this unfixed, messy process precludes any neat structure through which to speak about it,” Bleck writes (147). “The point of the project is to re-vision the future beyond a Western, colonized imagination, while emphasizing respect for the differences and diversity of our multi-species world, at a time when our actions on this planet matter,” she continues (148). 

Bleck describes the importance of community in the work, and notes that her experiences in the rainforest were one of “the most valuable recognitions of community” for her (149). She spent a week alone in the rainforest, a First Nations strength-building exercise, a challenge for a woman who grew up in Mississauga (149-50). “It was during this solo week in the wilderness that my intuition became sharpened, heightened, and flexed, and today I consider this to have been an important part of my art practice,” she states (150).

Next, she discusses witnessing through Haraway’s notion of “the modest witness” and in the context of settler and Coast Salish jurisprudence (150-51). “Borrowing from Haraway’s modest witness figuration as a point of entry into the discussion of what it means to be a witness in times of standardized brutality of nature, ongoing racism, and sexism, I consider closely new shifts in artistic practice edging away from the heroic individual towards the messy and complex collective,” she states (151). Always someone who prefers to work alone is dismissed as “heroic”: I’m tired of that description. In any case, Bleck continues: “It is through this shift of the role of witnessing away from knowledge-claims and towards a collective, public, and mixed act of witnessing, that cultural intervention into mainstream modernity’s social may also transpire and take hold” (151).

Bleck suggests that “community-based arts practices may be undergoing what women in the art world have struggled with for centuries—the old hierarchical privileging of a dominant gender and culture, not only male dominant, but also ‘object-world’ central” (152). I’m not so sure about that: in walking art, relational or social practices are now the norm, it seems. 

“Cross-cultural collaboration and community building, with the potential of social change, requires careful consideration of a much larger cultural context, beyond an artist negotiating her own individual art position,” Bleck continues (152). She suggest that the Uts’am Witness project “was born from urgency, and came into being through the relationships that were formed and a process that unfolded. the art practice itself was not an outcome, but a means to a new end[:] a newly created space for cross-cultural collaboration and community” (152). Uts’am Witness created “a community of voices, where each was heard. This kind of practice subverts the dominant cultural paradigm of competition and individualism—both hallmarks of colonizing settler culture in Canada (152).

One aspect of Uts’am Witness was weekend camping events in the rainforest north of Vancouver. Actually, because the project isn’t described clearly in this chapter, I’m not sure what went on in the project. Anyway, Bleck says that for her, 

photography was the key element for accessing the relationships and building the community collaboration that emerged. Photography in situ places me inside an act, which demands a certain level of attention to light, detail, context, time of day, technical ability, audience, and the public. It sharpens my senses and forces me to pay attention to things such as colour, texture, composition, or historical frames. I am always more aware that I am not photographing a static landscape, but rather and event, or rather a series of events in constant flux of which I am a part. It strikes me as interesting that it was in those subtle moments when I was alone with the camera that my loudest dreams and liveliest images surfaced, and that the most significant outcomes of this creativity were not so much in the photos themselves, but in the experiences of the hundreds of people who encountered a place, on their own terms. It was through my practice of photography that I honed my community-building skills, akin to transforming my own artistic potential. (153-54)

That’s an interesting take on photography: I would’ve thought that the lone photographer shooting the land and people on the land would be much closer to the “heroic” artist Bleck earlier decries. Perhaps its the context in which her photography took place that’s important. 

“Each time Uts’am Witness produces an exhibition, event, or gathering, witnesses are called to that event, in keeping with Chicayx(cultural protocol, or law for doing things in a good way),” Bleck writes:

For those who attended those events—whether connected through environmental groups, the art world, mountaineering groups, community centres, ministries, logging townships, or through Coast Salish tradition, what people remembered was not any important steps made in new artistic practices in Canada, but, as Candice Hopkins suggests, the work “resonate[d] in the minds of those who witnessed it as an honourable act.” (qtd. 155)

Situating the art within cultural protocol is at the foundation of Sḵwx̱wú7mesh law, of how things are to be done, according to Chief Bill Williams, one of the co-founders of Uts’am Witness (155). It situates the work within “a ceremonial circle, showing us (not telling us) another way of seeing, hearing, and feeling the world,” and to be invited into that circle is an act “of immense generosity given the historical injustices that First Nations people have gone through, and continue to experience in Canada” (156). 

“Artistic practices that have offered reinventions of culture and produced social innovation from time immemorial hold both possibility and risk,” Bleck concludes. “It is exceptionally risky business, and with this high risk, there also exists great potential for failure” (157). However by trusting in “collaborative, imaginative, and intuitive processes when attempting baby steps towards collective leaps into community intensities, we would no doubt be entering spaces of multiple outcomes,” she continues. “We may even become motionless in dark places, or fail at desired outcomes, but new knowledge(s) will happen nevertheless. It is this path of risk that carries with it the capacity to take us there—to places of transformation, by dreaming out loud together with our gifts” (157).

That brings us to the book’s third section, on collaborative arts approaches. I skipped over “Wombwalks: Re-attuning with the m/Other,” by Barbara Bickel, Medwyn McConachy, and Nané Jordan, even though it’s about walking labyrinths, and landed on “Seeing Through Artistic Practices: Collaborations Between an Artist and Researcher,” by Vera Caine and Michelle Lavoie. That chapter begins with mourning: in 2002, one of Caine’s close research participants disappeared and was reported missing, becoming one of the many Missing and Murdered Indigenous Women and Girls in Canada (179). Together, Caine and Lavoie use photography “to explore what it means to see the details and to see with clarity” (179). “In this chapter we journey into the borderlands, the common places and the tensions of our working together,” they write. “Yet, it is not a clearly laid out journey, nor is it that we see ourselves as confined to the borderlands of artist and narrative inquirer. Instead we play with out ideas and commitments which sometimes become evident in the co-compositions of experiences and images” (179-80). 

Their collaboration began at a communal printmaking studio, where Lavoie taught (180). Caine would talk about her missing friend (180). Eventually they photographed the place where the woman disappeared (182). They began layering the images, looking for the presence of the absent woman (183). They juxtapose those images to text (183-85). “We lay out our images and texts side by side for the reader,” they write. “We ask them to walk alongside us to assemble the fragments, call forth their own experiences, and find their way through the story. This is an invitation to viewers” (186). They make prints, physically scratching and scarring the photographs, inscribing “the story into the place and onto the viewers who are marked by the scar of seeing” (186). I know this work is well-intentioned, but there’s something off about two settlers obsessing over a missing Indigenous woman. I’m not sure how Indigenous people would respond to it.

In the next chapter, “Soot and Subjectivity: Uncertain Collaboration,” Patti Pente and Pat Beaton tell us that soot “is central to the creation of this arts-based educational research, where we, as visual artists, explore our sense of place through collaborative artmaking, informed by the uncertain and irregular rhythms of fire” (191). Their collaborative art practice is about the land, and it “interrogates the nature of subjectivity when it is detached from the normative associations of neoliberal individualism that can predominate contemporary society” (191). Collaboration “within the performance of subjectivity,” they continue, “is based upon unpredictable moments of relationality, where landscape art emerges in synchronic and diachronic synergy. This understanding of the subject as evolving in relation to the other has repercussions to the ways we live together in the land, given that changes of values and attitudes are tied to changes in the self” (191).

The land, or the landscape (are Pente and Beaton using those terms as synonyms? they shouldn’t be substituted for one another), is important for several reasons: 

first, the great expanse of land holds many natural resources that have been, and remain, the backbone of economic prosperity; second, Canada promotes itself to the world as a northern wilderness and this idea shapes national identity; third, issues regarding ownership and use of land remain prominent, given the colonial acquisition of First Nations land. (192)

“Land seen through art coded as wilderness reinforces the notion of uninhabited wealth rather than a homeland, populated for centuries by Indigenous peoples,” they continue. “Additionally, environmental degradation continues to increase locally and globally because of industrial activities and resource extraction” (192). They use the campfire in their work as a symbol of “the culmination of these values and beliefs for us as artists, in recognition of a general societal disposition towards forgetfulness about the land that is part of our national legacy and nationhood” (192).

The underlying point of their art practice is “the question of how we might live in more equitable, environmentally sustainable, and transformational ways in relation to wider Canadian perspectives” (193). They’re interested in the possibility of transforming landscape art, it seems, by shifting it away from representations of wilderness to other kinds of representations that suggest that our current relation to the land is neither positive nor sustainable (193).But they’re also interested in the theories of subjectivity and their effects on collaborative practices (194). 

Their research approach is a/r/tography, which they define as “creative inquiry whereby the methods selected align with the specific research topic and the a/r/tographer’s creative oeuvre” (194). That’s not much of a definition, but maybe they figure their audience already knows what they’re talking about. “We consider the written and visual components”—of what? their art practice—“separately and in relation, given the opacity of language and the multiplicity of meanings within images” (194). The slashes in a/r/tography represent disruption—in their case, disruption through “the influence of fire, discussion, and spaces of collaborative unpredictability” (195). They situate their work between cognition (valued in the academy) and felt experience (not valued in the academy) in an effort to erode that “manufactured duality” (195). 

Pente and Beaton note that critics of arts-based research “identify major limitations such as a lack of quality in the two areas that are purportedly covered: art and social scientific, educational research,” a problem that arises because the researchers may find it difficult to be experts in both fields (195). “However, in this research, with our unique backgrounds as practicing artists and educators, we are able to lend expertise in both spheres,” they state (195). Yes, but that’s what all arts-based researchers think, isn’t it? “In other words,” they continue, “we live comfortably in the world of education and of art and thus are well paced to address the hybrid nature of a/r/tography” (195).

The subject nature of arts-based research is both a limitation and a strength, “for the ambiguous nature of creative inquiry in relation with others makes for unpredictable processes that can sometimes lead to uneventful pathways, requiring multiple efforts and explorations” (195). In addition, “the multiple meanings inherent in images in juxtaposition to text do not necessarily lead to clearly definable outcomes in ways that academic research and educational policy have historically demanded” (195). Arts-based research data is knowledge in alternate forms from the data generated by quantitative research (195). 

In Pente and Beaton’s research, “three methods are triangulated: narration, video interview, and artmaking, which collectively complement and echo the theoretical stance within a/r/tography of three mobile subject positions” (195). That’s a new idea that hasn’t been unpacked. “The data include Pat’s performance and its documentation through photographs; Patti’s art, created from the remnants; a series of three video interviews between us; and Patti’s narration of the research process,” they continue. “In this way, the cloth is a material source of collaboration that is the accumulation of our sense of place: Pat’s response to the familiar Canadian campfire scene, and Patti’s response as an echo of the creative performance in relation to the suburban lawn” (195-96). 

“Narrative methods of depicting research experiences are distinctly powerful aspects of this research where the creation of landscape art is combined with prose,” they state, although the text is framed as fiction rather than “a source of self-disclosing truth gleaned from a static identity” (197). “When research is explored narratively, certainty of meaning is not a goal, nor is it relevant, an aim that is contrary to formalist research methodologies that construct and argument based on scientific hypotheses and proofs,” they continue. “The disconnection between the singular voice of ‘I’ found in narration and the stance taken here of subjectivity continually performed, mutable, and contingent upon relationships with others is at odds” (197-98). Affective ways of knowing are important avenues for recounting experience to an audience (198). 

“The video camera, as a tool for data collection, is usually a very different tool in artmaking,” they continue. “In this research, this boundary is blurred, as data become raw material for creative and aesthetic inquiry” (198-99). Is “data” the right word for what is produced by this artistic activity? Can “data” escape the notion of something quantifiable? “We reveal a playfulness and awareness that comes from our understanding of video as a form of art, and our acknowledgement of a level of artificiality that structures our conversation as an academic research interview,” they state. “Rather than remaining a talking head in the video segments, the interview is a kind of relational event: an unanticipated collaboration between two artists” (199). 

“Various kinds of collaboration ensured in our shared work: in the burning of the cloth and the diachronic creation of art as each of us worked with the product of the other’s creative moment or questions to further the investigation,” they write, noting that Beaton’s mother participated as the audience (199). Their collaboration highlights spontaneity, uncertainty, unpredictability, and indeterminacy at the various states of the work: “in the art that was made, in the dynamic collaboration that was developed, and in the questions that were raised” (199). 

Beaton’s work “considers normative assumptions about the tradition of the campfire” (199) and their work assumes “that performance art transforms the social space” (200). Performing for one’s mother adds a layer of “familial meaning” (200). The performance wasn’t documented the way the art world documents such events; the performance remained private (200). Only snapshots, a video narrative, and ashes remain (200). 

According to Pente and Beaton, teachers and students, as well as artists, can “instigate shifts in cultural behaviour from a ‘single act’ of creative artmaking” (200): making art collaboratively can be transformative and “a good fit for teaching and learning” and “reflects the importance of collaboration as a shared form of learning about social issues” (201). 

In their conclusion, the co-authors note that they have argued “for the advancement of unpredictability within collaboration through a/r/tography, and for the agency inherent in such methods that can disrupt assumed social attitudes regarding subjectivity and relationships with the land” (202). Their case study “combines performance art, visual art, narrative, and theoretical analysis as components in a/r/tographical inquiry” (202). Collaboration, “understood as a continual sharing of creative decision making that embraces ambiguity and play through artistic materials,” demonstrates “the flexibility inherent in arts-based research” (202). In Canada, their investigation “into alternative landscape art practices opens social possibilities to reconsider our communal relationships with the land, anticipating the need for change so that more ecological, sustainable interactions emerge in the future” (202).

I decided not to read the last chapter, “A Poetic Inquiry on Passive Reflection: A Summer Day Breeze,” by Sean Wiebe, Lynn Fels, Celeste Snowber, Indrani Margolin, and John J. Guiney Yallop, because it’s too strange for someone who has been educated in and taught literature to think about social scientists writing poetry without committing to the craft, and so “Arts-Based Representation of Collaboration: Explorations of a Faculty Writing Group,” by Heather McLeod, Sharon Penney, Rhonda Joy, Cecile Badenhorst, Dorothy Vaandering, Sarah Pickett, Xuemei Li, and Jacqueline Hesson, became the last chapter I will summarize here. “In this collaborative self-study project, we demonstrate through our inquiry alternate ways of knowing: specifically, how the arts support participatory practices that contribute to creating new understandings about qualitative inquiry that move beyond traditional notions of what constitutes research,” the co-authors write (209). They are interested in writing as inquiry (209). An eight-member all-woman writing group in the education faculty at Memorial University, they “seek to challenge dominant assumptions rooted in science concerning ‘truth-effects’ through language,” because they are postmodern feminists (209). “By questioning representation, knowledge construction, and collaboration, we identify how women as new academics make sense of the complexity of knowledge, identity, and representation in research,” they write, describing the “critical engagements” in this chapter as including “the notion of cultural elitism; what counts as research and hard versus soft research outcomes; the dichotomy of male-female experiences in the academy and challenges for new faculty” (209).

Their method is inkshedding: “within a set time, all members added their thoughts to an original free-write about each other’s artworks as well as to the comments of others” (209). The inkshedding process “allowed each member to provide written reflections on the artworks to understand, to query, or comment rather than to evaluate” (210). After the writing group had been in existence for five months, the group members decided to represent the collaboration in art, including “locating meaning in found objects and photographs, making a collage, drawing, painting, designing posters, and writing poetry” (210-11). The analysis of that work “indicated the diverse character of arts-based representations, but also revealed common themes and shared understandings,” while it also “exposed vulnerability in the group members, which then helped to solidify group relationships” (211).

Most of the group had no formal artistic training (211). Some were intimidated by the idea of making art (211). However, the group took the position that making art is natural and that cultural elitism and social exclusion in the arts is at the root of such fear (211). They cite Grant Kester’s notion that “artists seek to facilitate dialogue among diverse communities” (211). (Some artists, yes.) The collaborative aspects of their process—the chapter I’m reading and their reflections on collaboration—suggest that Kester’s ideas about collaborative art-making are relevant, they contend (211). They also believed that “creative participation” is “a radicalizing process engendering transformation and emancipation, while encouraging resistance, democracy, and citizenship (212). The group took collaboration as their theme and made work about that idea (212).

Next the co-authors discuss writing groups and collaboration. “Transitioning into a faculty position is a time of stress, uncertainty, and emotional upheaval,” they state, suggesting that writing groups can function as a means of “beneficial support” and “help new faculty develop confidence and a sense of identity,” particularly for women academics (212). In universities, “collaboration and collaborative teams are becoming more common” (213). Teams of researchers tend to achieve greater goals than individuals (213) (not in the discipline where I’ve spent most of my career). Collaboration has rewards and challenges: it requires a supportive work environment “and the freedom to pursue novel ideas,” but time management and balancing priorities can be problems (213). Other challenges include territorialism, communication, scheduling, and effects on tenure (214). Women tend to value collaboration more than men, according to research (214). 

“Arts-based educational research (ABER) encourages teachers, students, and community activists to experiment with materials and techniques to produce creative works,” the co-authors state (215). ABER “can help make the familiar strange,” which is relevant because as they sought to understand their own process, they might end up presenting their group “in an unrealistically positive light” (215). Artistic methods was a way to “suspend our preconceptions of familiar territory and help group members’ unique insights be understood,” they write, and those methods “provided a common platform for dialogue” because it avoided straightforward “mutual understanding” (215).They suggest that “traditional concepts of ‘worthy’ visual art and what makes one a ‘good’ artist are steeped in oppressive colonial value systems,” while in ABER art is communication and “reactions to the artwork outweigh considerations of the quality of the pieces measured against external aesthetic criteria” (215). They decided to adhere to a perspective on the work that asked “whom and what purpose” it served and whether it contributed to change (215). “Our artistic scholarship,” they state, “would be viewed as successful because it effected change in the makers” (215).

Next, they describe their process: “members first crafted their arts-based pieces individually and then wrote a reflection about their creation. Next, as a group we viewed the works and members read aloud their written reflections. The group discussion was audiotaped. Before beginning the following session we reviewed the audiotape” (215). In that following session, they engaged in freewriting, naming the works’ visual elements and the relationships between them and discussing how those elements and relationships connected with each of them (216). Those freewritten texts 

circulated around the group using a method called inkshedding, whereby within a set time of three minutes each member added their thoughts to the original free-write as well as to the comments of others. Thus with 8 free-writes in response to each creative piece which then circulated around 8 members, there were 64 comments about each work. This method allowed us to build on each other’s thinking and also to delve deeper than our initial first thoughts to elucidate meanings in response to each work. Greater depth was possible because each member provided a written reflection on the artworks to comment, question, or understand, rather than to critique. Further, the process allowed us to gather our thoughts, to provide written comments before oral discussion, and to have a voice that was valued. (216)

The co-authors provide four examples of this process, both the descriptions of the works, the creators’ reflections, and the comments from the group, which “highlight communal thought” (216-21). 

In the chapter’s discussion section, the co-authors state that the project allowed them “to reflect on the diverse nature of arts-based representation in relation to personal meaning and situated individual knowledges, as well as on common emergent themes and shared understandings” (221). They revealed their vulnerabilities, and so relationships in the group grew stronger (221). The process enabled them to confront “key issues that are important to successful writing groups, including trust, commitment, and meeting individual needs” (221). They have come to see writing as a process that ebbs and flows (211). “Nevertheless, the arts-based project worked in extraordinary ways to develop a group based on trust, strong relationships, and support,” they write, and it also showed that they “need to focus on communication and to value the unique contributions of all members” and that they “can communicate in new ways” (221). “By representing our thoughts through the arts we learned how liberating it could be,” they continue. “We also come to realize that respect and trust had been established in the writing group. Group members felt safe enough to allow themselves to be vulnerable. This newfound trust within the group has encouraged group members to be more willing to expose themselves again as they move forward with their own research and seek feedback on their own writing” (221-22).

In addition, the group members found the process therapeutic and energizing; it allowed them to think in new ways; it helped them to express complex ideas in images before expressing them in words (222). They learned about the ways that arts-based educational research “can bridge cultures as well as academic disciplines” (222). And the process “effected change in us as the art makers” (222). It was transformative (222). They critiqued notions of cultural elitism—“what counts as academic research and hard versus soft outcomes”; “the dichotomy of male-female experiences in the academy and the challenges faced by new faculty” (222). (There were no men in the group, so how did they explore men’s experiences in the academy?) They encourage other researchers to take up the practices because of the benefits they experienced (222).

The writing group continues: “we have created something new. We now expect and receive effective, timely, and substantial support when we bring our current work to the group” (223). They have also gained a reputation as “a significant group of strong academic citizens in the faculty” (223). “Therefore we conclude that our exploration shows some of the powerful ways that the arts support participation and collaboration in creating understanding,” they write. “In the face of a dominant discourse pushing us towards individualism, collaboration for new faculty is novel, boundary pushing, and counter-hegemonic” (223). Their collaboration is noncompetitive and supportive (223).

The project led to more research, and while those did not involve an arts-based approach, the bonds they formed through the arts-based work made those investigations possible (223). The research they conducted has been published (223). In addition, they are exploring “how reflective writing helps academic professional project,” as well as “charting our non-traditional paths into the academy” and “examining how family and career can be balanced on the academic tightrope” (223). They have other ideas about research as well: the chapter ends with questions they might explore (223). So, for these professors, the collaborative writing group, and the ABER work it carried out, have had tremendous benefits.

I’ve taken a course on social and relational aesthetics, and while I haven’t read all there is to read on that topic, it’s not new to me. I enjoyed Theo Sims’s The Candahar, a relational aesthetic work, when it was presented at the Mackenzie Gallery in Regina. I’ve participate in walking events curated by my friend Hugh Henry, an artist and historian living in Swift Current, Saskatchewan, and I’m so grateful for those experiences. In fact, social or relational or dialogic projects are now pretty standard in walking art: now it’s the individual, solo, durational projects that are outliers—those are now the projects that are rejected as insufficiently convivial or participatory. So if people want to make that kind of art, I’m fine with it. I do resist the notion that all art now needs to be collaborative or participatory, though. I also question the recurring argument in this book that art needs to make social change happen. I know those socially engaged projects are worthwhile; I’m not arguing that they aren’t. But does art have to be useful? Is it possible that by demanding that art be useful, proponents of socially engaged art are treating art practices in an instrumental way? If so, is that instrumentality a sign of the way that neoliberalism has crept into the thinking of even those who set out to oppose neoliberalism? Can’t art step outside of the criteria of usefulness? Can’t it simply exist? Can’t it do something other than address social issues?

I also wonder about social scientists making art—about the idea that it’s too difficult for people to succeed in two distinct areas of activity, both of which require a full-time commitment. Ars longa, vita brevis, said Hippocrates: art is long and life is short. Chaucer said something similar: “The lyf so short, the craft so long to lerne.” It’s hard to become good at making art of any kind; it takes a lot of time and effort and commitment. The authors here avoid that problem by refusing to consider whether the art they make is good, and by suggesting that the art world’s criteria of evaluation are colonialist or elitist. Maybe that’s true. But it’s just as possible that those criteria of evaluation are part of a process of peer review—something with which social scientists are very familiar. There’s nothing wrong with making bad art as a hobby, if it’s something you enjoy doing in your spare time. Why not enjoy making things? However, I’m not sure that abandoning notions of art succeeding or failing is really a convincing argument. 

Collaborative or participatory art can be a way of giving back to a community, something Eve Tuck and Marcia McKenzie tell us is an ethical obligation for social scientists and, by extension, for artists. There’s no reason artists can’t engage in participatory work and also in practices that create objects. And there’s no reason why participatory or relational work can’t be evaluated according to criteria established by artists and critics over the past 30 years during which kind of work has been made, either.  

But I do not accept the idea that doing things on your own makes you “heroic” in some indefinably bad way or individualistic in the sense of neoliberalism’s alleged demand that we all be individuals. Collaboration is fine; so is working by yourself. Why simply reverse the binary? How does that get you out of the problem that binary creates? All this postmodern thinking, and we can’t do deconstruction any better than that?

Work Cited

Bishop, Claire. “Introduction/Viewers as Producers.” Participation, ed. Claire Bishop, MIT Press, 2006.

Conrad, Diane, and Anita Sinner, editors. Creating Together: Participatory, Community-Based, and Collaborative Arts Practices and Scholarship Across Canada, Wilfred Laurier University Press, 2015.

Tuck, Eve, and Marcia McKenzie. Place in Research: Theory, Methodology, and Methods, Routledge, 2015.

Eve Tuck and Marcia McKenzie, Place in Research: Theory, Methodology, and Methods

I’ve put aside my exploration of walkability for the time being, because I’ve received readers’ reports on an article I’ve submitted for publication, and one of the readers suggests that I need to read Place in Research: Theory, Methodology, and Methods, a collaboration between Unangan education scholar Eve Tuck and settler environmental education professor Marcia McKenzie. That essay has been accepted, but I want to be scholarly, and if Place in Research could be useful, then I need to take a look at it, don’t I? I know I skimmed this book while I was working on my MFA—some pages are dogeared, and there’s a scrap of paper serving as a bookmark—but I have no recollection of its argument, perhaps because I wasn’t writing these detailed summaries back then, so I’m going to reread it in hopes that it’s useful for my research in general, and that essay in particular. Plus, I just found out that it’s the primary text in a three-week intensive course I’m taking—which starts next week—so in academic terms I’m way behind. There are two books to read for this course, and that’s a lot, given that it’ll be over before it begins. I’ll start the second one tomorrow; the first, Place as Research, I finished this afternoon.

The co-authors begin with Indigenous notions about place. In the “Preface,” they describe the intentions of the book as seeking “to draw attention to the multidimensional significance of place(s) in social science research,” not just as symbols of the past but also “as sites of presence, futurity, imagination, power, and knowing” (xiv). “This is an important time to write about place, not just because social science, in general practice, doesn’t give place its due, but because we write from and into the overlapping contexts of globalization and neoliberalism, settler colonialism, and environmental degradation,” they continue (xiv). Such practices and contexts are, they argue, citing Kim Tallbear, “coproduced, meaning science and society are actively entangled with each other,” and that they are “mutually constitutive,” reinforcing and/or disrupting each other (xiv). “Coproduction of practices of social science, globalization and neoliberalism, settler colonialism, and environmental degradation comprises both the barrier and the possibility to making the changes needed for the sustainability of (human) life on the planet,” they continue (xiv-xv). The land may decolonize itself, “even if humans are too deluded or delayed to make their own needed changes” (xv).

The co-authors met at a conference planning meeting in 2009, where they objected to the use of terms like “complex ecologies” as metaphors without any references to actual ecologies (xv). They organized a conference session on “demetaphorizing complex ecologies,” where “speakers from the distinct trajectories of environmental and Indigenous scholarship mobilized contradictory language and understandings in their panel presentations,” they recall. “The worldviews, epistemologies, and lexicons mobilized by environmental scholars and Indigenous scholars were not only contradictory, but perhaps even incommensurable” (xv). They suggest that two perspectives emerged from the panel, both of which seemed to wrestle with “the same notion of the inseparability of humans with nature” (xv-xvi). One, advanced by Indigenous scholars, held that “Indigenous peoples have always had relationships to land that are distinct and sovereign from relationships imposed by settlers” (xvi). That perspective “emphasized a recognition of the inseparability of humans and nature as concomitant with Indigenous cosmologies and epistemologies” (xvi). The other perspective, expressed by environmental scholars, was that “more ethical and respectful relationships of humans to place” was necessary to stop environmental degradation (xvi). That perspective, however, ignored “the claims of Indigenous peoples to have prior, intact relationships to their land,” and “instead seemed to desire to form new relationships to the very same territory, without recognition of those prior claims” (xvi). At another session at another conference a few years later, the panelists discussed those incommensurable perspectives more explicitly in papers which “pointed to the ways in which social sciences, when not cognizant of settler colonial structures, can replicate some of the epistemic violences of settler colonialism and exhibit some of the tendencies of that structure to accumulate at all costs” (xvi). The co-authors have become more aware of the ways that environmental research in the social sciences “continues to be mired in assumptions and practices that perpetuate forms of colonialism and racism, despite well-meaning intentions to the contrary” (xvi).

Environmental and Indigenous concerns are entwined, but “there has been little discussion across these domains in academia,” and where such discussions take place, they tend to be “situated within historical blank spots and systemic oppression,” so that “those working in these areas do not always effectively hear one another” (xvi-xvii). The hope of the two co-authors is that “the discussions of this book will help contribute to broader engagement of the possibilities for collaborations and valuable incommensurabilities across these domains and their importance for considering place in social science research” (xvii). They also hope the book leads to research that better addresses place, which is “one part of what is needed to redress the consequences of colonialism and enable the sustainability of (human) life on the planet” (xvii).

The book’s first chapter functions as an introduction. The co-authors suggest that social science research is always situated in places, and that therefore “research in the social sciences is always concerned with epistemologies, questions, and methods that impact place and land, and the human and natural communities that inhabit them,” even if that reality has tended to be ignored (1). While there is a renewed interest in the idea of place in the social sciences, something “evident both in the increased attention to decolonizing research and Indigenous methodologies” and “in relation to ‘spatial’ and ‘material’ turns in the social sciences more broadly” (1). “This book seeks to develop complex and historicized orientations to place in research through providing social science researchers with rationales, discourses, examples, and methods of critical place inquiry,” a term the co-authors define as “research that more fully considers the implications and significance of place in lived lives” (1). The book also advocates “for theoretically and ethically responsive research in the context of the globalization of the planet, its populations, and places” (1-2). The introduction will “elaborate theorizations and practices of critical place inquiry in the social sciences”: “research that takes up critical questions and develops corresponding methodological approaches that are informed by the embeddedness of social life and with places, and that seeks to be a form of action in responding to critical place issues such as those of globalization and neoliberalism, settler colonialism, and environmental degradation” (2). They will explain how place is used “conceptually and empirically” in social science research, methodologies and methods used to examine place, and the “ethical and political implications and possibilities” of critical place research as “public scholarship” (2). Why it must be public scholarship—which I take to mean scholarship that is widely disseminated, rather than circulating in academic journals—is not yet clear, but that notion might be useful in drawing an analogy between social science research and artistic practices. Drawing an analogy is probably the best one can do, because the social sciences works with different methodologies and under different conditions and restrictions than art does: the contexts of both activities is completely different, and that might be one reason I put this book down when I tried to read it three or four years ago.

The point, Tuck and McKenzie continue, is that thinking about place matters “because it enables greater attention to the ways in which land and environmental issues intersect with social issues and social life” (2). They list a series of “interwoven social and environmental forms of injustice” that “have been created by long histories of hierarchical divisions among peoples, to other species, to the land” which are examples of intersections between land and environmental issues, on the one hand, and social issues on the other (2-3). 

Next, they define neoliberalism as the “currently dominant global and globalizing governance systems” which “promotes ‘free-market’ conditions that prioritize corporations and economic growth over considerations of social equity and environmental protection” (3). Neoliberalism emphasizes privatization, public-sector austerity, tax cuts, and reduced regulations (3). It is “a current formation of capitalism and Empire, which is the reliance of territory on the natural environment to fuel unsustainable and colonialist encounters” (3). “Empire” must be capitalized in allusion to some body of thought, but I don’t know what that body of thought might be. Maybe Michael Hardt and Antonio Negri? I think so but I’m not sure. I’m certain it’s not a typo, however.

The co-authors suggest that the relationship “between capitalism and the biophysical” tends to be left out of discussions of political systems in relation to land (3). The “biophysical world” seems to be a way of speaking about the natural world; the extraction of resources from that world fuels our economy (3-4). However, most discussions of neoliberalism leave out capitalism’s reliance on the biophysical and the resulting environmental damage (4). In addition, “the historical and ongoing land-based practices of colonialism and, in particular, settler colonialism” are also left out of the picture (4). That history involves an ongoing process of establishing and reifying “hierarchies of settler over Indigenous” (4). The co-authors state that they will draw on scholarship about settler colonialism “to problematize settler relations to land as they affect Indigenous peoples, land, and other life forms, including as linked to current environmental devastation and curtailed possibilities for future generations” (4). “Settler and colonial futurities based on expansionist, capitalist, and racist assumptions necessitate practices of decolonization in order to re-prioritize Indigenous and land-based futurities” (4). As always, a definition of the word “futurity” would be helpful here, although this sentence is a little clearer than Tuck’s famous article on decolonization and metaphor (co-authored with K. Wayne Yang).

This book addresses those absences in the social sciences, highlighting research that elaborates and addresses “the embeddedness of social life, including economic policy, with land and environment” (5). Here they cite scholars such as Doreen Massey (whose work I’ve written about here) and Jodi Byrd (whose work I should’ve written about here, but I’ve only skimmed it). They suggest that this research theorizes place, and they use it “to advocate for greater consideration of place in social science research” (5). The book’s approach “is uncommon because it seeks to bring decolonizing Indigenous studies, environmental scholarship, and related critical areas concerned with place into conversation with one another,” despite the distinct epistemologies, discourses, and practices of those bodies of knowledge (5). “There are often important divergences and even competing logics at work in these areas of research, some that may indeed be incommensurable,” they state. “This book brings these areas into conversation, without papering over differences, but also without maintaining false dichotomies” (5). Instead, they “bridge these and related domains to examine place in social science research, and in doing so, define and contribute to the emerging area of critical place inquiry” by offering “cross-disciplinary insight into how researchers around the globe are theoretically and empirically engaging, or re-engaging, place in social science research” (5). They map the emergence of critical place inquiry, mark the historical, economic, colonial, and ecological conditions necessitating that inquiry, offer new methodological directions, and highlight research that informs “how one can understand and inhabit place through research,” thereby thinking about “the why, what, and how of developing critical place research in the social sciences” (5).

Place is a complex concept, and it’s most often defined in relation to space (6). Space tends to be seen as a dimension within which things are located or contained (6). In the Newtonian philosophical tradition, “space is concrete, and indeed it is this concreteness that makes it real” (6). In contrast, in the Leibnizian conceptualization, “space is relational and dependent, holding no powers itself” (6). It is active yet depends on relations between objects occupying places (6). If that’s not clear to you, don’t worry; it’s not clear to me, either. I would’ve expected them to begin with Yi-Fu Tuan’s distinction between place and space, but although it’s in the book’s bibliography, it must appear at a later point. (It does, in passing.) The co-authors suggest that Donna Haraway updates the Leibnizian version of space, extending it as “dynamic, interactive, indeed, as a process” (6). That reminds me of Doreen Massey’s book on space, but strangely Tuck and McKenzie mention it in relation to place on the previous page. 

Place, on the other hand, typically conveys geographic meaning (6-7). Place is usually specific (7). The term went through a revival in the 1970s and 1980s in which the connection between place and social relations, and place and meaning-making, was explored (7). At the same time, though “theorizations of identity and globalization have led to critiques of terminology and theorizations of place in social research” (7). “Considering the ways in which factors such as gender, racialization, nationality, or access to financial or technological resources affects people’s access to, mobility across, and experiences of place, some scholars have suggested that the defining of places is problematic,” Tuck and McKenzie note (7). Some arguments contend that the world is become placeless because of technology and rapid transportation (7). Writing about place thus becomes quaint or archaic (8). “Thus, theorists and researchers attendant to issues of space and place must work against the seemingly common-sense conclusions of popular analyses of globalization, which, not operating from a complex conceptualization of space and place, attempt to foretell the end of place,” Tuck and McKenzie write (8). 

Place is often—usually, even—“superficially addressed in social science inquiry,” which pays little attention to where things happen (8)—except in geography, I would think, which is a social science. “Thus, in much social science research, place is just the surface upon which life happens (and from which data are collected),” they suggest (9). It’s a backdrop, rarely examined in detail (9). Place is “on the periphery” of such research, not part of the analysis or “considered in terms of the specifics of research methodology or methods” (9). Relying on notions of space and place that have changed little since the seventeenth century “has implications for the richness of theories of space and place engaged in social science research, but also for how the relationships between space and place are usually understood” (9). 

Next, Tuck and McKenzie discuss the various “turns” in recent social science research, beginning with the increasing influence of Indigenous and decolonizing perspectives and methodologies (9).They cite Linda Tuhiwai Smith and Shawn Wilson, among others, as examples (9-10). “Looking to Indigenous languages helps to demonstrate the differences between understandings of space and place (and time) that exist between Western/colonial frameworks and Indigenous knowledge systems,” they state, citing Tuhiwai Smith’s suggestion that in Maori the word for time or space is the same, but in Western philosophies space is separated from time (10). For Tuhiwai Smith, this distinction is important, because colonialism involves “processes of marking, defining, and controlling space” through the figures of the line, the centre, and the outside (10-11). For Tuck and McKenzie, “one major outgrowth of the increased attention to Indigenous perspectives and methodologies in academic discourse is the recognition that alternative, long-held, comprehensive and theoretically sophisticated understandings of place exist outside, alongside, against, and within the domain of the Western philosophical tradition” (11). These understandings are often framed in terms of “land,” and they “derive from entirely different epistemological and cosmological foundations” which prevent them from being easily absorbed into Western ideas: “They come from, and go to, a different place” (11). That doesn’t mean Indigenous ideas about land are pristine, devoid of Western influence, or even that keeping Indigenous theories separate from colonial or settler influences is possible or desirable (11). “But the persistence/existence of Indigenous theorizations and methodologies of land serve as a rejoinder to Western theorizations of place, to mark how theories of the West have also been shaped by its colonial and settler histories and current pursuits,” Tuck and McKenzie state (11). All of this gets clearer later in the book.

In addition, decolonizing perspectives, which are informed by Indigenous theories, “seek to undo the real and symbolic violences of colonialism” (11). “Decolonization is determined to thwart colonial apparatuses, recover Indigenous land and life, and shape a new structure and future for all life,” Tuck and McKenzie write (11). Decolonization “requires unique theories and enactments across sites,” they continue, suggesting that it is always specific to time, place, and context (11). It is always about land (11).

Next Tuck and McKenzie discuss the spatial turn in social sciences. The spatial turn, according to Edward Soja, is likely to change profoundly “all aspects of inquiry, including ontological and epistemological considerations, theory formation, empirical research, and applied knowledge” (12). They cite Doreen Massey’s insistence that “how we imagine space has consequences: seeing space as commensurate with voyages and discovery, as something to be traversed, as the same as the land and ocean, as a surface, as a given, will have ramifications” (12-13). (I need to reread Massey’s book.) If, for instance, we think of space as a neutral place upon which human life takes place, “it becomes possible to view other variations of human life as simply phenomena atop this benign surface; this may not at first appear to be problematic, but it is insofar as phenomena on the surface may be seen to be waiting to be discovered, conquered, but also managed, exploited, rescued, pathologized” (13). 

Globalization, according to Massey, turns space into time and geography into history: therefore, contemporary analyses of space need to refuse those shifts (13). Massey contends that space is constituted through interactions; space and multiplicity require each other; and space is always under construction (13). Tuck and McKenzie praise the “conceptual moves” Massey makes, including the notion of geographies of care (13). Space, according to Massey, presents us with the “challenge of our constitutive interrelatedness,” “the radical contemporaneity of an ongoing multiplicity of others, human and nonhuman,” and “the ongoing and ever-specific project of the practices through which that sociability is to be configured” (qtd. 13). 

Nevertheless, the spatial turn offers “problematic characterizations of space” (13). In some cases, the contrast between space and place is not clearly articulated: “Places are not always named, and not always justly named. They do not always appear on maps; they do not have agreed-upon boundaries. They are not fixed. Places are not readily understood by objective accounts. Finally and most importantly, places have practices. In some definitions, places are practices” (14). This list of the characteristics of place seems to align it with Massey’s notion of space, and I’m not sure how to untangle them. I’d have to return to Massey’s book, which I don’t have time to do right now—maybe later this summer.

Next, Tuck and McKenzie discuss the new materialist or ontological turn in the social sciences (14). This is a body of work I know little about but, from what I’ve heard at conferences, sounds promising for my research. It also seems like an overwhelming group of texts, the subject of an entire dissertation, not just a small corner of a theoretical exegesis. The new materialist turn emphasizes bodies rather than language, and is thus a reaction against poststructuralism (14). Most of the authors considered under this rubric “gather place or land into broader categorizations of actors of objects that are viewed as also influencing and influenced by social life (e.g., technology, institutions, animals, other humans)” (14). It is interdisciplinary, partly because of the influence of feminism, and it seems to focus on spatialization—at least according to the quotation from Karen Barad that’s offered as a definition of the new materialism’s spatialization project (15). New materialism is dynamic and interested in material and immaterial things (15). It turns away from subjectivity, calling “for a reappraisal of material reality, material causality, and the significance of corporeality” (15). It is interested in cartography rather than classification (16). Tuck and McKenzie approve of Barad’s suggestion that “topological questions of boundary, connectivity, interiority, and exteriority” are more important than geometrical considerations of space (16), which are reductive and see space as a mere surface (17). “Yet, Barad dismisses the entirety of discussions of space and place as though all of them adhere to geometrical constructions,” they continue. “Thus, we take Barad’s critique of geometrical constructions of space seriously, but are not yet willing to cede the notions of place and land for topology” (17).

“The increasing influence of Indigenous and decolonizing scholarship, spatial theories, and new materialism on the theories, methodologies, and methods of social science cannot be disputed,” Tuck and McKenzie write (17). However, that influence has not led to “a more robust discussion of place” (17). “In many cases, flattened ontological or materialist frameworks de-emphasize the agency of people and politics in attempting to better attend to the interconnected ‘networks’ or ‘mangles’ of practice in researching social life,” and “the spatial turn has emphasized global flows of people, information, and people” while “turning away from a focus on place in theoretical or empirical study” (17). “In contrast, Indigenous intellectual contributions rarely fail to engage in issues of land and place—especially via conceptualizations of tribal identity, sovereignty, and treaty rights—yet when these discussions are taken up by non-Indigenous and settler scholars, the salience of land/place is frequently left out of the picture” (17).

Therefore, Tuck and McKenzie contend “that scholars influences by these turns often do not go far enough to attend to place. Although there are rich theorizations of place that throb at the center of each of these turns in social science, in their wider adoption and redaction, place gets reduced and reified” (17). Place ends up “shallow or emptied” (17). “The challenge is to get rich theorizations (and methodologies and methods) of place to travel within and alongside the adoption and adaptation of these turns, and other turns now forming and emerging,” they continue (17). They also warn against using metaphors of place, typically derived from Deleuze and Guattari, which “invoke place superficially, too easily” and do little “to attend more responsibly to issues of place” (18). 

In their definition of critical place inquiry, Tuck and McKenzie state that they “draw on the developments of postmodern, spatial, new materialist, and other ‘turns’ of the social sciences for their insights on the movement and relationality of place” (18). They contend, however, that “Indigenous methods are central and not peripheral to practices of critical place inquiry” (19). They provide a list of bullet points that describe critical place inquiry: it understands places as “mobile, shifting over time and space and through interactions with flows of people, other species, social practices”—a definition that sounds like Massey’s notion of space; it entails “understanding places as both influencing social practices as well as being performed and (re)shaped through practices and movements of individuals and collectives”; it understands “place as interactive and dynamic due to these time-space characteristics”; it recognizes “that disparate realities determine not only how place is experienced but how it is understood and practiced in turn”; it addresses “spatialized and place-based processes of colonization and settler colonization, and works against their further erasure or neutralization through social science research”; it goes past the social to understand more deeply “the land itself and its nonhuman inhabitants and characteristics as they determine and manifest place”; and, finally, it sets out “to further generative and critical politics of places through such conceptualizations/practices and via a relational ethics of accountability to people and place” (19). 

In the context of that definition, Tuck and McKenzie say that the goals of the book are to produce a cross-disciplinary and transdisciplinary discussion of theories, methodologies, and methods of place; to discuss the implications of theories of place for applied methodologies and methods; to take the conceptual and empirical contributions of Indigenous epistemologies seriously; and to argue for the importance of place over space (19-20). “Place is the setting for social rootedness and landscape continuity,” they write. “Location/space represents the transcending of the past by overcoming the rootedness of social relations and landscape in place through mobility and the increased similarity of everyday life from place to place” (20). However, it’s the specificity and rootedness of place that makes it important in social science and the human imagination (21). Place is always specific; it resists universalizations and generalizations. And, finally, “the environmental consequences of deluding ourselves into believing that place no longer matters are stark and creeping” (21).

The book’s second chapter is about conceptualizing place. It begins with Daniel Miller’s 2008 book The Comfort of Things, a study of 30 people living on the same street in south London. “We find Miller’s method, of studying a single street, to be quite compelling,” Tuck and McKenzie write. “We can see how this approach might inspire other works of social science across disciplines” (26). However, that “supposedly place-based method revealed little about the street itself” (26). They suggest that although social science research happens in a place, those places “rarely are heavily featured in the articles, reports, and books that emerge from those studies,” and they wonder why that’s the case (26). They suggest that social scientists consider place to be less important because of globalization (27). However, they contend that “globalization has made space and place more significant, not less” (28). They quote Neil Smith: “Geographical space is on the economic and political agenda as never before” (qtd. 28) and suggest that “(Western) theorists have struggled to make more evident the role of space in society, whereas capital seems to have achieved it in practice on a daily basis” (28). “Globalization, specifically its unevenness, makes considerations of place more important, not less,” they argue, even though “undertheorizations of place . . . dominate the popular and scholarly discourses on globalization” (28). “Such undertheorizations have stark consequences with regard to continued forms of colonial violence (e.g., the U.S.’s now frequent use of drone attacks orchestrated by soldiers holding video game controllers from another continent) and environmental violence (e.g., the destruction of earth and water through the extraction of bitumen from tar sands in Canada,” they state (28).

“Within the context of Smith’s discussions of the geographical imperatives of globalization, the remainder of this chapter examines considerations of reconceptualized and renewed understandings of place, as grounded and relational, and as providing roots for politics that are deeply specific to place and yet connected to other places,” Tuck and McKenzie continue. “These considerations are drawn from new and renewed trajectories of materialist and spatial scholarship; as well as from longer trajectories of decolonizing and Indigenous scholarship and practice” (29). They aren’t aiming for a coherent whole—“conceptualizations featured in this chapter overlap and juxtapose with each other,” they state (29)—but they are interested in how geographers and other social scientists think about space and place and in providing inspiration to readers (29). They mention, in particular, the work of Raewyn Connell, who distinguishes between “Northern theory” (coming out of the global, metropolitan north) and “Southern” theory, “developed in four locations where colonial relations have been challenged”: Africa, Iran, Latin America, and India (29). “Connell’s point regarding which theories are prioritized in social science, where they originate from, and what legacies are tied to those theories is a crucial one for critical place inquiry,” they contend. “The place-based theory, methodology, and methods of research one mobilizes require ongoing scrutiny for their inherent legacies and effects” (29). They are particularly interested in juxtaposing spatial theories, methodologies, and methods with Indigenous theories, methodologies, and methods in order “to formulate a description of the theoretical foundations of critical place inquiry that are accountable to Indigenous peoples and futurity” (29).

Globalization is making space and scale more important (29-30). Examples of this importance include mobility studies and research into “non-places” and diasporas (30). As a result, place has been understood “as a contrary alternative” (30). Sometimes engagements with place are seen as a way to remedy the spatial flows of globalization, and sometimes they are seen as “outdated or reactionary” (30). Doreen Massey is one of the few thinkers to have theorized place, Tuck and McKenzie suggest, and her work “is helpful in her critiques of the oversimplified division of space from place and in considering why and how ‘place’ is an important and useful framing for politics and thus for critical social science research” (30). They cite a 2009 interview with Massey where she “articulates an orientation to place that acknowledges the connections across local places and their influences on global circulations of knowledge and practice,” one that integrates space and place relationally (31). In her book on space, Massey argues that “places are themselves moving and changing over time, whether through connections with other places and the global or through physical processes, from shifting tectonic plates to climate change” (31). “Such a relational understanding of place to space, and of place to time, suggests the ways in which what we think of as particular ‘places’ can be understood as articulations of time-space, or the interweaving of history and geography,” they suggest (31). In this way, mobility is integral to place, since flows of technology or people or other species move through places, and the places themselves are also moving (31-32).

“Understanding place as lived space, meeting place, site of social reproduction, or personality suggests the variety of considerations of relationships between place and social practice, across disciplines and epistemological frames,” Tuck and McKenzie write, citing Soya, Massey, Katz, and Deloria and Wildcat (32). They suggest that “embodied and emplaced practices of movement, and stillness, are among the ways that place shapes us individually and collectively, and in turn, through which we shape and reshape place” (32). Nature and land are “ultra-connected to human life,” not external to it: “land with its physical features, climate, other species, and other aspects can act on and in conjunction with social histories and introduced influences to form current human practices of ritual and ceremony; architecture, planning, and design; educational traditions; and leisure pastimes” (32). Place influences social practice, and social practice influences place (32). The co-authors cite, among other writers, Michel de Certeau’s essay on urban walking as “relationally determined and guided by established rules” but also as a field for individual invention and improvisation (33). Stories, for de Certeau, are a way of making places as well (34). The work of Indigenous scholars also examines “the role of storytelling as a practice of shaping and being shaped by place among Indigenous peoples” and “the role that cosmology and cosmogony stories have placed in Indigenous conceptualizations of collective identity and place” (34). “Stories thus carry out a labor,” they write—they create, maintain, and change narratives about “the places in which we live and how they produce us and us them” (34). So they are using two of de Certeau’s essays—one on walking, and another on narrative. I’ve written about de Certeau’s work here, but I had forgotten his discussion of the differences between stories and maps; perhaps I need to refresh my memory.

Tuck and McKenzie cite the work of Tim Cresswell—the notion that place gives us a template for practice—and Tim Ingold—the idea that places occur, rather than exist—before turning to the new materialist notion that matter is productive (34-35). They note that “approaches that flatten human and non-human relations” and that “de-emphasize the politics of materiality” have been the subject of critique (35). For the co-authors, “performances and practices cannot exist outside of ‘extrinsic sources,’ such as cultural configurations of power and past colonial experiences” (35, citing Anderson and Harrison). For that reason, they turn to the relationship between power and place. Linda Tuhiwai Smith, for instance, “has critiqued colonial naming and mapping practices that have worked simultaneously to dispossess Indigenous peoples of land and establish settler colonial nation-states” (36). “Learning from this critique and from the notion of cartographies of struggle, we resist ontological analyses that, much like earlier phenomenological study, focus at the micro and yet universal level, while ignoring the situated realities of historical and spatial sedimentations of power,” they write (36). Instead, they “understand place as experienced differently based on culture, geography, gender, race, sexuality, age, or other identifications and experiences,” and those “disparate realities determine not only how place is experienced but also how it is understood and practiced in turn” (36). Such “place-specific differences do not amount only to ‘diversity,’ but rather in many cases exemplify and help establish forms of inequity, colonization, and other forms of oppression” (36).

Thus, the co-authors cite Katherine McKittrick’s contention that “geographies of domination” need to be understood as configuring hierarchies of “human and inhuman persons” and shows that those hierarchies “are critical categories of social and spatial struggle” (qtd. 37). “McKittrick does not allow for categories of body/identity/place to be regarded as separate,” they state. “Her work pushes us to see how practices of subjugation, including racism and sexism, are spatial acts and to consider effective ways of mapping them. Indeed, it may only be possible to see how racism and sexism are not bodily or identity based, but are spatial acts” (37). That is a radical statement. They suggest that the work of George Lipsitz (who argues that both Black disadvantages and unearned white privileges is necessary, and that white privilege is a form of spatialized and structural advantage) and Winona LaDuke’s discussion of environmental racism are examples of their argument (37-38). They also cite Vine Deloria, Jr. and Daniel Wildcat on Indigenous ideas about power and place, where power cuts “toward those who have long-standing relationships with place(s) rather than those who purport to conquer them,” and Doreen Massey’s term “power geometries,” which discusses the inequalities of globalization (38). Within given places, “there are also more localized asymmetries of power and privilege, for example, in who can walk or travel safely in particular places based on identifications of race, gender, or sexuality” (38). “Individual and collective histories and memories of place also contribute in powerful ways to what is possible or not,” they continue (38). Access to places is unequal, but “some memoried accounts of place are explicitly impressed to the continued advantage of specific groups at the expense of others,” as in the case of Manifest Destiny in the United States, which gives European settlers the right to live on Indigenous land (39). 

But to understand the politics of place, “we first need to extend our understanding of place beyond social relations and implications to consider more deeply the land itself as well as nonhuman species that inhabit it,” Tuck and McKenzie write. “In other words, place has meanings and implications that extend beyond human considerations” (40). They reject the use of borders, border crossings, and transgressions as metaphors, because those things are literal and real (41). In discussions of borders, the land is ignored, “even when social identity comprises landed constructs, specifically the experiential knowledge of life shaped by borders” (41). They refer to Kevin Bruyneel’s 2007 book The Third Space of Sovereignty and its “boundary-focused approach” with approval (41). They also suggest that new materialism or object-oriented ontology work “breaks down the distinction between the social and material, turning and in some ways returning to understandings of materiality as encompassing of, rather than singling out, social relations” (42). In addition, they note the importance of sensory experience, which is central to critical place inquiry since “we understand experience of and in place as embodied and sensual: that it is not just who we ‘meet’ in place in terms of social and cultural influences,  but also that who we are and how we are is influenced by land and the nonhuman” (42).

Relationships of and to place, the co-authors continue, indicate “a deepened understanding of materiality” as a meshwork (Ingold) or an entanglement (Barad) of life on the planet (42). They note that in Indigenous cosmologies, the word land refers not just to the material aspects of places, but also to immaterial qualities—its spiritual, emotional, and intellectual aspects (42). Thus place brings together not only human histories, spatial relations, and social practices, but also “related histories and practices of land and other species” (43).

Practicing place or land in a way that engages “forms of critical Indigenous and environmental politics will mean different things to different people and communities,” Tuck and McKenzie write (43). The particularity of place can be a platform for resistance (43). Occupy, the Arab Spring, and Idle No More are offered as examples (44). Those movements involved the use of literal and virtual spaces and places (45). “Place itself, and our connections across place, can enable conceptualizations and practices of a ‘politics of place beyond place,’” they state, citing Doreen Massey’s 2009 interview (46), something I ought to read. “Critical place inquiry seeks to make the influences of place on organizing and resistance more discernable and, thus, better able to be mobilized,” the continue (46). 

But Tuck and McKenzie are not only interested in the politics of place; they are also interested in the ways that place is thought and enacted in research: “how we theorize place matters for how we do inquiry and research, but also what counts as evidence, as knowing, as legitimacy, as rigorous, as ethical, and as useful” (46). They hope that such research can be politically engaged, that it can help resist neoliberalism and settler colonialism (46). “Our hope is that the transformation of our very conceptual maps is informed by more deeply considered and more elaborately articulated theorizations of place and land,” they state as the chapter comes to a close (46-47). That is the reason the next chapter, on “decolonizing conceptualizations of place,” pays attention “to the latent assumptions of settler colonialism and encroachment of settler epistemologies on land and Indigenous life in social science research” (47). “Decolonizing conceptualizations of place, like the conceptualizations described in this chapter, yield implications for the ethics and protocols, topics, methodologies, and methods of research,” they conclude (47).

In that third chapter, they begin by outlining their purpose: “we zoom in our focus on decolonizing conceptualizations of place, which was discussed more generally alongside a variety of conceptualizations” in the previous chapter (48). “Our aim here is to attend to decolonial and Indigenous renderings of place, and the ways in which they depart from (and collide with) conceptualizations of place that derive from Western philosophical frames,” they state (48). Such renderings of place “are always spatially and temporally specific” (48). They are particularly interested in “decolonization away from settler colonialism, which projects those who already inhabited stolen land before settlers’ arrival as ‘spatially, socially, and temporally before . . . in the double sense of “before”—before it in a temporal sequence and before it as a fact to be faced,’” they write, quoting anthropologist Elizabeth A. Povinelli (qtd. 49). Indigenous people, according to Chickasaw scholar Jodi Byrd, “must be central to theorizations of the conditions of globalization and postcoloniality”: the notion that place doesn’t matter “can be avoided if Indigeneity becomes a lens through which to view globalization and postcoloniality” (49).

These “decolonizing conceptualizations of place (and decolonization more broadly) draw upon Indigenous intellectualism and world views,” the co-authors continue, “which is why we discuss them together in this chapter” (49). Indigenous perspectives need to be at the centre of decolonizing theories and practices, although decolonial perspectives on place could also be informed by “Southern theories” and “theorizations of anti-Blackness in settler colonial nation-states” (49). “Decolonizing conceptualizations of place confront, undermine, disavow, and unsettle understandings of place that emerge from what Mary Louise Pratt calls ‘Europe’s planetary consciousness,’” they state (qtd. 49). The “deep structure” of that consciousness, according to Quechua scholar Sandy Grande, involves five central beliefs: in progress as change and change as progress; in faith and reason as separate; in the impersonal, secular, material, mechanistic, and relativistic nature of the universe; in ontological individualism; and finally, “in human beings as separate from and superior to the rest of nature” (qtd. 50). “Grande posits that contemporary cultural and ecological crises can be credited to these deep structures,” Tuck and McKenzie state (50). Those deep structures “both afford and justify environmental degradation, cultural domination, and the practices of “overdeveloped, overconsumptive, and overempowered first-world nations and their environmentally destructive ontological, axiological, and epistemological systems” (Grande, qtd. 50). I always struggle with ideas that are rooted in faith or that deny the material and secular nature of the universe; my early religious training, and my reaction against that training, prevent me from being able to accept those ideas. I suppose that Sandy Grande would say that means I’m part of the problem, rather than part of the solution, but I can’t help that. There must be a way to learn from Indigenous perspectives without abandoning my hard-won refusal to believe in a Creator. If that’s not possible, then there’s nothing I can do about it, because my ideas about religious faith are not going to change.

Next, Tuck and McKenzie quote Vine Deloria, Jr., who argues, “Power and place produce personality. This equation simply means that the universe is alive, but it also contains within it the very important suggestion that the universe is personal and, therefore, must be approached in a personal manner” (qtd. 50). In other words, everything in the universe seeks and sustains “personal relationships,” which means that the key question to ask about proposed actions is whether the action is appropriate (50). “Appropriateness includes the moral dimension of respect for the part of nature that will be used or affected in our action,” Deloria, Jr. writes. “Thus, killing an animal or catching a fish involved paying respect to the species and the individual animal or fish that such action had disturbed. Harvesting plants also involved paying respect to the plants. These actions were necessary because of the recognition that the universe was built upon constructive and cooperative relationships that had to be maintained” (qtd. 50-51). Indigenous philosophies of place, then, “represent significant epistemological and ontological departures from those that have emerged in Western frames” (51). However, Indigenous relationships to land are not romantic; rather, they are familiar and only sacred because they are familiar (51). The universe is a web in which everything exists together (51). The co-authors cite Seneca scholar Mishuana Goeman, who contends that the idea of Indigenous relationships to land are not “given, unchanging, and naturalized,” but that they are contained in stories (51). That summary of the quotation Tuck and McKenzie include here is inadequate, but it reminds me that I have a copy of Goeman’s book and that it is likely to be more helpful to me than I had anticipated.

Decolonization, Tuck and McKenzie continue, needs to “draw on conceptualizations by Indigenous peoples,” and it needs to be understood literally, not metaphorically (52-53). Here they are referring to Tuck’s article, with K. Wayne Yang, “Decolonization Is Not a Metaphor.” They note that decolonization in settler colonial states “is complicated because there is no separation between empire, settlement, and colony/colonized,” and contend that when decolonization is used metaphorically, that complexity is lost (52-53). 

Conceptualization, though, is not the right word: it suggests that thinking is only done with the mind, as something separate from the body (53). Indigenous philosophies “engage questions of self, us, the (living) world, interactions with it, interactions with ideas,” and so they involve the body as well as the mind (53). Thus, words like conceptualization or theorization are not right, because of the narrowness of such words in Western definitions (53-54). Tuck and McKenzie contend that “the epistemological and cosmological departures represented by Indigenous worldviews (especially when compared to Western perspectives) require an expansion to the connotative meanings of concept/ualization” (54). Words like “relationships” are helpful in describing what they’re trying to say, “but only if they are imbued with notions of intention, consideration, reflection, and iteration,” along with “resistance, land, knowing, and experience over generations” (54). 

Nor are place and space the correct words; Indigenous writers use those words to refer to something different from what they mean in Western philosophical traditions (54). They quote Vine Deloria, Jr.: “Even though we can translate the realities of the Indian social world”—which includes “the world, and all its possible experiences”—“into concepts familiar to us from the Western scientific context, such as space, time, and energy, we must surrender most of the meaning in the world when we do so” (qtd. 54-55). Deloria, Jr. argues that the central concepts in the Indigenous worldview are place and power: living beings have their proper place in the world, and power suggests “spiritual power or life force” (qtd. 55). Thus Indigenous authors often use the word “land” instead of place, as a shorthand for land, water, air, and subterranean earth, but they use that word with the experiential sense Deloria, Jr. invokes (55). “Among Indigenous peoples, relationships to land and place are diverse, specific, and un-generalizable,” they state, since every Indigenous group had its own relationship to their land. For that reason, “land” is “imbued with these long relationships and . . . the practices and knowledges that have emerged from those relationships” (54).

The relationship between place and land is not unlike the relationship between individuality in Western thought and collectivity in Indigenous life and knowledge systems (55). According to Tuck and McKenzie, the ontology of place-based paradigms is something like “I am, therefore place is,” but in contrast, the ontology of land-based paradigms is more like “Land is, therefore we are” (55-56). In other words, the ontology of place privileges the individual human, whereas the ontology of land privileges land and the life of a collective (56). “This represents a profound distinction that cannot be overlooked,” they contend. “Understandings of collectivity and shared (though not necessarily synchronous) relations to land are core attributes of an ontology of land” (56). In addition, “the land-we ontology . . . is incommensurable with anthropocentric notions of place” (56). The land comes first. Ontologies that put humans first, that put humans at the centre of place, or as “small and simple cogs in a universal scheme,” are not compatible with Indigenous land-we ontologies (56). Indeed, many Indigenous cultures refer to land formations as ancestors (56-57). That notion is “simultaneously poetic and real; it is both a notion and an action” (57). 

These ideas about land, Tuck and McKenzie continue, aren’t just about its materiality, but also its spiritual, emotional, and intellectual aspects (57). Land is a teacher, a conduit of memory (57). Relationships to land are “familial, intimate, intergenerational, and instructive” (57). The idea that the land is a parent is not a metaphor; nor is the idea that the land is the first teacher (57). Land includes the urban; it’s not just about “green spaces” (58). Ideas about land are not “static or performable” (58). In addition, “mindfulness of non-Indigenous desires to access assumed Indigenous knowledge also needs to extend to a mindfulness of non-Indigenous desires to adopt or use such knowledge” (58). “This is difficult terrain in working both with Indigenous and non-Indigenous peoples: to acknowledge and include Indigenous knowledge and perspectives by in non-determined ways that do not stereotype Indigenous knowledge or identities,” Tuck and McKenzie write (58). I’m not sure what that means for part of my research, which attempts to develop a relationship with the land through walking. 

Next, Tuck and McKenzie turn to theories of colonialism. They suggest that most theories of colonialism have not focused on settler colonialism, but that has changed in the past two decades (59). “Settler colonialism is a form of colonization in which outsiders come to land inhabited by Indigenous peoples and claim it as their own new home,” they write (59). Exploitation colonizers and settler colonizers want different things: “the exploitation colonizer says to the Indigenous person, ‘you, work for me,’ whereas the settler colonizer—because land is the primary pursuit—says to the Indigenous person, ‘you, go away’” (59, citing Lorenzo Veracini). Settler colonial states don’t recognize themselves as such, “requiring a continual disavowal of history, Indigenous peoples’ resistance to settlement, Indigenous peoples’ claims to stolen land, and how settler colonialism is indeed ongoing, not an event contained in the past” (60). Most settlers don’t think about the fact that they live on Indigenous land or consider themselves implicated in the continued settlement and occupation of Indigenous land (60). Settler colonial states are hierarchical, with settlers at the centre of all typologies, at the top of the hierarchy (60). Settler colonialism is “a form of biopower,” because in some contexts, it has relied on slavery (Indigenous or African diasporic subjugation) (61). Finally, settler colonialism tries (and fails) “to contain Indigenous agency and resistance. Indigenous peoples have refused settler encroachment, even while losing their lives and homelands” (61). “Thus, when we theorize settler colonialism, we must attend to it as both an ongoing and incomplete project, with internal contradictions, cracks, and fissures through which Indigenous land and knowledge have persisted and thrived despite settlement,” Tuck and McKenzie write (61).

The notion that Indigenous people traded land in treaty negotiations “because they lacked serious understanding of buying and owning land” is a false narrative, according to Tuck and McKenzie (62). “There is indeed a problem with Western conflations of place and property, but not because Indigenous peoples were/are too pre-modern to understand property,” they argue (63-64). In fact, history shows that Indigenous peoples “engaged in heated debates over notions of colonial property and extensively used legal arguments to oppose European dispossession from the very outset of colonial occupation” (64). 

“Through the process and structuring of settler colonialism, land is remade into property, and human relationships to land are redefined/reduced to the relationship of owner to his property,” Tuck and McKenzie write. “When land is recast as property, place becomes exchangeable, saleable, and steal-able” (64). However, the most important aim of this recasting “is to make it ahistorical to hack away the narratives that invoke prior claims and thus reaffirm the myth of terra nullius. Existing epistemological, ontological, and cosmological relationships to land are interred, indeed made pre-modern and backward” (64). The notion of land as property is central to the ideologies of settler colonialism, which are “reliant upon constructions of land as extractable capital, the structural denial of indigenous sovereignty, the fantasy of discovery, and the naturalization of heteropatriarchal nation-state” (65). (Why the nation-state is heteropatriarchal is not clear: it is flexible enough to allow women and LGBTQ2+ people to occupy places of power.) 

“Western notions of place have been compromised by an over-reliance on the European, colonial notion of property,” but Indigenous thinkers and Elders remind us that “there are more complex and meaningful relationships to land that humans have always enacted” (65). Those relationships continue, despite settler colonialism: “the interwoven aspects of land (origin) stories, claims, and identity” that comprise “Indigenous peoples’ relationships to place” have not disappeared (65). Those stories show how the people are possessed by the land and answerable to it (65). The “structure of settler colonialism” has “reduced human relationships to land to relationships to property, making property ownership the primary vehicle to civil rights in most settler colonial nation-states” (65). 

Settler colonialism erases the presence of Indigenous people, turning them into savages and, eventually, ghosts (66). However, “by their survivance and persistence,” Indigenous peoples “disprove the completeness, cohesiveness, civility, and ultimately the presumed permanence of the settler nation-state” (66). In addition, settler colonialism “structures anti-blackness by circulating stories of (the descend[a]nts of) chattel slaves as monsters, as requiring containment” (67). For instance, in the United States, “the contemporary prison industrial complex” is “an extension of chattel slavery, in which Black and brown bodies are contained to build the wealth of mostly white towns relying financially on incarceration centers” (67). I would think the use of prison labour or the existence of private prisons are much stronger arguments on this point than keeping white towns alive by keeping prisons open or expanding them. 

Settlers are defined by their actions—by their “attempts to live on stolen land and make it their home. A desire to emplace is a desire to resolve the experience of dis-location implicit in living on stolen land” (67). Settlers are not immigrants, because they do not attempt to fit into the already existing communities and cultures; instead, “they implement their own laws and understandings of the world onto stolen land” (67). “Settler emplacement is incommensurable with Indigenous life insofar as it requires erasure of Indigenous life and ontologies,” which leads settlers to “engage a range of settler moves to innocence to relieve themselves of the discomfort of dis-location, and to further emplacement/replacement” (67). Tuck and Yang’s essay is cited again here. No doubt Tuck would consider my walking project a settler move to innocence. 

Tuck and McKenzie note that there are “variations to the settler colonial triad”—the three structures of Indigenous erasure, Black containment, and Settler ascendancy they have been discussing—including Jodi Byrd’s use of the word “arrivants” to describe people forced to come to the Americas through the violence of global colonialism and imperialism (67). “This nomenclature is a recognition of the ways in which arrivants both resist and participate as settlers in the historical project of settler colonialism,” since both settlers and arrivants take Indigenous land as their own (67).

Settler colonialism wants Indigenous land (67). It turns that land into property “by destroying Indigenous peoples, and turns humans into chattel/property by destroying their humanity” (68). Indigenous peoples must be erased or turned into ghosts. At the same time, “settler colonialism involves the subjugation and forced labour of chattel slaves whose bodies and lives become property” (68). This somewhat repetitive argument doesn’t apply to all settler colonial states, however, because not every settler colonial state based its economy on slavery the way that the United States did.

“One of the ways in which current theories of space and place that emerge from Western philosophical frames are incommensurable to Indigenous and decolonizing conceptualizations involves the degree to which Western theories enable or are agnostic towards settler emplacement,” Tuck and McKenzie write. The core strategy of settler emplacement, “the desire of settlers to resolve the experience of dis-location implicit in living on stolen land,” involves “the discursive and literal replacement of the Native by the settler” (69). I fear that the co-authors would consider my walking project an example of settler emplacement. Settler emplacement can never lead to decolonization (69). The idea of replacing Indigenous peoples as the rightful claimants of the land is invested in settler futurity (69). 

Here, they define that term: “futurity is more than the future, it is how human narratives and perceptions of the past, future, and present inform current practices and framings ina. way that (over)determines what registers as the (possible) future. Settler futurity, then, refers to what Andrew Baldwin calls the ‘permanent virtuality’ of the settler on stolen land” (69-70). Both replacement and emplacement “are entirely concerned with settler futurity, which always indivisibly means the disruption of Indigenous life to aid settlement” (70). “Any form of place or space theory that seeks to recuperate and not interrupt settler colonialism, to reform the settlement and incorporate Indigenous peoples into the multicultural settler colonial nation state, is invested in settler futurity,” Tuck and McKenzie contend. “In contrast, Indigenous futurity forecloses settler colonialism and settler epistemologies. This does not mean that Indigenous futurity forecloses living on Indigenous land by non-Indigenous peoples. That is to say that Indigenous futurity does not require the erasure of now-settlers in the ways that settler futurity requires of Indigenous peoples” (70). 

I wish that Tuck and McKenzie would have said more about the differences between Indigenous futurity and settler futurity. They refer to an essay by Tuck and Rubén Gaztambide-Fernández, which I’ve blogged about here. I found that essay very difficult to unpack. (As an aside, I hate the way APA citation format encourages offhand citations to texts without requiring writers to engage seriously with the texts cited or explain what aspects of those texts are actually important.) I find the discussion of the term “futurity,” and the reference to Baldwin’s essay, which I’ve also blogged about here, frustratingly vague. The “permanent virtuality” quotation, for instance, has nothing to do with settlers living on stolen land; rather, it refers to the way that the future “can be known and hence real, as [Ben] Anderson suggests, but because it can never be fully actualized as the future, the future remains a permanent virtuality” (173). The reference to Ben Anderson is to yet another essay on futurity that I’ve blogged about here, where he talks about futurity as anticipatory action (777). You see, I’ve worked at understanding this concept, and yet it still remains opaque to me. Maybe I’m just stupid.

Finally, Tuck and McKenzie note that “Indigenous peoples have predicted the collapse of settler societies since contact, all the while building and articulating viable alternative epistemologies and ontologies” (70). They see the interest in decolonization as a sign that settlers now recognize “impending environmental and economic collapse,” and quote Nishnaabeg writer Leanne Betasamosake Simpson on this point (70-71). Decolonization, however, “is not just something that humans (may) do; it is (primarily) something that the land does on its own behalf. Whether or not humans can survive this latter form of decolonization can’t be known” (71).

The book’s second part leaves theory behind and moves to methodologies and methods of critical place inquiry. I’m honestly not sure how useful this part of the book is likely to be for me, since I’m not a social scientist and don’t want to become one, but I will persevere. They define methodology as “the epistemological, ontological, and axiological assumptions guiding the research, or in other words, the ways in which the researcher’s explicit or implicit assumptions are at work in the selection of research focus, problem, and approach” (76). Methodology, in this definition, is the researcher’s paradigm or worldview (76). That’s not what I learned in the course I took on methodologies in the fine arts—in fact, it almost returns the book to a discussion of theoretical perspectives on critical place research, I think—but perhaps that doesn’t matter, or the course I took was based on an incorrect definition of methodology. They also describe the term as the assumptions about knowledge, reality, the role of research in society that are embedded in research, distinguishing it from methods, which are specific ways of collecting data and analyzing it (79). The methodology “drives and informs how those methods are used, and with and by whom,” they write (79). They distinguish between empirical research, which “involves the collection and analysis of quantitative or qualitative data,” and conceptual research, which prioritizes “the use and development of ideas in addition to and beyond what can be collected through empirical research” (79). “Thus, while all approaches can be considered to be conceptual and empirical on one level,” in this chapter the co-authors focus on “methodologies that involve some quantitative or qualitative data collection and analysis” (79).

Tuck and McKenzie begin with archival research and its connection to place. Representations of place in an archive might include photos of places, maps, and historical accounts of places (81). They note that there are very different ways of thinking about archival research as a method (80-81). 

Next, they discuss narrative inquiry and place. “Narrative and storytelling methodologies hold that narratives are how humans come to know, understand, and make meaning in the social world, while also making ourselves known, understood, and meaningful in the world,” they write (82). Narrative inquiry about place would involve stories about places (83). However, the co-authors also mention an artistic walking project by Misha Myers that brought together storytelling and walking in a methodology Myers called “conversive wayfinding” (qtd. 83). I’ve read about that project, and I might have read the essay Tuck and McKenzie refer to here, but I haven’t blogged about it, so I don’t recall. I seem to have outsourced my memory to this blog. 

After narrative inquiry and place research comes phenomenology and place research. Phenomenology, they state, “can be understood as attempting the objective study of topics that are usually regarded as subjective, such as perceptions and emotions” (84). Phenomenology tries to get at the lived experience of places and the attachment of people to places (84-85). They cite many examples of such research, particularly David Seamon’s work (85). 

Following that discussion is ethnography and place. Tuck and McKenzie note that ethnography means the study of culture, and that it has been critiqued because of the lenses that researchers bring to ethnography and the appropriateness of conducting research across cultures (86). They note that ethnography has more recently been used by researchers to study their own culture (86). Ethnography has always been concerned with place, “with the physical settings of the ordinary and their relationships to other material aspects of people’s lives, such as household objects, animals, institutions and technologies” (86). There are many different kinds of ethnography, including autoethnography and sensory or visual ethnography (86-87). Its strength as a methodology is “its fine-grained descriptive focus,” in the way it shows how people relate to place by showing instead of telling, “bringing alive for the reader socially embedded qualities of particular places in relation to their historical, spatial, and political contexts” (87). Among the ethnographic works they discuss is Tim Ingold and Jo Lee Vergunst’s edited collection about walking and ethnography, which I’ve blogged about here. That collection of essays, they write, “suggests the ways that knowledge is forged, both by the researched and the researcher, through the performances and habits of walking, as well as its embodied memories” (87).

Next is a discussion of participatory action research (PAR) and place, and community-based research and place. There is some disagreement about whether participatory action research is a methodology (88). It is, Tuck and McKenzie write, “an ethical framework in which exploitation is consciously theorized and avoided, people and their ideas are valued, and collaboration and mutual benefit are highly prized. Participatory action researchers engage in this approach because of its ethical touchstones, but also because they see it as resulting in richly textured, accurate, and useful data” (88). The word “action” suggests the way that this kind of research sets out to change things, not just document them (88). These forms of research, “because they are participatory and involve the efforts of real people in real places, are methodologies that can yield real and useful knowledge about place and places,” although that is not always highlighted (89). However, even after reading this discussion, I’m not completely certain what PAR is or how it operates. I also find myself wondering if there’s any crossover between PAR and social or relational aesthetics. Probably not, given the differences between art practices and social-science research.

Following that section is a discussion on mixed, post, and strategic methodologies. These approaches to research are often considered postmodern or new materialist in their theoretical orientation. One example is a project about drought in Australia “undertaken by a team of Indigenous and non-Indigenous researchers” that has been described in multiple and contradictory ways, including as arts-based research (92). 

“With this book’s emphasis on critical place inquiry, whether research captures reality in some ways and/or is a performance or product of the world is overshadowed by what it is that the research itself does,” Tuck and McKenzie tell us. “In this vein, there have been critiques of the emphasis on novelty and invention in the previously described approaches at the expense of a focus on the research’s impact on social and broader material conditions” (93). What do these methodologies do in the world? They suggest that “framings and methods of research are designed to maximize the potential to act as a form of intervention, or as public scholarship,” an orientation that “could perhaps be considered a strategic methodological approach, which involves selecting the methodology and methods of research best suited to the type of data and analysis most likely to critically inform the decision-making and conditions surrounding a particular issue” (93). This, they continue, “is one of the methodological approaches with which we align, and it informs our motivations for writing a book discussing the range of theories, methodologies, and methods of research that can be mobilized in critical research in and on place” (93).

After that, Tuck and McKenzie turn to Indigenous methodologies and land. They suggest that these methodologies involve “deep connections between Indigenous knowledge and land” (94). There are several epistemic touchstones in books about Indigenous methodologies, and they are all based on “rootedness on and in relationship to land” (94). “Indigenous methodologies both are enacted by and seek to study relationships, rather than object-based studies that typify Western sciences,” they write, particularly relationships to land and place (94). Indigenous knowledges exist “within a universe that is relational and responsive” (95). Thus, reciprocity is another touchstone of Indigenous methodologies—even its ethical starting place (95). Reciprocity is the antithesis of extraction (95). In Indigenous methodologies, reciprocity has cosmological connotation, concerned with maintaining balance not just between humans, but with energies that connect and thread through all entities in the universe,” a statement “that is grounded in Indigenous metaphysics,” which “is regarded within Indigenous worldviews as simultaneously sacred and mundane,” rather than mystical (95). The “long view” is the third epistemic touchstone of Indigenous methodologies (95). “By the long view, we mean the centuries-long, or millennia-long sense of time that allows a vision of land and place as animated, formed and unformed, mountains growing at the same speed of fingernails, and oceans and ice flows shaping the coasts,” they write. “It is the long view that shows what is so alarming about rapid human-induced climate change, and it is the long view that might guide decisions related to energy and fuel sources, human migration, the whole of social life, and the necrophilic logics of late capitalism and neoliberalism” (95). Decolonization is the last epistemic touchstone (95). Although there are differences between decolonization and Indigenous thinking, Indigenous methodologies are linked to decolonization because they represent “a viable alternative ontological frame that has persisted and resisted neoliberalism and market logics” (96).

The next chapter, on methods of critical place inquiry, begins with an account of a dérive in Saskatoon, of all places, undertaken by McKenzie and her colleagues. I have to read that article! But the article referred to in the text isn’t really a discussion of that walking event. The brief description in the book is all I’m going to get. Nevertheless, they suggest that “[t]his example of urban walking as teaching and research method suggests several of the key issues we will focus on in this chapter” (98). This chapter is about methods, the ways that data is collected and analyzed, and it will discuss how that happens in relation to place, including “embodied aspects of data and data collection and analysis processes” (98). 

First, Tuck and McKenzie discuss types of data collected or created in research: both “concrete” and “abstract” aspects of place. “Concrete aspects of places are defined as including the physical characteristics and objects present in a place, as well as how humans interact with these places and objects through their senses,” they write. “The category of abstract aspects of a place is used to refer to inner processes that places evoke, including dreams, imagination, memory, and feelings as they relate to people’s understandings and connections to place” (99). Visual methods can include seeing places with participants (walking, for instance), “or are created with or by participants (photos or video),” which “enable more insight into the concrete aspects of place that may be affecting understanding and actions” (99). “Oral data collection methods, including interviews,” can “provide data on abstract orientations to place through information on participants’ thoughts, memories, and feelings as they relate to place” (99). Of course, photographs or videos have formal characteristics that may suggest abstract aspects of places as well, so these typologies are not as clear-cut as Tuck and McKenzie seem to suggest. Nevertheless, they consider this typology useful for “understanding the value of different types of methods for eliciting qualitative data on place and people’s relationships to place” (99). It also suggests “the value of going beyond oral or written methods to include visual and sensory modes of data collection,” they state, citing Sarah Pink’s work on sensory and visual ethnography, which I have yet to read (99). 

However, they continue, “a typology of concrete and abstract aspects of place also assumes these considerations can be separated—that objects and physical characteristics are merely physical without human abstraction; and likewise that human thoughts and feelings do not have concrete or material qualities such as manifestations in the body” (100). They note that “a number of different approaches emphasize the liveliness or agency of the land and materiality, and/or the embodied and emplaced aspects of human thoughts, memories, or feelings” (100). When researchers move past seeing place as a static background, “and instead consider more fully how place and materiality more broadly are mutually constitutive with the social, it changes the research frame”: researchers “become interested not only in how humans perceive or understand places, but also how various aspects of places themselves are manifested as well as influenced through human practices” (100). 

To conduct research with the kind of active and contextual orientation provided by theories that understand place “as mobile, as mutually constitutive with the social through practice, as manifesting and perpetuating power relations including those of colonization, as emphasizing land and the non-human in addition to social considerations of place, and as perpetuating and enabling of politics” suggests “the need to go beyond collecting data from and with human research participants on and in place” and to also examine “place itself in its social and material manifestations” (100-01). They state that in this chapter they will “discuss four interwoven areas for consideration in selecting or developing methods for critical place research,” including land and materiality, embodied and emplaced data, memory and historical data, location and mobility, and accountability to community” (101). Yes, I count five areas for consideration, too. I’m not sure why Tuck and McKenzie say there are four.

First up is land and materiality in data. The co-authors quote Daniel Wildcat’s contention that being in a forest or other natural space is a source of experiential knowledge (101) and Margaret Kovach’s suggestion that Indigenous research approaches are specific to place and local knowledge, that they come from long histories of interrelationships with particular territories (101). That situatedness separates Indigenous peoples from settler societies, according to Kovach. She draws on traditional nêhiyaw knowledge for an analogy between Indigenous research and the buffalo hunt: the researcher must be prepared, the research must be prepared, there are cultural and ethical protocols to be followed, the process is guided by respect, and the resulting knowledge must be shared in a process of reciprocity (101-02). For Kovach, the buffalo hunt “provides an epistemological teaching, a reference point for how to do things in a good way born of place and context specific to Plains tribes” (qtd. 102). For Tuck and McKenzie, this analogy “suggests the place-specific aspects of methods, including the importance of place-specific protocols, relationships, and accountabilities in designing and conducting empirical research by and with Indigenous peoples” (102). 

Kovach also discusses the importance of “how specific knowledge of and with place is held in storied practice” (102). “The weaving of place and story yields knowledge not only about social life, but of the embedded understandings of other beings and the land,” Tuck and McKenzie write (102). Narrative is central to Indigenous research methods, but it’s not the only method available: “For Indigenous scholars undertaking research on and with place, data may be gathered through a wide range of methods, including protocols, narratives and storytelling, dreams, sharing circles, walking, mapping, or other methods” (102). Research methods are forms of ceremony, they suggest, citing Shawn Wilson’s book, “within an Indigenous paradigm of relationality, and as undertaken by Indigenous people” (102). They also cite Mishuana Goeman’s argument that mapping is an important Indigenous research practise (102), although I’m not sure that would be available to settlers. I’m not sure how many of these Indigenous research methods are available to settlers without being accused of, or actually engaging in, cultural appropriation. 

Sociomaterial approaches to research may “share an understanding of the performativity of materiality, including of human beings and social relations” (103). I don’t know what “performativity of materiality” means, though they refer to Jane Bennett’s work, which I’ve been planning to read, on the relations and connections between things in the world (103). A variety of contemporary theoretical approaches to research, including actor-network theory and spatiality theories, share approaches to sociomaterial research approaches (103). Those approaches “take whole systems into account, regardless of the scope of the material or activity that has been chosen as the research focus”; they “trace interactions among human and non-human parts of the systems, emphasizing heterogeneity of system elements” and the need to focus on relationships between those elements; they “understand human knowledge to be embedded in material action and interaction,” without privileging “human intention or consciousness” but rather focusing on how subjects and objects of knowledge “emerge together through activity” (103). “These epistemological and ontological, and thus methodological, orientations in turn affect the research methods engaged,” Tuck and McKenzie suggest (103). For instance, sociomaterial interactions are mapped by researchers (103). The liveliness of objects is considered (103). The connections between objects and places are explored (104). Object agency or “thing power” is considered (104). Embodiment and sensation are important as well (104). In addition, research becomes more experimental and eventful, even playful (104).

“Other trajectories of research focus in particular on the relationships between human bodies and places in developing and approaching research methods,” Tuck and McKenzie continue (105). Embodiment, in this context, refers to the interrelationships between body, mind, and environment (105). According to the co-authors, “it is now commonly recognized that we need to investigate the emplacement of research participants, and it is equally important for researchers to acknowledge their own emplacement as part of research contexts” (105). Phenomenology “is one methodological frame that entails methods of seeking to elaborate and understand embodied relationships to place,” they note (105). However, because of concerns about representing experience in language, “increasingly researchers have turned to additional methods to examine, represent, or mobilize embodied understandings of and in place,” from “ethnographic observations of participant interactions with place,” to “historical photo analysis,” “mental mapping,” or “participatory video” (106). “Visual methods have especially become more common, particularly photography, video, mapping and drawing, but also visual arts more broadly as well as web-based representation,” they state, citing Sarah Pink’s work on visual ethnography to contend that “visual methods must be developed and determined as appropriate to diverse research sites” (106). 

Mental mapping, also known as cognitive mapping, is one important method of researching embodied relationships to place (106). Such maps are persona, subjective, and intimate (106). They present examples of cognitive mapping (106-08), but despite those examples, I’m not sure what it involves or how it is different from other forms of mapping—especially when they suggest that cognitive mapping can be linked to GPS coordinates as a way of linking drawings or interview responses “to actual locations on a map, collating and displaying the data in meaningful ways” (107). 

“However, engaging diverse methods focused on embodied and emplaced understandings and practices also extends beyond the visual, and oral representations of the visual,” Tuck and McKenzie state (100). Sensory ethnography, in Sarah Pink’s words, tries “to access areas of embodied, emplaced knowing and to use these as a basis from which to understand human perception, experience, action and meaning and to situate this culturally and biographically” (qtd. 108). They cite Tim Ingold’s suggestion that the senses are not separate but rather different facets of the same activity to suggest that “attending to these varied facets can provide richer data” (108). They note Ingold’s influence on Pink’s work (and I’m a big fan of Ingold’s work) (108). They suggest that “the ways in which the senses play a role in how cultures and places are constituted and changed” is important, and that the link between the senses and memory needs to be considered if we think of memories as “sedimented in the body” (108-09). “These considerations extend to how cultural, gendered, racialized, class-based, generational, and other experiences and identities influence the meanings and memories imbued into sensory encounters,” they state (109).

However along with “a reflexivity about how the sensory experiences of the researcher and participants are produced through and influence the research encounter, considering emplaced understandings in research entails selecting methods that are aligned with the research questions and setting of focus” (109). So, for instance, “[t]he location of observation, as well as other research methods such as interviews, can also influence the ability to attend to embodied and emplaced data—for example, in eating or walking with participants or interviewing or working together in different locations” (109). The point seems to be using “multi-sensory data” to demonstrate “various forms of emplaced knowledge” (110). 

Next, Tuck and McKenzie discuss memory and historical data. “This section interfaces with earlier sections on land and material data, and embodied and emplaced data, and focuses in on the temporal dimensions of research methods concerned with place and social life,” they write. “Specifically, it highlights the use of historical data in studying past, present, and future conditions, including the ways in which research methods address memory as social science research on and in place” (110). They suggest, quoting oral historian Lynn Abrams, that memory is “a process of remembering: the calling up of images, stories, experiences and emotions from our past life, ordering them, placing them within a narrative or story and then telling them in a way that is shaped at least in part by our social and cultural context” (qtd. 110). Memory is not an abstract concept, but rather “a practical and active process of reconstruction whereby traces of the past are placed in conjunction with one another to tell a story” (Abrams, qtd. 110). Memory is about the individual, but it is also about the community, the collective, and the nation (110). In this way, individual memories “are situated within a field of memory work that operates at many levels in society” (110). 

Place has “a significant influence in the shaping and recalling of memory,” they continue (111). “Places can function intentionally or implicitly as ‘sites of memory,’” such as public memorials, historic sites, or tourist destinations (111). Memories are “actively constructed and reconstructed in relationship to land and place,” Tuck and McKenzie continue (111). For this reason, researchers “need to ask why specific stories are told in particular ways and in particular locations, and how individual and collective memories are constituted and shifted through various manifestations of memories, whether in place sites, individual stories, or collective narratives” (111). Stories related to individual and collective memories are central to many research methods, and Tuck and McKenzie suggest that these include memory-work, oral/life history, qualitative longitudinal research, ethnography, intergenerational, and follow-up studies, along with “a broad range of narrative and storytelling approaches, including Indigenous methodologies” (111). “However, memory is a central aspect of social life and thus can also be considered implicit in all methodologies and methods,” they contend (111). In addition, social-science researchers “have taken up a focus on the role of the temporal in relation to place and social life, by engaging in multiple interviews and in different locations, in relation to historical documentary sources, in genealogies of specific practices, through participatory methods, and by many other means, in order to attempt to consider memory and the temporal in relation to place in research” (111). In addition, texts and maps can be used in historical research (112). Discussions of memory can also include an attention to nostalgia (113). Participatory action research can also be used to examine individual and collective memories (113). And, Tuck and McKenzie suggest, “sometimes the best way to consider the role of time in social and place-based practice is over time,” through longitudinal studies (114).

The chapter’s next section takes on location and mobility (114). Location, Tuck and McKenzie write, “matters in considering and operationalizing research methods” (114). In this section, they consider “how objects in different locations and the land itself can be considered actors in the research process,” and “how the location of the implementation of methods may matter for the data collected or created, including via mobile methods such as walking interviews or video go alongs, as well as how particular methods and technologies, such as social network analysis (SNA) and global positioning systems (GPS) are being use to map and analyze data in relation to location and mobility” (114). 

“Certain methodologies of research, such as ethnographic and participatory or community-based approaches, originated with a focus on attention to the location of data collection,” Tuck and McKenzie continue (114). However, the way that place influences the production of knowledge, or that “place could be harnessed to elicit information on identities, emotions, and power relationships,” is often overlooked (114). Where an interview takes place, in other words, is important and influences the information shared by participants (115). Considerations about the locations of the research also extend to mobile methods (115). Social network analysis identifies relationships between members of social or activist networks “in order to compare, understand, and potentially enhance those relationships” (115). 

The chapter’s last section discusses accountability with community in critical place research (116). Central to research on questions of Indigenous, social, or environmental justice “is how the research contributes to interventions in such conditions”; in other words, critical place research is supposed to be useful, rather than neutral (117). “The methodology and methods mobilized to such aims will depend on the social location and skills of the researcher, the audience and intended outcomes of the proposed research, what is feasible logistically and within given timeframes, and other considerations,” Tuck and McKenzie write. “However, deciding what approach to research is in the best interests of a given issue or context necessitates the input or participation of those potentially affected by the research or the issues it seeks to address” (117). 

The co-authors recognize “the obstacles associated with conceptualizations and practices of community accountability” (117). The word “community” has been critiqued, and yet it is necessary, because groups of people do have common experiences and solidarities (117). They turn to Linda Tuhiwai Smith’s suggestion that “an Indigenous research agenda” has “Self-determination at its center,” and that self-determination is both a political and a social-justice goal (117). For Smith, rather than framing research ethics in a Western way, as individual informed consent, “there needs to be recognition and respect for community and Indigenous rights and views” (117-18). Aren’t both important, though? What is the relationship between individuals and communities? Do individuals never not fit into their community, for instance? Other researchers emphasize the researcher’s responsibility for following local protocols, “using methods epistemologically appropriate to the communities involved in the research,” and making sure that “the research gives back in concrete ways furthering the priorities of Indigenous peoples involved in the research” (118). How might art projects do that? It’s not clear to me, and a book on social-science theories, methodologies and methods isn’t going to answer that question.

“Related principles of ethics and accountability are also relevant to other communities, where past research experiences have served to marginalize or pathologize, and where research ethics are laced with assumptions about the naïvete and vulnerability of the researched,” Tuck and McKenzie continue (118). I’m not sure what the complaint about vulnerability might mean; surely some people or communities are vulnerable to marginalization or pathologization, for instance. The stories that are told or not told in research can do harm, rather than good, and researchers are responsible for those harms (118). For these reasons, “many researchers and communities have turned to participatory forms of research” that “entail research ‘with’ and ‘by’ the community” (118). I still don’t understand what participatory action research might look like, unfortunately, but I wonder what the role of the researcher’s expertise might be if communities are able to engage in research themselves. Why would a researcher with a PhD or years of experience be necessary at all in that case? A decolonial participatory research ethics will involve “considerations of reflexivity, expertise, humility, dignity, action, and relationality” (118). That kind of ethical approach “suggests highlighting researcher ‘blind-spots and biases’ in as much detail as ‘the seeming contradictions and inconsistencies of the people with whom we conduct research,’” they continue, citing Tuck and Monique Guishard (qtd. 118). This approach to research engages explicitly with settler colonialism in its consideration of research methods and ethics, and it “indicates how ‘participation’ needs to go beyond merely including more people in the data collection and/or analysis process” (118). The co-authors end this section of the chapter with a list of various research projects, including PAR projects, that conform to the ethical standards they have described (118-23).

The chapter’s last section discusses data analysis, which can take place during data collection or afterwards (123). “The specifics of what analysis can look like in relation to a particular data collection method ought to be determined in alignment with a study’s methodological underpinnings,” they note (123). However, what they’re interested in here are understandings of data analysis in relation to critical place research (123). “Specifically, we want to focus on the ways in which analysis functions to represent and produce research,” they write (123). The need to use language in data analysis means “that it is not possible to access experiences of place in unmediated ways” (123). Researchers therefore need to be reflexive, as do research participants, and diverse methods need to be used that enable everyone involved to see “from multiple angles in ways that might refract different understandings” (123-24). The divisions between art and social science need to be broken down—for social scientists more than for artists, I would think—in order to “shed light on these mediating influences” (124). Other social-science researchers suggest that traditional methodological models need to be avoided and that researchers should “focus on the material-discursive elements of events,” including considering the interaction between language and experience” (124). However, Tuck and McKenzie state that they worry that “a narrowed focus on the inventiveness of methods understood as performative misses the point of what types of interactivity are performed/represented and to what ends” (124). I wish I understood what they mean by “performative” and “performed” here—those words have many different connotations. In any case, they seem to agree with those who contend that research is messy and fragile, that it is entangled with the phenomena it studies, and that it is shaped by those phenomena in surprising ways (124). They quote John Law’s call for researchers “to think about method more inclusively by considering all modes of relating to the world as potentially suitable methods,” whether those methods are “verbal, pictorial, gestural, or affective” (qtd. 124-25). To that call, Tuck and McKenzie add that research “requires an ethical responsibility to consider the impact of the means and ends of the methods engaged” (125).

The next chapter examines Indigenous methods of critical place inquiry. “Our goal is not to set up a false binary between Indigenous and non-Indigenous methods of critical place inquiry,” Tuck and McKenzie write. “Yet, while not at all mutually exclusive, there are specific features of Indigenous methods of critical place inquiry that set them apart from methods that emerge from other intellectual traditions” (126). They note that the term “Indigenous” denotes both a racialized group and “a collectivized political identity,” and that questions of who may be called Indigenous are “powerfully complex” (126-27). However, they write, “We adhere to definitions of Indigeneity that recognize the power of long-held relationships to land, the role of other tribal members in conferring belonging, and tribe-specific understandings of kinship and responsibilities related to kinship” (127). Their focus in this chapter is on “methods that have been developed by Indigenous scholars or in collaboration with Indigenous people to reflect Indigenous ways of knowing and articulating knowledge” (127). “Indigenous methods are Indigenous because they take inspiration from practices in tribal communities, because they are designed to be meaningful for Indigenous participants, and because they work to gather information that is useful to tribal communities” (127). In addition, “there are theoretical commitments that differentiate Indigenous research methods from non-Indigenous methods of critical place inquiry” (127).

Non-Indigenous research paradigms and tools “exhibit underlying beliefs of dominant settler colonial society” (128), and for that reason, Linda Tuhiwai Smith describes Indigenous and decolonizing research methods as “researching back” (qtd. 129). Researching back, Tuck and McKenzie write, engages “everyday people in rejecting and reclaiming theories that have been used to disempower them” (129). “Indigenous methods of critical place inquiry are designed to engage the survivance of Indigenous peoples,” they continue, noting that the term “survivance” refers “to ontologies directly connected to the ways that Indigenous peoples have always been” (129). That term, which comes from the work of Anishinaabe scholar Gerald Vizenor, “is distinct from survival,” because it is about creating “spaces of synthesis and renewal” (qtd. 129). “Survivance,” Vizenor writes, “is an intergenerational connection to an individual and collective sense of presence and resistance in personal experience and the word, or language, and particularly through stories. Intergenerational communication looks different in other communities . . . but in Native communities on this continent the knowledge of survivance is shared through stories” (qtd. 129-30). There’s no way to know the outcome of survivance’s “spirited resistance”; it is “a force of nature, a new totem, and it has to be expressed and imagined to create a sense of presence” (130). “Because of the history of troubled and exploitative research conducted in Indigenous communities,” Tuck and McKenzie write, “concepts of researching back and survivance are bloodlines in Indigenous research methodologies” (129-30). 

Anticolonial methods and methodologies “refute the centrality of the experience of colonialism as primary in the configuration of indigeneity” and “refuse to characterize Indigenous peoples as the only peoples contained by their colonial condition” (130). “Anticolonial methods call attention to the resistance that Indigenous peoples have always engaged in response to colonization and to the persistence of Indigenous life beyond the colonial reach,” the co-authors state. They suggest that this means that it’s inaccurate to describe “all Indigenous methods as decolonizing methods,” but that “Indigenous methods do work within an anticolonial frame that pushes back against discourses that depict Indigenous peoples as (only) colonial subjects” (130).

Tuck and McKenzie discuss six Indigenous methods of critical place inquiry in this chapter (130). They include “Indigenous storywork, mapping place-worlds and place-making, (re)mapping, eating the landscape, urban Indigenous land-based pedagogies and community-based design research, and shellmound work” (130). Indigenous storywork is the first method they explore. Storytelling and “storylistening,” which together seem to constitute Indigenous storywork, is a research method in which Indigenous research participants tell stories, and in which those stories are data (131). It comes out of the work of Jo-Ann Archibald, who “developed a storywork research protocol that began with meeting with elders to seek permission and guidance” (131). The Elders talked about what made for good storytellers and good storytelling, storytelling for children, and sacred storytelling (131). When those meetings were finished, Archibald wrote a draft of a chapter on storytelling “that detailed what she had heard in her meetings with elders” (131). “The verification process of this draft took more than one year, with lots of meetings and approval of quotations by all involved individuals,” Tuck and McKenzie tell us, noting that “[t]his painstaking process reflected what was needed in order to conduct ethical and responsible research in this particular community and place” (131). That kind of process would be impossible for graduate students to follow, though, given the tight deadlines and short duration of most graduate programs now, unless those students already had a connection to a particular community. This kind of storywork method connects to place through name-place stories. “In their endurance, stories reinforce connections with people and places and suggest appropriate actions and relations, including with land,” Tuck and McKenzie write (132). Along with storywork, “conversations, interviews, research/sharing circles, and other methods of narration enable the relation of stories in and of place” (132). 

Mapping place-worlds and place-making is the next method. Tuck and McKenzie draw on the work of Abenaki writer Lisa Brooks, who writes about the connection between writing, drawing, and mapping, using an Abenaki word, awikhigawôgan, as a method (132). They also refer to settler anthropologist Keith Basso’s suggestion that place-making “is a profoundly human activity” based in “a sense of curiosity about which most humans are also curious: What happened here? Who was involved? What was it like?” (132-33). “The building of place-worlds is collective, creative, and generative,” they state (133). Brooks uses Basso’s notions of place-worlds and place-making to suggest that where things happen matters just as much as what happened (133). Building place-worlds, place-making, is “a revisionary act, a re-memory act, in which multiple pasts co-mingle and compete for resonance toward multiple futures” (133). However, Tuck and McKenzie point out that “place and land are not abstractions,” that Brooks spent a lot of time walking the land and paddling the waterways that feature in her books, sometimes alone and other times with friends (133-34). Brooks argues that readers need to participate in the awikhigawôgan process. I should probably read Brooks’s The Common Pot, given its emphasis on walking.

(Re)mapping “is a Native feminist discursive method that cannot be detached from material land,” and its goal is “to unsettle imperial and colonial geographies by refuting how those geographies organize land, bodies, and social and political landscapes” (134). It comes from the work of Seneca researcher Mishuana Goeman (134). (Re)mapping is a refusal of the way colonial geographies map the land (134-35). “Goeman’s project is to gather together exemplars of how Indigenous women have defined Indigeneity, their communities, and themselves through challenges to colonial spatial order, especially through literary mappings,” Tuck and McKenzie state. It’s not about recovering pre-contact ideas of Indigeneity, but rather about acknowledging “the power of Native epistemologies in defining our moves toward spatial decolonization” (qtd. 135). Goeman draws on Doreen Massey’s contention that space is the product of interrelations, a sphere of possibility, and “a simultaneity of stories so far,” which “move the discussion away from essentialism” to a focus on the idea that Indigenous space “always was and is in process” (135-36). Goeman’s (re)mapping refuses definitions of space “as limited to constructions of property” (136). (Re)mapping is a conceptual method, but Tuck and McKenzie suggest that it has implications for (re)mapping material, lived space: “Indeed its goal is to enact material change in Indigenous space and the space claimed by the settler colonial nation-state” (136). It does that by generating maps that present multiple perspectives that are up for negotiation (136-37). I have Goeman’s book but I have yet to read it; perhaps I need to do that work sooner rather than later.

While eating the landscape is defined by its originator, Enrique Salmón, as a practice rather than a methodology, Tuck and McKenzie suggest that “it could be an approach taken up by other scholars and community researchers as a research method” (137). Eating the landscape requires knowing about plants; Salmón was introduced to plants as relatives (137). Thus as an Indigenous method, eating the landscape involves understanding one’s kinship relation to plants and to the land. Food is Salmón’s point of entry into the land and to stories about the land, stories which make “surprising connections between (human) individuals, histories that make themselves known in contemporary time, mistakes made by outsiders just learning to tend to the landscape, and stories that affirm the roles of planting and picking in the cosmos” (137). Eating the landscape is also “an act of social reaffirmation” that re-energizes “kinship and social relationships shared across the (dinner) table” (138). 

Next is a discussion of urban Indigenous land-based pedagogies and community-based design research. I don’t know what community-based design research might be, although I think I have a dim grasp on the idea of land-based pedagogies, but the beginning of this section, with Anishinaabe water walkers, surprises me. Participation in the water walks inspired a community research project in Chicago “that would bring together more than one hundred Indigenous community members to design and implement innovative science learning environments for Indigenous youth and community” (138-39). That project “intentionally put Indigenous epistemologies and ontologies at the center; at its heart was a (re)storying of Indigenous relationships to Chicago as always was and will be Indigenous Land” (139). Doing that meant making evident “the settler colonial (il)logic of Chicago as urban and thus ceded land. Part of the work was to refuse the assumption that urban land is inherently no longer Indigenous land” (139). The study—I thought it was a pedagogical project, but it also involved research?—“was organized as a community design based research project and took place over six years” (139). “Facilitators created an iterative process for community members to participate in a design process that would result in the creation of out-of-school place-based science learning environments for Chicago’s Indigenous youth and families,” Tuck and McKenzie write (139). The focus was on knowing Chicago as the lands of their ancestors and visiting old village sites, understanding it as a wetland where many medicinal and edible plants grew and still grow, and understanding the impacts of invasive species on these lands (139). The land became the teacher (139). 

Interestingly, words consistent with settler epistemologies but not Indigenous epistemologies were discarded. The idea of invasive species, for instance, “was not compatible with other notions of plants as relatives that were so important to discussions with children and families” (140). So plants like buckthorn, which displace indigenous plant species, were still considered relatives, if not the relatives of the Indigenous people who were learning and teaching (140). Instead, those plants were described as “plants that people lost their relationships with” (qtd. 140). That’s interesting and provocative, but it might not help protect wetlands and grasslands from the effects of those plant species. I know a little about this, because the tiny pocket prairie I’ve planted in our yard is in danger of being overwhelmed by European and Eurasian species of grass—especially Kentucky bluegrass, which isn’t native to Turtle Island—and by perennials like creeping bellflower. I spent an hour yesterday trying to remove creeping bellflower, an introduced weed which is everywhere in this city, from that little patch of native grass and flowers. If I didn’t do that work, then soon there would only be creeping bellflower in the yard. 

Finally, Tuck and McKenzie turn to shellmound work. Shellmounds aren’t just heaps of discarded shells: “they are in fact the burial grounds of their ancestors” (140-41). In Oakland, when shellmounds were discovered, bodies were recovered (141). One site contained thousands of ancestors (141). It was the proposed site of a new mall, and the developers refused to change their plans, hauling the bodies of ancestors of Ohlone people off to landfills (141). People “began organizing shellmound walks to educate themselves; other Ohlone, Bay Miwok, and Indigenous peoples; and allies about the shellmounds, their locations, and the ocntinued presence even beneath the asphalt, shopping centers, and condominiums,” the co-authors tell us (141-42). One such walk too three weeks and covered almost 300 miles; the walkers prayed and learned about shellmounds during the walk (142). “They were joined by people form all over the world who were moved to learned and commemorate the land and the ancestors,” Tuck and McKenzie state, noting that this walk has been repeated many times, “often making different tracings across the land to visit and acknowledge each site,” and that shorter walks are also organized as well (142). None of this sounds like research to me—it seems to be more like political activism—but Tuck and McKenzie contend that “shellmound work can and should be understood as research method,” within a form of research they call decolonial participatory action research, which is explicitly anticolonial and focused on dismantling settler colonialism (145). “DPAR is reflexive with regard to purposes, stance, theories of change, and potential risks of action and research,” they write. “It seeks to interrupt existing knowledge hierarchies, taking seriously the expertise that is derived of lived experience. It requires humility and vulnerability, contestation and creative production” (145). It also “makes space for collective work that is defined by self-determination,” in which people talk about what has been silenced and uncover that which has been concealed (145-46). I wonder what remappings of this city similar to the shellmound work they describe in Oakland and other cities on San Francisco Bay might tell us. 

“What makes these methods Indigenous methods?” Tuck and McKenzie ask. “Are they Indigenous methods only because they have been made by Indigenous peoples for Indigenous communities?” (146). Yes, but that answer is incomplete (146). “These methods are distinct from other non-Indigenous methods of critical place inquiry because of the theoretical work beneath them” (146): in other words, the three theories that shape them—the role of refusals, the non-abstraction of land, and service to Indigenous sovereignty—set them apart from non-Indigenous research methods (146). 

The idea of refusals comes from the work of Audra Simpson (146-47). Refusals are performed when interviewees mark the limits of what can be said or shared or made public or explicit (147). In Simpson’s work, she refers to those refusals, because they are important (147). “In short, researcher and researched refuse to fulfill the ethnographic want for a speaking subaltern,” Tuck and McKenzie state (147). Such refusals are more than just a “no”: they redirect attention “to ideas otherwise unacknowledged or unquestioned” (147). There are other forms of refusal. Goeman “refuses the recovery narratives that dot the landscape of Indigenous research” in favour of focusing on Indigenous futurity (147). Indigenous forms of place-based education don’t seek to re-inhabit the land—they refuse that goal—and instead set out to restory it, to see Indigenous peoples as its original inhabitants (148). “Refusal is a powerful characteristic of Indigenous methods of inquiry, pushing back against the presumed goals of knowledge production, the reach of academe, and the ethical practices that protect institutions instead of individuals and communities,” Tuck and McKenzie contend. “Again, refusal is more than just a no; it is a generative stance situated in a critical understanding of settler colonialism and its regimes of representation” (148). In the context of art practices, David Garneau’s call for “irreconcilable spaces of Aboriginality” (Garneau 33) or Dylan Robinson’s suggestion that structures of presentation and engagement that would exist for Indigenous artists and audiences alone are necessary (Carter, Recollet, and Robinson 211-12) would also fall under the category of refusal.

The non-abstraction of land refers to “generating real and lived impacts for specific groups of Indigenous peoples on specific expanses of land” (148). “Land is not a conceptual floatation device—although it could be because it figures so prominently in Indigenous literatures,” Tuck and McKenzie state. “Instead, each of the methods sets purposes about repatriation, rearticulation, and reclamation of Indigenous land. This land is locatable, walkable, material” (148).

In addition, “Indigenous methods of critical place inquiry seek to recognize, maintain, and expand Indigenous sovereignty,” either “through practices of self-determination and decision making, establishing bases for land claims, reorganizing prior chronological tellings of land into more useful organizations that show deep and sustaining connections, or through the reimagining of land through the foods it provides” (148). In other words, “Indigenous methods of critical place inquiry take seriously the sovereignty of Indigenous tribes and communities and seek to be useful in word and action” (148-49).

“Taken together, the three theoretical commitments of Indigenous methods of critical place inquiry help to explain how and why incommensurabilities between Indigenous and non-Indigenous approaches may persist,” Tuck and McKenzie write (149). That’s because those non-Indigenous approaches “are bound to be invested in settler futurities, which by design cannot make space for Indigenous futurities,” which is not true of Indigenous futurities, “which do not require the erasure of those who now participate in settler-colonial societal structures as settlers” (149). I wonder about that latter point, since Tuck and Yang call for the return of “all of the land, and not just symbolically” (7), which would seem to leave no space for those who are now settlers. Perhaps the idea is that settlers would be absorbed into Indigenous polities? It’s not clear. In any case, what does seem clear is that settlers or non-Indigenous people are extremely unlikely to be able to use or participate in Indigenous research methods of any kind. “The task of critical place inquiry is to organize itself around commitments to Indigenous sovereignty, refusal, and the non-abstraction of land—not as peripheral points or extra considerations, but as foundational to its praxis,” the co-authors tell us (149), and I’m pretty certain that those three commitments are not available to settlers in any way. 

In their final chapter, Tuck and McKenzie consider how those commitments might take shape (149). The chapter’s title, “Ethical Imperatives of Critical Place Inquiry,” suggests that those commitments are the ethical ground of critical place inquiry. “The foundational axiom of this book is that place is significant in social science research but is rarely treated as such” (150). They have described and explored a variety of ways that research in the social sciences can address place (150-51). “Yet, questions still linger about why the call for more attention place and space has, for the most part, gone unheeded in social science? Or, put another way, why is it so easy for most social scientists to ignore place in their inquiries?” they ask (151). One answer to those questions is in Descartes separation of the mind from the body (151-52). “The implications of this cleaving are countless: it separated human consciousness from the material world; it initiated a preponderance of binaries; it amplified man’s dominion over the earth and its animals; it made the Western tradition simultaneously anthropocentric and removed humans from their understandings of ecosystems,” they state (152). Too many areas of critical research maintain that division between mind and body (152). However, “Indigenous studies has always existed outside, perhaps in spite of, the fallout of these separations of mind from body, individual from community and place” (152). I’m not sure Descartes is responsible for that latter separation, which is asserted rather than argued here.

Capitalism separates humanity from nature, and Western ideas that are embedded in “the logics of Enlightenment rationalities of prioritizing mind over body, individual over community, humans over nature” help to explain “why place has not been more significantly taken up in social science research to date (152). In addition, postmodernism’s emphasis on the discursive aspects of social life have led to a turning away from “the ontological or material, emphasizing the social constructions and effects of places, if considering place and land at all” (152-53). Also, settler colonial societies are unable “to recognize land and water in any way” (153). Settler colonialism works through denial, including the denial of place and land (154). 

“Legitimacy is an integral concept/worry in all research, whether acknowledged or not,” Tuck and McKenzie write. “The words more often used to convey legitimacy in social science research—reliability, validity, consistency, test-retest, inter-method—have to do with inquiry being considered trustworthy” (155). Research also has to be generalizable; in other words, what is true in one place must also be true somewhere else (155). These ideas, particularly the idea of generalizability, “may work against meaningful engagement in place in social science inquiry” (155). They describe the idea of catalytic validity—“the degree to which the research process re-orients, focuses, and energizes participants toward knowing reality in order to transform it” (Lather, qtd. 155)—as a way of thinking about the meaningfulness of research (155). “Catalytic validity can be intersected by Michelle Fine’s concepts of theoretical generalizability and provocative generalizability,” they continue (155). “Theoretical generalizability contends with the ways in which theory meaningfully travels from rich context to rich context, even against all odds of easy transfer,” they state, while provocative generalizability is about the ability of research to get people to do something about oppression (156). Tuck and McKenzie also refer to the idea that research must conform to established standards so that findings can be replicated (156). They contrast this idea to another definition of legitimacy, the idea that research comes out of a filial relationship, out of respect and love (156). In this formulation, “legitimacy is conferred through the embracing of trajectories of knowing, of multiplicity, of specificity, of the intersectional, of movement” (156-57). “What is made possible in critical place inquiry when it is this second definition of legitimacy that provides guidance?” they ask (157).

Drawing on these ideas, Tuck and McKenzie suggest the the criterion for legitimacy is “relational validity,” which is based on “paradigmatic understandings of the relationality of life,” which is foundational in Indigenous epistemologies; which understands “that the prioritization of ‘economic validity’ is harmful for people and places”; and which “implies that research is not only about understanding or chronicling the relationality of life and the inadequacy of economic validity, but also that research necessarily influences these conditions in small or significant ways,” so that it “impels action and increased accountability to people and place” (157-60). “Research ethics that promote and safeguard relational validity shift focus away from the linear procedural considerations of risk, benefit, and signatures of informed consent that now characterize the discourse on ethics of social science toward ecological considerations of mutual benefit, honoring, recognition, and the long view,” they state (160). This perspective is very different from ideas of research ethics that are about protecting institutions from accusations of mistreatment (160).

“Centering relational validity in ethical practice is not an easy thing to do,” they continue. “The culture of academe is not ideal for the cultivation of an ethical practice based on relational validity; existing research protocol review processes, professional benchmarks like tenure and promotion, and funding timelines may indeed work against the cultivation of relational ethics” (160). In addition, different places may need different kinds of research protocols (161). Also, the notion of an ethic of incommensurability, as Tuck and Wang suggest, may mean that portions of different projects cannot be aligned or allied, only engaged in contingent collaborations (162). The idea of mutual implication, of paying attention to the hyphen between self-Other, suggests ways that research practices “can be transformed to resist acts of othering” (162-63). Understood in a broad way, relational or dialogical ethics applies to land as well (163). It thus takes accountability to land and interspecies justice into consideration (164). Relational validity also is accountable to the future, particularly future generations (164). That form of accountability is central to critical place research (165-66).

There is a lot in this book that is useful, including its bibliography, and even though I’m left with questions after completing it, those questions are helpful and valuable. Of course, I’m not a social scientist, so a lot of the arguments here don’t apply clearly to my practice of walking and writing. I don’t have to worry about the legitimacy of my research the way that social scientists do, for instance, even though the concept of relational validity ought to be central to my practice. The sections on theory and methodology are more relevant to my work than the chapters on method, especially Indigenous methods, which I doubt would ever be available to me. There’s a lot here, though, and I’m interested to learn how we’ll be called on to use this book in the course that’s about to begin. I may find myself returning to it, if only as a source for theoretical and methodological work relevant to walking and to place. There is a lot to take in here, and despite this note-taking, I think I might have missed many of the book’s nuances.

Works Cited

Anderson, Ben. “Preemption, Precaution, Preparedness: Anticipatory Action and Future Geographies.” Progress in Human Geography, vol. 34, no. 6, 2010, pp. 777-98.

Baldwin, Andrew. “Whiteness and Futurity: Towards a Research Agenda.” Progress in Human Geography, vol. 36, no. 6, 2012, pp. 172-87.

Carter, Jill, Karyn Recollet, and Dylan Robinson. “Interventions Into the Maw of Old World Hunger: Frog Monsters, Kinstellatory Maps, and Radical Relationalities in a Project of Reworlding.” Canadian Performance Histories and Historiographies, edited by Heather Davis-Fisch, New Essays in Canadian Theatre Volume 7, Playwrights Canada Press, 2017, pp. 205-31.

Garneau, David. “Imaginary Spaces of Conciliation and Reconciliation.” West Coast Line, no. 74, 2012, pp. 28-38. https://journals.sfu.ca/line/index.php/wcl/issue/viewFile/27/23

Ingold, Tim, and Jo Lee Vergunst, eds. Ways of Walking: Ethnography and Practice on Foot. 2008. Routledge, 2016.

Tuck, Eve, and Rubén A. Gaztambide-Fernández. “Curriculum, Replacement, and Settler Futurity.” Journal of Curriculum Theorizing, vol. 29, no. 1, 2013, pp. 72-89.

Tuck, Eve, and Marcia McKenzie. Place in Research: Theory, Methodology, and Methods, Routledge, 2015.

Tuck, Eve, and K. Wayne Yang. “Decolonization Is Not a Metaphor.” Decolonization: Indigeneity, Education, and Society vol. 1, no. 1, 2012, pp. 1-40. https://jps.library.utoronto.ca/index.php/des/article/view/18630.

Sandy Grande, “Refusing the Settler Society of the Spectacle”

I was drawn to Sandy Grande’s essay “Refusing the Settler Society of the Spectacle” for the same reasons I was interested in Natalie Baloy’s “Spectacles and Spectres: Settler Colonial Spaces in Vancouver”: both promise an application of Guy Debord’s book The Society of the Spectacle to issues around settler colonialism, and Debord’s book is a touchstone of psychogeography and especially Phil Smith’s mythogeography. Grande is thinking about Debord’s idea of spectacle, but she also sees Michel Foucault’s understanding of surveillance in terms of spectacle as well, drawing (I think) on Jonathan Crary’s essay “Spectacle, Attention, Counter-Memory” (which she cites), and she sets out to use both of these to examine the relationship between spectacle and settler colonialism. “I am particularly interested in the role that spectacle plays in the solidification of the settler state and the consolidation of whiteness, particularly as intensified under neoliberalism,” she writes (1014). She is also interested in “the implications for the nonindigenous settler subject” of settler colonialism; she quotes Albert Memmi’s discussion of “the benevolent colonizer”—that is, “the self-effacing colonizer who refuses the ideology of colonialism but still lives within its confines,” a group that Grande suggests would today be considered white allies (1014)—who, according to Memmi, “can never attain the good, for his only choice is not between good and evil, but between evil and uneasiness” (Memmi 43). Grande contends that “the spectacular portrayal of Indigenous peoples generally and of the #NoDAPL prayer camps more specifically, serves as a site in which to explore the contours of this ‘uneasiness’” (1014).

Grande describes The Society of the Spectacle as a “cautionary text” in which Debord “laments the displacement of ‘authentic’ social relations with their false representations under advanced capitalism” (1015). Debord’s argument—which I have not read, and need to read—“remains remarkably prescient,” Grande states, because “[u]nder neoliberalism, the speed, scope, and power of spectacle has only intensified, reconfiguring the very character of life as not only conditioned by consumerism and commercialization but largely replaced by, exchanged for, and even rejected in favor of its more spectacular simulations” (1015). Everything is for sale, everything is commodified and put on display, including sex, love, intimacy, and marriage (1015). However Grande’s central concern is “how the culture industry (re) produces exhibitions of self and other” that work “to consolidate whiteness and secure settler futurity” (1015). Here Grande refers to the intellectual genealogy of the term futurity, which she traces back to John L. O’Sullivan’s treatise on manifest destiny “as an exclusively settler construct that is incommensurable with Indigeneity” (1015).

I don’t know what she means, so I start looking. In “The Great Nation of Futurity,” John O’Sullivan describes the United States as “destined to be the great nation of futurity” because “the principle upon which a nation is organized fixes its destiny, and that of equality is perfect, is universal,” a “self-evident dictate of morality, which accurately defines the duty of man to man, and consequently man’s rights as man” (O’Sullivan 426). “How many nations have had their decline and fall, because the equal rights of the minority were trampled on by the despotism of the majority; or the interests of the many sacrificed to the aristocracy of the few; or the rights and interests of all given up to the monarchy of one?” O’Sullivan asks (426). The irony of the first clause in that sentence is powerful, if one considers it in the light of settler colonialism, but O’Sullivan’s belief in American equality is absolutely serious. “America is destined for better deeds,” he continues. “It is our unparalleled glory that we have no reminiscences of battle fields, but in defence of humanity, of the oppressed of all nations, of the rights of conscience, the rights of personal enfranchisement. Our annals describe no scenes of horrid carnage, where men were led on by hundreds of thousands to slay one another, dupes and victims to emperors, kings, nobles, demons in the human form called heroes” (427). Given that O’Sullivan was writing during the bloody removals of Indigenous peoples from areas east of the Mississippi to what became Oklahoma, removals known as the “Trail of Tears,” his blindness to the bloodiness of colonialism in his country is breathtaking, but it’s no more surprising, perhaps, than the blindnesses of settler Canadians to their own country’s ongoing colonial behaviour. 

For O’Sullivan, the past has little interest; it’s the “far-reaching, the boundless future,” which “will be the era of American greatness,” that draws his attention (427). “In its magnificent domain of space and time, the nation of many nations is destined to manifest to mankind the excellence of divine principles; to establish on earth the noblest temple ever dedicated to the worship of the Most High—the Sacred and the True,” he writes (427). The divine and democratic political principles of the United States will be made concrete in “the glorious destiny” (427). “Yes, we are the nation of progress, of individual freedom, of universal enfranchisement,” O’Sullivan writes:

Equality of rights it the cynosure of our union of States, the grand exemplar of the correlative equality of individuals; and while truth sheds its effulgence, we cannot retrograde, without dissolving the one and subverting the other. We must onward to the fulfilment of our mission—to the entire development of the principle of our organization—freedom of conscience, freedom of person, freedom of trade and business pursuits, universality of freedom and equality. This is our high destiny, and in nature’s eternal, inevitable decree of cause and effect we must accomplish it. All of this will be our future history, to establish on earth the moral dignity and salvation of man—the immutable truth and beneficence of God. For this blessed mission to the nations of the world, which are shut out from the life-giving light of truth, has America been chosen; and her high example shall smite unto death the tyranny of kings, hierarchs, and oligarchs, and carry the glad tidings of peace and good will where myriads now endure an existence scarcely more enviable than that of the beasts of the field. Who, then, can doubt that our country is destined to be the great nation of futurity? (429-30)

The divine mission of the United States guarantees its destiny, its role as the great nation of the future. That seems to be the way O’Sullivan is using the word “futurity” here—as “The quality, state, or fact of being future,” “the future; a future time” (O.E.D.)—rather than the more complex definition provided by Ben Anderson, who suggests that futurity is the anticipation of the future in the present (777-78). If Grande’s sense of futurity is established by a genealogy that begins with O’Sullivan’s text, then she must be thinking of futurity in the same way. I’ve spent time tracing the source of that genealogy, because denying settler futurity is a key tenet of settler-colonial discourse, and it’s important to understand the different ways the phrase “settler futurity” might be interpreted. For Grande, settler futurity is “incommensurable with Indigeneity,” perhaps because it necessarily involves, as Patrick Wolfe suggests, the genocidal process of the logic of elimination, or the replacement of Indigenous peoples by settlers. To be a settler is to participate in that logic of elimination. I wonder if there’s any way for a settler to step outside of that logic, or if, as Memmi suggests, that is an impossibility. 

Grande states that “insofar as spectacle is contingent upon the radical reification of self, an overvaluing of the present, and rupturing of relationality, it becomes the perfect theater for producing anchorless (neoliberal) subjects whose every desire is increasingly structured by capital” (1015-16). Her emphasis on relationality here is important, because it shows how her argument is rooted in Indigenous epistemologies or cosmologies. “As it forecloses relationality by normalizing disconnection,” spectacle “effects an erasure of Indigenous peoples who continue to define themselves through relationship—to land, to history, to waters, to all our relations” (1016). She suggests that the water protectors at Standing Rock “were only rendered visible through spectacle,” and that before they were attacked by police using armoured vehicles and water cannons, “the Lakota peoples hardly existed, virtually erased from public consciousness,” and that even independent media (which I assume were critical of the state’s response to the water protectors) “deployed spectacle as a means of drawing attention” (1016). “The nonspectacular reality was that the majority of the time at the Oceti Sakowin encampment was spent in prayer, cooking, training, eating, laughing, building, teaching, working, washing, cleaning, singing, listening, reading, and tending,” she writes (1016). The spectacle of Standing Rock required the Lakota to act as “stand-ins for the ‘shame’ of America,” she continues (1016). That must be their function as spectacle. In reality, though, Standing Rock “has long served as a site of collective, anti-colonialist, anti-capitalist Indigenous resistance,” with the Lakota on the front lines “protecting against the forces of US imperialism” (1016). That long and multilayered history of “the architecture of settler violence is lost “to the compressed space of spectacular time” (1016).

Next, Grande shifts to defining her terms. I’m going to focus on her definition of spectacle, because that’s the term I’m most curious about. She quotes Debord’s definition of spectacle as the “social relationship between people that is mediated by images” (1019). Through the passive consumption of spectacles, she states, we are separated from the production of our own lives (she cites Steven Best and Douglas Kellner on this point) (1019). Spectacle annihilates historical knowledge, because it is focused on what is new, and it is a form of non-coercive power (she cites Crary here). “Debord’s central thesis or provocation is that life in a ‘commodity-saturated, mass-mediated, image-dominated and corporate-constructed world’ engenders an increasingly isolated, alienated, and passive citizenry that unwittingly relents to a groupthink of market consciousness disguised as individual agency,” she continues, citing Richard L. Kaplan (1019). Kaplan’s analysis, she writes, “illuminates the inherent paradox of spectacle; despite (or because of) its intention to [elicit] emotion and (re)action, spectacle produces alienation and passivity” (1019). Because the spectacle is “both dialectical and self-perpetuating,” the individual and social ennui it produces “searches for relief from the deadening effect and, in so doing, activates the production of ever more spectacular imagery, generating an endless and alienating cycle of (simulated) life in search of the ‘real’” (1019). That search for what is perceived as “authentic” as an antidote to postmodernity is related to settler colonialism, since “Indian-ness” has always served “as a favored foil (antidote) for whiteness” (1019-20). “How does the expressed desire for the imagined Indian serve the propertied interests of whiteness, which is to say settler statecraft?” Grande asks (1020). Her exploration of “expressions of Indian-as-spectacle” is an attempt at answering that question (1020).

That exploration begins with a discussion of reality television shows about life on the “frontier” or in the “wild” as evidence of “settler-desire for the imperialist fantasy of ‘pre-modernist’ times,” a desire which appeases “settler supremacy” (1020). Indigenous peoples are eliminated from view in those programs, which is central to “a deep-[seated] need to continually perform the fabled journey from savage to civilized over and over again; settler-subjects playong out fantasies of the colonial encounter as theater” (1020). Grande cites Lakota scholar Phil Deloria’s discussion of “how the oscillation between settler desire and repulsion for Indian-ness has manifested through the long-standing practice of ‘playing Indian,’” which goes back to the 1773 Boston Tea Party (1020-21). She quotes British media theorist Nick Couldry on the way that “every system of cruelty requires its own theatre” (qtd. 1021). She applies Couldry’s reasoning to settler colonialism:

(a) Settler colonialism is a system of cruelty.

(b) The “truths” of which are unacceptable to democratic society if stated openly.

(c) Those truths must be “translated into ritual that enacts, as ‘play,’ an acceptable version of the values and compulsions on which that cruelty depends.” (Couldry, qtd. 1021)

Reality television is an example of a theater of cruelty where “the rituals of everyday life under settler colonialism are ‘enacted as play’” in order to legitimate is practices and institutions (1021). According to Grande, “mediated performances that erase or perpetuate gross caricatures of Native peoples have systemic impact” that damages Indigenous peoples (1021). She writes, “as mediated, spectacularized versions of ‘the Indian’ dominate the collective consciousness of settler society, it functions to erase the lived experience of Indigenous peoples: hypervisibility = invisibility. In other words, spectacle facilitates ‘imperialist nostalgia’ and the passive consumption of Indigenous performance at the expense of actual Indigenous voices and histories” (1022). Thus Standing Rock protestors became hypervisible while Lakota people remained invisible (1022).

“While Indigenous peoples have long lived the material realities of US imperialism,” Grande continues, “settlers are only recently beginning to contemplate the impact of authoritarian rule and capitalist accumulation” (1023). Television programs that feature the lives of the wealthy present spectacles of wealth rather than lived experience, mitigating and normalizing social and economic inequality (1023). This phenomenon explains the rise of Donald Trump as a political figure (1024). Because he shares little with his base, “the presentation of his own whiteness has to be so spectacular” (1024). Meanwhile, the “intensification of cruelty under neoliberalism” has drawn “the liberal subject (i.e., ‘benevolent colonizer’) into its theater, raising the bar for even more spectacular productions of American exceptionalism, which is to say settler supremacy” (1024). So Trump’s rallies normalize white nationalism and the far right (1025).

Grande quotes Memmi’s suggestion that “colonization can only disfigure the colonizer” (qtd. 1025; 147) and that settler subjects ends up with an impossible choice: to either live in guilt, shame and anguish at the way they benefit from injustice, or to choose to confirm the colonial system (1025). For Grande, “therein lies the essence of settler ‘uneasiness’” (1025). “The apparent hopelessness of the setter problem raises important questions about the structure and potential of social movements, coalition building, and the possibility of transformation,” she contends (1025).

Grande suggests that Standing Rock presents a vision for an Indigenous future, but that to realize that vision, “it is up to all of us to see and work past the glimmer of spectacle, to resist the cult of the immediate, and to do the more deliberative work of history, earnestly connecting past with present” (1025). Doing this work “requires a collective refusal to participate in the theater of cruelty and choose instead to dismantle the settler consciousness that enables it. Such efforts entail working beyond and below the surface, keeping an eye toward the processes by which relations of mutuality are either abandoned or eroded by relations of capital—to in effect, decolonize” (1025). This definition of decolonization is not the same as the one presented by Eve Tuck and K. Wayne Yang, on which many writers and scholars seem to rely. Indigenous peoples are important in that struggle “because they represent the most enduring and resilient entities that present a competing moral vision to the settler order” (1026). “Settlers desiring to be accomplices in the decolonial project need to assume the stance of advocate (not spectator) for Indigenous rights,” Grande continues, and for the transformation of settler consciousness (1026). The alternatives to neoliberal capitalism are Indigenous, she suggests, citing Glen Coulthard, because Indigenous struggles are “built on history and ancestral knowledge” and “the responsibility to uphold relations of mutuality” (1026). “Attention to these teachings requires resistance and refusal of the fast, quick, sleek, and spectacular in favor of the steady, tried, consistent, and intergenerational,” and a replacement of individualism with relationship (1026). She quotes Debord: “the spectacle is ‘the reigning method of social organization of a paralyzed history, of a paralyzed memory, of an abandonment of any history founded in historical time,’” and this “‘false consciousness of time’” must be refused (1026). To refract social justice movements “through an Indigenous lens compels us to be attentive to both the larger ontological and epistemic underpinnings of settler colonialism; to discern the relationship between our struggles and others; to disrupt complicity and ignite a refusal of the false promises of capitalism,” Grande writes. The agenda for the anti-capitalist resistance was set long ago: “It is about land and defense of land. Land is our collective past, our present, and our future. This is our one demand” (1027).

Grande’s essay suggests the ways that Debord’s The Society of the Spectacle might be useful for my research, and I should read it sooner rather than later. However, I was surprised at being reminded about Alberto Memmi’s The Colonizer and the Colonized, a book I read in 2019 but had forgotten about. It is central to my research, and I need to return to it, particularly for the paper I’m working on right now. Memmi’s book might be the key to that paper’s argument, and yet had I not read Grande’s essay, I would have forgotten that key existed.

Works Cited

Anderson, Ben. “Preemption, Precaution, Preparedness: Anticipatory Action and Future Geographies.” Progress in Human Geography, vol. 34, no. 6, 2010, pp. 777-98.

Baloy, Natalie J.K., “Spectacles and Spectres: Settler Colonial Spaces in Vancouver.” Settler Colonial Studies, vol. 6, no. 3, 2016, pp. 209-34. https://doi.org/10.1080/2201473X.2015.1018101.

Grande, Sandy. “Refusing the Settler Society of the Spectacle.” Handbook of Indigenous Education, edited by Elizabeth Ann McKinley and Linda Tuhiwai Smith, Springer, 2019, pp. 1013-29.

Memmi, Albert. The Colonizer and the Colonized, expanded edition, Beacon, 1991.

O’Sullivan, John. “The Great Nation of Futurity.” The United States Democratic Review, vol. 6, no. 23, 1839, pp. 426-30. https://hdl.handle.net/2017/coo.31924085376634.

Tuck, Eve, and K. Wayne Yang. “Decolonization Is Not a Metaphor.” Decolonization: Indigeneity, Education, and Society, vol. 1, no. 1, 2012, pp. 1-40. https://jps.library.utoronto.ca/index.php/des/article/view/18630/15554.

Wolfe, Patrick. “Settler Colonialism and the Elimination of the Native.” Journal of Genocide Research, vol. 8, no. 4, 2006, pp. 387-409.

Lynne Davis, Chris Hiller, Cherylanne James, Kristen Lloyd, Tessa Nasca, and Sara Taylor, “Complicated Pathways: Settler Canadians Learning to Re/Frame Themselves and Their Relationships with Indigenous Peoples”

“Complicated Pathways: Settler Canadians Learning to Re/Frame Themselves and Their Relationships with Indigenous Peoples,” a collaboration between Lynne Davis, Chris Hiller, Cherylanne James, Kristen Lloyd, Tessa Nasca, and Sara Taylor, is another article my friend Matthew Anderson suggested I read. The paper begins with the release of the final report of the Truth and Reconciliation Commission on Indian Residential Schools and, in particular, its 94 “Calls to Action” and the federal government’s stated intention to implement them. “It is too tempting to think we have entered a unique moment in the history of Indigenous-settler relations in Canada,” the authors write, but they recollect the attempts to develop partnerships and “agreements based on mutual understandings” between settlers and Indigenous peoples in the past, which “were swept away by the structures, processes, values, greed and actions of the settler colonial state, its industrial capitalist economic imperatives and its well-indoctrinated citizens” (398-99). They note that the term “reconciliation” has been extensively critiqued, and that Haudenosaunee scholar Taiaiake Alfred has advocated for “restitution” as first step towards changing the status quo in Canada. Many Canadians happily adopt the position of “helper,” they note, citing the efforts at resettling Syrian refugees in 2015 as an example, but “[l]ess comfortable—if not unthinkable—is the entanglement of Canadians in colonial violence, the removal of Indigenous people from ancestral homelands and the perpetuation of cultural genocide” (399). They note that many Canadians see no connection between themselves and the events that took place in residential schools (399).

“What will help shift the consciousness of contemporary Canadians to a new story, where Canadians recognize and acknowledge themselves as occupiers of Indigenous homelands, perpetrators of cultural genocide and sustainers of settler colonial practices in the present?” the authors ask (399). How can settler Canadians become unsettled in their daily lives, where Indigenous peoples may be invisible? (399). Providing education and information is not enough, as decades of research indicates, because “Canadians have a deep emotional and cultural investment in the status quo and are the beneficiaries of past and present injustices, particularly with respect to the occupation of Indigenous lands which settlers consider to be their own” (399). Decolonization, they continue, citing Eve Tuck and K. Wayne Yang and Leanne Betasamosake Simpson, requires the return of land, and “[i]f Canadians are to move toward concrete conversations about land, there is an important foundation to be laid” which “will require a significant re-shaping of settler consciousness and the deep attachments that construct Canadian identities” (399).

“Insights from anti-racist, anti-oppressive pedagogical practices point to the emotionality of learning in which one’s own investments and identities are called into question and the need to embrace a ‘pedagogy of discomfort,’” the authors state (400). The literature on such pedagogical practices “points to the complexity of changing the consciousness of Canadians so that they hear and understand the voices of Indigenous peoples” (400). “The literatures on alliance building and solidarities emphasize the importance of learning and self-education as a critical part of the relationship process,” they continue (400). 

This paper addresses these complex challenges “by reporting on a project that has documented many initiatives and events underway which are aimed at changing the way in which Canadians think about historical and contemporary Indigenous-non-Indigenous relationships” (400). That project, which began in 2014, came out of an undergraduate course at Trent University, and it addressed the unsettling questions involved “in trying to think through what it means to take up historic and generational responsibilities in intervening in the narratives that sustain settler colonial mechanisms” (400). That project involved a website that documented “initiatives being undertaken that attempt to reshape settler historic consciousness and transform Indigenous-non-Indigenous relations” (400-01). At the time of writing, that website listed over 200 projects. It was being updated and expanded every year by students in the course that initiated the project.

The project’s working definition of “transformation of settler consciousness” is grounded in the writing of scholars Patrick Wolfe, Paulette Regan, and Susan Dion (401). It is “firmly rooted” in Wolfe’s argument that settler colonialism is an ongoing process. It uses Regan’s contention that “settler consciousness” is “the narratives, practices, and collective Canadian identity that are based solidly in a foundation of national historical myths” which “pervade all spheres of society” (401). And it draws from Dion’s description of “the school system as a place of historical erasure, where counter-narratives are denied space, and countless stories are silenced” (401). Regan points out that it is easier “for settlers to live in denial than to unlearn ‘truths’ and engage with counter-narratives—an inherently uncomfortable and unsettling process,” and from that understanding the group set out to discover “how to create conditions in which individuals choose to engage and act, instead of deny” (401). The research also drew on Davis’s book, Alliances: Re/envisiooning Indigenous-non-Indigenous Relationships, which “demonstrates the complexity of Indigenous-non-Indigenous relations in contemporary Canada” and “the dangers that can arise from even the best intentioned deeds when they are not rooted in a critical, self-reflexive consciousness and understanding of history, and how instead they can perpetuate and deepen paternalistic colonial relationships, often causing more harm than good” (401-02). 

Based in this work, then, the group understands transforming settler consciousness in the following ways:

  • Creating narratives, processes and practices that hold settlers accountable to their responsibilities and beneficiaries of colonization, both historic and ongoing.
  • Naming and upsetting the status quo, and challenging the power dynamics that perpetuate settler colonialism.
  • Building just and decolonized relationships with Indigenous peoples, the land, and all beings.
  • Engaging in an ongoing, complex and dynamic process grounded in a lifetime commitment, which occurs at the level of the individual, family, community, and nation. (402)

They realize that changing consciousness is not synonymous with or sufficient for decolonization; it must be paired with action or settlers may never move beyond guilt and shame, but they contend that transforming settler consciousness is “an uncomfortable but necessary first step in a lifelong and urgent journey of dismantling colonial systems and structures” (402).

The research the group conducted focused on online sources and media coverage, and they used a WordPress blog to present the research. The four-month timeframe for the project was a problem, and they found that it was impossible to develop “an exhaustive collection in nits initial development” (403). Some types of initiatives were excluded; the research was limited to work happening inside Canada, “despite our acknowledgement of borders as colonial constructs, and the fact that the work of the documented initiatives often transcended them” (403). Keeping the website up-to-date is an ongoing challenge. By May 2015, they had catalogued over 200 projects in 16 main categories, although some initiatives didn’t fit neatly into those divisions and had to be included in more than one category. They also note that “the language and understanding of ‘settler’ as advanced in settler colonial studies” is rarely used outside of a small number of academics and activist groups, and so the projects they included were rooted in other discourses (405). However, “the framing of initiatives” evolved rapidly, with the term “reconciliation,” for instance, becoming more important after the release of the TRC’s final report (406).

Their analysis of these initiatives noted a number of tensions. Few of the projects they included used the terms “settler” or “colonization,” which are “deeply discomforting and at times defensively dismissed” (406). When that language is not used, however, “critical insights about the nature and workings of settler colonial society are lost, and liberal discourses based in notions of equality and social justice persist” (406). That framing might engage more people in events or issues, but “it does not position non-Indigenous Canadians as beneficiaries of colonization” or “imply specific responsibilities and commitments on the part of non-Indigenous Canadians to challenge or undo current colonizing practices or structures,” limiting their transformative potential (406). On the other hand, some projects demonstrated a mastery of “the art of using decolonial rhetoric” without a similar mastery of substantive action (406). Another tension the study revealed was “knowing how big a role Indigenous peoples should play in settler education and in striking a balance between, on the one hand, learning from Indigenous peoples, knowledge and pedagogies, and on the other, settlers taking responsibility for their own education and unlearning of dominant narratives and histories” (407). A third tension involved knowing how to raise critical questions about initiatives without undermining their value (407).

The research also generated concerns about the projects the group documented. The focus and goals of many initiatives “were not implemented to address the needs of Indigenous peoples, or to offer the support that Indigenous communities are actually seeking” (407). The failure of many initiatives to consider colonialism as an ongoing process, particularly government and corporate cultural competency training programs, did not address “the underlying issues and contemporary ramifications” (407). Few of the projects addressed “questions of land reclamation, reparations, Indigenous sovereignty and jurisdiction, or Canadian sovereignty on stolen Indigenous lands”; instead, most “focused on liberal goals of ‘raising awareness’ or imparting information,” suggesting that awareness is the “end game” of decolonization (408). Projects focused on Murdered and Missing Indigenous Women, for instance, failed to grasp “Indigenous understandings of the larger settler colonial context in which MMIW is embedded” and thus “do not challenge settler positionalities in any fundamental way” (408). Most initiatives involved settler “moves to innocence” because they asked participants to do nothing more than listen (408). Such projects “may succeed in making settlers feel good about themselves while failing to promote substantive change” (408).

The research raised important questions. How do we move beyond easy or superficial changes? Will straightforward changes in understanding and consciousness “have the power to facilitate greater, more substantive shifts in the future?” (408-09). How can a “movement toward the next stage of thought and action in the transformation process, in which the realities of settler colonialism and consciousness are understood plainly, and the land and Indigenous sovereignty are central to discussions of reconciliation,” be fostered (409)? In addition, what would constitute a challenge to settler colonial positionality? Is “the centring of Indigenous perspectives and leadership, and the related decentering of settler narratives,” in themselves unsettling or transformational (409)? How, the authors ask, “do we get to the stage where settlers are both engaging with and centering Indigenous knowledge and narratives (learning) while simultaneously deconstructing settler identities (unlearning), and actively challenging settler colonial practices of Indigenous displacement and settler encroachment?” (409). 

Alliances and coalitions are sites of learning and transformation, particularly for settlers, the authors continue; projects that bring “settler Canadians into contact with Indigenous spiritual ceremonies, protocols, and cultural practices,” for example, can open “their eyes and minds to other ways of being in the universe” (409). “Such contact,” they write, “brings challenges to the Canadian narratives that undergird Canadian historical consciousness” (409). They refer to Davis’s research into what members of a social-justice group had learned and how their perspectives had shifted over time. Conversations were important in this learning, but that observation raises the question of which voices end up with enough credibility to make changes happen. In addition, “despite providing deep analyses and insightful critiques of Canadian society, participants did not talk about themselves as beneficiaries of Indigenous dispossession from their homelands” (410). That’s because of the power settler colonial narratives have to naturalize settlers on the land while making Indigenous peoples invisible (410). 

“When taken together, the large number of diverse initiatives collected on the Transforming Relations website offers the suggestion of momentum for change,” but “we cannot lose sight of the need to ‘unsettle’ the settler colonial logic, narratives and practices embedded in everyday write,” the authors state (410). More research is necessary “to explore the dynamic interplay of forces that impact the complex layers of settler consciousness transformation,” particularly research that is focused on “the simultaneous processes of learning and unlearning that are engaged in any ongoing journey of decolonization and change” (410). There are theoretical resources that explore “the challenges of transforming settler consciousness and disrupting settler colonialism,” including work by Margaret Heffernan, Paulette Regan, and Megan Boler and Michalinos Zembylas, but the authors seem to be suggesting that there is a gap between that theory and the actual practice of change. I’m not surprised, though, given the big ambitions of the theory and the practical difficulties of convincing people to leave settled positions of comfort for unsettled positions of discomfort. If one is offered a discursive or ideological position in which one’s futurity is denied—and that’s what I see in arguments like those of Eve Tuck and K. Wayne Yang, which condemn notions of settler futurity—one is likely to be unwilling to accept that positioning. 

The final point the authors raise about transforming settler consciousness is “that it requires ‘engaging in an ongoing, complex, and dynamic process grounded in a lifetime commitment, which occurs at the level of the individual, family, community, and nation’” (they are quoting themselves here) (411). “Each of the initiatives documented on the Transforming Relations website represent[s] entry points to different stages in this unfolding process, not panaceas for transformation in and of themselves,” they write. “Our analysis showed that most of these initiatives represent early ‘learning’ stages, and that a disconnect exists between these and later stages that actually confront settler positionalities and privilege” (411). More research and analysis of the projects their work documents is needed. Nevertheless, the study of the transformation of settler consciousness “is unfolding through different disciplines through the study of the complex psychological and sociological demands involved in shifting the way the beneficiaries of colonization come to see their place in relation to Indigenous peoples” (411). What are the conditions “that help settlers turn toward, and acknowledge, their own implication in the settler colonial project” (411)? What kind of pedagogy can bring about change instead of “denial or paralyzing guilt” (411)? The momentum represented by the projects documented on the Transforming Relations website needs to be “strategically analyzed” and “future efforts” will need to “seek to understand the conditions that allow the move from simply acknowledging, to meaningfully transforming settler consciousness, in a way that furthers processes of decolonization and supports Indigenous resurgence and nationhood” (411).

The Transforming Relations project is interesting; the website is still live, although it doesn’t seem to have been updated recently, and the questions the authors raise about settler decolonization are important ones. They are the questions I’ve been grappling with, although I’m a little less sanguine about the possibilities for the kinds of change they are calling on settlers to embrace. I wonder what the kind of pedagogy the authors ask about in their conclusion might look like, for instance. I noticed a tremendous level of shame and guilt in my students last semester whenever we discussed Indigenous issues, and that’s simply not sustainable. Yes, settlers have benefitted from Indigenous dispossession, but at the same time, people need to be offered something other than a negative conception of themselves or they will refuse to engage. I don’t know how settlers could be offered a positive conception of themselves, given the realities of ongoing colonization, and I don’t know how substantive change—the repatriation of land that Tuck and Wang call for—can take place given the realities of settler occupation of land. Is decolonization, in the end, a zero-sum game, where one side wins while the other loses? If so, what could convince a majority of settlers to participate? I don’t have answers to these questions; I don’t know how to move from the theory of settler decolonization to its practice. I wonder if anyone does. I will have to keep reading to find out.

Works Cited

Davis, Lynne, Chris Hiller, Cherylanne James, Kristen Lloyd, Tessa Nasca, and Sara Taylor. “Complicated Pathways: Settler Canadians Learning to Re/Frame Themselves and Their Relationships with Indigenous Peoples.” Settler Colonial Studies, vol. 7, no. 4, 2017, pp. 398-414. https://doi.org/10.1080/2201473X.2016.1243086.

Tuck, Eve, and K. Wayne Yang. “Decolonization Is Not a Metaphor.” Decolonization: Indigeneity, Education, and Society, vol. 1, no. 1, 2012, pp. 1-40. https://jps.library.utoronto.ca/index.php/des/article/view/18630/15554.

Chris Hiller, “Tracing the Spirals of Unsettlement: Euro-Canadian Narratives of Coming to Grips with Indigenous Sovereignty, Title, and Rights”

Chris Hiller’s article, “Tracing the Spirals of Unsettlement: Euro-Canadian Narratives of Coming to Grips with Indigenous Sovereignty, Title, and Rights,” is yet another text that my friend Matthew Anderson suggested I read. “The challenge of bridging the chasm that persists between Indigenous peoples and newcomers to their territories in Canada raises pressing questions about learning and decolonization in contexts of settler colonialism—questions that revolve around the settler colonial imaginary and how to disrupt it,” Hiller begins (415). A range of decolonization strategies have resulted from attempts at disrupting “this resilient and entrenched imaginary,” he continues, “from disrupting colonizing discourses within classrooms and in broader society, to challenging foundational settler mythologies and narratives, to highlighting vested state interests in Indigenous dispossession, to interrogating settler colonial power relations” (415). (A footnote suggests several texts by Indigenous and settler writers and scholars that describe these efforts at disruption.) In this study, Hiller draws upon her dissertation, which looked at “the experiences and trajectories of learning of 22 Euro-Canadians—white settlers—who have demonstrated long-term commitments to supporting Indigenous struggles over land, rights, and sovereignty” (415).

Hiller’s narrative inquiry study uses Cree scholar Willie Ermine’s discussion of “the ethical space of engagement”—an article that one of my supervisors gave me and which I left behind in my office on campus when the pandemic began—to look for “common trajectories of learning that appear when reading across the interviews and considering them collectively in light of scholarship in the areas of de/colonization, pedagogy, and Indigenous land” (416). By exploring “what these white settler activists have to say about the experiences, contexts, processes, and conditions that give rise to their own decolonization,” Hiller intends “to theorize the contours of an unsettled and unsettling spatial consciousness: a form of critical praxis that seeks to disrupt settler colonial pedagogies and practices that undergird the subjugation of Indigenous peoples and the continued theft and destruction of their lands” (416).

The attitudes of some settler Canadians are changing, Hiller notes, and yet a recent Environics survey “reveals a continuity of entrenched colonizing assumptions and attitudes among non-Indigenous Canadians,” including a finding that 60% of respondents do not see themselves as benefitting from the discriminatory treatment Indigenous peoples experience (416). “These enduring attitudes represent one manifestation of what many describe as the ‘colonial present’ in Canada: an ever-evolving and shifting continuity of practices that displace Indigenous peoples, both symbolically and materially, in order to reiteratively emplace non-Indigenous people—most notably white settlers—as the supposed owners, occupiers, and arbiters of the land,” she writes (416). Those practices are reflected by the federal government’s attempt to avoid ratifying the United Nations Declaration on the Rights of Indigenous peoples; in its “continued refusal to honour Treaties as nation-to-nation agreements,” which can be seen in the existence of “hundreds of outstanding specific claims related to centuries-old breaches of those early agreements”; and in the demands that First Nations “extinguish” their Aboriginal title to their territories in modern treaty negotiations (417). It is also reflected in the legislation that aims to establish “‘certainty’ regarding (Crown) title and jurisdiction” and to offload “federal fiduciary responsibilities” (417). In its most concrete form, she continues, “the operation of present-day machineries of colonization is evident in on-the-ground struggles in Indigenous communities” (417). “The common denominator underlying all of these symbolic and material practices—indeed, the raison d’être of settleer colonialism itself—remains the imperative to clear, claim, settle, and assert jurisdiction and sovereignty over Indigenous lands,” she writes, quoting the suggestion of philosopher James Tully (someone I should read) that this appropriation of land and resources is “‘the territorial foundation of the dominant society itself’” (qtd. 417). Colonization is not something that happened in the past; it continues in the present, and it is and always has been about the land (417). 

Many scholars have tracked “the reproduction of this on-going colonial present”—“the ways in which settler identities, spaces, sense of home and place, and constructions of land and nation are brought into being, secured, and enforced through an interplay of settler colonial spatial technologies: an evolving set of mechanisms and practices that function to clear the land discursively, materially and violently of its Indigenous occupants/owners in order to make way for (white) settlement and development”—in order “to theorize its disruption” (417). These discursive and material practices generate the settler imagination, and the “imagined yet never fully accomplished possession of Indigenous lands runs to the very heart of settler identities, cultures, and social and political formations” (417). Therefore, “Indigenous assertions of sovereignty, territory, and rights and relations to land figure as threats to an already-threatened national identity, unity, space, industrial capitalist economy, and sense of legitimacy,” prompting “a range of recuperative efforts on the part of individual settlers, settler communities, and the settler nation state” (417-18). Those efforts—which include discursive, symbolic, and physical violent responses to Indigenous assertions of rights and identity—remain “the constitutive heart of settler colonialism” and serve “as the disavowed lynchpin of dominant cultural pedagogies in Canada” (418). 

“Given the ways in which colonizing responses to Indigenous sovereignty and rights and relations to land are so deeply woven into the fabric of settler societies and cultures, any meaningful re-cognition of these relations—one that acknowledges and addresses on-going histories of Indigenous dispossession and settler dominance—will profoundly rock the very foundations of such settler societies, cultures, and identities,” Hiller writes (418). Ideas of unsettling settlers, of living in discomfort, 

thus pose quandaries that run far deeper than mere questions of political or educational strategy: given the social, cultural, political, and discursive practices and environments that work so diligently to obscure, deny, and erase the realities of Indigenous sovereignty, territory, and rights and relation to land in settler states, how do non-Indigenous people—and particularly those positioned as hegemonic subjects within such states—come to perceive, and come to grips with, these foundation-rocking realities of our existence? Further, by what processes do settlers come to act in recognition of these realities, and what implications do such forms of recognition have for the ways in which we imagine and actively emplace ourselves here, on Indigenous lands? (418)

The latter question is the one I’m particularly interested in: what are settlers to do in the face of the reality that we live on Indigenous land? What response are we called upon to make? What might settler decolonization—or perhaps decolonization from a settler perspective—mean?

Hiller interviewed 22 settlers who had been active in supporting Indigenous struggles—what form that activity took is not clear—and used narrative analysis to explore their stories and the ways that “each narrator draws upon and contests dominant constructions of settler identity, belonging, land, and nation” (418). She is particularly interested in what her reseasrch participants “identify as critical turning points—pivotal moments that spark or mark their shift into a decolonizing praxis in relation to Indigenous sovereignty and rights”—along with “the discourses, cultural repertoires, metaphors, and symbols that they draw upon in their narratives and activist practices” (418). All of her participants lived in southern Ontario “and thus negotiated home and place as settlers living on Indigenous lands that were supposedly ‘ceded’ by Indigenous nations through the Upper Canada Treaties prior to Confederation” (418-19). The demographics of her participants suggest that their stories “articulate a standpoint of social, political, economic, and spatial dominance in Canada” (419). While many scholars “caution against projects that recenter non-Indigenous interests and identities in general and stoke a self-serving preoccupation with settler perspectives and emotions in particular,” Hiller suggests, in her defence, that she approaches her participants’ stories “not as narratives of redemption, but as imperfect and unfinished yet critical resources for envisaging and working through the trap that dominantly positioned settlers find ourselves in under settler colonialism” (419). Her participants told stories “that featured the shattering of cherished illusions and deeply held assumptions that seemed tied to a racially unmarked position of social and spatial dominance; some went so far as to articulate an explicit process of coming to consciousness of the constitutive relationship between Indigenous dispossession, regimes of property, and white privilege” (419). To “unsettle the on-going reproduction of settler privilege,” Hiller writes, we must look at “those who remain the ‘intended beneficiaries’ of colonization, both past and present—settlers of European descent” (419).

Hiller looks at the stories told by her research participants through Ermine’s “elaboration of ethical space” (420). Ermine begins with a thought experiment, in which Indigenous and Western “thought worlds” collide in ways “that undergird Western domination and Indigenous subjugation” (420). (So far, that sounds less like a thought experiment and more like history.) The space “afforded by the contrast of these autonomous thought worlds,” according to Ermine, is “a liminal space of possibility” in which settlers “come to encounter the fissures, contradictions, and inconsistencies within Western culture, society, and knowledge” (420). In addition, in the spaces where those thought worlds clash, “the Western gaze is met by an Indigenous counter-gaze” which, like a mirror, shows settlers something about “our own colonizing mindsets, practices, and societies” (420). “Ermine suggests that for non-Indigenous people to enter an ethical space of engagement with Indigenous peoples, we must actively seek out this return gaze, approaching what we are able to perceive of Indigenous knowledges, cultures, and lived material realities as critical resources for turning to see anew our own culture and to pull at deeply enfolded assumptions and power relations,” Hiller writes (420-21). 

For Hiller, the stories of her research participants in that space of encounter are “a series of forays into spaces born of colliding thought worlds” (421). The activists she interviewed entered that space for many reasons, but an identification with social justice is one overarching factor she identifies in their stories (421). More importantly, “each tells a story that pivots around specific moments of catching a glimpse in Ermine’s mirror. Such glimpses are necessarily partial, in large part due to the constraining weight of what Ermine describes as the ‘undercurrent’ of the Western thought world” (421). Nevertheless, her participants “speak of seeing past the overbearing weight of that undercurrent just for a moment, and catching sight of something else in that mirror: a glimpse of a fellow suffering human being; the specificity of a marginalized human community; a brief sighting of disavowed atrocities; an instance of inspirational resistance; the imagined basis of a common struggle” (421-22). For me, that moment was the realization that all of the stories I had been told about the justification for settlers living in the Haldimand Tract were untrue. Some of Hiller’s research participants had similarly indirect glimpses, but others had “deeply personal or embodied experiences” or even “startlingly visceral encounters that involve direct engagements with Indigenous people themselves, moments in which these non-Indigenous actors are called to account for who they are and how they emplace themselves” (422). In my case, learning about the ongoing history of the Haldimand Tract left me unable to respond to the challenges I imagined experiencing. I realized I had no defence, no way to justify my past presence on the Haldimand Tract or my present existence in Treaty 4 territory. 

The encounters Hiller’s research participants talked about “disallow false separations of the colonial past from the colonial present” and “refuse the alibi of good intentions, demanding instead a deep interrogation and a public accounting of our personal implication in the on-going history of colonization” (422). They represent “momentary interruptions of on-going settler colonial relations: fissures that reveal unsettling truths about the violence at the heart of settler narratives, identities, and spaces” (422). Those interruptions, those glances in the mirror, cause us to lose our bearings and provoke “a range of unsettling emotions: anger, fear, threat, betrayal, guilt, shame” (422). And those momentary interruptions offer us a choice: we can either “avert our eyes long enough for these emotions to wane and for shape-shifting narratives to do their recuperative work, bridging across those unsettling contradictions” or, “if the encounter affects us in a way that is sufficiently personal, if the jar is powerful enough with sufficient affective weight, or if it is repeated, it may remain with us, embedding within us what one participant described as a ‘niggling question’ about Indigenous peoples, about this place, and about our relationship to both” (422). “In such moments,” Hiller continues, “we turn back to face the culture, society, and thought world that has formed us as well as the violence that we witness, a turning that sparks a cycle of reflection and action that draws us into decolonizing practices and new relations of responsibility” (422). 

The stories Hiller’s research participants told her were all unique; each articulated “a specific set of positionalities, political frameworks, and commitments,” and drew upon “particular experiences and histories” and “engagements with Indigenous peoples, cultures, and realities within a specific context of colonization,” and as a result “each is shaped by corresponding and at times conflicting Indigenous demands for decolonization” (423). To understand those stories, Hiller turns to Ermine’s notion of the ethical space of engagement:

Here, I visualize the space opened up by intersecting thought worlds as that constituted by two overlapping circles: a space literally hemmed in by two sets of shifting boundaries that serve both to mark its outer limits. In this in-between space, each narrative appears as a series of choices regarding how a specific narrator orients within that space: choices about which direction to turn, and which curving edge of intersecting boundaries to face. (423)

Hiller’s analysis reveals 

two distinct but interconnected and at times competing trajectories of decolonization: there is an upward spiral, focused outward, that entails non-Indigenous people witnessing and confronting historic and on-going colonial practices that dispossess and displace Indigenous peoples; there is also a downward spiral, focused inward, in which non-Indigenous people pull apart our own base assumptions, entrenched colonial mindsets, and deeply held investments in white settler privilege. (423)

That second spiral seems to resemble the process that Eve Tuck and K. Wayne Yang criticize as a “focus on decolonizing the mind, or the cultivation of critical consciousness, as if it were the sole activity of decolonization; to allow conscientization to stand in for the more uncomfortable task of relinquishing stolen land” (Tuck and Yang 19). According to Tuck and Yang, “the front-loading of critical consciousness building can waylay decolonization, even though the experience of teaching and learning to be critical of settler colonialism can be so powerful it can feel like it is indeed making change” (19). However, they continue, “Until stolen land is relinquished, critical consciousness does not translate into action that disrupts settler colonialism” (19). That may be true, but much has to happen before stolen land is returned, including changes in the assumptions and investments of settlers. Hiller addresses this point later on.

For Hiller, the upward spirals “describe cycles of reflection and action that ‘piece together the evidence’ regarding the machinations of settler colonialism and the specific ways that Indigenous dispossession and displacement are enacted and perpetuated in the present” (423). The narratives that Hiller considers as part of this category “are marked by convergences of anti-colonial knowledge and insight: spiraling ‘ah-hah’ realizations that settler colonialism is ‘all about the land’ and ‘it’s still going on’” (423-24). She imagines these spirals as cycling upward because 

they represent cumulative shifts in settler consciousness: moments when white settlers find themselves ‘pushed over the edge’ and into action in solidarity with Indigenous peoples by virtue of ‘knowing too much’ about the injustices inherent to settler states; moments when their cumulative awareness forces them to choose sides in Indigenous struggles against various forms of settler encroachment, leaving them no option of turning back. (424)

In contrast, the downward spirals, “cycles of reflection and action that arise from a turn inward,” “trace participants’ experiences of grappling with what the gaze they encounter in the mirror has to tell them about who they are, particularly in relation to the land under their feet” (424). “Rather than upward-moving and cumulative,” Hiller writes, “I imagine these spirals of learning as iterative and downward-moving: they represent concerted and on-going efforts to clear out the undercurrent of racist and colonizing assumptions in order to move outside of the confining ‘cages of our mental worlds’” (she quotes Ermine here) (424-25). These stories can involve working through difficult emotions, which can include the “inculcated fears and the sense of threat that arises for many settlers in the fact of Indigenous peoples’ assertions to rights and relations to land” (425), and the guilt many settlers feel, which must be both challenged and used “as a form of critical intelligence regarding our deepest investments, both in settler colonial mindsets and privilege and in our own desires for an ethical place to stand” (425). These stories are also about “spiritual unsettlement,” of “being spiritually undone in relation to Indigenous peoples and their relations to land (425). They also involve “grappling with Indigenous difference” in a variety of ways, including by learning to pay attention “to intersecting sacred boundaries,” including Treaty relationships and the connections between humans and non-humans (425).

“Of course, any non-Indigenous engagement with Indigenous difference must also be read in relation to the continuity of Western imperialist and neocolonialist impulses to imagine, define, contain, impose, control, regulate, and police constructions of Indigenous difference,” Hiller writes, and as a result many of her research participants avoid engaging with Indigenous ceremonies, knowledges, and languages in order to avoid appropriation (425). For Hiller, though, this decision “also risks re-colonizing the space of engagement that Ermine describes” (426). She notes that Sami scholar Rauna Kuokkanen suggests that engaging in the gap between Indigenous and Western epistemes is “a means of reflexively turning back on ourselves as settlers,” and that “coming to a place of humility as well as responsibility in relation to Indigenous worldviews” is important (426). We need to pay attention “not only to the insights Indigenous epistemes might offer us, but also listen to hear what such epistemes might demand of us” (426). Unfortunately Hiller doesn’t cite Kuokkanen here, but I wonder if those ideas are discussed in her book, Reshaping the University: Responsibility, Indigenous Epistemes, and the Logic of the Gift, which I have yet to read (although I have a copy on my shelf).

The stories Hiller’s research participants told about engaging with Indigenous difference “gesture towards the ways in which processes of unsettling settler imaginaries are intricately tied up with and dependent upon Indigenous decolonization movements and resurgent cultural practices” (426). In addition, those stories “point to humility in the face of incommensurable epistemes—combined with a willingness to acknowledge and respect the implications of a worldview which one cannot fully conceive—as a critical star[t]ing point for non-Indigenous engagements with Indigenous sovereignty, title, and rights and relations to land” (426). In addition, and perhaps most profoundly, “narratives in this direction involve the unearthing and pulling apart of deep-seated investments in white settler privilege” (426).

These two forms of experience, which Hiller describes as “two cycles of praxis—the upward, anticolonial cycle and the downward, decolonizing cycle” (426), are deeply connected. The stories told by her research participants include elements of both trajectories, “often operating simultaneously and feeding into one another” (426). However, it is important to see them as distinct, to acknowledge the ways they can “compete, complicate, or even stall each other out” (426). That interplay echoes the work of Indigenous scholars, Hiller suggests, who both critique “the tendency of settler decolonization efforts to reify settler identities and interests without concretely supporting ‘the repatriation of Indigenous land and life’” (she cites Tuck and Wang here), and who challenge settlers who set out to act in solidarity to ask questions about “their identities, investments, and assumptions” (here she cites Lynn Gehl’s “Ally Bill of Responsibilities”) (426-27). “Indeed, the ethical space of engagement that Ermine imagines requires that these two trajectories of praxis—each representing processes entailing specific social, political, and personal dimensions and demands for accountability—be held in dynamic balance,” Hiller contends, because doing otherwise risks “stagnating consciousness development and reiterating settler colonial relations of power” (427). One critique that could be made about walking performance and settler decolonization is that it is too much focused on “deeply interrogating . . . identities, investments, and assumptions” (427), and that it ignores tangible, concrete action. A similar critique might be made of any artistic practice, though, which is one reason that people interested in settler decolonization or in working in anticolonial ways (to use Hiller’s distinction between those terms) are often pushed towards forms of social aesthetics or social practice. 

Listening to Indigenous peoples—“their experiences, analyses, and aspirations”—is central to both “spirals of praxis,” according to Hiller (427). “Often, these processes of listening occur within, precipitate, or result from relationship-building with Indigenous peoples,” she states (427). Such relationships “help to disrupt colonialist assumptions and categories—both overtly racist and romanticizing—that essentialize and elide the multiplicity of difference among peoples, communities, and nations” (427). Relationships can also be the “site of unsettling moments of learning, and at times provide the conditions that sustain the process of unsettlement” (427). Relationships make “the abstractions of colonizing histories and realities” concrete (427). “It is personal relationships—with communities, with individuals—that provoke a deep sense of responsibility and accountability, demanding a cyclical return to analyze and dismantle colonizing structures,” Hiller writes (427). In fact, she points out that there is a substantial literature on ally formation which demonstrates “the role that relationships play in sparking, provoking, and sustaining processes of decolonizing settler consciousness” (428).

The learning processes Hiller’s research participants describe “point to the ways in which processes of settler decolonization are complicated by reversions: moments when learning is interrupted, diverted, or stalled out; moments when we, as settler subjects, seek to re-settle our privileged identities, positions, and claims to space and place” (428). Such reversions occur in many ways, but they “represent paternalistic re-impositions not only of agenda and process, but of analysis, values, and ways of knowing and being. In these moments, we as settlers risk returning unchanged from spaces of engagement with Indigenous peoples, with our colonizing imaginaries left intact—or worse, further buttressed and entrenched” (428). Trying to be a good settler—one of the exceptional few who “get it”—is an example of what Tuck and Yang describe as “settler moves to innocence” (qtd. 428). Hiller even suggests that moments of awkward laughter settlers share when they acknowledge “inadmissible knowledges and subjectivities” are “a cushioning distance from the full weight of the ‘difficult knowledges’ of which we speak and from a full realization of the violence that lurks beneath that thin veneer of our national and personal identities and claims to space and place” (428). 

“Thus, despite occasional shifts in perspective and commitments that appear to be relatively enduring, the processes of coming to consciousness that I map here are iterative, inherently incomplete, and marked by disjuncture: they are cycles of awareness and unawareness, unsettlement and re-settlement, recognition and misrecognition, knowing and unknowing,” Hiller writes. “Shifts happen through repetition across time and space, and insights must often be re-learned or at times unlearned” (429). Several of Hiller’s research participants stated that the process was a “life-long learning curve” (429). 

The recursive, iterative nature of the learning process suggests the difficulty of unsettling “settled expectations” (430). “Participants speak of facing inculcated fears of losing (white) privilege tied to their own settled expectations in relation to access to land, and of struggling against the lulling pull of complacency in the face of on-going colonial violence directed at racialized others,” Hiller writes. “Many of these narratives also constitute attempts to work through the mire of white settler guilt, and to articulate a specifically located set of responsibilities in relation to undoing settler colonialism and its corollary, white supremacy” (430). Whiteness plays out in the stories Hillier’s research participants tell in different ways. For instance, several participants noted that the act of supporting Indigenous struggles “demands a certain level of privilege tied to race and class: for not everyone is afforded the luxury of the time, resources, and distance from everyday struggles for survival that is necessary to become or to act consistently as an ally” (431). Hiller cites Celia Haig-Brown’s observation that “one of the defining features of white settler privilege is the choice about whether and how to engage in anti-colonial struggle . . . as well as the ability to engage without having to face violent consequences” (431). For Hiller, the stories of her research participants offer unique contributions “to our collective understanding of the contexts and processes underlying white settler dominance, its reproduction, and its disruption,” and the most valuable stories might be the ones “that elucidate the inevitable missteps in processes of decolonization that so often precipitate our most powerful moments of un/learning” (431). 

The settler imaginary, Hiller concludes, “is born of a pervasive amnesia that depends upon and reifies an erasure of the presence, imprint, and very humanity of Indigenous peoples,” and this imaginary allows settlers to “envision ourselves as naturally occupying and belonging to the spaces and places of Indigenous peoples” (431-32). Her research, she states, “represents an empirical effort to consider how, in the context of a settler colonial present that continues to be ‘all about Indigenous land,’ white settlers begin to perceive, grapple with, and actively recognize and support the foundation-rocking realities of Indigenous sovereignty, territory, and rights and relations to land” (432). That process, she continues, is “complex, iterative, disjointed, and just plain messy” (432). She calls for more research into “the conditions, contexts, and practices that instigate, sustain, or interrupt” that process (432). In addition, she suggests that her research “makes plain the responsibilities of settlers in relation to personal and structural decolonization”; in other words, both “spirals of praxis,” the “cycles of reflection and action” must operate “in tandem and simultaneously” (432). “It is through commitments to these practices over time that we as non-Indigenous people occupying Indigenous lands might prepare ourselves to enter the decolonized space that Ermine describes,” Hiller concludes (432).

Hiller’s essay is important; I wish I had known about it when I was working on my MFA—I think it had been published at that point—but at least I’ve read it now. Her insights into the stories her research participants told her are applicable to the practices of settler artists or writers who are interested in decolonizing work, and they indicate potential strengths and weaknesses of such practices. I particularly like her recognition that processes of decolonization are repetitive and iterative. No process moves in a simple straight line. Her bibliography is also useful. It broadens my thinking, beyond the specifics of land acknowledgments, and that’s important. I might need to scan through the journal where this article was published, Settler Colonial Studies, to find other work on this topic. That’s a lot of work, it’s true, but sometimes keyword searches in a library database don’t capture all the material that’s available. If only I could find a quicker way to read and take notes on articles like this one that’s as thorough as writing a summary. How do others manage to read carefully and, more importantly, retain what they’ve read? I wish my mind worked that way.

Works Cited

Ermine, Willie. “The Ethical Space of Engagement.” Indigenous Law Journal, vol. 6, no. 1, 2007, pp. 193-203. https://jps.library.utoronto.ca/index.php/ilj/article/view/27669/20400.

Gehl, Lynn. “Ally Bill of Responsibilities.” http://www.lynngehl.com/uploads/5/0/0/4/5004954/ally_bill_of_responsibilities_poster.pdf.

Hiller, Chris. “Tracing the Spirals of Unsettlement: Euro-Canadian Narratives of Coming to Grips with Indigenous Sovereignty, Title, and Rights.” Settler Colonial Studies, vol. 7, no. 4, 2017, pp. 415-40. https://doi.org/10.1080/2201473X.2016.1241209.

Kuokkanen, Rauna. Reshaping the University: Responsibility, Indigenous Epistemes, and the Logic of the Gift, University of British Columbia Press, 2007.

Tuck, Eve, and K. Wayne Yang. “Decolonization Is Not a Metaphor.” Decolonization: Indigeneity, Education, and Society, vol. 1, no. 1, 2012, pp. 1-40. https://jps.library.utoronto.ca/index.php/des/article/view/18630/15554.

Lila Asher, Joe Curnow, and Amil Davis, “The Limits of Settlers’ Territorial Acknowledgments”

My research into territorial acknowledgments continues with “The limits of Settlers’ Territorial Acknowledgments,” a short essay by Lila Asher, Joe Curnow, and Amil Davis—another in the list Matthew Anderson gave me. In this article, Asher, Curnow, and Davis trace the development of territorial acknowledgements made at meetings of Fossil Free UofT, an environmentalist group at the University of Toronto. The purpose of this case study, they write, is to trace “how student activists engaged with the practice to see what pedagogical outcomes the territorial acknowledgments generated” (316). They want to ask whether such acknowledgements are “a tool for decolonial solidarity,” or whether they are “the kind of move to innocence that Indigenous scholars and activists have warned against” (316). What “pedagogical work” do such acknowledgments “accomplish in settler spaces”? (317). Their conclusion is that “while the territorial acknowledgments successfully worked against the daily erasure of Indigenous people on Turtle Island and unsettled settler participants in the group, they failed as a decolonial pedagogy” because they “often served as a move to innocence, via containment and using decolonization as a metaphor, and did not lead to relationships of solidarity or decolonial action such as the rematriation of Indigenous land, language, and lifeways” (317). Territorial acknowledgments, the authors contend, are at best “a tiny part of decolonial solidarity pedagogy, and must be part of a broader decolonial praxis” (317).

According to Asher, Curnow, and Davis, territorial acknowledgments have arisen within a broader political moment defined by “Indigenous resurgence movements” like Idle No More and the Standing Rock protests, which have “gained traction and visibility internationally” (317). Such movements, they note have been accompanied by “a wealth of Indigenous scholarship laying out a vision for decolonial processes” (317). That scholarship asserts that “paths to decolonization . . . do not lie in getting colonial institutions to recognize Indigenous rights”—and here they cite the work of Jeff Corntassel and Glen Coulthard—“but in reclaiming land, traditional governance, language, cultural practices, and autonomy” (317). The authors suggest that another part of the context of territorial acknowledgments in Canada is the release of the final report of the Truth and Reconciliation Commission, which called upon settler institutions “to reflect on their colonial foundations” (317). “Within this context, territorial acknowledgments have become one of the practices that have scaled, becoming common in educational institutions and public events,” they write, “as a way of demonstrating support for reconciliation or as expressions of anticolonial solidarity,” while at the same time “they have also been critiqued by Indigenous people for the ways they have been institutionalized” (317). For instance, the blogger Onkwehonwe Rising argues that territorial acknowledgments are an appropriation of Indigenous diplomatic practices of recognizing kinship and alliance; those practices are then applied by settlers in a very different context of recognizing whose stolen land they occupy (317). “By taking what has been, in some nations, a diplomatic protocol, gutting it of its ontological and relational context, and repurposing it to legitimate settlers’ continued presence on stolen land, we effectively colonize territorial acknowledgments,” Asher, Curnow, and Davis write (318).

For that reason, the authors ask what people learn from territorial acknowledgments and whether they serve any decolonial purpose. They suggest that such acknowledgments “are often practiced because of a vague interest in supporting Indigenous groups, or even pressure to be politically correct” (318). Settlers who read such acknowledgments at public events often “have little understanding of the details of local Indigenous history or of the development of the territorial acknowledgment practice,” and as a result, the practice ends up being reduced “to a mundane ‘box-ticking’ exercise, easily ignored and void of learning opportunities” (318). I hear echoes of Chelsea Vowel’s argument in that sentence, and indeed the authors cite her blog post.

However, despite these critiques, territorial acknowledgments continue to be practiced by settler-descendants. The rationales for this practice “are often rooted in ideas of teaching and learning” (318). It is suggested that they unsettle ideas of terra nullius—“the myth that settlers found empty land available to them, rather than a richly populated continent with diverse, vibrant, place-based cultures”—and thereby “combat erasure and force settlers to grapple with our positionality” (318). “Activists assume territorial acknowledgments to be educative, a tool through which settlers become aware of Indigenous claims to land and begin to engage in solidarity practices,” the authors suggest, and for that reason, territorial acknowledgments are “fundamentally pedagogical interventions” (318). They draw upon a definition of pedagogy “as necessarily relational, intentional, and ethical” formulated by Rubén Gaztambide-Fernández and Alexandra Arráiz Matute to argue that the territorial acknowledgments they have studied—the ones offered at Fossil Free UofT meetings—are intended “to interrupt the ubiquity of settler coloniality,” to “‘push against’ dominant ideas of settler colonialism which secure settler futurities” (318). Such acknowledgments are therefore intended “as a decolonial solidarity pedagogy which would raise awareness among participants and foment different relationships to knowledge, land, and Indigenous peoples” (318-19). 

However, because territorial acknowledgments in such spaces often “lack the relationality, intentionality, and ethic that underpins the pedagogical relationship,” their ability “to serve decolonial solidarity visions is, at best, uneven” (319). That’s because solidarity, according to Gaztambide-Fernández, “entails combining concrete actions, embedded in specific and local relationships of accountability, with critical reflection,” and because it also “requires an ontological shift, a move towards a way of being founded on interdependency” (319). Such an ontological shift “draws on Indigenous conceptions of relationality” and decenters “Eurowestern ontologies” (319). “Therefore,” the authors contend, “a decolonial solidarity praxis requires the development of both relationships of accountability and an understanding of relationality” (319).

According to Asher, Curnow, and Davis, it’s difficult to initiate decolonial processes because “settlers are often hesitant to acknowledge our own complicity in the dispossession of Indigenous peoples” and therefore often fall back on narratives “that erase Indigenous presence” or use “a variety of ‘moves to innocence’ to try to claim legitimacy for our occupation and achieve absolution” (319). From the literature on territorial acknowledgments, it’s not clear whether they “are productive in disrupting these avoidance mechanisms and pushing settlers towards decolonial solidarity,” although such acknowledgments have not been systematically examined (319). That lack of systematic examination is the absence this article sets out to address.

The research this paper addresses was a participatory action research project, designed in partnership with members of Fossil Free UofT and conducted over several years. That partnership, the authors write, “is important because the questions and results are constantly made accountable to the movement as we ensure relational accountability and reliability through our experiences and our networks” (319-20). I’m not entirely sure what that means, but it suggests that their research design set out to incorporate Indigenous concepts of relationality, derived from scholars such as Shawn Wilson, whose work they cite here. “Our positionality as participants in the group and also as researchers meant that we were not only deeply embedded in the practices of Fossil Free UofT, bringing an insider perspective, but also meant that your research process was actively part of the group and its political struggles,” they state (320). Indeed, the various members of the research team “initiated the longer territorial acknowledgments” and one was chair of “the equity committee that drove them” (320). Thus, while the article may seem critical of the practice of territorial acknowledgments, it is “a reflection on our own attempted interventions as we strive to do solidarity more substantively and to shift the group toward land rematriation and climate justice” (320). Its criticism, then, is self-criticism.

The authors determined, by reviewing their video of Fossil Free UofT meetings, that there were three phases of acknowledgments: none at all (in the fall of 2014), scripted acknowledgments of 20 seconds or less (in the spring of 2015), and “longer pedagogical interventions” that ranged between two and 17 minutes in length (in the fall of 2015 and spring of 2016). Their intention in this article is to “trace the development of the group’s territorial acknowledgments, examining what they accomplished and where they fell short of the group’s aspirations” (321). 

The authors also note that “settler” is a rather blunt term, and that scholarship on the term suggests that it erases the differences between recent arrivals to Canada and those who were born here, but they also note the importance of Patrick Wolfe’s argument against “moves to avoid the settler-native binary” because “all non-Indigenous peoples are implicated in settler colonialism” through their presence on Indigenous lands (321). Their use of the term “settler” is thus aware of “the processes of racialization and historical specificities that complicate settler positionality, and thus the complicated ways in which each of us perform territorial acknowledgments” (321).

Despite such terminological complexities, the authors found that “settlers of colour and White settlers of all genders struggled with how to participate in decolonial solidarity” (321). “We saw people learning, developing new identities, epistemologies, concepts, and practices,” they write,” but instead of focusing on those individual learning processes, they want to ask “whether the developing territorial acknowledgments practiced within Fossil Free UofT had any pedagogical impact for the group as a whole” (321). Their conclusion is that while such acknowledgments “challenged the erasure of Indigenous peoples and were unsettling for settlers, they ultimately fell short of decolonial pedagogy” (321).

Their first point is that territorial acknowledgments “successfully interrupted, to some extent, the everyday erasure of Indigenous peoples in Fossil Free UofT” (321). They cite Cherokee scholar Daniel Heath Justice’s argument that not recognizing territory is a political choice, and the argument of Eve Tuck and Rubén Gaztambide-Fernández that erasing Indigenous peoples is a “key component of settler colonialism, allowing settlers to take their place and take their land” (322). Such an erasure is normalized by school curriculum, which excludes Indigenous people and Indigenous thought (322). “In this context, the awareness fostered by Fossil Free UofT’s territorial acknowledgment practice” can be seen as an accomplishment, “even if the effects of the practice remain in question” (322). However, even as they combatted the erasure of Indigenous peoples, the group’s territorial acknowledgments “became normalized and rote” (322). As a result, members of the group advocated for acknowledgments that were more engaged and that would “invoke more substantial learning opportunities” (322), and “the expectations for territorial acknowledgments changed from reading the short script to adding on a different educational component” (323). Even the group members who were reluctant “to engage with solidarity practices” were clearly prompted to think about such practices through the territorial acknowledgments (323). During the two years of engaging in territorial acknowledgments, “the group moved from rarely talking about colonialism to developing nuanced arguments on either side of the question of solidarity work that consistently engaged with content relevant to Indigenous peoples” (324).

Second, the settlers in the group became “unsettled” (324). The authors cite Emma Battel-Lowman and Adam Barker’s suggestion that “decolonial solidarity is an uncomfortable process” for settlers, because it forces us to “come to recognize the histories and contemporary power relations that structure our lives” (324). The acknowledgments “made settler speakers uncomfortable,” they write, and that discomfort could be seen in the “awkwardness in the conversations,” in the “bids to avoid the implications of settler colonialism,” and in the “shame and embarrassment about mispronunciation” of the names of Indigenous peoples and about “a lack of familiarity with Indigenous issues” (324). The authors noted that this discomfort was also expressed through two different types of avoidance behaviours: “awkward silence, where it seemed that people did not know what to say in response to the content; and derailment, where speakers brought up non-relevant content as a way of shifting the discussion away from its focus on settler colonialism” (325). Awkward silence were “the most common response to the invitation to participate in the territorial acknowledgment discussion,” and few group members engaged in the acknowledgments, leaving the same group of people to fill the silences (325-26). “While these avoidance mechanisms detracted from the pedagogical potential of the territorial acknowledgment, we argue that they show territorial acknowledgments do accomplish one of their goals, which is to make settlers uncomfortable about their position on the land and denaturalize settler claims to space,” the authors continue. “We argue discomfort has educative value in that it made people aware, on a regular basis, of their precarious claim to space on Turtle Island, as well as their awareness of their ignorance about Indigenous people and settler colonial histories” (326). They suggest, citing Chelsea Vowel, that such discomfort “is what is productive about territorial acknowledgments, and that discomfort is what makes people recognize their positionality and precarity” (326). That discomfort inspired some members of the group to learn more about Indigenous issues—by practicing how to pronounce correctly the names of the Indigenous nations included in the acknowledgments, for instance—although other group members clearly did not engage in such learning and tended to avoid the feelings of discomfort “rather than embrace responsibility” (326).

While the acknowledgments may have been pedagogically productive, Asher, Curnow, and Davis continue, “they continues to be problematic because they departed from anything like a territorial acknowledgment rooted in Indigenous protocols” (326). In other words, the group’s acknowledgments were extracted from their “relational context and origin as diplomatic protocol” and turned into broader discussions of colonialism and social justice, a shift which “recentered Eurowestern ways of knowing and being, drawing on frameworks such as critical social analysis and informational presentations that are familiar to settler university students, rather than remaining grounded in relationality” (326-27). The author’s cite Eve Tuck and K. Wayne Yang’s argument about decolonization becoming a metaphor or synonym for social justice, and suggest that instead of “forcing us to grapple with our positionality and responsibility in land rematriation, we often were dealing with questions of Indigenous struggles in the abstract, or with other social justice issues entirely” (327). The territorial acknowledgements the group practiced “were a hybrid, or perhaps a completely appropriated practice where our worldviews dominated,” and they “reinscribed Eurowestern ways of being based on knowledge sharing, rather than staying true to Indigenous conceptions of relationality, land, and nation, even when they did teach about Indigenous struggles and solidarity” (327). “Though we were recognizing Indigenous territory,” the authors continue, “we never implicated ourselves, as settlers and guests, within the relations of settler colonialism, or engaged with our different responsibilities” (327). They criticize the use of the term “descendant of settlers,” for instance, which was used by one member of the group, because it relegates “settler colonial violence to the past” and attempts “to escape personal implication” (327). They also criticize the conflation of the terms “settler” and “non-Indigenous,” which turn the term “settler” into “an empty signifier” (327). 

In addition, the authors criticize the group’s “inattention to how processes of racialization shifted individual members’ relationships to the territorial acknowledgments, the land, and the peoples we were recognizing,” an inattention that “demonstrates a significant gap in our decolonial pedagogies” (327). For instance, statements like “we’re all treaty people,” they argue, gloss over the way that people of colour are “differently positioned” in such relationships (328). As the territorial acknowledgments that developed “took the shape of decolonization as a metaphor,” they “became bids to include broad social justice content without effectively moving us toward decolonial frameworks that reckoned with the disparate positionalities within the group, and without attending to the ways that the social justice content people brought in around racialization, capitalism, and gender were imbricated with settler colonialism” (328).

According to Asher, Curnow, and Davis, “[d]espite the learning that territorial acknowledgments generated within the group by combatting erasure and unsettling settlers, settler discomfort quickly capped the potential of the practice to aid in decolonial work,” and the acknowledgments “became a way of insulating individual participants and the group as a whole from having to deal with our complicity in the colonial systems that we had begun to understand” (328). In other words, the acknowledgments became moves to innocence that made the settlers in the group feel comfortable (328). Those acknowledgments “were easily completed and contained in a way which marked us as good and enabled us to move on with the meeting without disruption” (328). “Moves to contain territorial acknowledgments and Indigenous content to a narrow portion of the agenda kept these topics from having a larger impact on our work, instead allowing many of us to feel as though we had done enough for the day,” they continue (328). Thus the acknowledgments became “a box-ticking exercise—a way to get the task of being a good ally over with” (329). Thus, as moves to innocence, the acknowledgments “undermined the decolonial pedagogical possibilities of territorial acknowledgments within Fossil Free UofT” (329). 

“Our work never engaged difficult conversations about what it might mean for the fossil fuel divestment campaign and each of us to wrestle with the colonial present,” the authors state (329). Nor did the acknowledgments address “contemporary land restitution”: “Our discussions remained abstracted from work on sovereignty, language, and land, instead discussing topical, but random content, like the work of Indigenous graffiti artists, without informing our work or being anchored in substantive decolonial solidarity praxis” (329). The acknowledgements tended to be performative, in other words, and they tended to assume that knowing about settler colonialism marked those present in the room “as good and responsible”—as distinct from others who were neither, it seems (329). “The ways that territorial acknowledgments were contained to small and discrete interventions also demonstrates the moves to innocence, and the check-boxes that Indigenous intellectuals warned against,” the authors continue (329).  Instead, the acknowledgments “were contained and were understood as extra; they were not considered part of the real work, rather, they were a statement to get through and move on from” (330).

In their conclusion, Asher, Curnow, and Davis argue that “[n]o matter how detailed and considerate a territorial acknowledgment spoken in a settler space is, it can never be more than a move to innocence if it is not combined with concrete actions embedded in relationships of solidarity” that “prefigure a cooperative, anti-oppressive dynamic between settlers and Indigenous people” (330). “Settlers must come to understand a worldview based on interdependency and relationality rather than exploitation and dispossession, and must actively support Indigenous people in their goals of reclaiming land and autonomy,” they write, and territorial acknowledgments fall short of those desired outcomes. The group’s discussions, they continue, “never gave us the tools for deeper engagement with questions of land restitution, sovereignty, or relational accountability, and instead served as a settler project embedded within the politics of distraction” (330). Therefore, territorial acknowledgments “were not an adequate substitute for solidarity praxis,” and they “may have even prevented us from pursuing more meaningful work” (330). “Rather than point us toward decolonial solidarity pedagogies and strategies for the environmental movement, we believe this analysis of territorial acknowledgments reveals the broader challenges of mobilizing reconciliation frameworks in the absence of meaningful recognition of sovereignty and land restitution,” they state (330). Indeed, the authors’ faith in the pedagogical potential of territorial acknowledgments “made them serve as moves to innocence” (331).

“We’re aware that this paper could be read as our own move to innocence, where we gain ‘professional kudos’ for our reflexivity,” Asher, Curnow, and Davis continue (331). Nevertheless, they state, the paper “is not an exercise for us in self-righteous judgment of our colleagues” (331). Instead, it is an attempt at exploring the limitations of territorial acknowledgments. “As people who were unsatisfied with the mainstream environmentalist approach and attempting to be accountable to Indigenous activists’ requests that we do territorial acknowledgments, our practice evolved as a way of mobilizing the relationality, the intentions, and the ethics that are fundamental to solidarity—and yet we were ineffective at accomplishing our goals,” they write. “Through this analysis we have shown that the territorial acknowledgments did not enable us to do deeper work, and often served as a substitute for real engagement. For us, this signals that we need to find other ways of mobilizing pedagogies of decolonial solidarity, ones which center relationships and are not as easily contained as territorial acknowledgments” (331).

Awareness, the authors conclude, citing Eve Tuck, does not necessarily enable change, and if awareness is the goal of territorial acknowledgments, then they are bound to fail to create substantive change. “Although some members of the group felt strongly that we should be building relationships of solidarity with Indigenous land defenders and tying land rights more strongly into our campaign asks, we continually failed to integrate these aims into our campaign,” they confess (331). The awareness generated by territorial acknowledgments did not lead to change. “The theory of change underpinning decolonial solidarity must be different and deeper than mere bids to raise awareness in the hopes that someday people will be willing to change,” they write. “Decolonization has to be about a renewed relationship to people, land, and ways of knowing, and the territorial acknowledgments in Fossil Free UofT did very little to lay the necessary preconditions for those shifts” (331).

This article is important, and I think the argument about the limitations of territorial acknowledgments is an important one. I’m reminded of the meme I saw last winter, as the RCMP tactical unit was mobilizing against Wet’suwet’en land defenders: a member of the tactical unit was saying “we acknowledge that this paramilitary action takes place on the territory of the Wet’suwet’en people.” And yet, even if awareness doesn’t lead to the kinds of change that the authors call for, it’s not nothing. In addition, I would be interested to see concrete examples of the kind of “renewed relationship to people, land, and ways of knowing” (331) the authors wanted to see among the settlers in the group they studied—perhaps concrete examples from some other group that did something more than utter territorial acknowledgments before their meetings—rather than aspirational statements about the kind of change they wanted to see in their group. I think that the kinds of epistemological and ontological changes they are calling for are a lot harder to put into practice, that it’s easier to call for such changes than it is to make them happen, and so I’m not surprised that a student group working to get their university to divest from the fossil fuel industry—a very difficult task, both legally and politically, as I learned when I was part of a group urging my university to divest from South Africa when I was an undergraduate student during the anti-apartheid era of the 1980s—was unable to simultaneously work towards the restitution of land to Indigenous peoples or to foreground Indigenous sovereignty at the same time. The kinds of changes they wanted to see happen, in fact, would likely be impossible in a group of disparate students who meet every couple of weeks; I think a wholesale ontological and epistemological shift for all of the members of such a group would take a much higher level of engagement. No wonder territorial acknowledgments were unable to help the group reach the goals the authors wanted them to reach. What actions could enable the group to reach those goals? I wish I knew.

In addition, I’m not sure what land restitution or “rematriation” would look like at the level of a group of students at the University of Toronto. What land would they be advocating be “rematriated”? To what First Nation? What would happen to the current possessor of that land? Yes, I know that according to the worldview the authors advocate be adopted by settlers, “possession” is the wrong word to use, but nevertheless, in legal terms, it’s the word one would have to use—and yes, I realize that our legal system is a settler-colonial construct, and yet the validity of Indigenous legal systems has yet to be recognized in this country. Does, for instance, the University of Toronto own land it would happily return to the Mississaugas at New Credit or the Haudenosaunee at the Six Nations of the Grand River? Would that institution’s board of governors ever entertain the notion of giving land away rather than selling it and adding the proceeds to its already massive endowment? Would a student group be able to convince the board to take such a step? I have trouble imagining such a thing. 

The repatriation or “rematriation” of Indigenous land and life is, as Tuck and Wang suggest, the goal of decolonial activity, but the granular details of how that restitution of land would take place are never clear. The actions that could be taken—purchasing and then donating land, for instance—are beyond the capacity of the group of students Asher, Curnow, and Davis write about, and giving away valuable assets, like land, to First Nations is beyond the imagination of settler institutions like universities or our provincial and federal governments. After all, those governments could, with the stroke of a pen, return Crown land to First Nations. I have trouble understanding how that imagination can be changed—how it could be decolonized—and without that change, I don’t understand how decolonization could happen. It would take an incredible amount of pressure from First Nations to get that kind of decolonization to take place, and while I can see how settler solidarity would figure in that kind of struggle, we are a long way from that kind of decolonization, which would actually repatriate Indigenous land. In the mean time, settlers would no doubt prefer to pretend that we don’t live on someone else’s land—to believe lies that make us comfortable, rather than dwell in unsettled discomfort. Is anyone surprised by people opting for comfort instead of its opposite?

In other words, how do we get to decolonization from the place we’re at right now? The path forward is not clear to me, and while aspirational goals are fine in theory, arguments that use the word “praxis” ought to consider what such a praxis would look like. There’s no doubt that territorial acknowledgments are insufficient, but what might be considered adequate? The answer to that question is not explained in this article, or in most of the work on settler-colonial theory I’ve read so far, with the exception of Eva Mackey’s book Unsettled Expectations: Uncertainty, Land, and Settler Decolonization, which describes a project undertaken by a group of settlers to buy a farm in New York and return it to the Seneca. And yet the answer to the question of how decolonization would work, of what practical steps one might undertake towards that goal, is central to the project of decolonization. I’m left dissatisfied and frustrated—can you tell?—and feeling that I ought to be doing something without knowing what that something might be. 

Work Cited

Asher, Lila, Joe Curnow, and Amil Davis. “The Limits of Settlers’ Territorial Acknowledgments.” Curriculum Inquiry, vol. 48, no. 3, 2018, pp. 316-34. https://doi.org/10.1080/03626784.2018.1468211

Battel-Lowman, Emma, and Adam Barker. Settler: Identity and Colonialism in 21st Century Canada,Fernwood, 2015.

Gaztambide-Fernández, Rubén. “Decolonization and the Pedagogy of Solidarity.” Decolonization: Indigeneity, Education, & Society, vol. 1, no.1, 2012, pp. 41-67.

Gaztambide-Fernández, Rubén, and Alexandra Arráiz-Matute. “Pushing Against: Relationality, Intentionality, and the Ethical Imperative of Pedagogy.” Problematizing Public Pedagogy, edited by J. Burdick, J.A. Sandlin, and M.P. O’Malley, Routledge, 2013.

Onkwehonwe Rising (Rowland “Ena͞emaehkiw” Keshena Robinson). “‘Who’s Land?’ The Trials and Tribulations of Territorial Acknowledgment,” 18 October 2016, https://onkwehonwerising.wordpress.com/2016/10/18/whos-land-the-trials-and-tribulations-of-territorial-acknowledgement/.

Tuck, Eve, and K. Wayne Yang. “Decolonization Is Not a Metaphor.” Decolonization; Indigeneity, Education, and Society, vol. 1, no. 1, 2012, pp. 1-40. https://jps.library.utoronto.ca/index.php/des/article/view/18630.

âpihtawikosisân (Chelsea Vowel), “Beyond Territorial Acknowledgements”

My second reading on territory and treaty acknowledgements—another on the list I got from Matthew Anderson—a blog post by Métis writer (and lawyer) Chelsea Vowel, who blogs under the name âpihtawikosisân, the Cree word for “Métis.” Vowel is way ahead of settler-descendant writers on this topic, and her short discussion is important and valuable.

Vowel begins by noting that “Territorial acknowledgments have become fairly common in urban, progressive spaces in Canada,” and she notes that she had been hearing them for over 15 years at the time she was writing (âpihtawikosisân). She wants to ask several questions about these acknowledgments:

First, what is the purpose of these acknowledgments? Both what those making the territorial acknowledgments say they intend, as well as what Indigenous peoples think may be the purpose. Second, what can we learn about the way these acknowledgments are delivered? Are there best practices? Third, in what spaces do these acknowledgments happen and more importantly, where are they not found? Finally, what can exist beyond territorial acknowledgments? (âpihtawikosisân)

When these acknowledgements first began, Vowel continues, “they were fairly powerful statements of presence, somewhat shocking, perhaps even unwelcome in settler spaces. They provoked discomfort and centered Indigenous priority on these lands” (âpihtawikosisân). She disagrees with Bob Joseph’s suggestion that these acknowledgements can be a way of honouring traditional Indigenous territory protocols, however; such a suggestion, she argues, is dangerous. Another purpose is to make spaces which feel unsafe for Indigenous peoples, like settler-dominated universities, less alienating. “As a newer practice in such environments, territorial acknowledgments continue to have the power to disrupt and discomfit settler colonialism,” she states (âpihtawikosisân).

“It should also be emphasized that these territorial acknowledgments flow from the work of Indigenous peoples themselves, who are resisting invisibilization,” Vowel continues. “When they are crafted, they are usually done so in consultation with local Indigenous peoples” (âpihtawikosisân). At the same time, Indigenous critiques of territory acknowledgments are strongest in places like Vancouver, where such acknowledgments have existed for a long time, although Indigenous critiques can also exist where territory acknowledgments are relatively new. 

“I believe territorial acknowledgments can have numerous purposes, and in fact can be repurposed, so merely examining the stated intentions of these invocations is insufficient,” Vowel writes. “What may start out as radical push-back against the denial of Indigenous priority and continued presence, may end up repurposed as ‘box-ticking’ inclusion without commitment to any sort of real change” (âpihtawikosisân). That is “the inevitable progression,” she suggests, “a situation of familiarity breeding contempt (or at least apathy)” (âpihtawikosisân).

The way these acknowledgments are delivered matters: “Are they formulaic recitations that barely penetrate the consciousness of the speaker and those listening? Are they something that must be ‘gotten through’ before the meeting or speech can begin? Can we escape dilution through repetition?” (âpihtawikosisân). In other words, she continues, “What do territorial acknowledgments mean for people who have heard them ad nauseum?” (âpihtawikosisân). “On the other hand,” she continues, “rituals and repetition are not necessarily bad things. Establishing a practice of acknowledgment can be part of wider attempts to address settler colonialism and build better relationships with Indigenous peoples” (âpihtawikosisân). Settler-descendants who offer territory acknowledgments need to think about what treaties mean and what the term “ceded territories” means (âpihtawikosisân). Territory acknowledgments are an opportunity to elevate Indigenous governance and jurisdiction (âpihtawikosisân). In addition, people need to do their own research, rather than relying on standardized institutional acknowledgments; the point is to participate in a “deeper engagement with the purpose and impact of territorial acknowledgments” (âpihtawikosisân).

Vowel suggests that territory acknowledgments are more commonplace in western Canada than elsewhere, and that they tend to be absent in rural spaces “where there is arguably the most tangible Indigenous presence” (âpihtawikosisân). “Yet these would be the spaces in which territorial acknowledgments have the potential to be most powerful; the settler rural/First Nations divide is huge and plays out in deeply problematic (and all too often violent) ways,” she writes (âpihtawikosisân). Those two solitudes “exist on lands that supply the bulk of resources extracted” to support urban areas, “meaning they also experience the effects of resource extraction in ways urban residents do not” (âpihtawikosisân). However, settler and First Nations communities are “accustomed to working in isolation” from each other, rather than being unified in response to the effects of resource extraction on the land and on local communities (âpihtawikosisân). Ignoring the First Nations presence in rural areas “is normalized, deeply ingrained, and central to rural settler governance,” Vowel states (âpihtawikosisân). 

“This brings me back to the question of . . . why are people acknowledging territory in the first place?” Vowel asks:

When mostly urban institutions and circles are making these acknowledgments, who are they thinking of? Urban Indigenous populations? Rural and remote First Nations, Métis, and Inuit communities? Is there a feeling of reaching out to or desiring partnerships with these communities? What of the non-Indigenous communities also found in rural and remote spaces? Are they implicated in urban-based territorial acknowledgments, or are they as ignored by their urban counterparts as they in turn ignore local Indigenous communities? (âpihtawikosisân)

Those are excellent questions, but they need to be considered within the context of the social and political divisions between urban and rural settlers, divisions which are reflected in, to take one example, the differences in voting habits between urban settlers and their rural counterparts.

“If we think of territorial acknowledgments as sites of potential disruption, they can be transformative acts that to some extent undo Indigenous erasure,” Vowel writes:

I believe this is true as long as these acknowledgments discomfit both those speaking and hearing the words. The fact of Indigenous presence should force non-Indigenous peoples to confront their own place on these lands. I would like to see territorial acknowledgments happening in spaces where they are currently absent, particularly in rural and remote areas and within the governance structures of settlers. (âpihtawikosisân)

At the same time, “territorial acknowledgments can become stripped of their disruptive power through repetition,” she continues. “The purpose cannot merely be to inform an ignorant public that Indigenous peoples exist, and that Canada has a history of colonialism” (âpihtawikosisân). Indigenous protocols could perhaps be a guide to moving territory acknowledgments into “the space beyond the acknowledgment” (âpihtawikosisân). “Stopping at territorial acknowledgments is unacceptable,” she contends (âpihtawikosisân). 

For instance, if settlers start considering themselves to be guests on Indigenous lands, then they would need to learn about their obligations as guests, according to the First Nations on whose land they are staying. “What are the Indigenous protocols involved in being a guest, what are your responsibilities?” Vowel asks. “What responsibilities do your hosts have towards you, and are you making space for those responsibilities to be exercised?” (âpihtawikosisân). “What I am saying is that all Indigenous nations have specific expectations of guests, and of hosts, and so far non-Indigenous peoples have not been very good at finding out what those are,” she continues: 

I think this needs to be the next step. It requires having actual conversations with Indigenous communities, saying things like “we want to be better guests, how to we do that according to your laws and hey by the way, what ARE your laws” and being prepared to hear the answers, even those that are uncomfortable like “give us the land back.” (âpihtawikosisân)

“Moving beyond territorial acknowledgments means asking hard questions about what needs to be done once we’re ‘aware of Indigenous presence,’” she concludes. “It requires that we remain uncomfortable, and it means making concrete, disruptive change. How can you be in good relationship with Indigenous peoples, with non-human beings, with the land and water? No ideas? Well, it’s a good idea that Indigenous peoples are still here, because our legal orders address all of those questions. So why aren’t you asking us?” (âpihtawikosisân).

The questions Vowel raises in this post are important and powerful, and in ways they lead back to Eve Tuck and K. Wayne Yang’s demand for concrete actions beyond settler consciousness raising. But are settler-descendants ready for “concrete, disruptive change”? Are they ready to be uncomfortable, to be discomfited, to be unsettled? I’m not convinced that they are, even if that is what the situation requires, and it might be that change will happen only at a speed which allows settlers to avoid discomfort. If that’s the case, that change may never reach the kind of place where they will begin to, for instance, ask Indigenous peoples about being in a good relationship with the land and the water, and take the answers seriously. And yet, if we’re to avoid ecological catastrophe, we might need to listen to Indigenous thinking about such relationships. I’m not sure what steps one might take to encourage people to embrace discomfort. There’s a lot to think about in this post, and I’m glad I took the time to reread and take notes on Vowel’s short essay.

Works Cited

âpihtawikosisân (Chelsea Vowel). “Beyond Territorial Acknowledgments,” 23 September 2016, https://apihtawikosisan.com/2016/09/beyond-territorial-acknowledgments/.

Tuck, Eve, and K. Wayne Yang. “Decolonization Is Not a Metaphor.” Decolonization: Indigeneity, Education, and Society, vol. 1, no. 1, 2012, pp. 1-40. https://jps.library.utoronto.ca/index.php/des/article/view/18630.

119. Ben Anderson, “Preemption, Precaution, Preparedness: Anticipatory Action and Future Geographies”

ben anderson

I wanted to read Ben Anderson’s “Preemption, Precaution, Preparedness: Anticipatory Action and Future Geographies” because I discovered that the definition of futurity that Eve Tuck and Rubén A. Gaztambide-Fernández take from Andrew Baldwin’s “Whiteness and Futurity: Towards a Research Agenda” is actually a quotation from Anderson’s essay. Baldwin’s essay is important, but if I’m going to come to a complete understanding of the idea of “futurity,” I’d better chase it back to its source. And, as it’s turned out, I did need to do this extra reading, either because I’m too dull-witted to grasp things quickly, or because others have a bad habit of not defining terms clearly.

As his title suggests, Anderson is interested in opening up “questions for research in human geography on preemption, preparedness and other forms of ‘anticipatory action’” (777). “I argue that anticipatory action matters because geographies are made and lived in the name of preempting, preparing for, or preventing threats to liberal-democratic life,” Anderson writes (777). Well, geographies would be made and lived in the name of preempting, preparing for, or preventing threats to all kinds of ways of living, but at least Anderson is making his politics clear at the outset. He notes that “[r]uined landscapes of damage and destruction” have been made in Iraq and Afghanistan in the name of “preempting the threat of terror”; that western countries have culled bird populations in order to prepare for avian flue’ and that “[a] set of mitigation policies based on global carbon trading are being rolled out as precautionary measures to combat the threat of climate change” (777). On these issues, “acting in advance of the future is an integral, yet taken-for-granted, part of liberal-democratic life,” Anderson writes. In those examples, “bombs are dropped, birds are tracked, and carbon is traded on the basis of what has not and may never happen: the future” (777). 

Anderson’s question about activities based on the future is simple: how should geographers respond, “analytically, methodologically, politically,” to “the making of geographies through anticipatory action?” (777). “My starting point is that preemption, preparedness and precaution post a problem to some of human geography’s most ingrained habits and techniques of thinking,” he contends. “Anticipatory action perplexes us, or at least it should, because it invites us to think about how human geography engages with the taken-for-granted category of ‘the future.’ Common to all forms of anticipatory action is a seemingly paradoxical process whereby a future becomes cause and justification for some form of action in the here and now” (777-78). That process generates specific questions: “how is ‘the future’ being related to, how are futures known and rendered actionable to thereafter be acted upon, and what political and ethical consequences follow from acting in the present on the basis of the future?” (778). “Addressing these questions,” he continues “requires that we explicitly reconceptualize the relation between space-time and futurity” (778). However, while geographers have studied the past—and haunting, which is interesting for my research: Anderson’s bibliography may help with thinking about that phenomenon—they tend not to be directly engaged with the future. The risk of this lack of engagement with the future “is that we repeat a series of assumptions about linear temporality; specifically, that the future is a blank separate from the present or that the future is a telos towards which the present is heading” (778). “More specifically,” he continues, “to understand how anticipatory action functions we must understand the presence of the future, that is the ontological and epistemological status of ‘what has not and may never happen’” (Brian Massumi, qtd. 778). He notes the number of ways in which the future is present in the present: in futures contracts, in investments, in contracts, in clock time, in the prophecies of evangelical Christians and fortune-tellers, and in the imaginations of science-fiction writers (778).  

In this paper, Anderson intends to offer “a conceptual vocabulary” to address the task of understanding how geographies are made based on anticipatory action (778). This vocabulary, he writes, “sits in the juncture between a Foucaultian analytic of how futures are now governed and the emphasis in non-representational theories on the presence of the future” (778). Futures, he continues, “are anticipated and acted on through the assembling of” three phenomena (778). These include styles, which consist of “a series of statements through which ‘the future’ as an abstract category is disclosed and related to,” statements which “condition and limit how ‘the future’ can be intervened on” and which “function through a circularity, in that statements disclose a set of relations between past, present and future and self-authenticate those relations” (778-79); practices, which “give content to specific futures, including acts of performing, calculating and imagining” and make present the future “in affects, epistemic objects and materialities” (779); and logics “through which action in the present is enacted” (779). Anderson helpfully provides a definition of the term logics (which has been in so much of what I’ve read merely a buzzword of sorts): “A logic is a programmatic way of formalizing, justifying and deploying action in the here and now. Logics involve action that aims to prevent, mitigate, adapt to, prepare for or preempt specific futures” (779). This conceptual vocabulary, Anderson writes, “enables a mode of inquiry that aims to understand the multiform presence of the future in any and all geographies. By this I mean that inquiry would attend to how futures are: disclosed and related to through statements about the future; rendered present through materialities, epistemic objects and affects; and acted on through specific policies and programmes” (779). 

Next, Anderson turns to the types of anticipatory action he is interested in, which (as his introduction suggests) are related to terrorism, pandemics and biosecurity, and both “global warming and ozone depletion” (779). There are commonalities between the way these phenomena “have been enacted as threats”:

First, in comparison to systemic interruptions, ruptures and breakdowns, they are potentially catastrophic. That is, each threat may irreversible alter the conditions of life at both the microscopic and pandemic levels. Second, in each the “malicious demon” that is heralded as the source of disaster is a somewhat vague spectral presence that cannot easily be discerned. Third, in each the disaster is imminent. Not only is the present on the verge of disaster, but disaster is incubating within the present and can be discerned through “early warnings” of danger (whether through the “harbingers” of climate change or “radicalization” in anti-terror legislation). (779-80)

“Without some form of action, a threshold will be crossed and a disastrous future will come about,” Anderson continues, although because that future is “incubating within the present, life will remain tensed on the threshold of disaster even if an immediate threat is acted against,” which means that “[a]nticipatory action must . . . become a permanent part of liberal democracies if disaster is to be averted” (780). Again, I would think that other forms of government would also be concerned with forms of anticipatory action: what about the Soviet Union and its weapons stockpiles during the Cold War, or Turkey’s current incursion into Syria as a way to prevent future Kurdish political or military activity? 

The problem of anticipatory action, in any case, opens up the question of how the future relates to the past and the present (780). “Every attempt to stop or mitigate a threat holds certain assumptions about ‘the future,’” Anderson writes. “It is worth recalling just a few other ways of acting on the future in order to be specific about how ‘the future’ is related to in contemporary anticipatory action” (780). These include ideas of the future as apocalypse, indefinite progress, or utopia, each of which authorizes different forms of action in the present (780). One of the characteristics of contemporary anticipatory action, Anderson continues, is “the assumption . . . that the future will diverge from the past and present. It is neither a perpetuation of the present, nor an imminent-transcendent End outside of time. Instead, the future will radically differ from the here and now” (780). “On the one hand, the future will be uncertain in the sense that it will exceed present knowlege (or the capability to generate knowledge,” Anderson writes. “On the other hand, the future will be indeterminate in that perfect knowledge is impossible. The future is the realm of troubling and unforeseen novelty. It will be qualitatively different from the past and present and may bring forth bad surprises” (780). Acting in conditions of indeterminacy is not a new problem, but, Anderson writes “anticipatory action is now imbricated with the plurality of power relations that make up contemporary liberal democracies,” which means, for him, “that any type of anticipatory action will only provide relief, or promise to provide relief, to a valued life, not necessarily all of life. Certain lives may have to be abandoned, damaged or destroyed in order to protect, save or care for life” (780). 

In addition, “the proliferation of anticipatory action, and the emphasis on an open future, is inseparable from a spatial-temporal imaginary of life as contingency. Three elements in this imaginary are particularly important” (780-81). The first is the idea that “the life threatened is understood in terms of its irreducible complexity, complexity being a function of a globalized world of transnational flows and connections” (781). Terrorism, pandemics, and climate change have all been understood through “the problem of the relation between ‘good’ and ‘bad’ circulations and connections” in this network (781). Therefore, “[t]he future is open, first, because threats emerge from a complex world of flows and connections” (781). Second, “the problem is the heterogenesis of the bad within the good. The future is open for a second reason: life is imagined as unpredictable, dynamic and non-linear. Change cannot be understood as the linear outcome of past conditions or present trends” (781). For terrorism, pandemics, and climate change, “events are themselves complex, singular, occurrences that are not necessarily temporally bound by a start, middle and end, or spatially bound in a given national territory” (781). For that reason, it is important “to act on catastrophic processes as or before they incubate, and certainly before they cross a threshold to become catastrophic events” (781). In addition, because “the causes of disaster are presumed to incubate within life,” they are not “mysterious, external, acts of God visited upon that life” (781). It is hard to care for life by anticipating disasters, however, when the causes of those disasters are difficult to identify (781). Third, “events are ‘de-bounding,’” a term which means “that their effects are not necessarily localized spatially or temporally” and will “extend in non-linear ways across space-times” (781). “[D]isasters are themselves emergent phenomena,” Anderson states, by which he means that “the effects or impacts of disaster change as they circulate” (781). 

Anderson suggests that it might be possible to identify the causes of this equation between life and contingency, but what he wants to emphasize “is more modest: anticipatory action has emerged in a situation where it is precisely the contingency of life that is the occasion of threat and opportunity, danger and profit. Preemption, preparedness and precaution are, therefore, caught in the productive/destructive relation with uncertainty that characterizes liberalism” (782). He cites Foucault on this point, suggesting that:

On the one hand, life must be constantly secured in relation to the dangers tha tlurk within it and loom over it. Life is tensed on verge of a catastrophe that may emerge in unexpected and unanticipated ways. On the other hand, the securing of life must not be antithetical to the positive development of a creative relation with uncertainty. Liberal life must be open to the unanticipated if freedoms of commerce and self-fashioning individuals are to be enabled. Uncertainty is both threat and promise: both that which must be secured against and that which must be enabled. (782)

Anderson is drawing on recently published lectures Foucault gave at the Collège de France, and since I haven’t read that material, I can’t comment on his interpretation of it. However, his insistence on the connection between anticipatory action and liberal democracy clearly comes from those lectures. “In this context the pragmatic question for anticipatory action becomes: how to act in a way that protects and enhances some forms of valued life?” he continues. “The response has been to govern and secure on the basis of possible or potential futures that threaten some form of disruption to an existing social-spatial order” (782). In other words, anticipatory action “aims to ensure that no bad surprises happen,” and therefore “the here and now is continuously assayed for the futures that may be incubating within it and emerge out of it” (782). Citing Hacking, Anderson suggests that two links between “uncertainty and liberal rule are well known: first, styles of foresight based on good judgement as a means of acting against Fortuna; second, probabilistic prediction based on induction from the past distribution of events” (782). Those two styles of foresight are “in the midst of being supplemented by a third” through “the proliferation of possibilities about the occurrence and effects of events, alongside an attention to improbably but high-impact events” (782). Well, climate change (as we are learning very quickly) is not improbable, although terror attacks and pandemics might be. In any case, Anderson suggests that the indeterminism characteristic of this new style of foresight “is not only epistemic—that is, based on a restriction of knowledge that could in principle be overcome” but rather “an irreducible fact about a ‘pluri-potential’ world of complex interdependencies, circulations and events” (782). For Anderson, the best term for this emerging style is “premeditation”: it “names a set of statements that disclose and relate to ‘the future’ as a surprise” (782). Those statements shape how the future can be acted upon in two ways. First, “disclosing the future as a surprise means that one cannot then predetermine the form of the future by offering a deterministic prediction”; rather, “the future as surprise can only be rendered actionable by knowing a range of possible futures that may happen, including those that are improbable” (782). Second, “statements about the future as a surprise do not enable the future to be grasped and handled through a process of induction from the past distribution of events,” and instead “anticipatory action must be based on a constant readiness to identify another possible way in which a radically different future may play out” (782). Premeditation emphasizes knowing the future directly “because there could always be another radically different way in which events could evolve” (782-83). For Anderson, “[s]tatements about ‘the future’ as a surprise underpin preemption, preparedness and other forms of contemporary anticipatory action” (783). 

Next, Anderson turns to the ways that contemporary anticipatory action understands life as contingency. “To act before the disaster takes place, futures must somehow be known and made present,” he writes. “But relating to the future as a surprise that may being forth unforeseen novelty rather than, say, a perpetuation of the present, might initially seem to lead to an impasse”: how can one “render futures actionable when the future cannot be known through the past frequency and severity of events?” (783). To address that question, “a range of practices have been invented, formalized and deployed for knowing futures and therefore attempting to ensure that there are no ‘bad surprises’” (783). These include “the ubiquitous calculations that form a constant background to life” through such techniques as “threat-prints, data mining, impact assessments, trend analysis, and complexity modelling of various forms” (783-84). He hasn’t included algorithms, but perhaps because social media was less important when this article was published, the reliance of big corporations on the predictive power of algorithms was less understood. These diverse techniques, he continues, are about measuring the world, he writes, “by which I mean that statements about the indeterminacy of the future are combined with non-linear, or stochastic, calculations of relations, associations or links,” which make specific futures present through numbers, represented as charts, tables, or graphs (784). The insurance industry relies on such calculations to make the future actionable. Predicting various (and typically catastrophic, in Anderson’s argument) futures through such calculations, “a ‘bond of uniformity’ is imposed on the catastrophic event by drawing together a set of effects that vary spatially and temporally,” and “the future event is disentangled by sorting out and ranking the effects” of its different elements (784). 

Second, while “[c]alculation, whether through CAT models or other techniques, renders complex future geographies actionable through the numericalization of a reality to come—numbers that may thereafter circulate, be reflected on and take an affective charge,” another “way of making futures present is through practices based on acts of creative fabulation, including techniques such as visioning, future-basing, link analysis and scenario planning” (784-85). These techniques enable future events to be imagined as if they were real (785). Their outcomes “differ from forms of mechanical objectivity; they range from forms of visualization (such as images, symbols and metaphors) to forms of narrativization (such as stories). Making the future present becomes a question of creating affectively imbued representations that move and mobilize” (785). Such practices “make the future present in ways that are quite different from calculation” by using scenarios, case studies, and pictures rather than graphs and charts (785). They make the future actionable “through two effects” (785). First, “a horizon of expectation is created that is composed of a set of hypothetical possibilities that the scenarios refer to. The scenarios organize and categorize while affirming the openness of the future” (785). Second, “the scenarios evoke without predicting the suspension, and disruption, of life that may follow climate change,” to use one of Anderson’s examples (785). 

Finally, “[f]utures are also made present through practices that stage an interval between the here and now and a specific future through some form of acting, role play, gaming or pretending” (786). The inclusion of “pretending” in this technique suggests its connections to imagining, but they “use the creative capacities of embodiment more explicitly” (786). Various kinds of performance, including exercises, war games, and simulations, can generate knowledge of a future event even when historical evidence is absent (786). “Here the future is made present and rendered actionable in a third way: ‘as if’ futures are created through the ‘anticipatory experience’ generated through both the acts of performance or play and the material organization of particular stages or sites,” Anderson writes (786). These three “modes of practice,” he continues, “enable specific futures to be made present while remaining absent, whether through a graph of future losses, a story of a journey or a feeling of shock” (786-87). 

Anderson now turns to logics. “Styles and practices enable open futures to be rendered actionable,” he writes. “They are, therefore, a necessary component of anticipatory action” (787-88). But such action requires a logic: “a coherent way in which intervention in the here and now on the basis of the future is legitimized, guided and enacted” (788). He focuses on three of these logics—precaution, preemption, and preparedness—although he notes there are others. “The goal of each is to care for a valued life by neutralizing threats to that life,” he writes. (788). Critical engagement with these logics “must turn on questions of what life is to be protected or saved, by whom, and with what effects. And, conversely, what life has been abandoned or destroyed, by whom, and with what effects” (788). 

Precaution, he continues, “is perhaps the best known of the three logics, as it is formalized in the ‘precautionary principle,’” which emerged in European environmental law in the 1970s. Precaution, he writes, “can be understood as a preventative logic with two characteristics (788-89)”:

First, preventative action is separate from the processes it acts on. The object of precaution could develop a catastrophic outcome if the precautionary was was not to take place. Precaution begins once a determinate threat has been identified, even if that threat is scientifically uncertain. Second, precautionary logics act before the identified threat reaches a point of irreversibility. The key question thereafter concerns proportionality: is the response in proportion to the scope of the threat? There is a need, therefore, to constantly assess the balance between what the threat could become and the costs of (in)action in the present. (789)

Climate change is where calls for precautionary action have emerged: “Urgent action is called for because of, rather than despite, the uncertainty of the links between emission scenarios, temperature changes and impacts” (789). Today, of course, such expressions of uncertainty appear rather quaint, given the increasing effects of climate change on our world, but this essay was published 10 years ago, and perhaps the situation seemed more uncertain back then.

Preemption, Anderson’s second logic, is similar to precaution: both emphasize “action under conditions of uncertainty about a future event, a focus on emergent threat ina  world of interdependencies and circulations, and a generative role given to collective apprehension” (789-90). Their shared emphasis on “potential or actual threat means that both break with the logic of risk . . . as ‘calculable uncertainty’ based on the induction of frequency and harm from the past distribution of events” (790). Despite those similarities, there is “a difference in how each intervenes in life”: while precaution focuses on “the stopping or halting of something before it reaches a point of irreversibility,” preemption “acts over threats that have not yet emerged as determinate threats, and so does not only halt or stop from a position outside” but is “incitatory and . . . is justified on the basis of indeterminate potentiality” (790). Anderson’s example of preemption is the preemptive wars waged by the United States in Iraq and Afghanistan since 9/11 (790). “In comparison with the emphasis on continuity that we find in precaution, preemption unashamedly makes and reshapes life,” he suggests, causing a range of unintended effects (790). Those effects are not mistakes, “because in a preemptive logic inaction is not an option so unintended effects are unavoidable”; in fact, “preemption is indifferent to those generative effects” because “the proliferating effects of preemption may generate something else: opportunities to be seized” (790). “Unlike precaution, which aims to preserve a valued life through prevention, preemptive logics work by proliferating effects and creating life, albeit in the case of the ‘war on terror’ lives that have been abandoned and dispossessed,” Anderson writes (790), a statement that is unfortunately confusing because (I think) the theoretical language demands that it be so.

Finally, Anderson turns to preparedness. “If preemption and precaution are based on action that aims to prevent the occurrence of a future,” preparedness “prepares for the aftermath of events” (790-91). It shares, with preemption and precaution, the same problem: “how to act on indeterminate/uncertain futures emergent form a complex set of flows and connections” (791). Preparedness responds differently, however: “Its sphere of operation is a series of events after a precipitating event” (791). Rather than trying to stop an event from happening, it “aims to stop the effects of an event disrupting the circulations and interdependencies that make up a valued life” (791). Preparedness is about building resiliency (in infrastructure, for instance) “as a way of preparing for the occurrence of unpredictable events” (791).

For Anderson, “[p]recaution, preemption and preparedness are all means of guiding action once the future has been problematized in a certain way—as a disruptive surprise—and each are deployed once specific futures have been made present through practices of calculation, performance or imagination” (791). They do something else as well: they redistribute “the relationship that lives within and outside liberal democracies have to disaster. To protect, save and care for certain forms of life is to potentially abandon, dispossess and destroy others” (791). This leads Anderson to a series of questions: “First, how are different forms of anticipatory action imbricated with sovereign actions, such as violent interventions, or the implantation of emergency measures?” (792). Second, “what form of life is valorized now and in the future?” (792). Third, “how is conduct conducted in relation to different types of anticipatory action, and the specific networks of governance through which precaution, preemption and preparedness are deployed?” (792). Answering such questions “demands detailed empirical work sensitive to the operation of anticipatory logics in relation to plural relations of power” (792). He suggests that “[a] logic does not have a primary actor, primary target or characteristic spatial form”; in a logic, those are simply contextual (792). Determining those contexts is clearly something Anderson thinks human geographers ought to be doing.

Finally, Anderson reaches his conclusion on the relationships between space and futurity—in other words, between geography as a discipline and futurity as he has been discussing it. What implications does a study of the styles, practices, and logics of anticipatory action have for human geography? “First, work could attend to the presence of the future in any and all geographies,” he writes (793). Second, “we should reflect on the assumptions about the future that are embedded in our extant habits and techniques of thinking” (793). First, “work could supplement how futures are made present by anticipating other desired futures through a range of utopic sensibilities, skills and techniques,” he suggests (793). Second, “word could aim to scramble attempts to create desired futures by welcoming the unanticipated and thereafter cultivating the irruption of virtual or to-come futures” (794). Experimenting with our relations to the future “is necessary because to fold alternative futures into the here and now is to open up the chance of new possibilities; just as recovering overlooked pasts has long been recognized as a means of disclosing new and different future geographies” (794).

I didn’t read this article because I’m interested in future research directions for human geography. I decided to read it because Eve Tuck and Rubén A. Gaztambide-Fernández cite quotations from it (through Andrew Baldwin) as the source for their use of the term “futurity” in the phrase “settler futurity” (80). They note that futurity suggests the ways in which the future is rendered knowable—or at least imaginable—through the anticipatory logics of precaution, preemption and preparedness (80). Their point is “to emphasize the ways in which replacement is entirely concerned with settler futurity, which always indivisibly means the continued and complete eradication of the original inhabitants of contested land” (80). Therefore, for Tuck and Gaztambide-Fernández, as well as Tuck and K. Wayne Yang, settler futurity seems to be a synonym for the genocidal process that Patrick Wolfe describes as a logic of elimination, or the replacement of Indigenous peoples by Settlers. No wonder Tuck and Yang suggest that settler futurity is a bad thing. They describe incommensurability as “an acknowledgement that decolonization will require a change in the order of the world” (31), and suggest that “[t]o fully enact an ethic of incommensurability”—an ethic that is, they argue, central to decolonization—“means relinquishing settler futurity, abandoning the hope that settlers may one day be commensurable to Native peoples” (36). Commensurable, according to the O.E.D., means “measurable by the same standard or scale of values,” or “[p]roportionable in measure, size, amount, etc.; having a suitable proportion, proportionate to.” For Tuck and Yang, then, Settlers cannot be measured by the same standard or scale of values, because their futurity is based on the genocidal fantasy, or ambition, or replacing Indigenous peoples through the logic of elimination, whereas the futurity of Indigenous peoples is based on a resistance to the logic of elimination. Settler futurity, in this context, is thus a synonym for replacement or the logic of elimination. Perhaps I should’ve figured that out without having to read Anderson or Baldwin, or perhaps Tuck and Yang, or Tuck and Gaztambide-Fernández, could have defined that term more clearly. At least I now know what they’re talking about. I’ll take that as a victory. But I think that if I’m ever tempted to use the term “settler futurity,” I’ll refer to Wolfe’s logic of elimination instead. It just seems simpler and clearer.

Works Cited

Anderson, Ben. “Preemption, Precaution, Preparedness: Anticipatory Action and Future Geographies.” Progress in Human Geography, vol. 34, no. 6, 2010, pp. 777-98.

Baldwin, Andrew. “Whiteness and Futurity: Towards a Research Agenda.” Progress in Human Geography, vol. 36, no. 2, 2012, pp. 172-87.

Tuck, Eve, and Rubén A. Gaztambide-Fernández. “Curriculum, Replacement, and Settler Futurity.” Journal of Curriculum Theorizing, vol. 29, no. 1, 2013, pp. 72-89.

Tuck, Eve, and K. Wayne Yang. “Decolonization Is Not a Metaphor.” Decolonization: Indigeneity, Education & Society, vol. 1, no. 1, 2012, pp. 1-40.

Wolfe, Patrick. “Settler Colonialism and the Elimination of the Native.” Journal of Genocide Research, vol. 8, no. 4, 2006, pp. 387-409.

118. Andrew Baldwin, “Whiteness and Futurity: Towards a Research Agenda”

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Still on the trail of a decent explanation of the term “futurity,” your intrepid cub reporter turns to geographer Andrew Baldwin’s “Whiteness and Futurity: Towards a Research Agenda,” which Eve Tuck and Rubén A. Gaztambide-Fernández cite as the source of their discussion of that term. Yes, I’m still avoiding studying for my Cree linguistics examination by doing other work. Yes, I know that’s a terrible idea. Yes, I promise to stop after I finish Baldwin’s essay.

Baldwin begins by stating his paper’s argument: “research on whiteness and geography is oriented almost exclusively around some notion of the past,” and that “privileging the past when researching geographies of whiteness risks overlooking the ways in which whiteness and hence various forms of racism are configured in relation to a different temporal horizon: the future” (172). By “analyzing discourses of ‘the future,’” geographers “can reveal important insights about the ways in which white geographies are configured that might otherwise be foreclosed if the past if privileged as the exclusive time-space through which such geographies are produced and maintained,” Baldwin writes. “As such, any politics seeking to challenge whitenesses and their hold on racist social imaginaries may benefit by analysing how the future is invoked and how such future-oriented articulations of all kinds” (173).

“By future I refer to an imagined time that is yet-to-come,” Baldwin continues. “The future can be understood to follow sequentially from a past-present trajectory, or it can be understood as a form of absent presence” (172). The future exerts a force on the present, as in religion (“moral judgements in the present are shaped by a concern for one’s safe passage into a future afterlife”) or finance (“the pricing of securities necessarily entails some calculation of future risk”) (173). Baldwin cites an article by Ben Anderson (the source of quotations Tuck and Gaztambide-Fernández use in their essay): “His point is that the future is rendered knowable through specific practices (i.e. calculation, imagination and performance) and, in turn, intervenes on the present through three anticipatory logics (i.e. pre-caution, pre-emption and preparedness)” (173). Okay, so that’s the future. But futurity, Baldwin writes, is “an important feature of the affective dimensions of daily life” (173). His examples are fear and hope: “Both are simultaneously embodied experiences and atmospheric qualities animated by imagined futures: one fears the yet-to-come and the other hopes for better things to come. In both, the here-and-now of the psyche or of collective mood is shaped by the yet-to-come” (173). He cites Brian Massumi’s argument that “affect occurs precisely in the overlap between the actual and the virtual, which I take to mean an overlap between that which is and a very specific form of the virtual—the yet-to-come” (173). If the virtual is “things that are real but not actual,” then “the future is exemplary of the virtual,” he writes, citing Rob Shields (173). The future, he continues “can be known and hence real, as Anderson suggests, but because it can never be fully actualized as the future, the future remains a permanent virtuality” (173). By analyzing “atmospheres of fear and hope,” one might learn something “about the way politics takes shape through the conjugation of the actual and the virtual, or at the threshold of the future event” (173).

However, “the future as an object or orientation of inquiry is not limited to the affective, and nor is it confined to an actual-virtual binary,” Baldwin writes (173). “This essay argues for a research agenda that situates the future at the centre of analyses of white geographies,” he states. “It shows how the geographic literature on whiteness is past-oriented and suggests how this literature might benefit by attending to the ways in which white geographies are infused by notions of futurity”—that is, and this clarification is for me, not anyone reading this summary, notions of “embodies experiences and atmospheric qualities animated by imagined futures” (173). By whiteness, Baldwin is referring “to a racialized subject position that is remarkable for its seeming invisibility” (173). Whiteness is only partly about skin colour; more importantly, it “plays a foundational role in racist epistemology by serving as the norm against which others come to be viewed as different” (173). For that reason, Whiteness is “a set of ‘narrative structural positions, rhetorical tropes and habits of perception’ that stand in for the normal,” he writes (Richard Dyer, qtd. 173-74). He cites Dyer as arguing that “the power of whiteness lies in its capacity for almost infinite variability” and suggests that “the power of racisms rest in their capacity to normalize their corresponding whitenesses” (174).

Geographies of whiteness are simply geographies that “are assumed to be white or are in some way structured, though often implicitly, by some notion of whiteness” (174). Research on whiteness tends to be focused on the past, “as an expression of social relations that took shape in the past” (174). That work “is dominated by an orientation that looks to the past as the temporal horizon through which research and learning about past or present white racial identity occurs. . . . The racist past is . . . used to explain the racist present” (174). He cites Alastair Bonnett (a psychogeographer, among other things) and his argument that “whiteness ought to be understood as a function of historical geography” (174) (Hooray! An example! Actually, Baldwin furnishes a lot of examples to support his claims.) But Baldwin wonders “whether a past-oriented approach to the study of white geographies reproduces the teleological assumption that white racism can be modernized away,” an assumption that “privileges an ontology of linear causality in which the past is thought to act on the present and the present is said to be an effect of whatever came before” (174). (Any historian would assert the truth of that kind of ontology.) But, according to such a past-oriented temporality, “the future is the terrain upon or though which white racism will get resolved,” a perspective that “cleaves the future from the present and, thus, gives the future discrete ontological form” (174). “[T]his kind of temporality disregards the ways in which the future is very often already present in the present not as a discrete ontological time-space, but as an absent or virtual presence that constitutes the very meaning of the present,” Baldwin writes (174). Geographies of whiteness are, he argues, “not simply a function of the past but of the future as well” (174).

This statement leads Baldwin to several questions: “To what extent are geographies of whiteness a function not just of the past but of the future? How are white geographies maintained in relation to the future? In what ways is the future already present in various forms of whiteness?” (174). The “geographic literature on whiteness is silent on these questions,” because of its orientation towards the past (174). “[T]he task for a future-oriented geographic research on whiteness might be to understand how both contemporary and past forms of whiteness relate to the future, or how specific geographic expressions of whiteness are contingent on the future,” he states (175). For instance, how do “discourses of futurity shape various forms of white supremacy from right-wing xenophobias to left-nationalisms to practices of liberal humanitarianism, and how these shape, for instance, geographies of place, nature, space, mobility, bodies and so on” (175)? How are “discourses of white crisis” related to or shaped by “notions of futurity? They do relate to the future. The question is: how and to what effect?” (175). 

Baldwin cites three reasons why these questions are important. First, “the future is an important site through which individuals and societies are governed,” he writes, citing Anderson again. “A focus on whiteness and futurity provides scope for thinking about the way in which governing through the future might inaugurate new or reconfigure old forms of whiteness,” he continues, citing eugenics as one example, and “future-oriented technologies, like genetic screening and nanotechnology,” as another (175). Second, “understanding how white geographies articulate with discourses of futurity opens up new terrains for conceptualizing and challenging racism,” he states (175). “If white supremacy is, in part, reproduced through shared practices of futurity, what then are these practices?” he asks. “What kinds of futures do such practices seek to expunge or produce, and how can they be resisted?” (175). Third, “a focus on whiteness and futurity points to the idea that affect shapes white racial formation,” he writes. “For the future can never exist except as a form of virtual present, and affect can be understood, in part, as a generalized attitude towards the presencing of particular futures”—although he acknowledges that it can also involve an attitude towards the presenceing of the past as well (175). “Thus, we might ask: what futures infuse the affective logics of whiteness? How does this future presencing occur? And how, if at all, are these futures constitutive of specific white spatio-temporalities?” he wonders (175). “These reasons together provide a rationale for a research agenda concerned with understanding how the future works as a resource in the geographic expression of whitenesses” (175).

Baldwin looks at labour history, postcolonialism and identity, and critical whiteness and anti-racism as examples of phenomena understood through orientations towards the past but that could also benefit from “attention to futurity” (175-76). He begins with labour studies texts that “illustrate how white privilege operates as as form of economic currency, or ‘cash value’” (176). “[B]eing white has meant (and continues to mean) greater likelihood of employment, higher wages, access to finance capital and mobility,” he writes. “This line of research is further developed in work that recognizes a ‘possessive investment in whiteness,’ the idea that white people invest politically, economically, culturally and socially in a racialized value system that confers material advantage” (Lipsitz, qtd. 176). “Whiteness here operates as a form of property,” he continues, and in the U.S. “an identifiable system of legal and social norms has evolved” to ensure “that the asset value of whiteness is not undermined” (176). According to Baldwin, this work is important to his argument because it recognizes “that the economic value that attaches to whiteness is historically constituted and that confronting white racism in America necessarily entails exposing the historical production of whiteness as a form of economic value” (177). He cites many examples of geographical research that set out to expose that historical production of whiteness, particularly studies of white flight and white nostalgia (177). “How then might attending to the future shape the labour history of whiteness?” he asks. “What is missing from this approach such that it requires attention to discourses of futurity?” (177). The interests of the White workers benefitting from higher wages, for instance, “of which the future forms an indispensable part, are not objectively expressed in the wage but are indeterminate and worked out in struggles over the wage,” he states. “As such, the future, specifically how it might be configured, is an object of struggle in wage politics. But so is whiteness, if we follow the logic that whiteness is a form of economic value. Whiteness, in this sense, has a stake in the future, and hence wage politics, to the extent that white people seek to maintain the future value of whiteness” (177-78). 

Covenants intended to exclude African Americans from owning suburban houses is another example (although not specific to labour studies): “the covenant can be interpreted as a form of white asset protector that safeguards against the ever-present possibility but never materialized future of Black homeownership” (178).  “In this sense,” Baldwin continues, “the covenant is the political expression of an affective logic itself produced through the conjugation of an actual value of white home ownership and the virtuality of future Black homeownership” (178). Another geographic example (not connected to labour studies either) is the delinking of property taxes from the financing of municipal services, “which allowed suburban housing associations greater local control over zoning and thereby the capacity to insulate home values through exclusionary zoning,” and which meant that “affluent, white suburban homeowners no longer had to pay for the municipal services associated with low-income areas” (178). According to Baldwin, restrictive covenants and delinking taxes from services expressed “similar white anxieties about the virtual event of Blackness,” although “while the former was a defensive strategy that ‘priced’ the future into the economic value of whiteness through a restrictive policy, the later ‘priced’ the future into the economic value of whiteness by way of regressive taxation” (178). Both are “expressions of white anticipation where what is anticipated are the effects on the economic value of whiteness of an always present but never realized virtuality of Blackness,” and therefore “we might understand the economic value of whiteness not simply as the accrual of value over time, but as an anticipatory system of valuation in which the value of whiteness is preserved through the imagined effects and infinite deferral of undesirable Black futures” (178-79).

Next, Baldwin takes on poscolonialism and white identity. He begins by distinguishing between two forms of racism. One is biological, focused on innate racial difference, and is associated with eugenics and Naziism. The other is cultural, and it claims that differences between peoples is cultural; this version “finds expression in the denigration of cultural others, but also, paradoxically, through tropes of tolerance and accommodation (i.e. multiculturalism)” (179). Both forms of racism work together, but what is important about them is that, “through each, difference comes to be understood as a function of time”: biological racism understands difference as “a function of natural history,” whereas cultural racism sees it as “a function of cultural history” (179). “Moreover, each privileges a corresponding form of whiteness also expressed as a function of historical time,” Baldwin writes. “In this sense, white identity is either biologically or culturally prefigured, lived out temporally through either determinist or historicist teleology, respectively” (179). In that way, “white identity is said to be essentialist to the extent it accounts for its existence not through any constitutive relation with an Other, but through genetics, common ancestry and/or national history” (179). White essentialism is non-relational; its “epistemological system . . . presupposes its boundedness held together through a belief in shared origins” (179).

Another “route into the study of whiteness works against such non-relational epistemology, which, for better or worse, I refer to as postcolonialism and identity,” Baldwin continues (179). In this case, “the methodological orientation” isn’t towards whiteness as an economic value, but rather “more towards understanding the meaning of whiteness as a function of colonial otherness” (179). “In this line of thought, the various meanings of whiteness, alongside its various collateral concepts (i.e. European, Occidental, Eurowestern, colonial settler and white settler, to name only a few) are constructed through specific historical narratives in relation to an Other,” Baldwin writes (179). He cites the work of Edward Said and Judith Butler to suggest that “whiteness can be said to be performative”; that is, “whatever object white identities take as their foundational points of reference (i.e. history, language, ancestry and genetic lineage) are fully contingent on their ‘founding reputations’” (179-80). “Thus the story of whiteness is not internal to itself but forged in relation to that which has been excluded from it, for instance, blackness, indigeneity or all manner of ethnicities,” he continues. “Moreover, that the meaning of whiteness shifts and changes as a function of time and place further underscores the contingency of whiteness” (180). Postcolonial analyses are about exposing that contingency, “about showing how forms of identity that aspire to domination are constituted in relation to the perceived inferiority of others,” although they are also interested in demonstrating how “contingent forms of domination” endure even after “the period of formal colonialism came to a close” (180). In that way, postcolonial analyses are “another good example of a methodological orientation to the study of whiteness that is past-oriented” (180). He cites examples from feminist scholarship and from work on “postcolonial social formations in white settler societies” (180). 

However, Baldwin suggests that “[t]he geographic literature that examines whiteness from the vantage of postcolonial geography is surprisingly sparse” (180). Nevertheless, the work he has found “looks to past (colonial) signification to understand how white identities are constructed both historically and in the present in relation to Others,” and “[m]uch of it also seeks to foreground the contingency of whiteness in both the past and present” (181). He finds this ironic, “given how future-directed notions of progress, betterment and modernity have been and remain so foundation to colonial ontology” (181). “What, then, might be gained by examining constructions of postcolonial whiteness through futurity?” he asks. One possibility is “the issue of climate change and migration” (181). Climate change-induced migration (due to, for instance, rising sea levels) “is almost always configured as a future phenomenon,” as in the case of a Museum of London exhibit called London Futures, “a collection of magical realist photographs that depict London under conditions of climate change” which included a photo of Buckingham Palace surrounded by a shantytown (181). “[T]he image works, in part, as an affective technology by conjuring the white anxieties of postcolonial Britain in order to mobilize the environmental citizen to action,” Baldwin writes. “As such, the image tethers the politics of climate change and environmental citizenship to those of race and whiteness through an appeal to the future” (181). The image, “alongside the entire discourse of climate change and migration, offers a way of thinking about how whiteness is constituted through an imagined future, even if that future is itself a colonial artifact. What this suggests is that while postcolonial white identity in Britian is, indeed a contingent formation, it is contingent not solely on the events of an imperial past, but on some form of future other as well” (181). In that sense, Britain’s postcolonial identity “is forged as much through anticipation as melancholy, as much through a glance forward as a citation of past signification” (181-82).

Finally, Baldwin turns to critical whiteness and anti-racism scholarship, another route into whiteness studies that is oriented to the past. “One of the most important insights four in this work is the idea that the anti-racist white subject is a political impossibility,” he writes, citing an article by Sara Ahmed (182). “Although a potentially paralysing analysis for white people wishing to engage in anti-racist struggle, this work is important for showing how whiteness scholarship engages in a form of dis-affiliation,” he continues. “It argues that whiteness scholars gain distance from the violent legacies of white supremacy through the act of disrupting or historicizing the category of whiteness while simultaneously reproducing their white privilege” (182). This work’s orientation to the past “lies in its use of genealogy,” and therefore “this work is concerned less with the ways in which whiteness is socially or historically constructed than with the way in which whiteness scholars themselves obtain material and cultural benefit by analysing discourses of whiteness” (182). For Ahmed, for instance, “whiteness scholarship is replete with ‘declarations of whiteness’ that are non-performative. What she means is that declaring one’s whiteness or even one’s racism in critiques of whiteness is not a route to anti-racism, nor does it make one an anti-racist” (182). What such declarations do, rather, is “nothing more than position white subjectivity as a central agent in anti-racist politics where the declaration is figured not as something beyond race, but as a speech act that merely reconfigures the way in which the politics or race are spoken” (182). Whiteness studies, in this account, is “constructed as an object of analysis, the meanings fo which are themselves effects of past and contemporary racialization” (182). Such work “is deeply self-reflexive” but “has been taken up only sparingly in geography,” since it would, among other things, prevent “white people from retreating into a position thought to be anti-racist” (182). “Instead of allowing white people the comfortable experience of being anti-racist (as opposed to the discomforting experience of acknowledging one’s racism or being perceived to be racist), this body of scholarship asks that white people get used to the uncomfortable experience of being white,” Baldwin writes (182-83). He does not exempt his own writing on whiteness from this critique (183).

“Perhaps one of the important contributions critical whiteness scholarship makes to whiteness studies is to recognize the way in which the meaning of whiteness rests, in part, on the mobility of whiteness: whiteness moves,” Baldwin continues. “It disaffiliates from ‘old’ racisms” and “gains distance from racists” (183). Both “white anti-racists and the British National Party share in common the view that they are avowedly not racist,” he suggests (183) (of course, the BNP are either deluded or lying). Whitness also “gains distance from blackness” as well as “from whiteness itself” (183). “What might futurity mean to a critical whiteness approach to whiteness studies?” Baldwin asks (183). Answering such a question might begin with positioning futurity “at the centre of reflexive engagement on questions about whiteness by both people of colour and white people” (183). “Ahmed offers the beginnings of such an exercise,” Baldwin suggests, since she argues that “in asking ‘what can I do’ upon hearing about racism, white people shift the politics of racism from the present ‘what is’ to the future ‘what can be done’” (183). For Ahmed, that movement “blocks white people from hearing the message of racism. The fact of racism thus gets deferred into the future through the hope of its future reconciliation, abolition or even absolution” (183). “A reflexive engagement with futurity might therefore build on Ahmed’s insight by asking how whiteness studies rely on some notion of the future,” Baldwin states (183). Thinking carefully about how the future of whiteness “is integral to ways in which the meanings of whiteness scholarship shift and change” might “disrupt the power of whiteness,” he continues (183), a suggestion that grants far too much power to a relatively minor academic discipline in my opinion, although that overestimation of the efficacy of scholarship seems to be common in the work I’ve been reading for this project.

Baldwin’s conclusion summarizes his argument. “[A] past-oriented approach to accounting for geographies of whiteness often neglects to consider how various forms of whiteness are shaped by discourses of futurity,” he states (184). Focusing exclusively on the past “obscures the way the category of the future is invoked in the articulation of whiteness. As such, any analysis that seeks to understand how whitenesses of all kinds shape contemporary (and indeed past) racisms operates with only a partial understanding of the time-spaces of whiteness” (184). Baldwin’s argument, he continues, “is that we can learn much about whitenesses and their corresponding forms of racism by paying special attention to the ways in which such whitenesses are constituted by futurity” (184). What would be involved in such a project? “For one, geographers would do well to identity whether and how the practice of governing through the future inaugurates new and repeats old forms of whiteness,” he suggests:

It would also be worth comparing and contrasting how the future is made present in various dialectical accounts of whiteness. For instance, what becomes of whiteness when understood through the binary actual-possible as opposed to an actual-virtual binary, which has been my main concern? Alternatively, what becomes of the category of whiteness if it is shown to be constituted by a future that has no ontology except as a virtual presence? And, perhaps more pressing, how might whiteness be newly politicized? (184)

“Futurity provides a productive vocabulary for thinking about and challenging whiteness,” he continues. “It does not offer a means of overcoming white supremacy, nor does it provide white people with a normative prescription for living with their whiteness guilt- or worry-free. Futurity is, however, a lacuna in the study of whiteness both in geography and outside the discipline, and this alone suggests the need to take it seriously” (184). More urgent, however, “is the need to study whiteness and futurity given how central the future is to contemporary governance and politics” (184). “[H]ow people orient themselves towards the future is indelibly political,” he writes. “The future impels action” (184). “Attention to whiteness and futurity may at minimum enable us to see more clearly the extent to which the pull of whiteness into the future reconfigures what is to be valued in the decades ahead,” he concludes (184).

“Whiteness and Futurity” could end up being an important part of my exegisis—or at least an important point of entry into fields of scholarship that might be important when I come to write that thing. For the present, though, I like the way that Baldwin provides a clear definition of the term “futurity” as an affective anticipation, a simultaneously embodied experience and an atmospheric quality “animated by imagined futures,” the affective product of an overlap between the actual (what is) and the virtual (what is known and real but never fully actualized) (173). I don’t know if that’s the only definition, or even the best definition, but it’s one definition, and that will do for this afternoon. The connotations of the term “settler futurity,” though, given this definition, aren’t quite clear to me, particularly given the way that it tends to be used in settler colonial theory as something terrible that must be destroyed. Somebody somewhere must give a clear and useful definition of that term. I just haven’t found it quite yet.

Work Cited

Baldwin, Andrew. “Whiteness and Futurity: Towards a Research Agenda.” Progress in Human Geography, vol. 36, no. 2, 2012, pp. 172-87.

Tuck, Eve, and Rubén A. Gaztambide-Fernández. “Curriculum, Replacement, and Settler Futurity.” Journal of Curriculum Theorizing, vol. 29, no. 1, 2013, pp. 72-89.