125. Zoe Todd, “An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism”

zoe todd

I ran across a reference to Métis anthropologist Zoe Todd’s essay “An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism” in Stephanie Springgay’s and Sarah E. Truman’s Walking Methodologies in a More-than-Human World: Walking Lab. Their summary of her argument states that Todd, “like other Indigenous scholars, insist[s] that ontological discussions of matter must take into consideration not only Indigenous worldviews but material legal struggles over matter and sovereignty” (9). When I read Bruno Latour’s book, Down to Earth: Politics in the New Climatic Regime, I found myself wondering if Todd would consider his approach to the vitality of things to be colonial. Well, let’s take a look at Todd’s argument and see.

Well, the essay begins with a memoir of going to see “the great Latour” give a lecture in Edinburgh in 2013. “I was giddy with excitement: a talk by the Great Latour, live and in colour!” she writes. “Bruno Latour’s work was, in part, the reason that I switched my focus away from a pure science degree in Biology in my undergraduate studies. . . . Latour was (and is) very much a personal hero of mine” (4). Okay, I’m confused by Todd’s apparent sarcasm, directed either at Latour or her younger self’s credulity. Bruno was talking about “Natural Religion,” and he suggested that climate was “a matter of ‘common cosmological concern’” (5). He mentioned the notion of Gaia, and Todd expected that “he would reference Sila, the well-known Inuit concept that is today translated by many non-Inuit as climate but Sila is also ‘the breathe [sic] that circulates into and out of every living thing” (Qitsualik, qtd. 5). (Well-known? I had never heard of it, but it sounds interesting, and Qitsualik’s account might be worth reading.) “The infinitesimal bit of the concept of Sila that I can claim to understand is that it is bound with life, with climate, with knowing, and with the very existence of being(s),” Todd continues. “And, in some respects, it sounds an awful lot like the idea of Gaia to my Métis ears” (5). Todd notes the contributions of Inuit people to activism about and awareness of climate change, and, she writes, “I waited through the whole talk, to hear the Great Latour credit Indigenous thinkers for their millennia of engagement with sentient environments, with cosmologies that enmesh people into complex relationships between themselves and all relations, and with climates and atmospheres as important points of organization and action” (6-7). 

She waited in vain, of course (her narrative foreshadows that conclusion): Latour didn’t discuss Indigenous thinkers or worldviews. “I was left wondering, when will I hear someone reference Indigenous thinkers in a direct, contemporary and meaningful way in European lecture halls?” she recalls:

Without filtering ideas through white intermediaries—apologies to the vast majority of my anthropology colleagues—but by citing and quoting Indigenous thinkers directly, unambiguously and generously. As thinkers in their own right, not just disembodied representatives of an amorphous Indigeneity that serves European intellectual or political purposes, and not just as research subjects or vaguely defined “collaborators.” As dynamic Philosophers and Intellectuals, full stop. Rather than bequeathing climate activism to the Al Gores of the world, when will Euro-American scholarship take the intellectual labour of Inuit women like Rosemarie Kuptana and Sheila Watt-Clouthier seriously? (7)

Todd left before the end of the question period:

it appeared that another Euro-Western academic narrative, in this case the trendy and dominant Ontological Turn (and/or post-humanism, and/or cosmopolitics—all three of which share tangled roots, and can be mobilised distinctly or collectively, depending on who you ask), and discourses of how to organise ourselves around and communicate with the constituents of complex and contested world(s) (or multiverses, if you’re into the whole brevity thing)—was spinning itself on the backs of non-European thinkers. And again, the ones we credited for these incredible insights into the “more-than-human,” sentience and agency, and the ways through which to imagine our “common cosmological concerns” were not the people who built and maintain the knowledge systems that European and North American anthropologists and philosophers have been studying for over a hundred years, and predicating many of their current “aha” ontological moments (or re-imaginings of the discipline upon). No, here we were celebrating and worshipping a European thinker for “discovering,” or newly articulating by drawing on a European intellectual heritage, what many an Indigenous thinker around the world could have told you for millennia: the climate is a common organizing force! (7-8)

Todd states that what struck her about Latour’s talk was “the unintential (even ironic) evocation of theories about the climate as a form of aer nullius”—in an endnote, she states that this Latin term means “it belongs to no one (20)—“which it often becomes in Euro-Western academic discourses: where the climate acts as a blank commons to be populated by very Euro-Western theories of resilience, the Anthropocene, Actor Network Theory and other ideas that dominate the anthropological and climate change arenas of the moment” (8). 

Her concern, she continues, is less with Latour than with his audience, which “consumes Latour’s argument (and the arguments of others writing and thinking about the climate, ontologies, our shared engagements with the world) without being aware of competing or similar discourses happening outside of the rock-star arenas of Euro-Western thought” (8). “Was it entirely Latour’s fault, therefore, that he did not mention Inuit?” she asks:

If a European audience is not familiar with the breadth and depth of Indigenous thinking and how strongly it influences many of the current strands of post-humanism and the Ontological Turn, can a speaker be blamed for side-stepping a nod towards Inuit climate advocacy in a discussion of the “climate as common cosmological turn”? Should I welcome his silence: better that he not address Indigenous thinking than to misinterpret it or distort it? (8-9)

She cites Vanessa Watts’s article (which I blogged about here) as both a source for her claim that Indigenous thinking influences current thinking about post-humanism and the ontological turn (I’m not sure, though, that Watts’s essay establishes a chain of influence) and cites Watts’s argument that 

the appropriation of Indigenous thinking in European contexts without Indigenous interlocutors present to hold the use of Indigenous stories and laws to account flattens, distorts and erases the embodied, legal-governance and spiritual aspects of Indigenous thinking. So there is a very real risk to Indigenous thinking being used by non-Indigenous scholars who apply it to Actor Network Theory, cosmopolitics, ontological and posthumanist threads without contending with the embodied expressions of stories, laws, and songs as bound with Indigenous-Place Thought. (9)

She has observed, in the academy, Indigenous stories being “employed without Indigenous peoples present to engage in the application of them in European work” (9). Yet, she continues, “there is a risk as well, to Indigenous thinking not being acknowledged at all. How do we hold these two issues in tension and apply the accountably in anthropology?” (9). That’s a good question, and not just for anthropology as a discipline: what Todd describes as “tension” could quite easily slide into a double-bind, in which non-Indigenous thinkers are damned for not drawing upon Indigenous knowledge (assuming that they have any clue of its depth and breadth, or that they know the names of the thinkers Todd cites—we all have our blindnesses, even the great Latour) and then damned for appropriating that knowledge if they do draw upon it. Nobody wants to occupy that kind of space, or be forced into it, and if all you can offer someone is a space of negation, they will simply refuse to occupy it, and rightly so.

“I concede that there are elements of post-humanism, cosmopolitics and the Ontological Turn that could potentially be promising tools in the decolonial project, if approached with an attention to the structural realities of the academy,” Todd continues (9). She cites the work of Juanita Sundberg, who tries to use post-humanism “as a decolonizing tool kit” while acknowledging its Eurocentrism (9). Sundberg sounds like someone I will have to read: Todd suggests that Sundberg and Watts “both provide Euro-Western scholars with practical tools for employing Indigenous ontologies in their work with care and respect” (9). I’m not convinced that’s true of Watts, who (in my reading of her essay) would bristle at Todd’s use of the term “ontology,” but perhaps Sundberg’s notion of accounting for location would be useful. Or, to be fair, perhaps I will need to return to Watts’s essay and think further about her idea, “Indigenous Place-Thought” (9). 

According to Todd, the issue is structural: 

it is a critique of systems and practices that culminate in events such as the one I attended. It is a critique of a discipline and intellectual environment that currently claims to be striving for the worthy goal of “ontological self-determination” but failing to create the conditions wherein many of its practitioners respect our physical self-determination (and right to ensure Indigenous thinking is employed accountably) and intellectual presence as Indigenous peoples within its very own bricks-and-mortar institutions. (9-10)

Yes, there aren’t enough Indigenous scholars (yet) to establish an intellectual presence within the academy (although I would venture that the only people guaranteed of getting tenure-track jobs in Canada at the moment are Indigenous), and decolonization or self-determination are mere dreams in this country, given the progress that has been made (almost none) towards so-called “reconciliation” since the release of the Truth and Reconciliation Commission’s report almost five years ago. I completely agree. Helpfully, Todd eventually gives her readers a list of Indigenous thinkers they should be reading; without that list, many of us môniyâw wouldn’t know where to begin. 

Next, Todd tells another story to assure her readers “that the problem outlined in this essay is deeper than any single scholar associated with dominant thought in the European academy at the moment . . . but is due, rather, to the European academy’s continued, collective reticence to address its own racist and colonial roots, and debt to Indigenous thinkers in a meaningful and structural way” (10). She notes that on the day in 2014 that a grand jury decided not to indict the police officer who shot black teenager Mike Brown, the American Anthropological Association issued a press release calling for more discussion of structural racism in the United States. What, she wondered, is the Association of Social Anthropologists of the U.K. and Commonwealth up to? She discovered that the call for papers for the association’s upcoming conference used the phrase “going native” (10). She complained, and “a footnote clarifying the use of this term as intended to spark critical debate around historical relationships between anthropologists and the people they researched was added to the website” (10). But the experience left her thinking about how often she “witnessed racially charged phrases used in day-to-day exchanges in the UK academy” (10): all the time is the answer. 

Todd cites the idea of “anthropology as white public space” articulated by Karen Brodkin, Sandra Morgen and Janis Hutchinson in their work on racism in anthropology—an idea that has become central to Todd’s own work (10). “I experience anthropology as white public space,” she writes: “in the subtle but pervasive power afforded to white scholarship that distorts or erases or homogenises distinct Indigenous voices” (11). She notes that she is “a white-passing Indigenous woman” and therefore has “a curious access into spaces where people ‘say what they really think’ about Indigenous issues or People of Colour when they assume everyone in the room is Caucasian”: 

This is a space that must be acknowledged and problematised, for it is a space that deeply influences how Euro-Western thought is produced within the academy. the vast gulf between “what is” and “what can be” within a discipline like anthropology lies within those spaces where whiteness protects itself when it assumes there are no POC (and/or Indigenous peoples) to bear witness to its insecurities, hostilities. (12)

She has seen the ways that “‘white fragility’ manifests and pities and consoles itself when white supremacy is challenged within the academy” (12). This situation gives her “a front seat to the whole spectacle of whiteness—how it is practiced when it claims to be dismantling itself and in turn how it is practiced when it shores itself up against necessary critiques from Indigenous scholars and Scholars of Colour” (12). In such “underacknowledged spaces,” she continues, “official academic discourse and promises of decolonial ethos” mingle with “with the real practice, and prejudice, of our disciplines. Where racism and whiteness are reinforced and reproduced (but also where they can be challenged and dismantled)” (12). She cites Sara Ahmed’s claim that the term “white men” describes an institution “that reproduces itself in its own image” (12-13). She notes that “a critique of whiteness is meant to draw attention to the structural, routinised aspects of ‘white public space’” (13). According to Todd, Ahmed suggests that the reproduction of “white men” as an institution is citational: “one must cite white men to get ahead. In this way, we are conditioned to cite Al Gore before Sheila Watt-Cloutier; to reference Irving Hallowell before we engage with and acknowledge contemporary Anishinaabeg thinkers like John Borrows” (13). Okay, but that’s not my experience: I’ve never heard of Irving Hallowell, but I think John Borrows is fantastic. Perhaps I can credit my supervisors for that fact.

Todd notes that courses in Black Studies are absent in the UK; universities believe that they lack the ability to offer such programs because of a lack of black faculty. “But the inevitable postponing of critical scholarship about race, racialisation and racism forestalls the ability of Indigenous scholars and POC to invest our careers in these topics within the academy,” she writes. “If Universities are not yet ready to challenge white supremacy, will they ever be? And if a program on critical race thinking is not supported today, how can White Scholars advance claims that the academy is in fact a safe space for Indigenous scholars, let along claim that decolonisation is occurring within the halls of the academy itself?” (13). Todd suggests that she has developed coping strategies to deal with the “colonial and racist trends” she encounters “as an Indigenous person infiltrating the British academy” (13):

Therefore, as an Indigenous woman, I have tried, over the last few years, to find thinkers who engage with Indigenous thought respectfully; who give full credit to Indigenous laws, stories and epistemologies; who quote and cite Indigenous people rather than citing anthropologists who studied Indigenous people 80 years ago. This is not always easy. (13-14)

She names scholars who fit that description and thanks them for giving her hope “amidst the despair I’ve felt as the ‘Ontological Turn’ gains steam on both sides of the Atlantic” (14). 

In fact, she continues, “I think it is time we take the Ontological Turn, and the European academy more broadly, head on”:

To accomplish this, I want to direct you to Indigenous thinkers who have been writing about Indigenous legal theory, human-animal relations and multiple epistemologies/ontologies for decades. Consider the Indigenous and/or POC scholars referred to within this piece as a “cite this, not that” cheat-sheet for people who feel dissatisfied with the current Euro (and white, and quite often, male) centric discourse taking place in our disciplines, departments, conferences and journals. (14)

This shift in attention is important because of colonialism, which continues in Canada. “Canada is only now coming around to the realisation that through things like residential schools, and the deeply racist—and still legislated(!) Indian Act—that it, as a nation was built on cultural genocide and dispossession,” she writes. “Ask any Indigenous person, and you will hear that nobody from an Indigenous Nation has ever laboured under the fantasy that Canada is post-colonial, or benevolent” (15). British institutions, including universities, are still benefitting from colonialism. “We are enmeshed, across the Atlantic, in ongoing colonial legacies,” she continues. “And in order to dismantle those legacies, we must face our complicity head on. I firmly believe we can confront these legacies with a great deal of love and accountability, and build processes and structures that are attentive to and accountable for the ongoing impacts of colonial rule” (15). European thinkers are also “embedded in systems that uphold the exploitation and dispossession of Indigenous peoples,” and “[t]he academy plays a role in shaping the narratives that erase ongoing colonial violence” (15).

Can Europeans simply absolve themselves from any guilt over the genocide of Indigenous people, “[a]nd then . . . turn around and use Indigenous cosmologies and knowledge systems in a so-called new intellectual ‘turn,’ all the while ignoring the contemporary realities of Indigenous people vis-à-vis colonial nation-states, or the many Indigenous thinkers who are themselves writing about these issues?” (15-16). The answer to this rhetorical question is obviously “no”—but that’s what’s happening, according to Todd. I would still need to see evidence that the contemporary intellectual currents she is addressing are actually based on Indigenous knowledge systems and cosmologies; after all, it’s not impossible that systems of thought that begin in different places could arrive at similar conclusions. Todd’s reference to Watts isn’t enough for me. Of course, she could argue that the failure or refusal to cite Indigenous thinkers hides the origins of post-humanist thought, but there evidence for influence (or plagiarism) must be there somewhere. I’m not sure one can attack Eurowestern scholars for ignoring Indigenous thinkers and also attack them for borrowing from Indigenous thinkers without giving credit. Perhaps I’m misreading Todd, and that’s not what she’s doing.

Todd cites Zygmunt Bauman’s attack on sociology’s “role in narrating the Holocaust, and its role in erasing our collective guilt in the possibility for a future Holocaust to emerge” (16). The rhetoric of post-colonialism is as complacent as sociology:

it absolves the present generation of thinkers, politicians, lawyers, and policy wonks for their duty to acknowledge what came before, and, in keeping with Bauman’s insights, the possibility it could happen again—that within all societies lurk the “two faces” of humanity that can either facilitate or quash systemic and calculated human suffering and exploitation. The reality is, as Bauman asserts, that humanity is responsible, and humanity must be willing to face itself and acknowledge its role in these horrors. We must do so in order to ensure we never tread the path of such destruction again. (16)

Todd takes Bauman’s words to heart, she writes, and she asks her “non-Indigenous peers to consider their roles in the ongoing colonial oppression of Indigenous peoples” (16):

The colonial moment has not passed. The conditions that fostered it have not suddenly disappeared. We talk of neo-colonialism, neo-Imperialism, but it is as if these are far away things (these days these accusations are often mounted with terse suspicion against the BRIC countries, as though the members of the G8 have not already colonised the globe through neo-liberal economic and political policies). The reality is that we are just an invasion or economic policy away from re-colonising at any moment. (16)

Therefore, she continues, “it is so important to think, deeply, about how the Ontological Turn—with its breathless ‘realisations’ that animals, the climate, water, ‘atmospheres,’ and non-human presences like ancestors and spirits are sentient and possess agency, that ‘nature’ and ‘culture,’ ‘human’ and ‘animal’ may not be so separate after all—is itself perpetrating the exploitation of Indigenous peoples” (16). Can thought be decolonized if “the academic structures through which this decolonisation of thought is being carried out continue to reproduce the white supremacy of the academy” (16)? No: “the proponents of the discipline themselves” must be “willing to engage in the decolonial project in a substantive and structural and physical way, and willing to acknowledge that the colonial is an extant, ongoing reality” (17). 

“What I am critiquing here then, really, are the silences,” Todd writes:

It is not that current trends in the discipline of anthropology or the Euro-academy more broadly are wrong. It is that they do not currently live up to the promises they make. I do think many people making claims regarding the promise of current turns in anthropology have very good intentions. However, these cannot always easily translate into long-term structural change. Our interventions as Indigenous feminists are thus necessary to hold our colleagues up to the goals they define for themselves. (17)

“Why is there still a bias towards citing white male scholars?” she asks. “What are the political-legal implications for Indigenous peoples when our stories, our laws, our philosophies are used by European scholars without explicit credit to the political, legal, social and cultural (and colonial!) contexts these stories are formulated and shared within?” (17). She cites the work of Sarah Hunt on the “epistemic violence” of the use of Indigenous ontologies in erasing “the embodied, practiced, and legal-governance aspects of Indigenous ontologies as they are enacted by Indigenous actors” (17). In other words, “Indigenous thinking must be seen as not just a well of ideas to draw form but as a body of thinking that is living and practiced by peoples with whom we all share reciprocal duties as citizens of shared territories (be they physical or the ephemeral)” (17). She cites Borrows, Kahente Horn-Miller, Tracey Lindberg, and Val Napoleon to argue that “Indigenous thought is not just about social relations and philosophical anecdotes” (17). Rather, “Indigenous epistemologies and ontologies” represent “legal orders, legal orders through which Indigenous peoples throughout the world are fighting for self-determination, sovereignty” (18). Colonial dispossession is still happening: “It did not end with repatriation of constitutions or independence from colonial rule. Europe is still implicated in colonial exploitation, whether it likes it or not” (18).

Her argument, she continues, is “that Indigenous peoples, throughout the world, are fighting for recognition-fighting to assert their laws, philosophies and stories on their own terms” (18). When they pick and choose the parts of Indigenous thought that appeal to them “without engaging directly in (or unambiguously acknowledging) the political situation, agency, legal orders and relationality of both Indigenous people and scholars,” social scientists (including anthropologists) “become complicit in colonial violence” (18). When European thinkers “who discuss the ‘more-than-human’” are cited, but “their Indigenous contemporaries who are writing on the exact same topics” are not, “we perpetuate the white supremacy of the academy” (18). “In order for the Ontological Turn, post-humanism, cosmopolitics to live up to their potential,” Todd writes,

they must heed the teachings of North American Indigenous scholars who engage similar issues such as Dwayne Donald, John Borrows, Val Napoleon, Audra Simpson, Kim TallBear, Chris Anderson, Rob Innes, Tracey Lindberg, Sarah Hunt, Vanessa Watts, Glen Coulthard, Leanne Simpson, Eve Tuck, Cutcha Risling Baldy, Violet Lee and so many other brilliant thinkers (this list is not exhaustive!). And they must heed the teachings of Indigenous and racialised scholars from all around the globe. (18)

Non-Indigenous thinkers “would do well” to incorporate Dwayne Donald’s notion of reciprocity, which he outlines in his work on “ethical relationality,” which “invokes a reciprocity of thought” (18-19). “Reciprocity of thinking,” she continues, “requires us to pay attention to who else is speaking alongside us. It also positions us, first and foremost, as citizens embedded in dynamic legal orders and systems of relations that require us to work constantly and thoughtfully across the myriad systems of thinking, acting, and governance within which we find ourselves enmeshed” (19). This ethical relationality, she writes, “means that more than just the Indigenous scholar in the room would have expected Latour to reference his Indigenous interlocutors on a topic as broadly discussed and publicised, and as intimately linked to political claims by many Indigenous nations and peoples, as climate change” (19). 

So, she concludes, “for every time you want to cite a Great Thinker who is on the public speaking circuit these days, consider digging around for others who are discussing the same topics in other ways” (19). Decolonizing the academy means considering our own prejudices and biases as expressed in systems like peer review and hiring processes. “Consider why it is okay for our departments to remain so undeniably white,” she writes. “And then, familiarise yourself with the Indigenous thinkers (and more!) I reference here and broaden the spectrum of who you cite and who you reaffirm as ‘knowledgeable’” (19).

I’m glad I read Todd’s article, and not only because it provides a starting point for reading Indigenous thinkers (some of whom I’ve already read or heard about, and some of whom are new to me). That reading list is a little daunting. Here I am, at the end of the reading for my comprehensive examinations, and yet there is so much I have not read or even known that I should read. I also appreciate the permission to read and think about Indigenous ontologies and epistemologies that she grants her readers—with the proviso that we acknowledge the political situation, agency, laws, and relationality of Indigenous peoples. I don’t think that means that Indigenous methodologies are simply available to Settler scholars; I agree with Kathleen Absolon that they aren’t. However, while I agree that scholars should read the work of Indigenous thinkers who are writing on topics related to their research, I’m not convinced that someone like Bruno Latour (or name some other post-humanist scholars) is borrowing from Indigenous thinkers without citing their work—plagiarizing them, to be blunt. I don’t think you can argue that someone is both ignorant of a body of scholarship and that they are stealing from it. But perhaps that’s not Todd’s argument; as with everything I read, I would have to go over it again to get the nuances. In many ways, this project has been a first attempt at understanding a broad range of texts, and a process of identifying what I want to go back to. Maybe that’s its purpose. In any case, I plan to take the weekend off; the semester begins on Monday and I’m still exhausted from the last one.

Works Cited

Absolon, Kathleen E. Kaandossiwin: How We Come to Know, Fernwood, 2011.

Latour, Bruno. Down to Earth: Politics in the New Climatic Regime, translated by Catherine Porter, Polity, 2018.

Springgay, Stephanie, and Sarah E. Truman. Walking Methodologies in a More-than-Human World: WalkingLab, Routledge, 2018.

Todd, Zoe. “An Indigenous Feminist’s Take On The Ontological Turn: ‘Ontology’ Is Just Another Word For Colonialism.” Journal of Historical Sociology, vol. 29, no. 1, 2016, 4-22. DOI: 10.1111/johs.12124

112b. Norman K. Denzin, Yvonna S. Lincoln, Linda Tuhiwai Smith, eds., Handbook of Critical and Indigenous Methodologies, continued

denzin lincoln

As I stated in the previous post, the Handbook of Critical and Indigenous Methodologies  is so long—some 600 pages—that I’ll be posting summaries of each of its sections, rather than trying to post one massive summary. Part 1 of the Handbook, the editors write, “begins with the suggested reform and decolonization of the academy through critical research” by taking up “multiple paradigmatic and theoretical formations, including those connected to postcolonial theory; feminist, critical race, and queer theory; participatory action research; and critical pedagogy” (21). “We choose to interpret these presentations of theory as if they were performances—disruptive, unruly attempts to decolonize and indigenize research in the academy,” the editors write. “These decolonizing performances context and challenge the complicity of many modern universities possessed of neoconservative, neocolonial belief systems” (21-22). 

The first essay in this section is “Decolonizing Performances: Deconstructing the Global Postcolonial” by Beth Blue Swadener and Kagendo Mutua. It begins by stating that it will “highlight the ways in which decolonization is about the process in both research and performance of valuing, reclaiming, and foregrounding indigenous voices and epistemologies” (31). (I’m not sure what the word “performance” means in this context.) “[W]ithin decolonizing projects, the possibilities of forging cross-cultural partnerships with, between, and among indigenous researchers and ‘allied others’ and working collaboratively on common goals that reflect anticolonial sensibilities in action are importance facets of colonization,” Swadener and Mutua write. “By bringing together critical personal narratives and postcolonial theory, we will demonstrate how decolonizing research uncovers the colonizing tendencies of language, specifically the English language,” as well as “the centrality of the U.S. academy in the articulation of ‘valid’ research questions and processes for investigating those questions; the cultural imperialism of research funding agencies,” which define positivist research as the only valid form of research; “and how such research produces discourses that inscribe and render Others powerless” by silencing their voices (31). “[W]hat makes decolonizing research decolonizing is not an adherence to a specific research method or methodology,” they continue (33). Rather, “decolonizing research is defined by certain themes and defining elements and concepts that arise when researchers engage in what they describe as decolonizing research versus research that studies coloniality or postcoloniality” (33). In addition, they argue, “decolonizing research is performative—it is enmeshed in activism” (33). (Aha! So that’s what performative means—or, at least, what it can mean, or might mean, at least in this essay.) In fact, the term “anticolonial research” is “a more accurate descriptor of this endeavor” (33). Decolonizing research “speaks to the issue of the performativity and continual interrogation of not only the process of the research but also its outcomes/outputs” (33). In addition, “decolonizing research recognizes and works within the belief that non-Western knowledge forms are excluded from or marginalized in normative research paradigms,” and therefore Indigenous voices and epistemologies are silenced (33). Decolonizing research “as a performative act functions to highlight and advocate for the ending of both discursive and material oppression” that are involved in this silencing and in “the encryption of the non-Western subject” as what Michel Foucault called “a ‘governable body’” (34).

Swadener and Mutua argue that their work, “which extends beyond research within indigenous contexts, recognizes that colonization in representation is more than a spatial-temporal experience, and by stating this, we are by no means minimizing the brutalities of that experience” (34). Their work, they continue, “recognizes the same mechanisms and colonizing ways in certain research that studies, produces, and silences specific groups (e.g., persons with disabilities) through the ways it constructs and consumes knowledge and experience about such groups” (35). Decolonizing research, then, “extends to conducting research, not exclusively in contexts where the geopolitical experience of colonization happened, but indeed among groups where colonizing research approaches are deployed” (35). “[U]nlike postcolonial theory, decolonizing research goes beyond the mires/lure of defining colonialism solely in terms of spatial or temporal dimensions, often ignoring the brutality of the material consequences of coloniality,” they write (37-38). Instead, 

[d]ecolonizing research argues for materialist and discursive connection within postcoloniality and lays open the technologies of colonization, including language (English language) as the medium of research representation, deployment of Western epistemologies (often in diametric opposition to indigenous epistemologies), deployment of methodological imperialism (as defined within the Western academy versus indigenous modes of inquiry, representation, and ways of knowing), and the determination of “valid” research questions (generated in the Western academy and “investigated” in indigenous contexts). (38)

They want to bring together qualitative research and postcolonial theory to “make possible the production of new spaces for recasting research in liberatory ways that foreground indigenous epistemologies and ways of knowing in the field,” particularly by “destabilizing the ‘center’ of research and academic ways of knowing by reframing ‘the field’” (38). Decolonizing research “emphasizes performativity,” and by “performativity” they mean being “actively engaged performatively in decolonizing acts framed variously as activism, advocacy, or cultural reclamation” (38). 

However, decolonizing methodologies run the risk of “being appropriated, indeed recolonized, and at times reduced to slogans and superficial versions of the intended project,” particularly due to “the impacts of neopositivism and an ‘identity politics’ backlash on interpretive research” (38-39). There is also the problem—at least, the authors identify it as a problem—of a “lack of a unified voice in postcolonial and critical research” (as if such unity were possible or even desirable) (39). “Furthermore, a growing number of Native American scholars have written powerfully about resistance to the Western academy and have called for indigenizing the academy and ‘literary separatism,’ foregrounding indigenous narratives and traditions,” they continue. “The divergent nature of the issues that are important to the decolonizing project further speaks to the diverse nature of the issues that lends the decolonizing project its strength and staying power” (39). The use of other languages in research—that is, Indigenous languages—is another issue: “Decolonizing or anticolonial(ist) scholars also must grapple with the issue of which language(s) in which to publish their work” (39). Of course, publishing in an Indigenous language would limit the reach of one’s research results, but if one had been carrying out research with an Indigenous community, doing so would be a mark of respect.

“Social action or praxis has a critical role in the performance of decolonizing methodologies,” Swadener and Mutua write. “Indeed, critical, culturally framed praxis is at the heart of many enactments of decolonizing methodology” (40). However, they ask questions about “both social action projects and the future of decolonizing research” (41). They are concerned about “how research benefits particular communities and subgroups/cultures in those communities” (41). They “anticipate the expanded use of alternative, performative genres including arts, music, drama, oral storytelling, narratives, and work with popular media . . . as vehicles of growing resistance to Western, neoconservative, and positivist paradigms” (41). (Of course, such forms of nonrefereed publication won’t help anyone get tenure.) “We also anticipate more hybrid identities and border-crossers performing research in ways that resist ‘insider-outsider’ dichotomies while continuing to authentically foreground indigenous issues and work—though not without complications and contestations,” they continue (41). “In this chapter, we have attempted to provide an overview of research that positions itself as working against colonization and reflecting indigenous or nondominant epistemologies and traditions,” they conclude. “[W]hile there are no formulaic universals of ‘decolonizing’ research methodologies, there are compelling examples of systematic approaches, including narrative and performative genres, most of which include activist agendas working toward social justice, sovereignty, self-determination, and emancipatory goals” (41). In addition, “decolonizing research goes beyond a postcolonial analysis to a more socially engaged, collaborative alliance model that reconstructs the very purposes of research and epistemologies that inform it” (41). And, “[i]n evoking a performative metaphor, we recognize the many forms of knowing, communication, and being in a complex and persistently oppressive world” (41). 

In “Feminisms From Unthought Locations: Indigenous Worldviews, Marginalized Feminisms, and Revisioning an Anticolonial Social Science,” Gaile S. Cannella and Kathryn D. Manuelito write, “[t]he purpose of this chapter is to form an alliance of feminist, Native, and womanist worldviews that would provide a radical rethinking of the purposes, methods, and interpretations of research applicable to the construction of social justice in contemporary hypercapitalist patriarchy” (46). They believe “that native worldviews (especially those of women), traditionally marginalized feminisms, and womanist forms of female identification provide needed possibilities for activist reinvisionings of research as construct (and social science as disciplinary practice), a “revisioning” that “is especially necessary at a time when science (grounded in the linear notions of knowledge accumulation and progress that actually generate vulnerabilities to simplistic, dualistic thinking) is being attacked by those who would use vulnerabilities to reinscribe power over us” (46). I’m not quite sure how Cannella and Manuelito are using the word “science” here; do they mean social science? Is this an attack on positivism or not? It’s not clear. They recognize that the forms of thinking they intend to bring together have often been “at odds with each other,” conflicts that are “understandable as people are embedded within different histories and various intersecting survival locations within patriarchy and colonialism,” but they note that “[i]ntegrating Native worldviews with traditionally marginalized feminisms involves the intertwining of disposition, theory, and actions” which must transform the “purposes, questions, and methods of research” (46-47). “We propose an anticolonialist social science that would generate visions of egalitarianism and social justice,” they continue. “This anticolonialist social science would recognize the intersection of new oppressive forms of power created even within attempts to decolonize” (47). 

Cannella and Manuelito note that “[t]he public, dominant history of American Indians has been formulated since colonization,” and that this history has been replete with “inaccuracies, misinterpretations, and misrepresentations” (48). Scholars have participated in this process of marginalization: “Human worldviews based on collective human rights, communal orientations, and constructions of sovereignty grounded in reciprocity rather than individual ownership have been treated as if nonexistent” (48). “Euro-American feminist constructions of universal female experience and White, privileged criticisms of patriarchy” have been questioned by “Native women and a range of women of color who identify themselves as feminists” (48). Cannella and Manuelito suggest that the current moment exhibits “a new colonialism, reworking the past in ways that are more insidious, that interconnect the violence of racism, sexism, and oppression of the poor . . . with a form of cultural erasure that is so thorough that it rivals physical genocide” (48). This new colonialism “is a patriarchal hypercapitalism that imposes market domination . . . over diverse epistemologies around the world as if a superior and therefore legitimate authority” (48). 

It is within this context that they argue that “[r]esearch as construct is so deeply embedded within Enlightenment/modernist thought that arguing for its continued practice is actually a reproduction of the Eurocentric and American error,” although the believe that since rejecting research as a practice is “most likely not an option,” reconceptualizing research is “of great importance,” partly by changing the power relationships involved by involving people “in creating, conducting, owning, and judging research about themselves,” and by researchers recognizing “that there is no singular voice, no prototype of Native or Indigenous peoples” (49). Also, “a decolonialist science would privilege research goals/purposes that no longer accept the Eurocentric assumption (error) that some human beings have the power to ‘know’ others (whether cognitively or through personal stories) but would rather acknowledge and focus on the complexities of our contemporary sociopolitical condition(s)” (49). They describe this “decolonialist social science” through three points: it would “(a) investigate ways that society(ies) produce(s) forms of exclusion and erasure; (b) examine new forms of domination, as well as reinscribe/reinforce codes of imperialism; and (c) facilitate community action research originating from traditionally marginalized people” (49). I think the second phrase in point (b) is supposed to mean the opposite of what it says; perhaps they want researchers to look at the way that codes of imperialism are reinforced in the current moment? Anticolonialist research, they continue, “requires an orientation that is radically activist and does not support a false separation between academic research and transformative actions in the contemporary world” (49). In addition, it would no longer be appropriate for research to label other human beings; “rather, the research focus would be on the underlying assumptions, the will to power, that creates such constructs in the first place. Even our current academic attempts to recognize, hear, understand, and celebrate (and, however unintended, essentialize) Indigenous or Native voices would be examined” (50).

Anticolonialist research “would require that traditional and newly emergent methodologies be transformed into public conversations in ways that avoid the construction of dualist counternarratives that actually reinscribe modernist simplicities” (50). Is that a rejection of the distinction between Settler and Indigenous? Would such a rejection make sense? Such research “would be turned inside out to generate possibilities for continued dialogue with self and others regarding reconceptualization of even the techniques designed to counter colonialism and to generate unthought possibilities” (50). The focus of this research would be on examining forms of power (50). “Anticolonialism requires that no issue is off limits, yet all are treated with respect for complexity and influence on human beings, as well as positions that could unintentionally inscribe new imperialisms,” Cannella and Manuelito continue (50). 

Cannella and Manuelito suggest that “the belief in the interconnectedness of life forms and nature, spiritualized egalitarian respect for all, and the importance of transformative actions that are found (however differently expressed) in Native epistemologies and feminisms from often marginalized or purposely discredited locations” can “provide new (and/or reconceptualized) knowledges and ways of speaking, unthought possibilities, and positive emotional-intellectual locations from which to generate being with, and caring for, each other that are egalitarian and life affirming” (51). The challenges that anticolonialist social science makes to “matrices of power” are only one component of that form of research, one which is “necessary (but not sufficient) for an anticolonial, egalitarian consciousness. Various forms of being, understanding, and interpreting offer unlimited positions from which to construct social science” (51). They cite the Diné story of Changing Woman and its effects within Diné society, suggesting that the “feminine organic archetype does not separate mind and body” (52). “Embracing, exploring, and privileging (without attempting to market) egalitarian, reproductive life force, and body knowledges from the margin would result in an entirely reconceptualized social science,” they argue (53). They suggest that ecofeminism “offers unique epistemologies that assume interconnections between human and nonhuman, life and nonlife” that avoid dualistic thinking (53). They suggest that “ecofeminists would reverse priorities away from capitalist production toward sustainable reproduction and ecology,” unlike notions of sustainable development (54). “Collectivist, reciprocal ways of being and living in respectful and honest relations are of utmost importance as we have increasingly denounced our connectedness, spiritualities, and possibilities in the name of competition, efficiency, individualism, measurement, and profitability,” they contend. “Social science discourses, knowledges, and ways of being that are caring, insightful, and that value our collective connections to each other (including all forms of life and ‘nonlife’), while fostering our diversities in ways that challenge commodification, may be the most needed contemporary emotional and intellectual acts” (54). They also contend that the “contemporary condition requires a mestiza warrior activism for the construction of an anticolonialist social science,” a form of wisdom that “would consciously construct new spaces for multiplicity, border essences, and woman identification” (56).

“Native epistemologies and marginalized feminisms can actually serve as foundational for the construction of an anticolonial, egalitarian social science,” Cannella and Manuelito conclude. “A transformative egalitarianism would insist that the purposes of research are to make visible, center, and privilege those knowledges that have been placed in the margins because they represented threats to power, while avoiding the creation of new power hierarchies or the objectification of those knowledges (or the people associated with them)” (56). In addition, they contend that “[r]esearch interactions are needed that allow for the different epistemological spaces from which to collect and analyze data without imposing power on others” (56). “This anticolonial social science would no longer accept the assumptions that human beings have the ability or ‘right’ to define, know, or judge the minds, cultures, or ways of being of others,” they continue (56). Instead, research must “reveal and actively challenge social systems, discourses, and institutions that are oppressive and that perpetuate injustice,” “support knowledges that have been discredited by dominant power orientations in ways that are transformative (rather than simply revealing), and “construct activist conceptualizations of research that are critical and multiple in ways that are transparent, reflexive, and collaborative” (56). These goals will mean transforming some research practices and eliminating others, while “[o]thers will emerge as we struggle together to hear, respect, and support each other and the collective environment that surrounds us all” (56). What strikes me about this essay is the way that it arrives at positions similar to the arguments made by Springgay and Truman, but from a completely different theoretical background. I also find myself wondering what Vanessa Watts would have to say about their argument, particularly their use of the word “epistemology,” a term she rejects. I also find myself wondering if there are any examples of anticolonial social science research, or if this article is more of a manifesto that describes practices that have yet to take shape. I think some art practices might fit parts of their description of anticolonial social science research, though not all of it. (I’m not sure that any practice could completely conform to their description of anticolonial social science research.)

In “Waiting For The Call: The Moral Activist Role of Critical Race Theory Scholarship,” Gloria Ladson-Billings and Jamel K. Donnor state that their purpose is to “move away from solely describing the epistemological terrain (both dominant and liminal) to advocating the kinds of moral and ethical responsibilities various epistemologies embody” (63). The “call” they refer to in the essay’s title “is that moment where, regardless of one’s stature and/or accomplishments, race (and other categories of otherness) is invoked to remind one that she or he still remains locked in the racial construction” (61). Their essay is focused on race and racism, and they argue that even though racism is “a permanent fixture of American life, we must still struggle against it” (64). “Our success will not necessarily come in the form of a tightly constructed scholarly treatise but rather in the form of scores of other community, student, and scholar activists who continue or take up this cause rather than merely waiting for ‘the call,’” they write (64). 

Ladson-Billings and Donnor begin by acknowledging “the incredible volume of work that scholars of color have produced that we regard as ethical epistemologies” (64). “What each of these groups (i.e., African Americans, Native Americans, Latinos, and Asian Americans) has in common is the experience of a racialized identity,” they write. “Each group is constituted of a myriad of other national and ancestral origins, but the dominant ideology of the Euro-American epistemology has forced them into an essentialized and totalized unit that is perceived to have little or no internal variation” (66). At the same time, though, “members of these groups have used these unitary racialized labels for political and cultural purposes,” because such identifications enable “an acknowledgement of some of the common experiences group members have had as outsiders and others” (66). This “double consciousness,” they contend, “pervades the experience of racialized identities,” and they “believe it is imperative to include another theoretical axis—that of postcolonial[ism],” to serve “as a corrective to our penchant for casting these issues into a strictly U.S. context” (66-67). At the same time, they cite McClintock’s suggestion that the “post” in “postcolonialism” is “prematurely celebratory” (qtd. 67). It certainly is in this country.

That first section of the essay, Ladson-Billings and Donnor suggest, addresses “axes of moral and ethical epistemology on which the work of scholars of color rests (i.e., double consciousness, sovereignty, hybridity, heterogeneity, postcolonialism)” (67). The essay’s second section, they continue, points “towards the problems of dichotomy that current political and social rhetoric provokes” (67). They are particularly interested in the “us” versus “them” discourse that followed the 9/11 attacks (67) and the way that the “us” in that binary “serves to maintain White privilege and justify the subordination of anyone outside this racial designation” (68). The third section begins by citing legal scholar Derrick Bell’s argument that “the qualities of passion, risk courage, inspiration, faith, humility, and love are the keys to success that maintain one’s integrity and dignity,” and that these qualities are “standards of behavior in both scholarship and relationships” (70). “Clearly, this is a different set of standards than those the academy typically applies to research and scholarship,” they continue. “But how well have the usual standards served communities of color?” (70). Not well, they answer. While researchers might abide by the standards of scientific inquiry, “these standards are not inclusive of the moral and ethical action that must be taken,” they suggest (72). They believe that critical race theory can provide both a methodology and a theory that “seeks not merely reversal of roles in a hierarchy but rather displacement of taken-for-granted norms around unequal binaries (e.g., male-female, public-private, White-non-White, able-disabled, native-foreign)” (73). Critical race theory “is not limited to the old notions of race”; rather, it “is a new analytic rubric for considering difference and inequity using multiple methodologies—story, voice, metaphor, analogy, critical social science, feminism, postmodernism” (73). “So visceral is our reaction to the word race that many scholars . . . cannot see beyond the world to appreciate the value of [critical race theory] for making sense of our current social condition,” they write, and they list a number of scholars who, they argue, “all produce a kind of [critical race theory]” (73). “They are not bogged down with labels or dogmatic constraints”; instead, “they are creatively and passionately engaging new visions of scholarship to do work that will ultimately serve people and lead to human liberation” (73). What is necessary, they continue, is for scholars “to break new epistemological, methodological, social activist, and moral ground” (73). Unfortunately, the names in their list are primarily theorists, I think, rather than people engaged in other, more tangible forms of research, which might be a problem if they are calling for the creation of new forms of social science research. All social science research can’t be theoretical, can it? 

The next section argues that “[a]ll scholars of color need to acknowledge the salience of popular culture in shaping our research and scholarly agendas, for it is in the popular that our theories and methodologies become living, breathing entities” (74). Like scholars who “have made connections with the hip-hop generation,” social scientists “must similarly situate themselves to play a more active and progressive role in the fight for equity and social justice” (76). “Their work has to transcend narrow disciplinary boundaries if they are to have any impact on people who reside in subaltern sites, or even policy makers. Unfortunately, far too many academics spend their time talking to each other in the netherworld of the academy,” publishing in “obscure journals” and using language that does not “translate to the lives and experiences of real people” (76). 

The following section suggests that a transformation—such as a transformation of the academy—“implies a change that emanates from an existing base” (76). However, the old—the academy—may have to be destroyed in order “for it to be responsive to the needs of everyday people” (77). That’s rather utopian, and it’s far more likely that the academy’s destruction will take place at the hands of populist politicians and neoliberal bureaucrats. “A reconstructed university would displace much of the credentialing function of the current system and organize itself around principles of intellectual enrichment, social justice, social betterment, and equity,” they write. “Students would see the university as a vehicle for public service, not merely personal advancement,” and they would take courses “in an attempt to improve both their minds and the condition of life in the community, society, and the world” (77). They note that this idea “has little or no chance of success in our current sociopolitical atmosphere,” and that as they are currently structured, universities are premised on the “continued employment of elites,” the supply of “a well-prepared labor force,” and increasing their own endowments (77). “A reconstructed university would have a different kind of reward system where teaching and service were true equals to research and scholarship,” and its students would be selected “for their ability to contribute to the body politic that will be formed on a particular campus” rather than their academic preparedness (77). There is something rather Stalinist in the idea of recruiting students based on their political opinions rather than their ability to do the work required in university, isn’t there? “We are skeptical of the academy’s ability to reconstruct itself because of the complicity of its intellectuals with the current social order,” they conclude (79).

The essay’s concluding section suggests that “committed intellectuals must move into spaces beyond the academy to participate in real change,” and that this move “may mean that academics take on less prominent roles in order to listen and learn from people actively engaged in social change” (79). “Our call for a revolutionary habitus recognizes that the ‘field’”—they are citing Pierre Bourdieu here—“in which academics currently function constrains the social (and intellectual) agency that might move us toward social justice and human liberation,” they write (79). “[D]espite notions of academic freedom and tenure, professors work within a field that may delimit and confine political activity and views unpopular with university administrators, state and national legislators, and policy makers,” they continue (80). They suggest that their “notion of a revolutionary habitus might better be realized through Espiritu’s powerful conceptualization of ‘home’” as “a way to think about the permeable nature of concepts such as race, culture, ethnicity, gender, and ability” (80). “[W]e need to consider the way that we are all border dwellers who negotiate and renegotiate multiple places and spaces,” they write (80). “Thus the challenge of those of us in the academy is not how to make those outside of the academy more like us but rather to recognize the ‘outside-the-academy’ identities that we must recruit for ourselves in order to be more effective researchers on behalf of people who can make use of our skills and abilities,” they conclude (80). This idea would mean becoming more comfortable in communities “so that our work more accurately reflects their concerns and interests” and renouncing “our paternalistic tendencies and sympathetic leanings to move toward an empathic, ethical, and moral scholarship that propels us to a place where we are prepared to forcefully and courageously answer ‘the call’” (80). This argument is all very utopian (and thus impossible to realize), and I’m surprised that it neglects the fact that the majority of teaching on most campuses is done by armies of poorly compensated contract faculty who have no job stability and no institutional support for research of any kind—radical or traditional. That’s quite a blind spot—and as someone who has worked for years as contract faculty, I find it quite insulting.

“Critical Race Theory and Indigenous Methodologies,” by Christopher Dunbar Jr., begins with the history of “Negro” scholarship in the U.S. Many “scholars of color” embraced “a position that everything about race is subjective, hence challenging the notion of objectivity and the perception that given the same materials and resources, anyone could conduct research and arrive at the same findings—that is, the belief that life experiences and/or power relationships have no impact on research outcomes” (86). “The advantages to scholars of color results from the opportunity/obligation to transcend the either/or way of knowing,” Dunbar writes, suggesting that the scholars he includes in this essay “argue against dualistic positioning” and “provide multiple positions/lenses that challenge the dominant cultural model that they contend distorts their realities and has served only to sustain power relations that continue to place them at a disadvantage” (86). He suggests that Indigenous methodologies are important for critical race theory, and that “both Indigenous scholars and scholars of color” must “provide alternative modes of inquiry that accurately represent/reflect and critique their experiences” (87). 

The first section of the essay looks at critical race theory. “Two common interests unify critical race scholarship,” Dunbar writes. “The first is to understand how a regime of White supremacy and its subordination of people of color have been created and maintained in America, and the second is a particular examination of the relationship between that social structure and professed ideas such as the rule of law and ‘equal protection’” (87). Critical race theory is an outgrowth of critical legal studies, whose proponents believe that scholarship cannot be neutral or objective, and that “[t]here is no scholarly perch outside the social dynamics of racial power from which to merely observe and analyze,” because knowledge (and the way it is created) is “inevitably political” (87). Both critical race theory and critical legal studies rely on narrative as a way to challenge the academy’s “meritocratic paradigm” (Eleanor Marie Brown, qtd. 87). 

Some scholars “argue that race is scientifically meaningless”—that it is “a socially constructed concept”—and “‘[a]ntirace’ and so-called mixed race theorists” encourage the rejection of “all race concepts on strategic, scientific, conceptual, sociohistorical, and existential grounds” (88). The methods of these scholars “have included development of autobiographically based multiracial and ‘borderline’ identity theories, refutations of biological essentialism, and identification of historical and conceptual underpinnings of White racism” (88). According to Dunbar, though, “[r]ace is a constant in my life. It may be the only constant” (89). “I have framed much of my research in story form because I, too, agree that a story frames my research,” he writes (89). Scholars of colour, he states, need “to adopt critical methodologies toward the transformation and liberation of oppressed people” (90). “I would argue that the peculiar set of experiences of African Americans necessitates a methodological approach of inquiry that also differs from a Euro/Western approach to uncover and discover the lived experiences of disenfranchised, colonized, and Indigenous people,” he continues. “That is, there are (and need to be) multiple ways of inquiry/knowing” (90).

Stories “are a powerful tool for reflection,” and their language “is an act of epistemology” (91). “The Indigenous worldview places Indigenous peoples at the center of the research environment and is cognizant of Indigenous values, beliefs, paradigms, social practices, ethical protocols, and pedagogies,” Dunbar writes. That worldview “identifies both Indigenous and non-Indigenous research voices and perspectives, but these will be filtered and framed by Indigenous worldview. The knowledge framework will be one that his holistic and integrated, and this will further inform the view of research and research training and its impact on peoples and cultures” (92). “Indigenous research is about changing and improving conditions,” he continues (92). Critical race theory “legitimates and promotes the voices of people of color by using storytelling to integrate the experiential knowledge drawn from history of the ‘other’ into critiques of the dominant social order,” Dunbar argues, citing Laurence Parker (93). Telling personal stories “involves the work of reflection and telling. . . . It is both a historical and political process that places people of color in control of their story. Stories often trace the path/history of the person telling the story” (94).

There are challenges to critical race theory; they come from Latino critical race theorists, who “challenge the use of race as the central unit of analysis” and “argue that critical race theory has provided little understanding of the political economy of racism and racialization” (94). Latino critical race theorists are critical of “the use of narratives and storytelling, positing that this method, though useful in its own respect, tends to essentialize the plight of a disenfranchised people” and that it romanticizes, homogenizes, and exaggerates their experiences (94-95). They argue that “the effort toward the liberation of disenfranchised people requires moving race from the center of emancipatory efforts and placing the capitalist economy paradigm as the focus toward social and economic equality” (95). Dunbar also cites Matsuda, who suggests that it’s important to learn from those who have been “poor and Black,” and Linda Tuhiwai Smith’s notion of Kaupapa Māori, or “Māori research,” which is more specific and accurate than “Indigenous research” (95). The purpose of those brief discussions, however, is not clear, nor is their connection to challenges to critical race theory. In fact, the final pages of this essay seem to fall apart into disconnected fragments. If that’s a deliberate formal decision, it doesn’t work.

“Reflecting on what I have written over these several pages has served to solidify my belief that an understanding and utilization of critical race theory as a method of inquiry is essential to understanding the impact of racism and the ongoing struggle of Indigenous and people of color not only in the United States but in other countries around the world,” Dunbar concludes. “Critical race theorists and Indigenous methodologists speak to the necessity of writing their own script. They note that storytelling is a sacred act shared from the heart that relives/recounts their history and culture. It is their story—stories that bring back life” (95-96). “Indigenous scholars and critical race theorists reject the notion of one truth,” Dunbar continues. “They argue that there are multiple ways of knowing, depending on whose lens is used. The notion of objectivity as evidence of truth is deemed invalid. They challenge the immorality of subjugation and the concept that a ‘racelessness’ society can exist” (96). This argument suggests that critical race theory and Indigenous methodologies are very similar, but I find myself wondering about how they might be different. The essay’s final section criticizes forms of scholarship that focus on capitalism or Indigenousness rather than race. Such scholarship “does not address the multiple injustices that have occurred in history and continue to occur daily in the lives of people of color and Indigenous people,” Dunbar argues. “To move race from the center would mean the dominant cultural model would have to surrender its positionality and hence power and domination. I know of no instances where power was willingly surrendered” (97). In addition, “[t]o suggest that people of color remove race from their center would mean to ignore the injustices that have occurred throughout history. It would mean ignoring the truth and exposing social inequities that give rise to continued social injustice. Race gives rise to exclusionary practices and not the other way around” (97-98). “It is critical that Indigenous scholars and scholars of color take the lead in framing their stories,” Dunbar writes, and he suggests that Indigenous scholars, “in challenging traditional research methods, have adopted methods of their own” which “consider the whole person, that is, the religion, culture, language, nuances, spirituality, and other values shared by their people” (98). Indigenous research attempts to accurately represent the lives of Indigenous peoples: “The research is intended to revive their people as opposed to researching them to ‘death’” (98). I agree that Indigenous research is important, but the essay ends without clearly distinguishing Indigenous methodologies from critical race theory, which leaves one with the mistaken assumption that they end up being the same thing.

In “Queer(y)ing the Postcolonial Through the West(ern), Bryant Keith Alexander brings together queer and postcolonial theory through an autoethnographic perspective. “[A]s a Black/gay/man/teacher/performer/scholar—I speak/write from a place of both bondage and freedom, held in place by the tensive ties of history’s legacy that depicts me as exotic other, a transplanted aborigine negotiating diaspora in a land that both recognizes and disowns,” he writes (103). “I claim a tensive comfort in postcolonialism and queer theory, knowing that I am both placed and displaced in both, yet I move forth boldly voicing experience, engaged in ‘the production of identity’ by renarrating the past and resisting the treachery of invisibility and exclusion that each promotes,” he continues, quoting Stuart Hall (103). (“Tensive,” a word that means “the quality of stretching or straining” or causing “a sensation of tension or tightness in the body,” according to the O.E.D., doesn’t seem to fit the sentence, but it recurs throughout Alexander’s essay.) “The method that I engage here is a critical interpretive queer methodology that engages a particular focus on critique but uses a highly personalized reflective and refractive method of revealing the invested self-implication of the author in the telling of the told, in a form that both signals and subverts traditional forms of scholarly discourse, contributing to both the field of knowing and the field of expressing the known,” he states, arguing that he is “building a kind of grounded theory, of doing and describing at the same time” (104). This essay itself is, he argues, “queer” in content and form, because “it resists the encompassing strictures of traditional forms of scholarly discourse, while working the political line between what is assumed to be only an aesthetic form without substantive worth and a critical excavation of thought that often sanitizes the dense particularity of the writer, which often receives false accolades as objectivity in scholarship” (104). “[O]nly an aesthetic form without substantive worth”—to a poet, those would be fighting words. Alexander argues that by illuminating and subverting the paradox of postcolonial theory—it sets out to dismantle the object with which is it fixated—he will not be “completely erased in the Whiteness of the scholarly mandate of academic performance to which I more than partially subscribe” (104).

After that lengthy introduction, Alexander turns to points of contact between postcolonial and queer theories. He argues that both are “engaged in a project of excavation and rescue of the alienated and silenced other,” and both are “subverting regimes of the normal and systematic deconstructions of colonial legacies, to create spaces for the variable performative identities of racialized and gendered minorities to practice voice” (105). In addition, both are engaged “in a rhetoric of critique and a rhetoric of possibility that liberates alternate ways of knowing, constructing, and engaging the world through the dense particularity of being” (105). In addition, both set out to illuminate and dismantle “systems of oppression” through critical analysis (105). Both are also “grounded in Whiteness: one a resistance to Whiteness as in European territorial conquests and its consequences, the other a blanching of racialized sexual differences that do not necessarily foreground Whiteness as its intent but as its effect; an erasure of racialized difference within the quest of universalizing larger notions of queer identity” (105). He cites Homi K. Bhabha’s definition of postcolonial perspectives as emerging “from the colonial testimony of Third World countries and the discourses of ‘minorities’ within the geopolitical divisions of east and west, north and south” (qtd. 105) because it “identifies both a point of origin, as well as the expanse of possibility within an approach to criticism that has, as a concerted effort, to crack the code of history’s conceit and open spaces that question not only the master(’s) narrative, but gives voice to untold stories cloistered in the margins of minority populations and lived experience” (105). He argues that postcolonial theory “pivots on the following logics”: a shift in who gets to speak, which opens “the categories of diversity in race, genders, and sexualities”; a shift in context, “from larger social and political systems to the specific contexts of private/public lives and the ways in which place and space become meaningful terrain of practiced lives”; and a shift in theory from modern to postmodern to “critical postcoloniality,” from “abstracted generalizations to emergent constructions grounded in the articulation and actualization of experience”(105-06). “Issues of voice, power, context, and theory are contingencies of human social relations that dictate the known and the knowing, histories and futures, and the quality of human existence that makes new histories and emergent identities possible,” Alexander writes (106). The “core logic for the transformative potential in critical postcolonial studies” is “the radical revisioning of social temporality,” he continues, citing Bhabha again. Somehow—the inclusion of the word “temporality” is confusing the issue—this “core logic” “reshapes and helps to revision the progenitors of human accomplishment, in a manner that is inclusive of the more collective contingencies of actual experience in the dynamism of human social relations” (106). What that has to do with temporality, however, either in Bhabha or in Alexander, is lost on me.

Alexander next suggests “two purposeful and very idiosyncratic critiques of postcolonial studies” (106). The first is that postcolonial theory has tended to “focus on the dominating qualities of heterosexual identities, their regenerative abilities to sustain domination over sexual minorities, and their contributions to the spectrum of intellectual, artistic, and practical human innovation” (106). The second is the claim that “postcolonial studies is built around the concept of otherness—as both a point of departure and critique,” which tends to reify the “presumed subjugated positionality” of “minority voices” (107). According to Alexander, this “construction of otherness in postcolonialism is linked with the relationship of origins—colonizer to colonized—but the relationship can also be distinguished by points of destination and departure—which leads to a particular resistance of indigenous people to feel that postcolonial theory has failed them” (107). In other words, postcolonial theory does not apply to settler colonialism, and in fact the “post” in “postcolonial” is itself a problem. 

A discussion of queer theory follows. “In its most idealistic and liberatory impulse, queer theory” uses the word “queer” not only to describe “a gendered identity location” but “as resistance to orthodoxy—expounding, elaborating, and promoting alternative ways of being, knowing, and narrating experience—through scholarship, through embodied being, through social and political interventions in regimes of the normal” (108). However, “queer theory is not presented as alternative . . . but as the reality of alterity that penetrates the suppressed and supplanted presence of difference that always and already exists in daily operations—both political and practical, as well as academic and everyday” (108). Therefore, “queer is antifoundationalist work that focuses on the opposition to fixed identities,” and queer theory itself “is interested in remapping the terrain of gender, identity, and cultural studies” (108). Queer theory is also “a form of academic activism” (108). “[H]ow does the occlusion of people of color become counterintuitive to the project and the very nature of cultural studies,” Alexander asks, given the way that queer theory remaps the terrain of gender, identity, and cultural studies by denaturalizing sexual identity? (109). In addition, if “queer” is an “inclusive signifier,” “then what about any discussion that links perception, practices, performances, and politics of sexual identity to race, ethnicity, culture, time, place, and the discourses produced within these disparate locations?” (109). “Are the specific experiences and concerns of queer folks of color erased in the dominant discourse of queer theory?” he continues (109). And if queer theory is grounded in feminist theory, “then doesn’t the collectivizing of experience prove unfaithful to the listening, debunking the singularity of voice, and the articulation of lived experience that undergirds feminism?” (109-10). (So no one shares aspects of their experience with anyone else? Isn’t this a radical individualism that denies the possibility of community?) 

Queer theory is apparently therefore indifferent to 

the unjustified generalization of common concerns and experiences within an imagined community in which there is contestation over the very terms gay and queer. Consequently, while queer studies grounds itself as an academic manifestation, it risks engaging and codifying the representational politics of alternative communities that it seeks to intervene in and thus becomes fraught with the danger of imperialism, colonialism, academic puffery, and racism. (110)

“[W]ithin the employment of the notion of queer studies, the gaps have been large enough to cause considerable slippage, if not a complete occlusion of the experiences of queer colored folk,” Alexander continues, suggesting that “queer” both includes and excludes (110). “The question then becomes, what and why does it exclude?” he asks. “Queer theory uses a false notion of building community in order to dissuade arguments of exclusion” (110). The word “queer” homogenizes the experiences and desires of people from a range of identities, particularly racialized identities, which it excludes in “what appears as either an intentional or unintentional act of racism in a project that has as its goals the notion of broad inclusivity” (111). This is a “dilemma” for Alexander, who writes, “I am engaging a critique of queer theory while engaged in a process of a queer reading of queer theory and its relationship to the postcolonial project” (112). 

“And so maybe my particular construction and critique of queer theory in fact erases the divide that separates colonial and postcolonial theory,” Alexander writes. “If queer theory seemingly promotes mostly white constructions of gay sexual identity, it most certainly is (inadvertently) complicit in racial domination in the service of sexual specificity; a study of White queers at the exclusionary expense of all others” (112). (How does that argument erase the division between colonial theory—which Alexander has not discussed or defined—and postcolonial theory? I don’t understand.) “But herein may lie both the limits and possibilities of queer epistemology,” he continues:

especially when pushed by a queer of color critique, a critically applied method of disidentification, and a burgeoning quare studies, each demanding a specific and text-specific analysis of racial and sexual deference, each examining the text and subtest of same-sex desire and the strategic rhetorics that both patronize and pathologize queer identity, and each examining the rhetorical strategies of exclusion and occlusion of racial sexual minorities that establish the motivating and guiding impulse in queer theory. Whether as a particular backlash to queer theory or as a culturally conscious/community-conscious critique for social transformation and empowerment—maybe a queer of color critique and the emergent interpretive queer methodology that I am espousing in this project—embody in more salient ways, the postcolonial move that should be are the core of queer theory, focusing on the complicated construals of queer identity across variables of race, class, and geography, with the particular focus on articulating experience and voice. (112)

I don’t work in the area of queer theory, and so I don’t have much to say about Alexander’s argument, except to wonder what he would make of metaphorical uses of the term “queer,” as in Springgay and Truman’s book on walking. My sense is that he would be angry in an application of the word “queer” that moves away from literal meanings of the term, although I could be completely wrong about that. Clearly he expects queer theory to engage with the issues that are important to him. “[M]y approach to doing a queer reading in this project pivots off of these logics to foreground not just the obviously queer but the multiple logics in which queer is being promoted as a restrictive and delimited possibility within a larger heteronormative promotion of the ideal,” he continues. “But I want also to acknowledge the moments in which queers of color are excluded or constructed in ways that further marginalize that identity construct, in the service of promoting heteronormative constructions of White masculinity—even in the presumed context of foregrounding queer identity” (113). For my part, I would like to see examples of queer theory that promote “heteronormative constructions of White masculinity,” because I would be very surprised if such things existed.

Next, Alexander offers “an alternative method of doing a critically interpretive queer reading that is an extension of the queer methodology that structures this text” (113). This method uses “disidentification,” or (quoting Muñoz) “a ‘recycling and rethinking [of] encoded meanings . . . that both exposes the encoded message’s universalizing and exclusionary machinations and recircuits its workings to account for, include, and empower minority identities and identifications’” (qtd. 113). (What might that look like in practice?) According to Alexander, disidentification is “a practiced positionality and a method that seeks to subvert mainstream constructions of queer identities in presumably liberal social texts” (113). (Are these texts literal or metaphorical? Are only some texts “social” or are all texts social? What is the function of that adjective, anyway?) “I am moving toward a method of queer resistance that contests hegemonic colonial methods of sexuality and queering through a critical method that has a ‘culture-specific positionality’ that reveals my biases and investments without promoting yet another exclusionary method with a singular focus on raced identities, but one that promotes a critical awareness of exclusion and not self-promotion,” he writes (113). In this method, “the act of queering a social text is not only a methodological offshoot of queer theory seeking to unmask sexual erotics, same-sex desire, or sexual deviancy in any particular text to denaturalize assumed natural social processes,” nor is it “just a rearticulation of the postcolonial project, an analysis that shows how cultural, intellectual, economic, and political processes work together to perpetuate and to dismantle colonialism,” but it is “a paradigmatic approach to reading social, cultural, and political texts that covertly seek to perpetuate violence against queer lives while maintaining human social relations that create hierarchies of race, class, and sexual identity” (113). More importantly, the approach Alexander is advocating “is also a method that foregrounds the critical—as a systematic focus on content and intent with commentary and direction—and the ways in which particular queer identified texts are imbued with residual effects not only of heteronormative dominant values but a particular emphasis on Whiteness that is counter intuitive and often disparaging to the lives of racialized sexual minorities” (113). What Alexander is “moving toward” is “the emergence of a critical interpretive queer methodology that addresses the concerns of both a nihilistic postcolonial perspective”—how is that perspective nihilistic?—“and homogenizing queer studies, thus suturing the pains and possibilities of each,” a method “that works toward elaborating social action issues without simply replacing ills with additional harms but introducing new spaces of inquiry,” a method “like quare studies” which would attend to race as a social and cultural construction or performance, while also “crossing or bleeding the borders of identity construction, which affects the material practices of culture, gender/sexuality, and the socially delimited constructions of possibility” (113-14). 

This method, he continues, would acknowledge and use Indigenous knowledge, “understood both as the commonsense ideas and cultural knowledge of local peoples” but also “theories of the flesh, which fuse the specificities of lived and embodied experience to create a politic born out of necessity” (114). Such Indigenous knowledge would include “those particular spaces like prisons, ghettos, and underdeveloped nations within the backyards of developed countries” (114) and involve 

the innate sense of understanding one’s positionality in relation to the social and political constructs that strive, in both radical and subtle ways, to erase the significance of lived experience and bodily being to perform resistance, an indigenous and queer resistance that opens up a breathing space to know self in relation to hegemonic notions of racial and sexual identity as that particularly relates to the socially constructed marked other—which most often is the indigenous native withering under the colonial gaze. (114)

“[W]hich most often”? After his withering critique of generalities and homogenizations of queer identities and lives earlier in this essay, Alexander is going to do the same thing to Indigenous people? Really?

Critical interpretive queer methodology, Alexander continues, “analyzes a social text to reveal how the cloistered gay lives in the text, living in a presumed democratic society, and is both celebrated—as a part of the commercial mainstreaming of queerness—yet penalized as sexual deviancy within the larger dominating construction of heteronormativity” (114). It is, he writes, “a method that moves back and forth between social text and actual experience to reveal how the two are always and already co-constructed and codependent yet often placed in a hierarchical position of worth” (114). Given that his example is the fictional feature-length film Brokeback Mountain, I’m not sure where “actual experience” would apply, though. Whose actual experience? Alexander is setting up a critique of mainstream films like Brokeback Mountain for their characters’ “self-loathing that is socially inserted in the public construction of queer desire, as a heteronormative default setting, signaling pathology and a longing for (hetero) normalcy” (115). That would seem to be an easy criticism to make about such films, but Alexander is arguing that his method is complex: 

I am moving toward a method that moves between human rights and queer cosmopolitanism to develop what should be a grounded sense of common investments in human social relations—bleeding the borders of difference by foregrounding those very instances in which difference is marked and reified. This is from the perspective and articulated voice of one whose absented presence is only signaled in the text, but never actualized; one whose racialized possibility is presented as a counternarrative to the dominance of Whiteness—here relegated as the other—both alternative for Whiteness and alterity to Whiteness. (115)

He continues:

I am moving toward a method that deconstructs a social text for the tripartite and competing issues of foregrounding same-sex desire, while concomitantly promoting overt homophobic skepticism, within the particularity of also foregrounding racial specificity that competes against notions of a multicultural community building: community both in the larger human social system and a presumed common political concerns. Such a method blends and bleeds the borders of postcolonial and queer studies—in what might be a form of postcolonial queer analysis. (115)

Alexander promises that his reading of Brokeback Mountain will “demonstrate this burgeoning methodology” (115). I am so happy to see an example of a methodology in this essay, because such examples or practical applications have been missing from the other essays in this book that I have read so far.

Alexander states that his approach to Brokeback Mountain is postcolonial: “Postcolonial texts—and, more importantly in this case, social positions—presumably seek to open up spaces of liberation and possibility,” he writes (115). He also states that he is reading the film “as synecdoche for the culture machine of the film industry in the production of hegemonic notions of social propriety” (115). According to Alexander, Brokeback Mountain is “both a mechanism to out long-suppressed depictions of same-sex desire, through a presumed proclamation of affiliation (or at least support) and identity declaration (as presumed sexual alternative), but it also fulfills the critical possibility of the medium to question and questions of desire” (116). (The last phrase of that sentence makes little sense to me.) He focuses on specific scenes as “strategically constructed arguments in the larger rhetorical messaging of the film that creates a dispositive perspective of gay lives and how the reading of the text opens up new spaces for conversation and activism against the subtle social sanctioning of violence against queer bodies” (116). Brokeback Mountain, he writes, both popularizes and penalizes “the politics of queer identity as negotiated through heterosexual and uniquely White male sensibilities” (116). It “outs long-suppressed homosociality and homoeroticism in the American western genre” while also using gay male desire “as a mechanism to uphold the virtues of (performing) White male heterosexuality, as a mechanism to perpetuate a pernicious homophobia, as well as social and religious constructions of ‘family values’ that further instantiate the specificity of gender roles” (116). The “self-constraint and self-hatred for the potency of same-sex desire portrayed by the main character” act as “an internal, yet culturally inseminated, mechanism to control the lures of libidinal gay desire—which are never completely held at bay but later held in disguise behind the portrait of the ultimate sign of heteronormativity—male/female marriage” (116-17). What Alexander seeks to reveal is that Brokeback Mountain is “a propaganda for the always and already present heteronormative logic that perpetuates hatred of and violence against ‘queer’ populations, particularly in the case of gay men” (117). “[W]hat is queer in the film is not the main characters (who of course are queer) but the rhetorical strategy of the text that lulls the viewer into the assumption of an alternative love story with a ‘happy ending’ . . . but with the altogether traditional moral of applied heteronormativity that trumps queerness in the most vile and violent ways—ways that are always and altogether know,” Alexander writes, describing the film as “a coy text” that diverts the viewer’s attention “from one site or locus of meaning potentially risky or dangerous to what appears to be a more comfortable and secure space but in fact becomes a place of entrapment” (117). For Alexander, the fact that the film’s marketing did not “overtly suggest a queer theme” is an example of such coyness (117).

According to Alexander, “[a] queer reading as a form of disidentification asks the reader to . . . reread the encoded message” of the film “in a fashion that exposes the encoded message, which . . . universalizes a particular construction of queer lives toward particular heterosexual, if not mainstream, constructions of normalcy and the consequences of presumed-to-be deviant behavior” (118). Minority identities are excluded from the film, he continues: “The film is (reductively speaking) about two White queers. The only reference and allusion to queers of color pinpoints Mexican queers, presumabl[y] prostitutes, who become literally shadow figures in a darkened alley across the border,” substitutes for the desired and rejecting “ideal White male lover” (118). “[T]he film only offers a suggestion of the sexuality of the Mexican men in this particular scene,” and “the sexual exchange in what is constructed as prostitution” is really about “commerce and the fluidity of sex as a practiced activity as a by-product of colonialism” (118). Those men become commodities rather than agents of choice, and merely expedients rather than focuses of desire (118). Their bodies are “knowingly situated in an economic dilemma in which prostitution is expedient financial gain, hence becoming portal, promotion, and possibility for the sexual desires of others,” and this “colonial encounter” is staged as a “homoerotic colonial fantasy come true, deregulated by economic power and made manifest as acceptable within the larger frame of the film that promotes, if not rehistorizes, such convenient colonial relations that realign identity, politics, and desire” (118-19). “In reducing people of color to commodities, people to be purchased or engaged as second alternatives, the film reinforces not so subtle aspects of racism and sexism,” Alexander contends, and he concludes by suggesting that “[t]his overall pivot point for analysis, appropriation of liberal stances for political purposes, is linked with the second theme of invoking the conservative links between sexuality, religion, and normalcy as a means of establishing standards of social conduct” (119).

The next section of Alexander’s reading of Brokeback Mountain focuses on those links between sexuality, religion, and so-called normality. “I believe that Brokeback Mountain works in opposition to particular movie dramas that foreground the nexus of gay-life-tragedy—stories such as the Matthew Shepard Story . . . and others that have as their intent to politicize alterity and promote tolerance,” he writes (119). In contrast, “Brokeback Mountain establishes a fictive location of critique that becomes a site of real domination; the object of critique becomes the abject gay bodies bashed, beaten, and narrated in the film as historical object lessons for heteronormativity” (119). In other words, the film “becomes another mechanism for disciplining gays” by situating “gay bashing in the realm of fiction and maybe even fantasy” (119). “The film almost uses the act of violence against gays as a promotion or performative act of compulsory heterosexuality in a manner that goes uncritiqued and without social consequences,” Alexander writes (119-20), and Brokeback Mountain, unlike The Laramie Project (a play about the death of Matthew Shepard), “falls short of this social justice and community-building goal” (120).Divorce and marriage, “both socialized and legal institutional mechanisms that attempt to dictate particular human social relations,” are “promoted within the film as social sanctions—normalization and its presumed opposite” (122).

The third section of Alexander’s reading of the film focuses on a flashback in which Ennis’s father takes him and his brother to see a dead body—a neighbouring rancher who was apparently murdered because he was gay. This viewing, Alexander argues, is “an object lesson” that is intended “to enforce heteronormativity and the socially sanctioned consequences of its opposite” (122). “This becomes the grounding logics for the analogy used to justify and reinforce the social hysteria around homosexuality that Ennis perpetuates, nay promotes in his telling—to forestall any possibility of two men living together,” Alexander writes. “The analogy serves as both comparative template and prophecy” (122). It is a prophecy of Jack’s murder, and it makes Ennis “complicit in the social outcome of Jack’s murder” because of the “projective fate of queerness to which he has invested and helped call into being” (123).

“In offering these three pivot points toward doing a critically interpretive queer analysis of Brokeback Mountain,” Alexander writes, “I want the reader to see an attempt at not revealing the queer undertones in the text already  marked as ‘queer,’ but . . . an attempt to recycle and rethink encoded meanings in a cultural text that is presumably liberal but in fact perpetuates very conservative notions of social priority that can easily (and not so easily) go undetected within the political processes of promoting the particularity of dominative values” (123). This interpretation, he continues, comes from “a queer of color critique that identifies investments that re both specific to race and culture but does not fixate in those disparate territories while addressing issues most pertinent to a renewed queer theory interested in transforming the politics of representation that restrict and diminish all our lives” (123). Brokeback Mountain is “always and already a heteronormatively constructed and hegemonically dominating text that seeks to set straight issues of desire, happiness, and socially sanctioned happy endings in the west(ern)” (123). It’s not that the story it tells takes place in a homophobic social and cultural context, then, one marked by internalized homophobia within its characters, but that the film itself is homophobic. Any identification gay audiences may experience with the film’s characters “must also be closely linked with an act of mourning the despair of particular gay lives of which the film also narrates and perpetuates,” Alexander contends. “The project of queer lives is only understood within the larger context of the film. The film encourages the continuation of cloistered lives within the shadows of the dominative value of heteronormativity” (124). It pretends to take “a liberal stance on social issues but in fact sustains, if not sanctions, the same barbaric practices toward queers” (124). Fair enough, but now I want to see Alexander discuss a representation of gay life that he approves of—perhaps The Matthew Shepard Story, the made-for-TV movie he mentions briefly, The Laramie Project, or perhaps an avant-garde queer film. We know what he finds impossibly compromised and suspect. What kind of representation avoids the problems he identifies in Brokeback Mountain? I’ve read a lot of political critiques of Hollywood films in the past 30 years, and usually they are quite predictable: a mainstream film that pretends to be politically engaged or radical in some way turns out to be quite conservative. Alexander’s reading of Brokeback Mountain is much the same. Why not pay attention to representations that avoid the typical failings of Hollywood? They must exist somewhere.

Alexander suggests that critically interpretive queer methodology is focused on action, and he describes action in a number of different ways: “as continued critical readings of socially constructed texts about queer lives,” “as resistance to nostalgic romanticized depictions of queer lives with all too predictable tragic endings,” “as resistance to being happy with unsavory representations and promotions of cloistered gay lives,” “as the resistance of queers of color to being reduced to shadow figures and secondary choices of white lovers,” “as the continued construction of essays written from a queer of color analytical perspective,” “as critiquing the everyday cultural practices of home and community that establish the foundations of our deepest insecurities and pains about sex and sexuality” (124-25). All of these forms of action refer back to his reading of Brokeback Mountain, but Alexander goes on to list other forms of action, such as the book Infamous Desire: Male Homosexuality in Colonial Latin America, or David Román’s Acts of Intervention: Performance, Gay Culture, and AIDS—forms of scholarly action, then. But he returns to Brokeback Mountain:

At the end of Brokeback Mountain, like the characters themselves, I am left battered and bereft. In writing this queer reading of the text, I know that I am not complicit in the construction of these categories and the retelling of these particular tales that further my own marginalization. Like other queers of color, I know that my queer reading is both an act and a call for disidentification. (125)

“I seek to use the raw materials of this decoded text as a means of representing the disempowered politics of queer lives that the film perpetuates through a particular brand of hegemony and heteronormativity promoted with the text and in fact empower the queer lives that the film very strategically patronizes and pathologizes,” he continues. “Such acts might in fact be the core logics of any project that seeks to queer postcolonialism, an act that at once focuses and distinguishes the radical possibilities of being and sounds out voice from the marginalized spaces of nation and state form which such social and political texts promote their particular rhetorics” (126). 

The essay concludes with an epilogue in which Alexander claims “this space to practice voice at the intersection of a nihilistic postcolonial perspective and a homogenizing queer studies” (126). (I’m still not clear what he means by “nihilistic” in this context.) What follows is an attempt at poetry. If social scientists are going to publish poetry, they really need to attend to the craft of writing poetry. It’s not simply a free expression of one’s emotions or ideas. There’s a lot more to it than that. It’s an artistic discipline. It deserves to be treated as one.

In “Indigenous Knowledges in Education: Complexities, Dangers, and Profound Benefits,” Joe L. Kincheloe and Shirley R. Steinberg explore “the educational and epistemological value of indigenous knowledge in the larger effort to expand a form of critical multilogicality—an effort to act educationally and politically on the calls for diversity and justice that have echoed through the halls of academia over the past several decades” (135). This project “seeks an intercultural/interracial effort to question the hegemonic and oppressive aspects of Western education and to work for justice and self-direction for indigenous peoples” (135). “In this critical multilogical context, “ they continue, “the purpose of indigenous education and the production of indigenous knowledge does not involve ‘saving’ indigenous people but helping construct conditions that allow for indigenous self-sufficiency while learning from the vast storehouse of indigenous knowledges that provide compelling insights into all domains of human endeavor” (135).

According to Kincheloe and Steinberg, “indigenous knowledge” refers “to a multidimensional body of understandings,” “a lived-world form of reason that informs and sustains people who make their homes in a local area” and who produce “knowledges, epistemologies, ontologies, and cosmologies that construct ways of being and seeing in relationship to their physical surroundings. Such knowledges involve insights into plant and animal life, cultural dynamics, and historical information used to provide acumen in dealing with the challenges of contemporary existence” (136). Their use of this definition “accounts for the many complexities that surround the term and the issues it raises,” they continue (136). They acknowledge their privilege and that the term “indigenous itself . . . appears to conflate numerous, separate groups of people whose histories and cultures may be profoundly different” (136). “[I]t is not our intent to essentialize or conflate diverse indigenous groups,” they write, and their “definition of indigeneity and indigenous knowledge always takes into account the colonial/power dimensions of the political/epistemological relationship between the indigenous cosmos and the Western world” (136). “[T]he standpoint of colonized peoples on a geopolitics built on hierarchies, hegemony, and privilege is an invaluable resource in the larger effort to transform an unjust world,” they continue (136); I wonder if that statement could be interpreted as somewhat extractive.

“We believe in the transformative power of indigenous knowledge, the ways that such knowledge can be used to foster empowerment and justice in a variety of cultural contexts,” Kincheloe and Steinberg write. “A key aspect of this transformative power involves the exploration of human consciousness, the nature of its production, and the process of its engagement with cultural difference” (136). Indigenous knowledges, they continue, “become a central resource for the work of academics,” and they find it “pedagogically tragic that various indigenous knowledges of how action affects reality in particular locales have been dismissed from academic curricula,” because those knowledges “could contribute so much to the educational experiences of all students” (136). “Our intention is to challenge the academy and its ‘normal science’ with the questions indigenous knowledges raise about the nature of our existence, our consciousness, our knowledge production, and the ‘globalized,’ imperial future that faces all peoples of the planet at this historical juncture” (136). In other words:

We want to use indigenous knowledge to counter Western science’s destruction of the Earth. Indigenous knowledge can facilitate this ambitious 21st-century project because of its tendency to focus on relationships of human beings to both one another and to their ecosystem. Such an emphasis on relationships has been notoriously absent in the knowledge produced in Western science over the past four centuries. (136-37)

“[A]dvocates for indigenous knowledge,” they continue, argue for “the inseparability of academic reform, the reconceptualization of science, and struggles for justice and environmental protection” (137). In addition, Indigenous knowledge shows how academic research can be “directly linked to political action” (137).

In Indigenous studies, “emerging political awarenesses have been expressed in terms of the existence of a global Fourth World indigeneity” (137). Those who argue in favour of this idea suggest that Indigenous peoples share experiences of domination. While “it is important to avoid the essentialist tendency to lump together all indigenous cultures as one,” it is also important to “maintain an understanding of the nearly worldwide oppression of indigenous peoples and the destruction of indigenous languages and knowledges” (137). This “complex dynamic” is the focus of their essay (137).

Kincheloe and Steinberg suggest that “the best interests of indigenous and nonindigenous peoples are served by the study of indigenous knowledges and epistemology” (137). An appreciation of Indigenous epistemology, for instance, “provides Western peoples with another view of knowledge production in diverse cultural sites” which “holds transformative possibilities, as people from dominant cultures come to understand the overtly cultural processes by which information is legitimated and delimited” (137). That awareness might “shake the Western scientific faith in the Cartesian-Newtonian epistemological foundation as well as the certainty and ethnocentrism that often accompany it” (137). This “meta-epistemological context” might result “in a much more reflective and progressive consciousness” that would “encounter the possibility that the de/legitimation of knowledge is more a sociopolitical process than an exercise of a universal form of disinterested abstract reason” (137). However, questioning or rejecting “absolute and transcendent Western reason” need not lead to relativism, which can be avoided “by an understanding of culturally specific discursive practices” (137-38). For example, the Chagga people of Tanzania believe that truth is “a contingent, local epistemology” and “would not claim power via its ability to negate or validate knowledge produced in non-Chagga cultures” (138). According to Kincheloe and Steinberg, “[s]uch an epistemological issue holds profound social and political implications, for it helps determine the power relations between diverse cultural groups” (138). “In this reconceptualized, antifoundational epistemological context, analysts must consider the process of knowledge production and truth claims in relation to the historical setting, cultural situatedness, and moral beliefs of the reality they confront,” they write. “Such understandings do not negate our ability to act as political agents, but they do force us to consider our political and pedagogical actions in a more tentative and culturally informed manner” (138). As a result, Indigenous and non-Indigenous peoples might find it possible “to enter into a profound transformative negotiation around the complexity of these issues and concepts—a negotiation that demands no final, end-of-history resolution” (138).

“Our point here is on one level quite simple—humans need to encounter multiple perspectives in all dimensions of their lives,” write Kincheloe and Steinberg (138). “This concept of multilogicality,” they continue, “is central to our understanding of indigenous knowledges” (138). “A complex science is grounded on this multilogicality,” and in a recognition of this multilogicality, “we begin to see multiple causations and the possibility of differing vantage points from which to view a phenomenon” (138). The place from which one observes shapes what one sees, they continue, noting that this “standpoint epistemology” suggests that “the assumptions or the system of meaning making the observer consciously or unconsciously deploys shape the observation” (138). This notion “shapes social analysis, political perspectives, knowledge production, and action in the world” (138). “A multilogical epistemology and ontology promotes a spatial distancing from reality that allows an observer diverse frames of reference,” and in this “multiplex, complex, and critical view of reality, Western linearity often gives way to simultaneity, as texts”—why only texts?—“become a kaleidoscope of images filled with signs, symbols, and signifiers to be decoded and interpreted” (139). 

“The transformation of Western consciousness via its encounter with multilogicality vis-à-vis indigenous knowledges takes on much of its importance in relation to a more humble and empathetic Western perspective toward indigenous peoples and their understandings of the world,” Kincheloe and Steinberg continue (140). This perspective will lead to a greater understanding of colonialism. “It will be the responsibility of social and political activists all over the world to translate these awarenesses into concrete political actions that benefit indigenous people” as “informed allies” (140). “[I]ndigenous knowledge studies . . . can facilitate indigenous people’s struggle against the ravages of colonialism,” they continue (140). In addition, “a transformed social science would involve the pedagogical task of affirming indigenous perspectives, in the process of reversing the disaffirmations of the traditional Western, social scientific project,” in part by making use “of a variety of previously excluded local knowledges” which “could be deployed to rethink the meaning of development in numerous locales where various marginalized peoples reside” (141). Such knowledge could help Indigenous peoples to “move closer to the possibility of solving their problems in their own ways” (141). 

Nevertheless, non-Indigenous researchers who care about the effects of colonialism on Indigenous peoples “are faced with a set of dilemmas”: “Not only must they avoid essentialism and its accompanying romanticization of the indigene, but they must also sidestep the traps that transform their attempts at facilitation into further marginalization” (141). Those researchers must keep asking themselves the question, “How can the agency, the self-direction of indigenous peoples be enhanced?” (141). They must also remain aware of the difference between celebration and appropriation of Indigeneity (141). The study of Indigenous peoples and their knowledges can become a process of Europeanization, “as Western intellectuals conceptualize indigenous knowledge in contexts far removed from its production” (141). However, those intellectuals “have little choice: if they are to operate as agents of justice, they must understand the dynamics at work in the world of indigenous people” (141-42). When Indigenous knowledges are conceptualized as “ethnoscience” by non-Indigenous researchers—Indigenous botany seen as “ethnobotany,” for example,” Indigenous knowledge is seen as “culturally grounded,” while Western science remains “transcultural and universal” (142). Indigenous knowledge is thus relegated to “a lower order of knowledge production” (142). In addition, seeing Indigenous knowledge in disciplinary terms taken from the Western academy (botany, pharmacology, medicine, and so on) “is to inadvertently fragment knowledge systems in ways that subvert the holism of indigenous ways of understanding the world” (142). In this way, Indigenous knowledge ends up “tacitly decontextualized, severed of the cultural connections that grant it meaning to its indigenous producers, archived and classified in Western databases, and eventually used in scientific projects that may operate against the interests of indigenous peoples” (142). This extractive process destroys the dynamic quality of Indigenous knowledge. In addition, Western researchers often insist on testing the viability of Indigenous knowledge through scientific procedures, which shows the “Western disregard of the need to protect and perpetuate the cultural systems that produce dynamic indigenous knowledge” (142).

“How do we deal with the understandable tendency within indigenous studies to lapse into essentialism?” Kincheloe and Steinberg ask (142). Notions of “essentialist authenticity” that romanticize Indigenous cultures by freezing them at some point in the past are myths “that must be buried along with other manifestations of essentialist purity” (142-43). “Without such burial, indigenous cultures are discouraged from shifting and adapting, and indigenous knowledges are viewed simply as sacred relics fixed in a decontextualized netherland,” they write. “Our examination of indigenous knowledge attempts to enlarge the space” for dialogue between Indigenous and non-Indigenous knowledges, “denying the assertion of many analysts that European and indigenous ways of seeing are totally antithetical to one another. These cultural and epistemological issues are complex, and our concern is to avoid essentialist solutions by invoking simplistic binary oppositions between indigeneity and colonialism” (143). Such an “either-or approach leaves little room for dialogue, little space to operate. Counteressentialist views of indigenous knowledge understand the circulation of culture, the reality of ‘contamination’” (143). If cultures as seen “as interrelated networks of localities,” they will be understood as “shaped and reshaped by boundary transgressions,” and therefore any claims about cultural purity will be obviated (143). So too will assertions of fixed, stable Indigenous identities. “In our multilocal understanding of indigenous knowledge, we maintain that all identities are historically constructed, always in process, constantly dealing with intersections involving categories of status, religion, race, class, and gender,” they write, noting that this notion of hybridity “is conceptually unsettling” (143). While this claim is probably true, it neglects to attend to the tremendous power imbalance that has characterized 500 years of colonialism and genocide in the Americas. 

“Our counteressentialist imperatives must always be understood within the framework of our valuing the diverse perspectives of indigenous peoples and our understanding of the continuing marginalization of their cultures and their perspectives,” they continue. However, “[h]aving made this antiessentialist argument, it is still important to note that within indigenous communities, the concept of essentialism is sometimes employed in ways significantly different than in the anti/postcolonial critical discourses of transgressive academics around the globe,” for strategic purposes and “in relation to spiritual dynamics involved with one’s genealogical connection to the Earth and its animate and (in Western ontologies) inanimate entitles” (144). 

The “epistemological tyranny” of the Western academy “subverts multilogicality,” Kincheloe and Steinberg write. “In this context, the notion of indigenous knowledge as a ‘subjugated knowledge’ emerges to describe its marginalized relationship to Western epistemological and curricular power,” they suggest, and “the term subjugated knowledge asserts the centrality of power in any study of indigenous knowledge and any effort to include it in the academy” (144-45). Nevertheless, “[w]hen Western epistemologies are viewed in light of indigenous perspectives”—particularly perspectives on the genocide of colonialism—“Western ways of seeing . . . cannot remain the same” (145). “In the reconceptualized academic curriculum that we imagine, indigenous/subjugated knowledge is not passed along as a new canon but becomes a living body of knowledge open to multiple interpretations,” they continue (145). However, it’s important that Indigenous knowledge not only been seen “through the lens of subjugation” (145). “No doubt the dance connecting the celebration of the affirmative dimensions of indigenous cultures, engaging in humor in the midst of pain, and fighting against mutating forms of colonial oppression is a delicate and nuanced art form—but it is one worth learning,” Kincheloe and Steinberg contend. “In this complex space, we begin to understand the value of understanding and developing multiple ways of viewing the power and agency of indigenous peoples and the brilliant knowledges they produce” (146). Those of us who are not Indigenous “learn to listen quietly in such contexts” (146). “As indigenous peoples tell their stories and rethink their histories, it is the duty of critical multilogical historians to listen carefully and respectfully,” they continue, and in doing so, we “can become not only better allies in the indigenous struggle against colonial subjugation, for social justice, and for self-determination,” but we can become better researchers (147). From here, Kincheloe and Steinberg outline the educational benefits that come from analyzing academic practices in the context of Indigenous knowledges (147). We will rethink our purposes as educators; consider the ways knowledge is produced and legitimated; create a more just and inclusive academy; gain new levels of insight; and demand that educators at all levels become researchers as well (147-50). 

A “critical multilogical analysis of indigenous knowledge is an examination of how different peoples construct the world,” although “such an epistemological study cannot be conducted in isolation, for any analysis of indigenous knowledge brings up profound political, cultural, pedagogical, and ethical questions that interact with and help shape the epistemological domain” (150). For that reason, questions like “what is indigenous knowledge, and why should we study it?” don’t “lend themselves to easy and concise answers” (150). That complexity is the result of the need to avoid essentialism (150). However, researchers describe Indigenous knowledges as forms of knowledge “produced in a specific social context and employed by laypeople in their everyday lives,” rather than by researchers “in archives or laboratories” (150). Indigenous peoples “produce forms of knowledge that are inseparable from larger worldviews” (150). “All knowledges are related to specific contexts and peoples,” but, they ask, “what context, and what peoples?” (151). “Cartesian-Newtonian-Baconian epistemologies and many indigenous knowledge systems differ in the very way that they define life—moving, thus, from the epistemological to the ontological realm,” they continue. “Many indigenous peoples have traditionally seen all life on the planet as so multidimensionally entwined that they have not been so quick to distinguish the living from the nonliving” (151). At what point do humans become separate from the oxygen they need to survive, from the water and food they must consume? A belief “that the rivers, mountains, land, soil, lakes, rocks, and animals are sentient may not be as preposterous as Westerners first perceived it,” since “all these sentient entities nurture human beings, and it is our role as humans to nurture them” (151). This idea reflects “a way of knowing and being that is relational” (151). The knowledge this epistemology and ontolology generates is “holistic, relational, and even spiritual,” and “the Eurocentric epistemology of studying, knowing (mastering), and then dominating the world” seems, in that context, “frighteningly out of place, as it upsets the sacred kinship between humans and other creations of nature” (151). “The indigenous epistemologies referenced here are not uncomfortable with a lack of certainty about the social world and the world of nature, for many indigenous peoples have no need to solve all mysteries about the world they operate with and in,” they assert (151).

Critiques of science tend not to come from scientists but from outsiders, Kincheloe and Steinberg suggest (151-52). Their intention “is to make the argument that a scholarly encounter with indigenous knowledge can enrich the ways we engage in research and conceptualize education while promoting the dignity, self-determination, and survival of indigenous people. . . . familiarity with indigenous knowledge will help academics both see previously unseen problems and develop unique solutions to them” (152). Yet if that knowledge is approached in an extractive way, the results may not be positive, they suggest. “Understanding this admonition, we frame indigenous knowledge not as a resource to be exploited but as a perspective that can help change the consciousness of Western academics and their students while enhancing the ability of such individuals to become valuable allies in the indigenous struggle for justice and self-determination,” they write (152). Indigenous knowledge is potentially revolutionary and transformative; it could lead to “an approach to knowledge production that synthesizes ways of knowing expressed by the metonymies of hand, brain, and heart” (152). Thy would like to begin a conversation with Indigenous knowledge that “leads to a reconceptualization of the Western scientific project and Western ways of being-in-the-world around issues of multiple ways of seeing, justice, power, and community” and that “challenges the epistemological foundations of the ethnoknowledge known simply as science” (152). (Does the term “ethnoknowledge” mean they have abandoned their earlier critique of the use of that prefix?) By studying Indigenous knowledge, “Western scientists come to understand their work in unprecedented clarity,” and that clarity can lead to seeing similarities between Indigenous knowledges and some conventional forms of feminism or critical theory (153). 

Those examples point to a problem in Kincheloe’s and Steinberg’s argument: the claim that social science is science in the same way that biology or chemistry or physics is science. Does economics, for example, use the same methods as biology? Really? Would scientists agree with such a claim? The scientists I know would laugh at it. Those of us who aren’t trained in the sciences should be careful about the kinds of claims we make about scientific knowledge and the scientific method. After all, vaccines work for everyone, regardless of their cultural background, don’t they? I would be much more comfortable with this argument if the authors were clearly talking about social science research, since that’s what they know and what they practice. No doubt biology and chemistry have led to oppression and harm as well, but shouldn’t researchers more familiar with the scientific method engage in critiques of science? I don’t believe that all such critiques come from outside the scientific disciplines.

“Our goals as educators and researchers operating in Western academia is to conceptualize an indigenously informed science that is dedicated to the social needs of communities and is driven by humane concerns rather than the economic needs of corporate managers, government, and the military,” Kincheloe and Steinberg conclude. “Much too often, Western science is a key player in the continuation of Euro-expansion projects that reify the status quo and further the interests of those in power” (153). The authors advocate a dialogue between Western science and Indigenous knowledges, one that would lead to the redrawing of scientific boundaries and that would open the eyes of Western researchers “to the political and cultural forces at work in all scientific labor” (154). That dialogue would “reduce the ugly expression of epistemological xenophobia and the essentialism it spawns” (154-55). It would also lead to an acknowledgement of the way that the “cultural orientations and values” of non-Indigenous researchers “can do great harm to indigenous peoples” (155).

“Do You Believe in Geneva? Methods and Ethics at the Global-Local Nexus,” by Michelle Fine, Eve Tuck, and Sarah Zeller-Berkman,” begins with a description of their participatory action research projects and states the authors’ intention to “cast a critical eye” on that research “through the lens of Indigenous knowledge” (157). “We invite a conversation about participatory methods, oscillating at the global-local pivot, by commuting between three kinds of texts,” they write:

participatory and Indigenous writings on method, online exchanges of an international discussion group of participatory researchers we convened, and collaborative work we have undertaken with the Global Rights coalition of youth activists. Across texts, we interrogate the dialectics of method that erupt as critical youth work digs deep into local places and travels cautiously across the globe. We end with suggestive thoughts for activist scholars inquiring with youth in a place, across places and then those who dare to trace global footprints of domination and resistance. (158)

They recall a Global Rights youth training session on participatory action research, one intended to produce a document that could be used to lobby for reform at the United Nations Commission on Human Rights in Geneva, Switzerland, and note that there was a “palpable tension” that could be felt “in the distinct goals of global and local work” (158). The youth wanted to be heard and to affect public policy, but at the same time, they wondered how the research would help their families and communities (158-59). That tension seems to be the “pivot” they described earlier.

“One of our methods for writing this chapter has been to pay close attention to what, in our quilted discourse, can serve as a metaphor and what cannot,” they write (159). They are particularly upset by the metaphorical use of words like decolonization and Indigenous (not surprisingly, given Tuck’s work with K. Wayne Yang). “Rather than lines drawn in the sand,” they write, “these are instead reminders of the slippery surface of language, the seductive pull of solidarity, and the terrific sloppiness with which we make names and claims under imperialism” (159):

Both those who are served by domination and those who are committed to social justice, seeking solidarity among oppressed peoples, engage in the too common practice of taking on the charged, contextualized, experienced words of brilliant communities and stretching them to fit inside their own mouths and own communities. On one hand, we recognize the assimilationist, exploitive tradition that is at work behind this practice and recognize that there are some who always feel entitled to scoop out the most on-point language and plant it in their work. . . . We urge our readers and remind ourselves to resist the appropriation of pain and language of Indigenous peoples and other oppressed peoples. (159)

“On the other hand,” they continue, “there are some ideas that speak so poignantly to issues of maldistributed power that our work across space, across time, across disciplines is deepened, thickened, by being compelled by them into practice” (159). “Colonization and sovereignty,” as prerequisites for democracy, “are examples of those ideas” (159). 

Being Indigenous is not a metaphor, they write. “Those of us who are Indigenous have experienced the everyday realities of continued colonization, which has shaped the ways in which we think of ourselves, one another, and the ‘whitestream’ and the ways in which we write, speak, and come to research,” they continue. “Those of us who are not Indigenous have been profoundly shaped by our witnessing of colonization, by our roles as accomplices, abettors, exploiters, romanticizers, pacifiers, assimilators, includers, forgetters, and democratizers. Indigenous knowledge and experiences are markedly different from local knowledge” (159-60). I like the way that the authors do not allow their non-Indigenous audience to escape involvement in colonialism, and it’s clear that they are making a distinction between Indigenous knowledge and local knowledge; the latter must include what I am taking to be the false knowledge of the “whitestream” (they cite Sandy Grande as the source of that term). Colonization is not a metaphor either, but it “can be a lens through which to understand not only the rez but also the ghetto, the windswept island, the desert, the suburbs, the gated communities, and the country club” (160)—everything, in other words. “Understanding colonization as the primary relationship between the United States and oppressed peoples makes us know that decolonization involves not only bodies but also structures, laws, codes, souls, and histories,” they contend, citing Linda Tuhiwai Smith (160). (Who said decolonization would only involve bodies? Are the authors responding to an actual argument here?) 

Geneva in this text represents the opposite pole to the one represented by Indigenous communities and local communities (I thought they were drawing a distinction between Indigenous and local?). They resist the local to global hierarchy, they write, “framing this relationship as the global-local nexus,” because “[s]pace is not a metaphor” (160). (Who said space was a metaphor? What argument are they addressing?) 

The point of this essay, the authors continue, is “to carve out moments of conversation between participatory action research and Indigenous writings while refusing the paper over the tough differences” (160). They go on to explain what participatory action research, or PAR, is:

Participatory methods respond to [contemporary] crises in politics by deliberately inverting who constructs research questions, designs, methods, interpretations, and products, as well as who engages in surveillance. Researchers from the bottom of social hierarchies, the traditional objects of research, reposition as the subjects and architects of critical inquiry, contesting hierarchy and the distribution of resources, opportunities, and the right to produce knowledge. (160-61)

“While all PAR projects are constructed to speak critical truths to those in power,” they write, “some commit to writing academic scholarship, whereas others spawn organizing brochures, speak-outs, poetry, videos, popular youth writings, spoken word performances, theater of resistance, or maybe just a safe space free from toxic representations” (161). Their projects “have been place based,” and focused on the experiences of young people in a range of schools (161). “We believe in the significance of working doggedly, in a place, with local history, context, and struggle under your fingernails, and we believe that across places, youth inquiry and resistance can be fueled by global connections and contentions,” they suggest (161). In addition, they “assert that some knowledge carried in oppressed and indigenous communities should not be reported or documented; it is not to be known by those outside of the local community—that sacred local knowledges can be defiled and that research has, for too long, been the ‘neutral’ handmaiden of knowledge commodification” (161).

Now the authors return to the Global Rights training session, “a place where the air of global possibility and colonial danger filled the room” (161). The group of young people decided, after three days of work, that it was more important to “speak back to their home communities” than it was to try to get the attention of the United Nations (162). “Breathing in the power of possibility, our eyes stung . . . at the treacherous contradictions that lay at the global-local intersection,” and since that event, they “have been thinking hard about the dialectics of method tucked into the folds of global-local work” (162). “We take up four of these dialectics, to provoke imagination for method, to spark a conversation, to invite participatory inquiry that privileges the local while stretching thoughtfully toward to global,” they state (162). Those dialectics are:

preserving the right to “difference” in human rights campaigns devoted to universal access, documenting the history and geography of privilege as well as pain, nesting research inside grounded struggles for sovereignty that must be addressed before claims of democracy can be voiced, and articulating the obligations to local audience and local use when “jumping scale” toward global analysis. (163)

Those dialectics are the focus of most of the remainder of the essay.

The authors begin with difference and access, noting that “the discourse of human rights’ struggles for universal ‘access’ to education can silence or homogenize local demands for ‘difference’” (163). Some young people wanted to be educated only with others from their linguistic or cultural communities; others wanted to be educated with students from outside those communities. Some saw English instruction as liberatory; others saw it as imperialism. If groups do not seek access to dominant institutions, then how can discrimination be corrected while building difference into the remedy? (163). “The question of ‘difference’ looms large and clumsy, often silenced, in conversations for access to education, health care, housing, work, or even marriage rights, especially as researchers seek to document exclusion and policy makers/advocates seek remedy for all,” they write. “It is not easy to hold the notion of ‘difference’ in your head while trying to measure or ‘correct’ injustice systematically” (163). The young people divided into smaller groups and tried to develop surveys about different aspects of injustice in education. One group was developing questions about the things that kept students from completing school. They came up with a long list, and were asked to choose which questions had breadth—that is, which ones spoke “to the wide variety of reasons students did not complete their schooling”—as well as depth—which spoke “to the intimacy of politics of injustice” (164). There was little agreement about which questions were most important, and in the end, the youth “decided to pose the questions on the survey so that the ones being surveyed had the opportunity to prioritize the issues that kept them from completion” (164). Given the distinct histories, politics, and desires of each community, conversations about ‘difference’ deserve to be aired, not suffocated, at the global-local nexus,” the authors state:

Demands for “access” cannot mute noisy, contentious, sometimes divisive discussions of “difference.” Damage is done when remedies to injustice are universalized. Oppression is fortified when the knowledge for solutions is homogenized. Commitments to access must always be welded to equally strong commitments to difference. (164-65) 

I wonder, though, how much difference can be included in remedies to injustice. Does the conclusion the authors reach suggest that each community needs to come to some kind of consensus? What if that’s not possible? How many schools, to use their example, can exist in a small community? What if some young people aren’t interested in completing their education? What happens then? The goal of understanding difference in questions of access is a noble one, but what would it look like in practice?

Next is the need to look at both the privileged and the oppressed. They wanted to “study privilege as well as those who have been denied,” because “[u]nless the very classed, gendered, ethnic, and racialized formations of accumulated capital are documented—not just the ‘damage’ of those who pay the dearest price for globalized injustice—social analyses run the risk of obscuring the architecture and mechanisms of social oppression; we collude in the presumption that ‘merit’ and privilege are trouble free” (165). They asked, “how do we map the geography and distribution of pain and privilege—who has it? What does it look like? How is it reproduced? Where is it hidden? Whose sacred knowledge deserves to be protected, and whose deserves to be exposed?” (165). Given the authors’ emphasis on knowing when metaphors are being used, it seems appropriate to note that “map” here is a metaphor.

Each young person in the group was to travel home with a survey to be “administered to 50 males and females from the ‘dominant’ group and 50 from the ‘marginalized’” (165). However, “on the ground, the constructs of privileged and marginalized (like discrimination) splintered” (165). The divisions and the number and range of unanswered (perhaps unanswerable?) questions were so great that the idea of a survey was abandoned. “[W]e had a hard time ‘operationalizing’ privilege,” the authors state (165). “Social scientists do not have easy methods for documenting the material, social, and psychological circuits of privilege—policies and practices of hidden/denied/outsourced ownership, accumulation, exploitation, embodiment, and reproduction of privilege,” they continue (166). “To gather up this evidence about privilege requires far more than simple self-report: digging deep, investigating behind, and lifting the skirts of privilege to view beneath and under dominants’ coattails, families, bank accounts, stock portfolios, sexual liaisons, pornographic Web sites, drug use, and ‘cleaned’ police records,” they write, citing examples of such research (166). 

“Documenting the geography of pain, the shameful twin of privilege, may appear to be a somewhat easier task, but here we bump into issues of personal and community ethics and vulnerability,” the authors contend (166). “It may be (relatively) easy for researchers to document the quantitative indicators of raw deprivation—in illness and mortality rates; access to hospitals, medical personnel, and insurance; number of teachers; schools; books; and literacy rates,” they continue (167). “But questions of intimate subjectivities of deprivation and the collateral damage of psychic violence are harder and more consequential to capture and, in some audiences, more likely to be resisted, too painful to hear, too costly to speak” (167). Some of the young people wanted to stay quiet about these issues; others wanted to speak. “What constitutes ‘sacred knowledge’ or sovereignty in one community, or by some members of one community, may indeed by the primary purpose for the research in another,” they continue (167). And not just members of a community, either; let’s not forget that individuals (like the young people in the training session) may, for their own reasons, want to speak or remain silent. “In participatory work, some of the ‘trickiest’ conversations circled around pain, vulnerability, and damage, asking who gets to have a private life and whose troubles are public,” the authors conclude:

What can be included in the net of “evidence” of social oppression? What will be used against my community, as we document histories of colonization? Do we ever get to reveal the pathology of the rich, their drug abuse, violence against women, and corporate and environmental violence enacted by elites? These are indeed hard calls and not ones that participatory researchers should make alone. The power of global analysis is, perhaps, to be able to speak the unspeakable without vulnerability. This is yet another rub and the intersection of privilege, pain, and outrage, at the global-local nexus, where a set of important conversations with youth are waiting to be hatched. (167)

I’m losing the sense of the “global-local nexus” here, for some reason. Would revealing a community’s difficulties (the local level) help that community? Wouldn’t the community already have a sense of those problems? How would revealing those difficulties to policy makers (the global level) reduce the vulnerability of those making the revelations? I don’t understand. Besides, don’t we get some sense of the various pathologies of the rich in stories like the ones about Jeffrey Epstein’s circle of friends? Don’t we know about corporate and environmental violence? I see the point the authors are raising in this section, but am confused by the language in the conclusion they draw from it.

The dialectic between sovereignty and democracy is the essay’s next topic. Some of the young people at the Global Rights workshop were Indigenous, and their “experiences spoke to the complexity of a human rights-based campaign for the end of educational discrimination at the hands of governments that do not respect Indigenous sovereignty” (167). They saw the plan that was being produced by the group “as being severely mitigated by long histories of colonization and assumptions of equal opportunities and immunities to the dangers of transgression” (167-68). The authors came to the conclusion that there is no democracy without sovereignty. “The struggle for sovereignty is a real, experienced struggle for tribal and detribalized people,” and the existence of that struggle “could be perceived as a threat to the fantasies we are taught to have about ourselves: sovereignty and the self-determined political, cultural, social status that Indigenous peoples all over the world demand from the governments that have otherwise attempted to absorb or destroy them, through a coarse eye that reads as separatism” (168). “Sovereignty, complicated yet crucial to democracy in practice, is at the heart of how we as researchers and storytellers attend to our data,” they continue (169). “At the heart of participatory research lies a desire to resuscitate democracy as a whole, and yet this is an important historic moment to (re)consider democracy,” they suggest:

Democracy has been and is being waged on our bodies, in our names, as an occupying force. It has been exposed by Indigenous thinkers as an ideology that thwarts Indigenous interests and maintains the privilege of the power elite. The practice of democratizing has been a practice of desecration, of burning down, of forgetting, of watching home-language speakers’ mouths with soap, of forced removal, of denial, of deprivation, of depletion. (169)

“Thus, the work of those involved in participatory research with youth to reclaim and reframe democracy is a vulnerable yet pivotal endeavor,” they write. “What, then, does it mean for us involved in this endeavor to take sovereignty seriously as a prerequisite to democracy?” (170). 

What it means, they state, is “that each participant in our research has sovereign rights,” and that “[s]overeignty as a prerequisite to democracy involves the cease-and-desist of Eurocentric, colonizing power formations” (170). It also “calls for us to mind what is sacred,” including the right to keep sacred knowledge private” (170). And it involves “the right to complex personhood,” meaning that everyone remembers and forgets, is “beset by contradictions,” recognizes and misrecognizes themselves and others, and lives lives that “are simultaneously straightforward and full of enormously subtle meaning” (A. Gordon, qtd. 170). “Sovereignty with a commitment to the rights of complex personhood does not defy democracy,” the authors conclude; “it is a requirement” (171).

The fourth dialectic is that between obligations to communities and others, and the demand to “‘jump scale’ to document global circuits of hegemony and resistance” (171). In that shift—from the local to the global—“the question of obligation to whom, accountability for what, and being grounded where grew more diffuse,” the authors state. “As local projects coagulated toward a vague sense of the global, images of audience and purpose blurred. To whom, for what, with whom, and toward what end to we create materials, products, scholarly documents, performances, exhibitions, and/or protests for global analysis?” (171). “First and foremost,” they state,

we caution that it is necessary that those of us who desire to leap between local participatory and global analyses build, self-consciously and transparently, mechanisms of participation so that our work remains situated, even if multisituated, and accountable to place. Global or cross-site work must remain nonhierarchical and have integrity with home spaces. Global research must remember, always, that the local is its mother. (172)

As is so often the case, I find that call would be more effective with an example of such “mechanisms of participation.” The suggestion that “we need to be listening for the whispers over coffee breaks, in informal spaces, that speak to the fear that local demands are being passed over for concepts far more grandiose and unclear” (172) is hardly a description of a “mechanism.”  The second obligation is avoiding homogenization; the third is thinking about the interrelations between struggles in different places, and the final obligation has to do with “the delicate ethics and responsibilities of PAR researchers—having access to and responsibility for local knowledge and action” (173). There are also “opportunities of scale,” they suggest, that may conflict with the need to be responsible to communities (174). “Traditional notions of generalizability are deliberately troubled in our work—as they should be,” they write. “But they are not discarded. The question of generalizability is perhaps one of the most vexing and difficult questions in critical inquiry” (174). They call for “an intersectional generalizability—work that digs deep and respectfully with community to record the particulars of historically oppressed and colonized peoples/communities and their social movements of resistance, as well as work that tracks patterns across nations, communities, homes, and bodies to theorize the arteries of oppression and colonialism” (174). I’m not convinced that call answers the questions they are asking. The local is “the foundational base for building toward a global framework” (175), but does that resolve the conflict they have described between the local and the global? I don’t have to worry about that kind of conflict—I’m not a social scientist and probably won’t make generalizations based on my work—but if, for instance, some communities want everything kept private and don’t want researchers to publish their results (one of the examples they provide), how could one respect those desires while trying to generalize from that research? I don’t think one could generalize at all, in that situation. Perhaps there’s no need to generalize—it’s not common in humanities disciplines, for instance, which tend to focus on specific texts without making larger claims.

In their conclusion, Fine, Tuck, and Zeller-Berkman state, 

We recognize that for each of these dialectical relations—access/difference, privilege/pain, democracy/sovereignty, global/local—there is an ideological valence, a gendering, racializing, and classing, attached to the split elements. Each prior element—access, privilege, democracy, and global—signals “modern.” Each latter element—difference, pain, sovereignty, and local—embodies “backward” or conservative. (175)

How do “pain” and “sovereignty” suggest backwardness? I don’t understand. They continue:

Democracy, access, privilege, and globalization are big ideas, associated with men, Whiteness, and progress. Calls for sovereignty, difference, pain, and the local weigh down people and movements. They are carried in the bodies of women, people of color, poor people who are viewed as holding back, resistant or ignorant of what is in their best interest. (175)

Participatory action research, they write, “must not only refuse these binaries and the associated valences but also must aggressively trouble the splitting as a form of political (and methodological) dissociation” (175-76). “At the heart of participatory design lies a recognition that when the stubborn particulars of local context . . . are disregarded, globalized justice research becomes another act of colonization,” they argue. “When difference, local, sovereignty, and pain are dissociated from global movements, justice campaigns simply fly above embodied lives and burning communities” (176). And yet in these dialectics is the “possibility for radical work to be opened up, reconceived, unleashed, or—sometimes—placed away for sacred keeping. This is where critical and indigenous work joins, even as they tip toward very different sensibilities in praxis” (176). “Struggle is ongoing; global provocation is powerful, but home is where we live,” they conclude, and proof or evidence is “only one resource that must be brought to bear in a long, participatory mark toward social justice” (176). 

Although my intention was to read all of the essays in this anthology, I skipped the last two of the first section, because they focus on critical pedagogy, and I’m not interested in pedagogy because I’m not doing research on education. Still, a lot is happening in the essays I did read, although I’m not sure that my initial response to the book’s introduction—a caution regarding the possibility of bringing Indigenous and non-Indigenous methodologies into dialogue—has changed. I still think that bringing those two different ways of thinking and doing together would be difficult for all kinds of reasons. I feel the same about appropriations of the word “queer” by straight academics as a metaphor. But at least now I have a sense of how Denzin and Lincoln might have been using the word “performance” in the introduction. That’s one mystery solved (perhaps). 

Works Cited

Denzin, Norman K., Yvonna S. Lincoln, and Linda Tuhiwai Smith, eds. Handbook of Critical and Indigenous Methodologies, Sage, 2008.

Springgay, Stephanie, and Sarah E. Truman. Walking Methodologies in a More-than-Human World: WalkingLab, Routledge, 2018.

Tuck, Eve, and K. Wayne Yang. “Decolonization Is Not a Metaphor.” Decolonization: Indigeneity, Education, & Society, vol. 1, no. 1, 2012, pp. 1-40. https://www.latrobe.edu.au/staff-profiles/data/docs/fjcollins.pdf.

Watts, Vanessa. “Indigenous Place-Thought & Agency Amongst Humans and Non-Humans (First Woman and Sky Woman Go On a European World Tour!).” Decolonization: Indigeneity, Education & Society, vol. 2, no. 1, 2013, pp. 20-34.

111. Vanessa Watts, “Indigenous Place-Thought & Agency Amongst Humans and Non-Humans (First Woman and Sky Woman Go On a European World Tour!)”

watts place-thought.jpg

I came across a reference to this article in Stephanie Springgay’s and Sarah E. Truman’s Walking Methodologies in a More-Than-Human World: WalkingLab, one of many texts they refer to that have resonance for my own work. Watts begins with two creation stories: the Haudenosaunee story of Sky Woman, and the Anishinaabe story about the Seven Fires of Creation. “Before continuing, I would like to emphasize that these two events took place,” Watts states. “They were not imagined or fantasized. This is not lore, myth or legend. . . . This is what happened” (21). I have to admit that I stumbled over those sentences, because although I agree that creation stories are significant, I don’t take them literally, as Watts does. For one thing, all creation stories can’t literally be true. And I’m not elevating the Christian story told in the Book of Genesis above Indigenous creation accounts by taking it literally, either, although that story, as Watts points out, has had serious consequences. The creation stories Watts relates have important consequences as well: they have enabled a cosmology of relationality that is very different from the separation between humans and the world that is constructed in Genesis.

Watts suggests that these two creation stories “focus on a common historical understanding of the origin of the human species—the spiritual and the feminine”; they “speak to the common intersections of the female, animals, the spirit world, and the mineral and plant world” (21). Both stories “describe a theoretical understanding of the world via a physical embodiment—Place-Thought” (21). This is the central term in Watts’s article. “Place-Thought is the non-distinctive space where place and thought were never separated because they never could or can be separated,” she writes. “Place-Thought is based upon the premise that land is alive and thinking and that humans and non-humans derive agency through the extensions of these thoughts” (21). Because of the centrality of Place-Thought within Indigenous world views, “Indigenous perceptions of whom and what contributes to a societal structure are quite different from traditional Euro-Western thought,” which is focused on the actions of human beings, and in which “we can see the emergence of non-humans being evaluated in terms of their contributions to the development and maintenance of society”—that is, human society (21). “This article will examine how agency circulates inside of two different frames: Place-Thought (Haudenosaunee and Anishnaabe cosmologies) and epistemological-ontological (Euro-Western frame,” Watts writes, noting that her intention is “both to emphasize a differentiated framing of Indigenous cosmologies as well as to examine our rich and intelligent theories found in these cosmologies” (21). Watts is particularly interested in “what the land’s intentions might be, and how she tries to speak through us,” and in resisting “the colonial frame” by imagining and striving for the “original instructions” given to Indigenous peoples, which are located in what Susan Hill calls “the ‘pre-colonial mind’” (22). These stories, then, are both cosmologies and resistance to colonization.

“Colonization is not solely an attack on peoples and lands,” Watts continues; “rather, this attack is accomplished in part through purposeful and ignorant misrepresentations of Indigenous cosmologies” (22). “Frameworks in a Euro-Western sense exist in the abstract,” she writes. “How they are articulated in action or behavior brings this abstractions into praxis; hence a division of epistemological/theoretical versus ontological/praxis” (22). In Haudenosaunee or Anishnaabe framework, however, “our cosmological frameworks are not an abstraction but rather a literal and animate extension of Sky Woman’s and First Woman’s thoughts; it is impossible to separate theory from praxis if we believe in the original historical events of Sky Woman and First Woman” (22). The complex theories of Indigenous people, then, “are not distinct from place” (22). Watts provides a visual representation of these two separate framings. The Haudenosaunee or Anishnaabe framing is circular: it moves from Spirit, to Place-Thought, which determines agency within creation; societies and systems become extensions of that agency, creating an obligation to communicate, which leads back to Spirit (22). In contrast, Euro-Western framing is linear. It begins with a divide between epistemology and ontology, between knowing and being; that separates constituents for the world from how the world is understood, limiting agency to humans, and creating an “[e]xclusionary relationship with nature” (22). This representation is “a depiction of the crucial differences between Indigenous and Euro-Western processes” (23). In the Haudenosaunee or Anishnaabe framing, land is animate. Being animate “goes beyond being alive or acting, it is to be full of thought, desire, contemplation and will,” she writes:

It is the literal embodiment of the feminine, of First Woman, by which many Indigenous origin stories find their inception. When Sky Woman falls from the sky and lies on the back of a turtle, she is not only able to create land but becomes territory herself. Therefore, Place-Thought is an extension of her circumstance, desire, and communication with the water and animals—her agency. Through this communication she is able to become the basis by which all future societies will be built upon—land. (23)

Sky Woman, Watts continues, “becomes the designer of how living beings will organize upon her,” a process that scientists call ecosystems or habitats (23). “However, if we accept the idea that all living things contain spirit, then this extends beyond complex structures within an ecosystem,” she writes. “It means that non-human beings choose how they reside, interact and develop relationships with other non-humans. So, all elements of nature possess agency, and this agency is not limited to innate action or causal relationships” (23). 

For this reason, “habitats and ecosystems are better understood as societies from an Indigenous point of view; meaning that they have ethical structures, inter-species treaties and agreements, and further their ability to interpret, understand and implement” (23). Non-humans are active members os that society, and “they also directly influence how humans organize themselves into that society” (23). “The structure of societies is demarcated by territory, which again, is an extension of Sky Woman’s original circumstance,” Watts writes. “She is present in the relationships between humans and humans, humans and non-humans, and non-humans and non-humans” (23). Thus, human thought and action are “derived from a literal expression of particular places and historical events in Haudenosaunee and Anishnaabe cosmologies,” and places possess agency that is similar to the agency that Euro-Western thinkers locate in human beings (23). Indigenous people are therefore “extensions of the very land we walk upon,” and they “have an obligation to maintain communication with it” (23). If Indigenous peoples do not care for the land, they run the risk of losing who they are as Indigenous peoples: 

When this warning is examined in terms of original Place-Thought, it is not only the threat of lost identity or physical displacement that is risked but our ability to think, act, and govern becomes compromised because this relationship is continuously corrupted with foreign impositions of how agency is organized. Colonization has disrupted our ability to communicate with place and has endangered agency amongst Indigenous peoples. The pre-colonial mind was confronted with a form of diminutive agency, and the process by which we ensured our own ability to act and converse with non-humans and other humans became compromised. (23-24)

The disruptions to this process caused by colonization go beyond “losing a form of Indigenous identity or worldview and how it is practiced”; rather, such disruptions “become a violation of Sky Woman’s intentionality” (24).

The epistemological-ontological divide characteristic of Euro-Western thought understands agency much differently. Epistemology, Watts writes, citing Descartes, is “one’s perception of the world as being distinct from what is in the world, or what constitutes it” (24). Only humans are capable of thinking and perceiving (24). Other things in the world may have an essence, Watts continues, citing Kant and Latour, or have some interconnection with humans, “but their ability to perceive is null or limited to instinctual reactions” (24). “The epistemological-ontological removes the how and why out of the what,” Watts contends. “The what is left empty, readied for inscription” (24). The only theoretical structure that can understand the world and its constituents, according to the division between epistemology and ontology, requires “a separation of not only human and non-human, but a hierarchy of beings in terms of how beings are able to think as well” (24). This distinction between “what and how/why is not an innocent one,” and its consequences can be disastrous, because of the way it elevates humans above or outside of the natural world (24). Whereas an Anishnaabe perspective would state that a river perceives or contemplates its action—the flowing of its water—a Euro-Western perspective would deny the river that ability to perceive or contemplate (24). Colonization and “the imposition of the epistemology-ontology frame” have interrupted, continuously, the capacity of Indigenous peoples to communicate with “other beings in creation,” as well as their obligations to those beings” (24).

In the Christian creation story, humans became outside of their surroundings by being expelled from the garden. This separation has two significant consequences: “Firstly, humans were positioned into a world in which they were able to reside over nature. Secondly, and interdependently, humans resolved that communication with nature held disastrous effects (Tree of Knowledge, the Serpent) and so inter-species communication became quite limited if not profane” (24-25). Agency became associated only with human actions, and humans were seen as dominant over nature (25).(In the first book of Genesis, before the expulsion from the Garden of Eden, God gives humans “dominion” over all other forms of life.) However, 

in many Indigenous origin stories the idea that humans were the last species to arrive on earth was central; it also meant that humans arrived in a state of dependence on an already-functioning society with particular values, ethics, etc. The inclusion of humans into this society meant that certain agreements, arrangements, etc. had to be made with the animal world, plant world, sky world, mineral world and other non-human species. Therefore, being associated with animals, whether it be through clan systems, ceremonies, or beings that acted as advisors, transpired from a place of reverence. (25)

“Both the story of Genesis and the story of Sky Woman tell of a world that existed before humans,” Watts writes, although the differences between the stories are crucial to understanding the different understandings of the world those stories represent. Whereas in the Sky Woman story “the relationship between animals and this female is regarded as sacred and ritualized over generations,” the “interaction of Eve and the Serpent results in shame and excommunication from nature,” creating a “point of conflict where thought, perception, and action are separated from the supposed inertia of nature” (25).

“If we begin from the premise that land is female and further, that she thinks—then she is alive,” Watts continues. However, if “the most elemental female is conceived of as being responsible for pain, shame and excommunication,” as in the Christian origin story, “then doing destruction upon her does not seem that bad,” and might even seem deserved (25). “It is no surprise then, that amidst a Euro-Christian construct, land and its designations are silenced,” she writes. “Many Indigenous peoples wonder at how much destruction has persisted throughout the decades by the colonizer without any significant attempt at stopping it. If you belong to a structure where land and the feminine are not only less-than, but knowingly irresponsible, violations against her would seem warranted” (25-26). 

Where is agency in Place-Thought located? Watts asks. “I find it in animals, in humans, in plants, in rocks, etc.,” she responds. “How did I come to think that these different entities and beings had agency in the first place? From stories/histories” (26). In those stories, listeners (or readers) learn of “historical events that took place in a particular location, at a particular time, where consciousness, thought, desire, and the imagination of all individuals is in action” (26). These stories, Watts argues, such as the story of how the Three Sisters (Corn, Beans, and Squash) came to live together, must be understood literally:

In an epistemological-ontological frame, Indigenous cosmologies would be examples of a symbolic interconnectedness—an abstraction of a moral code. It would be a way in which to view the world—the basis for an epistemological stance. From a Haudenosaunee worldview, this is what happened. Further, Haudenosaunee systems, peoples, territories, etc. are affected by this relationship between the Three Sisters. It is more than a lesson, a teaching, or even an historical account. Their conscious and knowing agreement directly extends to our philosophies, thoughts and actions as Haudenosaunee peoples. (26)

Such “historical Indigenous events,” Watts continues, “are increasingly becoming not only accepted by Western frameworks of understanding, but sought after in terms of non-oppressive and provocative or interesting interfaces of accessing the real. This traces Indigenous peoples not only as epistemologically distinct but also as a gateway for non-Indigenous thinkers to re-imagine their world” (26). That’s very true; I am convinced that the climate emergency would not be taking place if non-Indigenous people possessed a way of thinking about the world that was like the Indigenous one Watts is describing. However, Watts argues that Indigenous stories “are often distilled to simply that—words, principles, morals to imagine the world and imagine ourselves in the world. In reading stories that way, non-Indigenous peoples also keep control over what agency is and how it is dispersed in the hands of humans” (26). In other words, she seems to be suggesting, those stories must be understood as literal events.

“Over time and through processes of colonization, the corporeal and theoretical borders of the epistemological-ontological divide contribute to colonial interpretations of nature/creation that act to centre the human and peripherate nature into an exclusionary relationship,” Watts writes. “Land becomes scaled and modified in terms of progress and advancement. The measure of colonial interaction with land has historically been one of violence and bordered individuations where land is to be accessed, not learned from or part of” (26). Land is something that can be owned, bought and sold, and exploited or extracted from, rather than something we are part of or belong to (26-27). “Our truth, not only Anishnaabe and Haudenosaunee people but in a majority of Indigenous societies, conceives that we (humans) are made from the land; our flesh is literally an extension of the soil,” Watts continues. “The land is understood to be female: First Woman designates the beginning of the animal world, the plant world and human beings. It is the femininity of earth itself that institutes all beings as literal embodiments of localized meanings” (27). “Could Place-Thought be the network in which humans and non-humans relate, translate and articulate their agency?” she asks. “If I, as a human, am made of the stuff of soil and spirit, do I not extend to the non-human world beyond causal interactions? And what of the non-human—non-human relationships that demarcate various roles and responsibilities of human beings?” (27). Her answer is straightforward: “If we begin from the premise that we are in fact made of soil, then our principles of governance are reflected in nature” (27). “The female earth or the feminine is intrinsically tied to the notion of sovereignty and how humans interact with non-human creatures in the formation of governance,” she continues (27). Humans are responsible and obligated “to original instructions from the earth,” and because the earth is female, this suggests “that the feminine is not only to be respected but is looked upon as a source of power and knowledge” (27-28). What happens, then, “when the all-powerful centre”—and I think she is referring to “Western categorizations of hierarchy” here—“attempts to create a de-subjugated space via non-human reactions” (28)?

Here Watts turns to the way that land “is traced in terms of agency by non-Indigenous thinkers” (28). She cites Donna Haraway’s essay “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective” as an attempt “to implode the centre where knowledge production (epistemology) is generally grounded in heteropatriarchy” (28). “However, Haraway resists essentialist notions of the earth as mother or matter and chooses instead to utilize products of localized knowledges (i.e. Coyote or the Trickster) as a process of boundary implosion” (28)—as a metaphor, as “‘coyote discourse’” (qtd. 28). “This is a level of abstracted engagement once again,” Watts argues. “While it may serve to change the imperialistic tendencies in Euro-Western knowledge production, Indigenous histories are still regarded as story and process—an abstracted tool of the West” (28). “It is not my contention that Euro-Western thinkers are inherently colonial,” she continues. “Rather, the epistemological-ontological distinction is oftentimes the assumptive basis by which Euro-Western arguments are presented upon. It is this assumption that, I argue, creates spaces for colonial practices to occur” (28). As long as agency is reserved for humans, “this epistemological-ontological divide” remains intact (28).

Watts then quotes Stacy Alaimo, who argues that “dirt acts” (28). But the agency Alaimo assigns to dirt is hierarchical, because in her argument it neither thinks, wants, nor desires, although “it is constantly fulfilling its intention” (28). In other words, Watts, writes, the agency Alaimo accords to dirt “is dependent on the belief that humans are different based on our ability of will and purpose. Dirt is acknowledged as an actant at best, no longer an afterthought but still limited with regard to ability” (28-29). Vicky Kirby’s understanding of dirt and agency goes further than Alaimo’s, because she argues that nature preexists intellectual abstraction, that flesh precedes thought (29). However, Kirby also argues “that intellect or what constitutes culture is beyond the body and is therefore distinctly apart form the primordial:

This taken-for-granted conceptualization of nature and culture is a problematic that has been re-coded in discourse time and time again—that humans are uniquely distinct from nature in their capacities. Interconnectivity is permitted, but only insofar as distinction from the thinking human and the acting natural world. True, the borders of flesh and soil rub up against each other but this does not mean one is guided by the other. The border where human-as-the-centre begins still exists and continues to determine the bounds for capacity and action. (29)

“Kirby’s claim of the special-ness of humans apart from natural determinations disregards Indigenous conceptions of human and nature,” Watts continues, “while at the same time implying that natural cause and determinism are random and therefore unintentional” (30). Other scholars—Bruno Latour, Linda Nash, and Stewart Lockie—“have begun to redefine agency to solve the problem of the man/nature dichotomy,” Watts writes, but even though they locate agency “in an interconnected web of cause and effect, where the plane of action is equalized amongst all elements,” they still contend that agency “acts outside, within, and in between this web through carefully re-designed definitions where humans possess something more or special” (30). 

“These levels of agency are a product of the epistemology-ontology paradigm,” Watts writes, which carries within it “the idea of human ownership over non-human things, beings, etc. The inclusion of the non-human, in this case dirt/soil, has been causal or instinctual in nature,” and so “although the dirt/soil has been granted entrance into the human web of action, it is still relegated to a mere unwitting player in the game of human understandings” (30). “However, if we think of agency as being tied to spirit, and spirit exists in all things, then all things possess agency,” she continues—and that sacred agency is “contained within all elements of nature,” and therefore as humans we “know our actions are intrinsically and inseparably tied to land’s intentionality—quite a counter position from notions of diluted formulations of agency” (30).

“What happens when soil is removed from territory? What happens when flesh is taken from the body? More importantly, what happens to the territory after its resources are excavated?” Watts asks (30). The “literal excavation of thoughts are forcibly transformed into objects of the colonial imperative” (30). Once the voices of creation—“the feminine and the land”—are “silenced and then corrupted, the acquisition and destruction of land becomes all the more realized” (31). Moreover, “[f]rom a theoretical standpoint, the material (body/land) becomes abstracted into epistemological spaces as a resource for non-Indigenous scholars to implode their hegemonic borders,” and the teachings, ontologies, and actions of First Woman “are interpreted as sexy lore and points of theoretical jump-offs to dismantle and dissect that which oppresses” (31). Those teachings and actions become extracted, excavated, in other words: they are used the way that trees are used to make paper. And the violence enacted against the (feminine) land is the same violence that is enacted against Indigenous women.

“Euro-Western discourses have often attempted to remedy historical mistakes of biological essentialisms (i.e. scientific racism) by rejecting what are considered to be essentialist arguments,” Watts continues. “However, essentializing categories of Indigenous cosmologies should not be measured against the products of Euro-Western mistakes. Nor should Indigenous peoples be the inheritors of those mistakes” (31-32). Instead, “to decolonize or access the pre-colonial mind, our histories (not our lore) should be understood as if they were intended in order for us to be truly agent beings. To disengage with essentialism means we run the risk of disengaging from the land” (32). 

“As Indigenous peoples, it is not only an obligation to communicate with Place-Thought (ceremonies with land, territory, the four directions, etc.), but it ensures our continued ability to act and think according to our cosmologies,” Watts contends. “To prevent these practices”—as the Indian Act tried to do for almost a century—“deafens us. It is not that the non-human world no longer speaks but that we begin to understand less and less” (32). Despite the corruption of the agency of Indigenous peoples within the colonial frame, the continued existence of Indigenous cosmologies is the reason why, after 500 years of colonization, Indigenous peoples continue to resist (32). If Indigenous peoples operationalize the distinction between Indigenous cosmology and Euro-Western epistemology-ontology—if they operationalize the distinction “between place and thought”—then, Watts writes, “Indigenous peoples risk standing in disbelief of ourselves” (32):

Even amongst ourselves it can be easy to forget that our ability to speak to the land is not just an echo of a mythic tale or part of a moral code, but a reality. Whether this forgetting has been forced upon us, or our ears have become dull to the sounds of the land speaking up through our feet, it is now incumbent upon us to remember. This is not a question of “going backwards,” for this implies there is a static place to return to. However, given that the concept of time for us was never linear, we possess the ability to access the pre-colonial mind through the ability to travel in dreams, to shapeshift, to understand what might happen tomorrow, etc. Our teachings tell us that we travel through, under, above. So it is not a question of accessing something, which has already come and gone, but simply to listen. To act. (32)

Obligation and responsibility “denote a commitment to the land,” she continues, “not just because it is a part of me (or you) but also because it continues to be removed, cemented, or ignored” (32). Listening to what the land tells us “is not only about a philosophical understanding of life and the social realm,” but “it is about a tangible and tacit violence being done to her—and therefore to us” (32). “I hope that this discussion will lead to conversations about bodies in action and how gritty flesh is elementally moved to protect and reclaim territories,” she states (32). “Only if the land decides to stop speaking to us will we enter the world of dislocation where agency is lost and our histories become provocative Indian lore in an ongoing settler mistake. Luckily for us, First Woman has shown herself to be much more intelligent than this by writing herself into our flesh,” she concludes (33).

Watts’s essay is challenging, not least because it demands both a literal understanding of Indigenous creation stories and an essentialized notion of the land as female. Both are very difficult for someone, like me, educated in a Western (and colonizing) academic context. And her  argument also suggests how difficult it would be for a Settler to come to a different understanding of the land, as I would hope to do by walking. Difficult? Perhaps impossible. I don’t think that the idea of Place-Thought advanced in this essay can be adopted simply or easily, on a short walk or a long one, and the idea that it could be would represent a complete misunderstanding of Watts’s argument and the challenge it presents. As Settlers, we need to tread very carefully (pun intended) when we consider thinking about the world through Indigenous cosmologies, because we might, as Watts argues, end up engaging in just another form of extraction.

Works Cited

Springgay, Stephanie, and Sarah E. Truman. Walking Methodologies in a More-than-Human World: WalkingLab, Routledge, 2018.

Watts, Vanessa. “Indigenous Place-Thought & Agency Amongst Humans and Non-Humans (First Woman and Sky Woman Go On a European World Tour!).” Decolonization: Indigeneity, Education & Society, vol. 2, no. 1, 2013, pp. 20-34.

109. Stephanie Springgay and Sarah E. Truman, Walking Methodologies in a More-than-Human World: WalkingLab

walkinglab cover.jpg

Published as part of a series on research methods in the social sciences, Walking Methodologies in a More-than-Human World: WalkingLab still has something to offer for those of us who walk as an artistic practice. However, it’s not an easy read, particularly if, like me, you’ve never read A Thousand Plateaux, know little about assemblage theory or affect theory or other theories that come out of the work of Deleuze and Guattari. Those ideas were circulating at the recent Walking’s New Movements conference at the University of Plymouth, and I intend to give myself a crash course on them once my comprehensive examinations are over. Still, my sense is that Springgay and Truman expect their readers to have a certain philosophical or theoretical background, and they aren’t interested in slowing down for those of us who haven’t read what they’ve read. My strategy throughout my reading of this text has been to find the articles they refer to, which I’ll read (eventually) as part of an attempt to understand what Springgay and Truman are arguing. But it’s possible that even all of that additional reading won’t be sufficient. I’m just not part of their intended audience. So this has been a frustrating read.

Given the text’s difficulty, I began with the foreword, by Patricia Ticineto Clough, a sociologist, and Bibi Calderaro, an artist, which starts by suggesting that Springgay and Truman “have a curiosity typical of walkers on a walk. But they do not rest where others might. Where others stop, curiosity moves them on; at every turn they refuse taken-for-granted understandings of land, people, movement and memory” (xii). Springgay and Truman also interrogate the “privileges of race, class, gender, sexuality, region and ableism” as they “turn their attention, and ours, to what is often beneath what has become normalized” (xii). “Definitions, frameworks, and the use of categories become objects of critical reflection as their walking becomes a performative writing of fresh conceptualization,” Clough and Calderaro continue (xii). “On their walks, and in their mode of ‘walking-with,’ Springgay and Truman seek the collaboration of Indigenous, queer, trans, women, people of color and differently abled walkers,” they write, and in this book the authors “share these collaborations of walking/writing/conceptualizing and draw on embodiment, place, sensory inquiry, and rhythm, four major concepts that shape what has already been dubbed ‘the new walking studies,’” offering “a timely and important contribution through the expanded concepts of Land and geos, affect, transmateriality, and movement” (xii). Their reflections on method “provide strategies for turning process of collecting data to experimentation that will greatly enrich qualitative research including walking methodologies” (xii).

According to Clough and Calderaro, “Springgay and Truman offer a critical account of the way the new materialisms, posthumanisms and speculative realisms can inform methods of walking,” approaches that have already “instigated a lively debate in the social sciences about knowledge production, about the subject and object of knowledge” (xii). Springgay and Truman “follow the current ontological turn deconstructing human privilege, not only inviting a reconsideration of the relationship of subject and object, but the organic and the nonorganic as well” (xii). In their idea of walking-with, “foot touches matter but matter touches foot as breeze touches skin; the world displays sensibilities other than our own, prior to consciousness, even to bodily-based perception. There is a sense, if not recognition, of the vibrancy of matter, of a worldly sensibility, of the force of the world’s casual efficacy” (xii-xiii). I am hearing in this echoes of Phil Smith’s discussion of object-oriented ontology in his book on site-specific theatre and performance, and these ideas are worth further exploration. In fact, this aspect of “walking-with” is probably more central to the model of walking Springgay and Truman advance in this book.

For Springgay and Truman, the more-than-human “points to the ethical and political relevancy of walking-with to feel/think or surface the intensities of the entanglements of knower and world,” Clough and Calderaro continue. “Becoming accountable to the more-than-human also involves taking account of the erasures of other knowledges and methods, erasures which, in part, have enabled thinking about the more-than-human as only a recent turn in thought” (xiii). “Walking-with becomes a movement of thought not only with others, but a process of engaging with erased or disavowed histories,” they write. “It is also a moving re-engagement with the ways that the earth and the elements have been understood, protected, feared and treasured” (xiii). The notion of walking-with should be understood as way of thinking “about experience differently, to experience differently, and to experience difference in experiencing” (xiii). The ontological shift encouraged by the idea of walking-with “requires a recognition of an alterity  within the self, an indeterminacy prior to consciousness and even bodily based perception—that is, the nonexperienced or inhuman condition of all experience” (xiii). Recognizing the inhuman within the self is “an opening to all that has been defined as other than human, nonhuman, or inhuman. Walking-with invites a sense of multiplicities in a queering of being and time, a nonexperienced time at all scales of being that affords infinite variation and multiplicities of space” (xiii). For Clough and Calderaro, “[t]he falling of the foot, and the catching-up of the body moving along with the world, allows for the rhythmicity of a multitude of indeterminate beings diffracted through different spacetimes. But because every moment conceals the bifurcation by which anything can take a conflictive turn, utmost care must be taken to move in an affirmative register” (xiii). I’m not quite sure what those last sentences mean, except that all of this is making tremendously large claims about walking.

Walking-with, Clough and Calderaro continue, “is an important methodology for thinking ethically and politically,” although it “is best practiced with a method that betrays any strict adherence to method” (xiii). This book, they write asks questions about what knowledge is, how it emerges and how, how it becomes “settled, sedimented into racial, gendered, classed particulars, the stuff regularly called the social, the political, the economic” (xiv). It’s a book about walking and thinking together, and is best approached that way. Unfortunately, I first read it on a plane, crammed into a tiny seat in economy class, but I hope I was able to get something from it nonetheless. Maybe I didn’t. In any case, Clough and Calderaro are making big claims about this book, and part of the goal of this summary is to determine whether those claims hold up under scrutiny. I can say that the notion of walking-with is gaining traction; several of the papers at the recent Walking’s New Movements conference at the University of Plymouth referred to this idea, and I am interested in learning more about it.

In their introduction, Springgay and Truman discuss how the book came out of a “walk-with Micalong Creek” in New South Wales, Australia. Drawing on the work of Isabelle Stengers, during that walk they wondered about what it might mean to think “‘in the presence of others” (1). “For Stengers, to think ‘in the presence of others’ creates a space for hesitation and resistance that produces new modes of relating,” they write (1). It is a form of thinking that is collective, unpredictable, and open to possibility (1). Its “presentness must include a ‘geo-centred dimension,’ which requires we consider different scales than those that are human-centred” (1). It is a kind of slow thinking in which “in the event of relation, ethics and politics become situated, indeterminate, and artful,” as well as (citing Donna Haraway) accountable (1). The research project that came out of this and other “walk-withs” is WalkingLab, and this book reflects on the collaborations that WalkingLab has generated.

The introductory chapter, Springgay and Truman write, “situates the book in two methodological areas in qualitative research: i) walking methodologies in the humanities and social science; ii) qualitative methodologies that are informed by new materialisms and posthumanisms, and which are called by different names including non-representational methodologies and post-qualitative methodologies,” which they call “more-than-human methodologies” (2). In their empirical research, they bring more-than-human methodologies to bear on walking research (2). The first section of the introduction summarizes “the impact of walking methodologies on qualitative research,” focusing on four major concepts: place, sensory inquiry, embodiment, and rhythm (2). “These concepts . . . mark significant contributions to social science and humanities research in that they foreground the importance of the material body in disciplines that have traditionally privileged discursive analysis,” they write. “Building on the important walk that has been done in walking research, we offer our expanded concepts that are accountable to an ethics and politics of the more-than-human: Land and geos, affect, transmaterial, and movement,” concepts they “activate in each of the remaining chapters” (2). (Bold, italicized text is in the original.)

The book, the authors continue, “interrogates the more-than-human turn in qualitative methodologies” by making “new materialist methodologies and walking research accountable to critical race, feminist, Indigenous, trans, queer, critical disability, and environmental humanities scholarship” (3). They note that Indigenous scholars “have interrogated the more-than-human turn, arguing that it continues to erase Indigenous knowledges that have always attended to nonhuman animacy,” and that “[q]ueer, trans, disability, and critical race scholars argue that while a de-centering of the human is necessary, we need to question whose concept of humanity more-than-human theories are trying to move beyond” (3). 

Next, Springgay and Truman briefly summarize the four themes—pace, sensory inquiry, embodiment, and rhythm—they found in walking research. Place, they write, is understood in this research 

as a specific location and as a process or an event. Walking scholars discuss the ways that walking is attuned to place, how place-making is produced by walking, and the ways that walking connects, bodies, environment, and the sensory surrounds of place. Walking becomes a way of inhabiting place through the lived experience of movement. Walking is a way of becoming responsive to place; it activates modes of participation that are situated and relational. (4)

I’ve written about this notion of walking as place-making, and although I may not have read everything Springgay and Truman have on the subject, I think it’s very complicated, and that space and place end up being folded together (in a Deleuzian sense) through walking. Second, walking is an important way of conducting sensory inquiry, they write:

If, as walking researchers contend, walking is a way of being in place, then walking enables researchers and research participants to tune into their sensory experiences. Walking researchers interested in sensory inquiry sometimes isolate a sense on a walk—for example, a soundwalk—or they consider the ways that the walking body is immersed in a sensory experience of place, such as the texture of feet touching the ground, air brushing against the cheeks, or the smells of city streets. (4)

I think this is true, although it’s possible as well that other ways of experiencing an environment might generate similar sensory experiences, including, potentially, just sitting in a place. Third, “[w]alking methodologies privilege an embodied way of knowing where movement connects mind, body, and environment,” they continue:

Walking scholars typically describe embodiment as relational, social, and convivial. Embodiment is conventionally understood through phenomenology, where researchers and participants examine the lived experiences of what it means to move in a particular place. This experiential understanding either focuses on an individual account of a walking, or is conceptualized through community-based or group walking practices that highlight the social aspects of walking. (4-5)

I’m glad that Springgay and Truman note that individual practices are embodied as well, since not all walking is “relational, social, and convivial.” Finally, they note that “[t]he pace and tempo of walking is another theme that emerges in walking research”:

Here, researchers are interested in the flows of everyday life, pedestrian movements in a city, or the topological features of walking in a landscape. Rhythm is described through embodied accounts of moving and sensory expressions of feet, limbs, and breath. In other instances, rhythm pertains to the pulse of the city, such as traffic, crowds, music, and other environmental phenomena that press on a walker. (5)

As I read these summaries, I found myself wishing that Springgay and Truman had referred to specific examples of texts that explore these four research themes. However, that’s what happens in the actual chapters where these themes are discussed.

Next, the authors suggest that this book extends these themes “through more-than-human theories that are accountable to critical race, feminist, Indigenous, trans, queer, and critical disability theories” (5). They propose four additional concepts: Land and geos, affect, transmaterial, and movement (5). “We use these concepts to think frictionally with WalkingLab research-creation events,” they write, noting that friction “is a force that acts in the opposite direction to movement,” slowing it and introducing resistance to it (5). “Friction exists every time bodies come into contact with each other,” they suggest, citing Jasbir Puar’s argument that when two theoretical frameworks (in his case, assemblage theory and intersectionality) converge, that coming together “is neither reconcilable nor oppositional, but frictional” and that the concepts are held together in tension (5).

By Land and geos (the capitalization of Land is not explained, but it might come from the late Greg Young-Ing’s Indigenous style guide, a book that’s gone missing since I had to move out of my office this past summer and which I’m going to have to replace, so I can’t check to make sure), Springgay and Truman suggest that “[m]ore-than-human walking methodologies must take account of the ways that place-based research is entrenched in ongoing settler colonization” (5). For that reason, “place in walking research needs to attend to Indigenous theories that centre Land, and posthuman understands of the geologic that insist on a different ethical relationship to geology, where human and nonhuman are imbricated and entwined” (5). I understand the first suggestion, but not the second; perhaps all will be revealed as I continue reading. Both of these concepts “disrupt humancentrism,” they continue (5).

Second, affect theory, “attends to the intensities and forces of an affecting and affected body,” needs to be considered along with more-than-human methodologies (5). There’s a caveat, however: “because there is a tendency to ascribe affect to pre-personal sensations, some uses and theorizing of affect can consequently erase identity. In contrast, ‘affecting subjectivities’ brings intersectional theories to bear on affect theories, emphasizing the ways that subjectivity is produced as intensive flows and assemblages between bodies” (5-6). Several papers at Walking’s New Movements focused on affect theory, but I have yet to discover (or put together) a coherent list of readings on this subject. Perhaps this book will help with that task.

Third, transmateriality, or “trans theories, which rupture heteronormative teleological understandings of movement and reproduction, disrupt the notion of an embodied, coherent self” (6). I thought that notion had been disrupted many times, going back to the Greeks and their notion of a division between reason and passion, or Freud’s three-part conception of the psyche—even though our lived experience of ourselves tends to suggest we are coherent to some extent (in my experience, anyway). “Trans theories emphasize viral, tentacular, and transversal conceptualizations of different,” Springgay and Truman continue (6). (Why “different” instead of “difference”?) Again, references here would have been useful, although they do emerge later in the book.

Finally, “[m]ovement, as it is conventionally understood in relation to walking, suggests directionality” (6). However, the movement theories used in this book “understand movement as inherent in all matter, endlessly differentiating. Movement as force and vibration resist capture” (6). Such an understanding of movement “is determinate, dynamic, and immanent and intimately entangled with transmaterial theories and practices” (6). Once again, references to these movement theories would have been useful, although they may appear later on. 

“In addition, there are particular inheritances that proliferate in walking research,” such as the notion that walking is “inherently radical, and a tactic to subvert urban space,” an idea which “often ignores race, gender, and disability” (6). “Figures like the flâneur and the practices of the dérive become common tropes, often assuming that all bodies move through space equally,” they continue (6). These ideas will be analyzed in detail later on—but of course, they have been analyzed before, particularly by Phil Smith (who is not included in the book’s list of references) and by Deidre Heddon and Cathy Turner (who are included). As it turns out, the analysis Springgay and Truman present is significantly different from those of Smith or Heddon and Turner, and it may be blind to parts of their own walking practice, as they describe it.

Next, in “Accountability and more-than-human ethics: walking queerly,” Springgay and Truman situate the book “within new materialist and posthumanist methodological approaches to qualitative research” (6). Those theoretical frameworks are used to “enact” their “four concepts of Land and geos, affect, transmaterial, and movement” (6). They begin with the phrase “walking queerly” (6). “A key concept that has gained momentum in qualitative methodologies is Karen Barad’s ‘intra-action,’” they write, an idea that suggests that the world “is composed of intra-acting phenomena which ‘are the ontological inseparability of agentially intra-acting components,’ meaning that they become determinant, material, and meaningful through relations,” although I’m not clear why the word Barad uses is “intra-action,” which suggests an interior relationship, rather than “interaction,” which suggests external relationships; I suppose I will have to read Barad’s text to understand (6). “Objects do not exist as discrete entities that come together through interactions but are produced through entanglement,” Springgay and Truman suggest (6). However, “such an ontological view privileges relations,” and so “a materialist ontology recognizes the interconnections of all phenomena where matter is indeterminate, constantly forming and reforming” (6-7). They cite a later text by Barad which suggests that “ethics then is not concerned with how we interact with the world as separate entities,” but rather “‘about taking account of the entangled materializations of which we are a part, including new configurations, new subjectivities, new possibilities’” (Barad, qtd. 7). “The consequences of this ethico-onto-epistemology for qualitative methodologies and walking research are significant, as it challenges individualism and humanist notions of intentionality, destabilizes conventional notions of space as a void, and directs our attention to the highly distributed nature of collectivity and relationality,” Springgay and Truman write (7). I’m not sure what “the highly distributed nature of collectivity and relationality” means, though; perhaps I would have to read Barad to get the point? Probably.

“If ontology and ethics, or being and acting, are always relational,” they continue, “then ethics shifts from a responsibility to act on the world in a particular moral way ‘to on-going precariously located practices, in which “we” are never categorically separate entities, but differentially implicated in the matters “we” engage with’” (Katrin Thiele, qtd. 7). Moreover, “if ‘we’ are intra-actively entangled in worlding, then there will never be a final solution or outcome, rather new matterings will emerge for our entangled intra-actions,” and accountability “shifts from being responsible for, to a response-ability-with” (7). Such an ethics consists of entanglements, “‘enfolded traces’ and an indebtedness of an irreducible other,’” they write, quoting Karen Barad again (7). Barad was mentioned in several of the papers presented at Walking’s New Movements, and Phil Smith mentions her in his writing, so her work seems to be part of the current discourse on walking and therefore important to read. At the same time, I saw a joke about the word “entanglement” on Facebook the other day, which might suggest that Barad’s ideas have become dominant in certain sectors of the academy, or even that people are tired of hearing about them.

According to Springgay and Truman, “[p]art of this accountability is in the use of queer theory to rupture the normalizing inheritances of walking research” (7). They suggest that while “self-identification as ‘queer’ has a place in queer theory,” “thinking beyond subject identification and with a queer relationality opens up new possibilities for understanding space and time” (7). Sara Ahmed’s work on queer phenomenology uses “queer” in a similar way, which I’m tempted to think of as a metaphor, although not to rethink space and time, as I recall. Springgay and Truman cite Jack Halberstam’s contention that “queer time” is “time outside normative temporal frames of inheritance and reproduction,” and that “queer space” involves “new understandings of space enabled by the ‘production of queer counter-publics’” (7). But those ideas speak to an notion of queer framed by sexuality, rather than one “beyond subject identification.” Springgay and Truman also refer to Eve Kosofsky Sedgwick’s notion of “queer performativity”; Donna Haraway’s suggestion that “queering” can undo the distinction between human and nonhuman; and the suggestion by Dana Luciano and Mel Chen that the queer or trans body generates other possibilities for living, including “‘multiple, cyborgian, spectral, transcorporeal, transmaterial’” possibilities (7-8). I’m a pretty down-to-earth person, though, and I’m not sure that spectral or transcorporeal or transmaterial possibilities for living actually exist—not without examples or evidence—and I’m uncomfortable, as a straight, cisgendered man, in simply adopting “queer” without actually being queer. Springgay and Truman discuss that second issue: “while many qualitative researchers in the social sciences and humanities often take up the word queer to describe letting go of traditional research boundaries . . . and utilize ‘queer’ as methodology, we need to account for the subjectivities that don’t enjoy the benefit of sliding in and out of being conveniently queer” (8). I’m not sure how to account for those subjectivities in my work or what doing so might look like, and there are no suggestions on offer here. Nor is it clear to me what it would mean, in practice, to “walk queerly,” as the section’s title suggests. Perhaps, again, this will become clear as the book continues.

In the introduction’s next section, “Unsettling the ‘ontological turn,’” Springgay and Truman suggest that the concept of the more-than-human “emerges at time in scholarly debates that seek to challenge and and de-centre human exceptionalism, taxonomies of intelligence and animacy, and the distinctions between humans and nonhumans, nature and culture” (8). They cite a number of authors on the political effects of the distinction between the human and the nonhuman, including Luciano and Chen (oh, how I hate the APA’s predilection for ignoring the given names of authors), who “posit the inhuman as a method of thinking otherwise,” and Jeffrey Cohen’s suggestion that, as a concept, the inhuman “emphasizes both difference and intimacy” (9). Karen Barad contends that “terms like human and nonhuman can’t be established as polar ends and as givens,” but rather the point ought to be “‘to understand the materializing effects of particular ways of drawing boundaries between “humans” and “non humans”’” (qtd. 9). Jin Haritaworn suggests that “the question of the inhuman is risky and requires anti-colonial methodologies that would in turn be aligned with Indigenous sovereignty” (9)—indeed, I’m finding myself wondering why, in these discussions of animacy, the grammar of Algonquian languages like Plains Cree doesn’t get mentioned. Haritaworn’s argument, Springgay and Truman continue, leads to Zoe Todd’s suggestion that the “ontological turn” is a form of colonization. According to Todd, “non-Indigenous scholars’ realization that [nonhuman] entities ‘are sentient and possess agency, that “nature” and “culture,” “human” and “animal” may not be so separate after all—is itself perpetuating the exploitation of Indigenous peoples’” (qtd. 9). I don’t quite understand this idea, and I suppose I would have to read Todd’s article to understand her point. Apparently, though, Todd is arguing that Indigenous epistemologies and ontologies are “‘legal orders through which Indigenous peoples throughout the world are fighting for self-determination, sovereignty’” (qtd. 9), and that, as Springgay and Truman suggest, “ontological discussions of matter must take into consideration not only Indigenous world-views but material legal struggles over matter and sovereignty” (9). 

Springgay and Truman summarize other critiques of notions of “posthuman” theorizing and suggest that 

[a]s more-than-human methodologies gain momentum in re-conceptualizing qualitative methodologies in the social sciences and humanities its fault lies in broad definitions. While consideration is given to all forms of matter and the intra-relatedness of entangled ethics, its politics is often consumed in a rhetoric of undoing dualisms where “everything matters” and thus becomes flattened. (10)

They also suggest that “[q]uestions about the politics of new materialism are typically elided” as well because “there is a tendency to think that arguments about matter as dynamic, self-organizing, and intensive are political in and of themselves,” and thinking that “politics is everywhere” ends up meaning that politics disappears (10). They cite feminist geographer Juanita Sundberg, who argues that “posthumanist scholarship in its attempt to critique dualisms actually works to ‘uphold Eurocentric knowledge’” because those attempts are silent about their own locations (qtd. 11). All of them? Really? Again, I’ll have to read Sundberg to understand.

Interestingly, though, Sundberg apparently “offers walking as a strategy for decolonizing research,” although her examples are Indigenous rather than Settler walking (11). In fact, it’s Sundberg who apparently came up with the term “walking-with,” borrowing it from the Zapatista movement (11). “Walking-with,” Sundberg states, “entails ‘serious engagement with Indigenous epistemologies, ontologies, and methodologies’” (11). Walking-with should not be misunderstood as “conviviality and sociality, or the idea that one needs to walk with a group of people. You could walk-with alone” (11). Springgay and Truman write that their “conceptualization and practice of walking-with” is situated alongside Sundberg and “the walkers she works with,” and also that they are “indebted to the rich feminist work on citational practices” (I’m not sure what “citational practices” means in this context) and Alecia Jackson’s and Lisa Mazzei’s “thinking-with theory” (11). They write:

Walking-with is explicit about political positions and situated knowledges, which reveal our entanglements with settler colonization and neoliberalism. Walking-with is accountable. Walking-with is a form of solidarity, unlearning, and critical engagement with situated knowledges. Walking-with demands that we forgo universal claims about how humans and nonhumans experience walking, and consider more-than-human ethics and politics of the material intra-actions of walking research. (11)

In other words, despite the various caveats and critiques they have offered about their theoretical perspectives, their practice of walking-with is nonetheless rooted in those perspectives, and in order to seriously engage with their notion of “walking-with,” one would have to read that body of theoretical material. The work of reading and learning, it seems, is endless.

The introduction concludes with summaries of the chapters to come, which I’m including here in hopes of understanding what’s coming. “In Chapter 1 we walk-with Indigenous theories of Land and critical place inquire; posthuman theories of the geological that disrupt taxonomies of what is lively and what is inert; and a posthuman critique of landscape urbanism,” they write, noting that their central example is the “WalkingLab research-creation event Stone Walks on the Bruce Trail: Queering the Trail (12). The second chapter “examines a number of WalkingLab walking projects through sensory, haptic, or affect theories,” using Stefano Harney’s and Fred Moten’s “use of hapticality to think about how walking constitutes a politics-in-movement” (12). The second chapter also discusses affect theory in relation to the politics of walking. The third chapter “examine a sonic walk called Walking to the Laundromat by Bek Conroy, in order to develop a theory of transmateriality” (12). That sonic walk “probes bodily, affective, and gendered labour including domestic labour, money laundering, and the proliferation of new age self-help audio books to question how some bodies are perceived as disposable in order for other bodies to thrive” (12). They critique the notion of the flâneur, and “introduce Stacy Alaimo’s important concept ‘transcorporeality,’ which takes into consideration the material and discursive entanglements between human and nonhuman entities,” along with “a number of trans theories,” including work by Karen Barad, which “complicate walking as embodied and emplaced in order to disassemble and disturb taxonomies, and confound the notion of an embodied, coherent self” (12). 

The fourth chapter looks at notions of walking as participatory or inclusionary and therefore convivial by critiquing “how participation has been framed through inclusionary logics and as rehabilitation,” looking at two walking projects to do so: Ring of Fire, a “mass procession for the opening of the Parapan Am games by Trinidadian artist Marlon Griffin and the Art Gallery of York University,” and “The Warren Run, a group orienteering event by Matt Prest commissioned by WalkingLab” (13). “Following these crucial critiques of participation as inclusion, we ask questions about how we might think differently about participation drawing on theories of movement,” particularly those of Erin Manning, “to argue that participation begins before the invitation of inclusion commences” (13). They also look at Carmen Papalia’s project White Cane Amplified in that chapter as well. Chapter 5, they write, 

responds to agitations that are occurring in qualitative research, particularly issues related to: the incompatibility between new empiricist methodologies and phenomenological uses of methods; the preponderance of methodocentrism; the pre-supposition of methods; a reliance of data modeled on knowability and visibility; the ongoing emplacement of settler futurity; and the dilemma of representation. (13)

“These agitations have provoked some scholars to suggest that we can do away with method,” they note, but their position is “that methods need to be generated speculatively and in the middle of research, and further that particular (in)tensions need to be immanent to whatever method is used” (13). They use a variety of WalkingLab projects as examples in that chapter. 

The sixth chapter examines walking and mapping and the fact that “the prevailing history of mapping is entrenched in imperial and colonial powers who use and create maps to exploit natural resources, claim land, and to legitimize borders” (13), reasons I will be avoiding mapping in my current walking project. However, in this chapter Springgay and Truman look at forms of “counter-cartography” in WalkingLab projects in which “re-mapping offers possibilities of conceptualizing space that is regional and relational, as opposed to state sanctioned and static,” and how “walking can re-map archives and disrupt linear conceptualizations of time” by paying attention to how “walking as ‘anarchiving’ attends to the undocumented, affective, and fragmented compositions that tell stories about a past that is not past but is the present and imagined future” (14). “As counter cartographies and anarchiving practices the walking projects disrupt dominant narratives of place and futurity, re-mapping Land ‘returning it to the landless,’” they write (14), although that return is probably metaphorical, I would imagine, rather than literal. I don’t understand the word “futurity,” particularly in this context, unless the reference is to settler futurity, but perhaps that becomes clear in that chapter. 

Chapter 7 moves away from standard conceptions of walking in education to present “two examples of walking-with research in school contexts” (14). Those examples “offer the potential for students to critically interrogate humanist assumptions regarding landscape and literacy” (14). In that chapter, Springgay and Truman “examine the complex ways that students can engage in walking-with as a method of inquiry into their world-making” (14). The eighth chapter “functions as a speculative conclusion or summary” and “is enacted in a series of walking-writing propositions that respond to questions concerning the relationship between walking and writing, and our collaborative process” (14). “Propositions,” they continue, “are different from methods in that they are speculative and event oriented”; they are “not intended as a set of directions, or rules that contain and control movement, but as prompts for further experimentation and thought” (14). The chapter “unfolds through a series of walks that we invite the reader to take: differentiation walks, surface walks, activation devices, ‘with,’ touch, and contours,” and they once again cite Karen Barad’s contention that ethics “is ‘about responsibility for the lively relationalities of becoming of which we are a part” (qtd. 14). “As a research methodology walking has a diverse and extensive history in the social sciences and humanities, underscoring its value for conducting research that is situational, relational, and material,” they conclude:

Yet, as we argue throughout the book, walking is never neutral. In a time of global crisis—emboldened White supremacy—it is crucial that we cease celebrating the White male flâneur, who strolls leisurely through the city, as the quintessence of what it means to walk. Instead, we must queer walking, destabilizing humanism’s structuring of human and nonhuman, nature and culture. (14)

Again, I find myself wondering what such “queer walking” would look like in practice, and whether it would be open to those who do not identify as “queer.” Finally, Springgay and Truman suggest that walking is a slow methodology: “Slowness is a process of unlearning and unsettling what has come before,” they write. “In approaching walking methodologies from the perspective of slow, we intend to critically interrogate the many inheritances of walking, to agitate, and to arouse different ethical and political concerns” (15). I’ve been told that Settlers walking is inevitably colonial because walking is slow, so I’m interested to read about slow methodologies. It’s always frustrating when a summary is longer than the original text, as is the case here, but Springgay and Truman introduce a tremendous amount of theoretical material in their introduction, and I have struggled to follow along; the length of this summary (so far) is a sign of that struggle.

The first chapter begins with a description of the geology and history of the Niagara Escarpment in Hamilton, Ontario, Canada, the site of Stone Walks on the Bruce Trail: Queering the Trail, the WalkingLab event through which this chapter “is activated” (16). That event “sought ways to disrupt the typical uses of the trails in order to think about walking-with place through geologic forces and animacies, and in relation to Indigenous Land-centred knowledges,” they write. “As White settlers, we write about place informed by our conversations and readings-with Indigenous scholars and artists” (16). (Springgay and Truman use hyphens to attach the suffix “with” to many different words: “walking-with,” “thinking-with,” and now “readings-with.”) They note how place is central to walking research but point out that Eve Tuck and Marcia McKenzie “argue place-based learning and research is entrenched in settler colonial histories and ongoing practices and have not sufficiently attended to Indigenous understandings of Land” (17). I have Tuck’s and McKenzie’s book and it’s on my reading list; it’s time to turn to it, I think. Stone Walks on the Bruce Trail: Queering the Trail “sought to unsettler settler logics of place by thinking-with i) geo-theories; ii) Indigenous theories of Land; and iii) posthuman critiques of landscape urbanism” (17). These theoretical orientations are not analogous, but rather “we frictionally rub them together to think a different ethics-of-place” (17). Stone Walks on the Bruce Trail: Queering the Trail was nothing if not ambitious, and I’m always suspicious that such ambitions are difficult to realize.

Springgay and Truman reject “[d]ominant sustainability discourses” which “assume that knowledge of, and preservation through, technological fixes will control the ecological crises” (17). Instead, citing Stacy Alaimo, who argues that “‘the epistemological stance of sustainability, as it is linked to systems management and technological fixes, presents rather a comforting, conventional sense that the problem is out there, distinct from oneself’” (qtd. 17), they suggest that those dominant sustainability discourses turn walkers into spectators who “are external to wider transcorporeal relations including an entanglement with the geosocial and Indigenous Land” (17). (I’m not sure what the neologism “geosocial” means.) “Our research-creation event, Stone Walks on the Bruce Trail: Queering the Trail aimed to queer and rupture walking-with place,” they write (17).

Next, Springgay and Truman look at conventional distinctions between space and place, using Tim Ingold (the specific text they refer to is one I haven’t read) and Doreen Massey to critique those distinctions. However, they note that “[p]lace, much like embodiment, figures in almost all walking research regardless of the discipline and is a fundamental part of walking research” (18). Place is understood (not exclusively) through five threads: “the go-along or walking interview,” “pedestrianism,” “walking tours and ethnographic research,” “mapping practices,” and “landscape and nature” (18). Walking interviews, they suggest, citing Evans and Jones (again, I shudder at the way that APA format turns individual writers expressing ideas into oracular authorities), “‘produce more spontaneous data as elements of the surrounding environment prompt discussion of place’” (qtd 19). I’m planning to incorporate walking interviews into my work as a way of moving beyond a solo walking practice, and so I ought to read Evans and Jones along with the other writers Springgay and Truman cite on this subject. (The amount of reading I have yet to do feels overwhelming; sometimes, despite all the work I’ve done preparing for my comprehensive examinations, I feel that I have hardly begun.) 

What Springgay and Truman are actually talking about here, I think, in their discussion of these “threads” are forms of qualitative social science research that involve walking. For instance, pedestrianism includes “walking as a means of questioning and examining everyday practices and places,” they write (20). Walking tours and ethnographies have been used by many researchers (20-21). One form of “walking in relation to pedagogy and place” that has become “ubiquitous” is the dérive or drift through urban space; its “aimlessness disrupts the habitual methods people typically move from one place to another, and instead directs the walkers’ attention to the sights, sounds, smells and other psychogeographic details of a place” (21). I’m surprised to learn that the dérive has been used by social scientists, given contemporary psychogeography’s resistance (through its interest in the occult and other nonrational ways of “knowing”) to being absorbed by the academy. Mapping is also a way of “materializ[ing]” place, typically by using GPS but through analogue technologies (pencil and paper) as well (22). 

Nature and trail walks are ways “of doing nature, as if nature is separate and distinct from humans,” but understood in that way, nature “is exclusionary” because certain bodies—“queer, disabled, racialized”—are “marked out of place in nature,” since “nature reserves and hiking trails are shaped around a compulsory neurotypicality, able-bodiedness, and normativity” (22-23). In Australia, the practice of “bushwalking” “is a place-making practice that is ‘invested in settler futurity’” because it typically ignores the land’s traditional owners (Tuck & Gaztambide-Fernández, qtd. 23). Some scholars, including Sarah Pink, use the term “emplacement” to suggest the interrelationship between body, mind, and environment, but Tuck and McKenzie argue that emplacement “‘is the discursive and literal replacement of the Native by the settler,’” evident in things like property rights and broken treaties (qtd. 23-24). (I’m not sure how emplacement could be considered the sole paradigm that is entangled in settler colonialism; clearly I don’t understand how Tuck and McKenzie are using that word.) “[P]lace-based research needs to be put into conversation with Indigenous knowledges, practices that ‘unsettle’ white settlers, and critical environmental studies to move place from the periphery of social science research,” Springgay and Truman suggest, citing Tuck and McKenzie; Tuck, McKenzie, and McCoy; Delores Calderon; and many others (24). 

With this critical and theoretical framework in mind, Stone Walks on the Bruce Trail: Queering the Trail, Springgay and Truman write, “ruptured and queered the trail, challenging the nature-culture binary, demanding that we think otherwise about human and more-than-human entanglements” (25). They cite Margaret Somerville’s use of the term “queer in relation to place as a strategy or method for research and writing” that “disrupts and decenters the human, and emphasizes a new theory of representation” (25). Thus “Queering the Trail refuses and understanding of geology and Land from a human linear time-scale that can be reduced to heteronormative reproductivity” (25). (I don’t understand the relationship being posited here, through critique, between geology and Land, on the one hand, and “heteronormative reproductivity” on the other. What are they talking about?)

Springgay and Truman now describe Stone Walks on the Bruce Trail: Queering the Trail: the participants (a group of artists and academics) and the event itself, which included performances, “pop-up lectures” (26) on the history of walking, the word “queer,” the area’s geology, and the way that the word for “Haudenosaunee clans, which Euro-Western scholars have assumed is a human designation for groups of people, in fact is a Mohawk word that refers to Land, clay, or earth” (26-28). “Queering the Trail deliberately engaged with a relational politics that does not flatten all entities into equitable vitalism, but accounts for the ways that different phenomena come to matter as matter,” they write (29). The event, they continue, “enacted what Tuck and McKenzie invoke in their understanding of critical place inquiry”: 

They ask social science researchers to do more than simply collect data “on and in place, [but] to examin[e] place itself in its social and material manifestations.” After each pop-up lecture we asked walkers to continue walking the trail and to use that time for questions and discussions with the guest lecturers, artists, and WalkingLab. As we left the Iroquoia Heights side trail after the final walk . . . we invited the group of walkers to walk in silence for an extended period of time. Unlike sound walks that might ask participants to tune into their sensory surround, the silence was intended as a form of Place-Thought, where the confluence of the days’ events could come together. As a walking methodology, Stone Walks enacts a conjunction between thinking-making-doing. Walking-with place insists on a relational, intimate, and tangible entanglement with the lithic eco-materiality of which we are all a part. (33)

I wasn’t present at Stone Walks on the Bruce Trail: Queering the Trail, but it seems to me that while it would have been a provocative experience, it’s hard to imagine that such an event could carry all of the theoretical freight articulated in this account. How is one event’s walking in silence merely sensory, for example, while Stone Walks on the Bruce Trail: Queering the Trail’s silent walking was “a form of Place-Thought,” a term which comes from Anishinaabe academic Vanessa Watts and suggests that the earth has “aliveness and agency” (29)? How can one be certain that the event’s intentions were realized for its participants? How could a period of silent walking undo hundreds of years of settler colonial, religious, and philosophical baggage? Is that remotely possible? Are lectures along a trail really able to enact the radical programme this account claims they enacted? Could any event do all of the things that this event is described as being able to do? It’s hard for me to imagine. I would never make such claims about my walking; in fact, I’m always wondering whether my intentions are realized or whether I’ve failed to do what I set out to do. I don’t see any similar self-reflectivity or self-questioning here. 

The second chapter, “Sensory inquiry and affective intensities in walking research,” begins with this statement:

Walking methodologies invariably invoke sensory and affective investigations. Despite the fact that sensory studies and affect studies emerge from different conceptualizations of sensation, both, we maintain, prioritize corporeal and material practices. Sensory studies and the various approaches to affect share an interest in non-conscious, non-cognitive, transmaterial, and more-than representational processes. (34)

Springgay and Truman cite a long list of sensory studies and note that the senses have been considered to be important for qualitative research, while affect studies focus on “pre-, post-, and trans-individual bodily forces and the capacities of bodies to act or be acted upon by other bodies” (34-35). “This chapter examines a number of WalkingLab projects and categorizes them as either sensory, haptic, or affective,” they continue. “This pedagogical exercise is arguably problematic and arbitrary, as many of the walks intersect sensory inquiry and affective understandings of corporeality,” but by conducting this exercise, they “are able to demonstrate the degree of complexity and the many variations by which sensory knowing and affective tonalities shape walking methodologies” (35). The first section of the chapter focuses on walks “that isolate a particular sense,” followed by a section that looks at walks “that use synaesthesia to defamiliarize the ordinary, paying attention to visceral and immanent encounters of walking in urban space” (35). That synaesthesia must be metaphorical or otherwise constructed, because true synaesthesia is rare and wouldn’t necessarily take forms that would be activated by walking. Then they discuss hapticality—“a sense of touch felt as force, intensity, and vibration”—and the discussion of hapticality in Stefano Harney and Fred Moten’s articulation of “a politics of the feel” (35). That leads to affect theories and intersectionality. Finally, they argue that “‘feelings futurity’ in walking methodologies requires that sensory inquiry, haptic modulations, and affective tonalities ask questions about ‘what matters’” (35). 

To illustrate these ideas, Springgay and Truman discuss “experiments with multi-sensory and multi-species ethnography with early childhood teachers and students” in the WalkingLab project “Thinking-with Bark” (35), a project called StoryWalks (also with young children as participants) (36), several sound walks (36-38), and “a smellscape walk” in Toronto’s Kensington Market (38). “The interest in the proximinal senses in walking research is significant for the ways that it has unsettled occularcentrism,” they write, noting that “sensory inquiry ephasizes the body and corporeal ways of knowing,” although “such sensory turns need to account for the social, cultural, racial, sexual, gendered, and classed constructions of the senses. The senses are not neutral, but already exist as ethical and political demarcations of difference” (39). They cite Sarah Pink’s suggestion that the identification of five senses is a Western cultural construct (39). Next, Springgay and Truman turn to synaesthetic walks. “In walking research, synaesthesia can be deployed intentionally to defamiliarize a sensory experience of place and as a non-representational strategy,” they suggest, citing a project in which participants were encouraged to map smells “using words from another sensory register” (40): not true synaesthesia, then, but a textually constructed or metaphorical synasthesia. 

They then explore haptic walks: “Hapticality relates to the sense of touch,” they write, and “[i]n walking research, hapticality attends to tactile qualities such as pressure, weight, temperature, and texture,” sometimes organized “around kinaesthetic experience such as muscles, joints, and tendons that give a sense of weight, stretching, and angles as one walks” (40). They cite Laura Marks’s work on haptic visuality, which draws on Deleuze and Guattari’s discussion of the haptic (40-41), and discuss a variety of walking projects which think about tactile knowledge and corporeality, including Deirdre Heddon’s and Misha Myers’s Walking Library project, John Wylie’s description of “the rhythm of walking as a corporeal event,” and Tim Ingold’s suggestion that “walkers ‘hear through their feet’ emphasizing the proprioception of movement,” although they suggest that Ingold’s “embodied hapticality . . . foregrounds an individual’s experience and understanding of surfaces and textures, privileging the human,” which is a problem they will address later in “discussions of human embodiment through trans theories” (41). “Hapticality emphasizes transcorporeal touching encounters,” Springgay and Truman continue (42). They discuss the use of the term “hapticality as a political mode of touching and being touched” in the work of Stefano Harney and Fred Moten (42). “Hapticality or a politics of the feel,, lies below cognitive perception,” they suggest (42). This exploration ends with Métis artist Dylan Miner’s WalkingLab event To the Landless “as a politics of the feel” which “might also be understood through theories of affect, where affect is force and intensity” (42-43).

“Affect has inflected qualitative research methodologies with an attention to matter as dynamic, energetic, and emergent,” Springgay and Truman write (43). They acknowledge that “affect surfaces in the previous sensory experiments and walks, as affect circulates constantly” (43). However, they continue, “the focus in the previous experiments was on the ways in which walking shaped a sensory understanding of embodiment and place,” and affect, “although not synonymous with sensory experience, extends and complicates the ethical-political work of walking methodologies” (43). For instance, in the WalkingLab project Evaporation Walks, participants “carry broad dinner plates filled with pigmented water” until the water evaporates, “leaving a trace or silt residue on the bottom of the plate” (43). “The project speaks to pain and grief, and the weight of carrying a dying body both literally (in the form of evaporation) and metaphorically (loss of a child),” they contend. “If affect demands that sensation be understood as intensities, vibrations, and forces that are transcorporeal, as opposed to located in a particular body, then pain and grief are palpable in the circulation of affects between bodies. . . . Affect signals a capacity for the body to be open to the next affective event, an opening to an elsewhere” (43). “Affect is about surfaces,” the continue, “[q]uivering, vibrating surfaces that affect bodies, sticking to them” (44). In Evaporation Walks, they write, citing Deleuze’s claim that affects are “created through encounters, which force us to thought,” “there is a difference between the walkers feeling emotions that are already recognizable—for example, grief—and pre-, post- and trans-personal affects that unsettle and force us to resist identification. The affects that circulate might be anguish, but they could also be joyful” (44). What confuses me here, though, is why the evaporation of water necessarily literally or metaphorically speaks of pain or grief at all. What am I missing? I don’t understand how Evaporation Walks has become such a totemic example of walking and affect. It’s as if the theory and practice are not cohering, or at least not cohering in a way that is intelligible for me.

“The political potential of affect lies in intensities—which can be either deliberate or incidental—and in the ways that intensities instantiate feelings,” Springgay and Truman write. “These feelings, while immediate and in the present, arrive with a past that is never in the past , and engender an indeterminate future” (45). They cite Sara Ahmed’s suggestion that distinguishing between affect and emotion comes with particular dangers, along with other critiques that “emerge in affect studies suggesting that there can be a tendency to avoid the messiness of identity politics and a refusal to engage with issues of oppression,” a situation that “neglects the way that affect and feeling participates in the formation of subjects” (45). Nevertheless, “many affect theorists have turned to affect precisely because affect enables a form of thinking about politics as ‘processes of circulation, engagement, and assemblage rather than as originating from the position of a sovereign subject,” citing the work of Lara, Lui, Ashley, Nishida, Liebert, and Billies (45). “Numerous scholars have attended to the entanglements between affect and politics, including the ways that power and control circulates and flows and the formation of animacy hierarchies that condition corporeal threats,” they continue (45-46). “What affect theory helps us do is re-think the assumption that agency and politics begins with the human subject, and that the human is the only animate agent,” they write:

Affecting subjectivity offers possibilities for exploring material and visceral processes of subjectivity, re-thinks categories previously associated with identity, and considers the emergence of subjectivity as an assemblage of conscious and non-conscious matterings. Affectivity becomes a practice and process of defamiliarization, where subjectivities are not flattened or erased but neither are they fixed, known, or assumed. (46)

They then discuss two water walks, one in Toronto and the other in Hamilton, and “the ways that affecting subjectivities contributes to the scholarship on the intersections between affect and politics” (46-48).

In the chapter’s conclusion, Springgay and Truman write, “There is no denying that sensory experiences, haptic feelings, and affective intensities course through walking research. What matters, we contend, is how we tune into sensation, hapticality and affect” (48). They suggest that what is important is “the politics of the feel” (48). “It is our contention however, that feelings futurity in walking methodologies not only lies in these meaningful and vital contributions to qualitative research, but in the politicality of sensation and affect,” they continue. “This means that walking methodologies need to account for the ways that more-than-human sensations and affects circulate, accumulate, and stick to different bodies and spaces in different ways” (48). I find myself confused by the term “feelings futurity,” but Springgay and Truman discuss it further:

Feelings futurity arises as forces that act through and upon us. The future of walking methodologies requires not only innovative techniques to experiment with and account for sensory and haptic understandings, but must also attune to affecting subjectivities and the ways that affect flows and sticks to different bodies and spaces. Feelings futurity insists that we turn our attention to how matter comes to matter. (49)

Unfortunately, that elaboration doesn’t help. Why use the term “futurity” here? What does “futurity” actually mean in contemporary theoretical discourse? It’s as if there’s a code I’m not able to break, and it’s frustrating. Perhaps as I continue reading, this terminology will become clear. I can only hope.

Chapter 3, “Transmaterial walking methodologies: Affective labour and a sonic walk,” begins with embodiment. “As we walk we are ‘in’ the world, integrating body and space co-extensively,” Springgay and Truman write, citing Sarah Pink and Tim Ingold (50). But, they continue, “the linkage between walking and embodiment is contentious because particular ways of walking might not be embodied, such as mindless daily commutes to work” (50). What’s the connection between mindfulness and embodiment? Is there one? My “mindless” commute to work, particularly these days, when the temperature dips to minus 20, are embodied, not least because they can be uncomfortable, and that discomfort brings me back to my body as I walk.  This morning, for instance, although I was thinking about this summary as I walked through the park, I was also aware of the rhythm of my footsteps and of the cold air entering my lungs, and since I was slightly overdressed for the temperature, of the patch of sweat forming on my back. Is that awareness not embodiment? What about flow states? Are they not embodiment? When I used to run, I would occasionally find myself in a flow state in which the running was effortless. Is that not embodiment? How did mindfulness sneak into notions of embodiment? I don’t understand.

“Likewise,” they write, “when walking is described as embodied, it is typically assumed to be productive, lively, convivial, and therefore positive. However, mass refugee flights experienced globally enact vulnerable, exposed, and brutalized embodiment.” Of course, the walking that is called “lively” and “convivial” is made by choice, not out of necessity, and from a place of relative privilege and safety; comparing it to the walking experienced by refugees misses that point. “Normative understandings of embodiment are framed as affirmative, but do not take into consideration antagonism or power,” Springgay and Truman state (50). Plus, I’m not convinced that accounts of embodied walking require conviviality; I think examples of that argument would have to be provided.

Springgay and Truman turn to the work of Stacy Alaimo, who argues that embodiment “does little to account for ‘networks of risk, harm, culpability and responsibility’ within which humans find themselves entangled; to Lindsay Stephens, Susan Ruddick and Patricia McKeever, who reject “a model of embodiment based on individual experience” and “argue that embodiment theories need to account for more politically emplaced and spatially distributed understandings of bodies and space”; and to Eve Tuck and Marcia McKenzie, who also argue that most understandings of embodiment ignore power and perpetuate “ongoing settler colonial practices” (50). Alaimo’s notion of transcorporeality, which describes “more-than-human embodiment that includes ‘material interchanges between human bodies, geographical places, and vast networks of power’” (qtd. 50) is, for Springgay and Truman, a more satisfactory way of understanding embodiment. “Transcorporeality posits humans and nonhumans as enmeshed with each other in a messy, shifting ontology,” they write. “Transcorporeality cleaves the nature-culture divide and asserts that bodies do not pre-exist their comings together but are materialized in and through intra-action” (50). For example, Astrida Neimanis suggests that water is transcorporeal because it exists inside and outside of our bodies in “leaky entanglements” (50). 

In this chapter, Springgay and Truman argue that walking methodologies are “transmaterial,” although it’s not clear to me that transmateriality and transcorporeality are necessarily the same things (51). There’s a slippage from one term to the other. Their primary example is a sonic walk by Rebecca Conroy called Walking to the Laundromat; that is what they “think-with” in this chapter (51). “Commencing with Alaimo’s transcorporeality we draw on different trans theories to disassemble and disturb taxonomies, and confound the notion of an embodied, coherent self,” they write (51). This chapter also critiques the flâneur (everybody does) and introduces “transspecies and viral theories to further complicate humanist conceptualizations of environment,” before discussing how sounds “render some bodies as inhuman” (51). “Transmateriality,” they argue, “enlarges understandings of corporeality and takes into account more-than-human movements and entanglements that are immanent, viral, and intensive” (51).

Walking to the Laundromat is a 106-minute work of sound art “that participants listen to while doing their laundry at a public laundromat, interspersed with walks around the neighbourhood in between cycles” (51). (I’m guessing that the work instructs listeners to go to a laundromat with their laundry; the sound file is online, but I don’t have time to listen, unfortunately.) Springgay and Truman argue that this chapter uses excerpts from the work “to transduce and shape the writing with rather than about the sonic walk” (51). “In thinking trans, we invoke a transversal writing practice that attempts to rupture a reliance on lived description of artistic and bodily work,” they continue. “A challenge of writing and thinking-with more-than-human methodologies, and their experimental, material practices, is how to attend to their fleeting, viral, multiple, and affective intensities without reducing walking and art projects to mere background. There is a tendency to ‘interpret’ contemporary art practices, privileging the researcher’s voice over the artists’” (51-52). So, rather than interpretation, what? The “sonic walk” is “an instantiation of theory,” they write (52). Perhaps, but does that approach not continue to privilege their voices over Conroy’s? What’s the differentiation between interpretation and theorization in relation to a work of art? How can one talk about art without ending up privileging one’s own voice?

“In using the prefix trans, we understand that trans and non-trans people have different stakes in the field of trans studies,” they continue (52). That’s obvious; I have almost personal no stake at all in trans studies, as a cisgendered man. They note objections to the use of the term that erase “the material and social conditions of transgendered people’s lives,” but also cite those who, like Susan Stryker, Paisley Currah, and Lisa Jean Moore invoke the prefix “to consider the interrelatedness of all trans phenomena” (52). They cite Rosi Braidotti, “who describes transpositions as ‘intertextual, cross-boundary or transversal transfer’” which weave “different strands together” (qtd. 52). “Transpositions are non-linear and nomadic, and as such accountable and committed to a particular ethics,” they write (52). What links non-linearity and nomadism to ethics? I don’t understand. Does that mean that linearity and sedentarism are not linked to ethics? “Trans is a prefix that denotes across, through, or beyond,” Springgay and Truman write. “Transversing from embodiment to trans theories of walking requires us to move beyond questions that position particular kinds of human experience at the centre” (52). “[T]rans shifts the focus from a being or a thing to intensities and movement” (53). But linear understandings of trans are incorrect; rather, they suggest, quoting Eva Hayward and Che Gossett, trans “‘repurposes, displaces, renames, replicates, and intensifies terms, adding yet more texture and the possibility of nearby-ness’” (qtd. 53). “Trans refutes the nature-culture divide proliferating in nonhuman forms,” Springgay and Truman write, and it “includes the interventions of critical race studies and postcoloniality in posthuman or more-than-human conceptualizations of difference, where difference is not between entities, but constituted through movement and affect: a trans touching materiality” (53). Trans undoes “animacy categories” and “foregrounds Black and Indigenous Studies” because, as Abraham Weill suggests, it is about “entangled linkages, or transversality. Trans for Weil becomes a process of pollination and murmuration,” what Springgay and Truman will call “viral” (53).

Conroy’s sonic walk addresses labour “through the intersections of reproductive labour, capitalism, and affective labour,” because it’s about doing laundry (53). “One of the ways that labour gets circumnavigated in walking research is the reliance on two specific tropes: the flâneur and the dérive,” they continue, since the flâneur is a man, and a man of leisure (54); “[i]nstead of the flâneur, we need different conceptualizations of walking that deterritorialize what it means to move,” such as critical disability research (55). The dérive, for its part, is part of a “‘fraternity’” of walking because it is detached, although “[t]here are a number of feminist psychogeographers and collectives that use the practices of the dérive to critique and subvert the myth of urban detachment” (55-56). Walking to the Laundromat “resists the tropes of the visually privileged flâneur and queers the dérive, underscoring the labour, violence, and structures that enable some bodies to walk more freely,” Springgay and Truman contend. “The audio track emphasizes the violence of labour and transnational mobility, and the performance, of washing clothes, walking, and returning respectively to the laundromat, further positions the performance itself as a form of labour,” and unlike a dérive, the walking involved is restricted by the need to return to the washing machines periodically (56). Instead of casting off “usual relations,” the work, “through the labour of walking and washing, embodied affective labour” (56).

“We insist that walking researchers need to stop returning to the flâneur to contextualize their work, and instead consider transmaterial walking practices,” Springgay and Truman, well, insist. “Researchers must recognize that walking is not always a leisure activity, and that particular bodies already labour over walking as work” (56). Those who do draw on the dérive must “remain critical and not assume that it is automatically radical. Some bodies literally walk on foot for miles carrying laundry, water, or other commodities” (56). Conroy’s sonic walk “thinks about urban space, access, and labour associated with walking, borders, and mobility,” and it “disrupts the occularcentrism of the flâneur, focussing instead on sounds, bodies, and transmigratory spaces” (57). (Is a laundromat a transmigratory space?) “Walking to the Laundromat interrogates the ways that capitalism and neoliberalism render some lives disposable, and asserts the violence and Whiteness of colonial sovereignty,” they continue, and the laundromat itself becomes “both a space of care and cruelty” (57). “Conroy describes her project through three threads: mindfulness and penetration; invisible leaking bodies; and viral strategies,” and the audio walk also “takes up the issue of necropolitics, where queer, trans, and racialized populations are subject to occupation, conquest, and elimination” (57). How it does all of this is not clear.

Next, Springgay and Truman turn to Julie Livingston and Jasbir Puar and their term “interspecies,” which refers “to ‘relationships between different forms of biosocial life and their political effects’” (qtd. 59). “Interspecies theories and research insists that the human can no longer be the dominant subject of analysis,” and that interspecies “‘offers a broader geopolitical understanding of how the human/animal/plant triad is unstable and varies across time and place,’” (qtd. 59), a provocative statement that requires reading Livingston’s and Puar’s work to understand. “Interspecies also departs from privileged sites in posthuman work—the human and the animal—or what Donna Haraway calls companion species, to include “‘“incompanionate” pests, microscopic viruses, and commodified plants—in other words, forms of life with which interspecies life may not be so obvious or comfortable’” (Livingston and Puar, qtd. 59). Eliza Steinbock, Marianna Szczygielska, and Anthony Wagner write “that trans ‘enmeshes . . . transgender, animal, a[n]imacy, intimacy,’” and that “[t]he frictional intimacies of trans undoes the animacy hierarchies” (59). (I am finding the subject/verb agreement problems in this text very distracting.) This undoing is featured in Walking to the Laundromat as well, Springgay and Truman contend, through the use of “discordant sounds,” whose “viral penetration undoes” the soundtrack’s use of “tidy, human-centric narratives” (59-60). “‘Being open’ becomes transspecially linked to exploitation and environmental degradation,” they suggest (60).

Springgay and Truman then turn to Claire Colebrook’s “trans concept—transitivity—which emphasizes the linkages and intra-actions between entities that are non-linear. For Colebrook ‘transitive indifference’ undoes the notion of difference ‘from.’ When things are set against one another, and are different from each other, one entity remains in the centre, and is the basis for comparison and measurement,” the way the human is the standard of measurement for taxonomies of difference (60). “Indifference for Colebrook stresses the self-differentiating singularities of becoming,” they argue (60). Conroy’s sonic walk,” they claim, creates “various flowing assemblages” that have “vectors, speeds, rests, modes of expression and desiring tonalities” to construct “an instantiation of transitive indifference” (60). Carla Freccero “uses the term transpecies to invoke a form of becoming that breaks down species taxonomies questioning origins and materializations of classification hierarchies,” they continue, suggesting that “[t]rans is less ‘place bound,’ and more like the concept of ecology often invoked in posthuman discourse, and as such interrogates the logic of human exceptionalism and heteronormative reproduction” (60). How it does so, though, and what the link between “human exceptionalism” and “heteronormative reproduction” is, remains unclear; I would find the argument here more satisfying if it proceeded more slowly. Karen Barad “forms another reading of trans as a process of self-touching animacy, regeneration, and recreation” by deconstructing “the reductionist ontology of classical physics” and describing “instead how [indeterminacy] is entangled through all being” (60). For Barad, trans is about a radical undoing of the self (60). “Trans, as we’re building in this chapter emphasizes movement as flows, vectors, and affective tonalities,” Springgay and Truman write. “Trans shifts the focus from a being or a thing, to intensities and movement” (60). In doing so, might it not be radically disembodying the bodies with which this book began? Where do those intensities and flows and movements exist? Where are they located? I’m growing increasingly confused.

Another trans idea is “the viral,” which Puar uses “to untether sexuality from identity and hetero reproduction, in order to think about sexuality ‘as assemblages of sensations, affects and forces’” (qtd. 62). Hayward’s term “tranimal” “similarly reconfigures heteronormative sexuality and reproduction” by perverting “an understanding of embodiment that relies on  bounded and distinct identities,” and by considering “reproduction as ‘excess, profusion, surplus’” (62). For Hayward, trans “is about a kind of viral movement,” not from one point to another, but rather “it replicates as difference. In the viral, difference is affective and affecting modulation. It is speculative, activating potentiality and futurity through mutant replication” (62). Conroy’s various laundromat projects become, Springgay and Truman contend, “a mutant, virally reproducing, affective site that has the potential to re-imagine labour in different terms. While viruses operate parasitically and they penetrate a host, they are not adjacent to or simply touching a host, but alter and stretch the host,” as Conroy’s soundtrack apparently does (62). “In shifting from embodied theories that perpetuate a coherent sense of subjectivity, trans theories insist on an ethical-politics of walking,” Springgay and Truman continue (63). So having “a coherent sense of subjectivity” disallows ethics or politics? How so? “Thinking alongside transspeciation, Myra Hird argues that trans interrogates the idea that there is ever a natural body—the one we are born with—which must also parallel particular normative behaviours and desires,” they write (63). What if one’s desires and behaviours are normative, though? Where does this line of thought lead?

“Trans theories are invested in thinking about assemblages and viral replication rather than heteronormative future-oriented reproduction,” Springgay and Truman write. “Trans insists that the transitive state is not that some bodies matter while others continue to perish. . . . Trans emphasizes movement and vectors” (64). Walking to the Laundromat “as a transmaterial practice emphasizes the underpaid, repetitive, and bodily labour of service work,” they continue. “The project intervenes into the comfortable ways that walking is described as relational and convivial, recognizing that not all bodies move freely and that walking itself is a form of labour” (64). But when I think back to the book’s introduction, the “queer feminist Bush Salon in which texts were read, photographs taken, “perambulatory writing techniques” experimented with, and cherries eaten (1), I wonder where the labour was during that event, and how it might have addressed walking as labour, which the flâneur and the dérive fail to do. Again, I find myself looking for some degree of self-awareness in the argument. Conroy’s art work demonstrates “that embodiment, as a form of mind-body awareness and mediation, has been co-opted by liberalism,” they continue (64), although is that what embodiment is? A definition of embodiment would be useful here. “In bringing trans theories to bear on walking research we open up and re-configure different corporeal imaginaries, both human and nonhuman that are radically immanent and intensive, as an assemblage of forces and flows that open bodies to helices and transconnections,” they conclude:

Trans activates a thinking-in-movement. By conceptualizing walking methodologies as trans, we shift from thinking of movement as transition (from one place to another) or as transgression (that somehow walking is an alternative and thereby empowering methodology), towards trans as transcorporeal, transitive, transspecies, and viral in order to activate the ethical-political indifferentiation of movement. Trans activates new ways to talk about, write about, and do walking methodologies that take account of viral, mutant replication, and recognize the intra-active becomings of which we are a part. (65)

That is a huge task to lay at the feet of walking, and I find myself stumbling over almost every word. What, for instance, is meant by “the ethical-political indifferentiation of movement”? My dictionary tells me that “indifferentiation” refers to a lack of differentiation—but is that what is meant here? I can’t tell. Is it a term taken from Deleuze and Guattari? Or does it come from Brian Massumi? And what is flowing? I remember that, years ago, Deleuzians used the metaphor of “circuits”; not the language is the more organic flows. But what is actually flowing? Perhaps I really shouldn’t be reading this book without the appropriate philosophical background, and in a way I’m reading it in order to find out what I would need to read in order to understand the argument. This is extremely difficult stuff, and the argument structure, which rushes through texts and summarizes by repeating key terms, is more than a little confusing.

Chapter 4, “An immanent account of movement in walking methodologies: Re-thinking participation beyond a logic of inclusion,” suggests that it will engage with “mass forms of walking” to “consider participation from a vital and materialist perspective,” one that does not frame participation “as democratic interaction where individuals come together by choice, and as a convivial mode of collectivity” that is “emancipatory, liberatory, and transformative” (66). “The problem with this understanding of participation is that while it seems to promote diversity and equity, it operates as a symbolic gesture that fails to undo the structural logical of racism, ableism, homophobia, and settler colonialism,” Springgay and Truman write. “Furthermore, participation in contemporary art practices assumes audiences become active in the work versus passive spectators. This produces a false binary between active participation and passive viewing” (66). Nevertheless, they argue that participation “is important in walking research and as such we need different ways to think about participation’s potential” (66). So this chapter asks, “How might vital, material, and immanent theories ask different questions about the how of coming together and taking part?” (66). “The main thesis of this chapter is a critique of participation as inclusion,” they write (66). they use Ring of Fire, “a contemporary art event that resulted in a procession for the opening of the Parapan American Games” in Toronto in 2015, The Warren Run, “a running-orienteering race executed in an urban neighbourhood in Sydney, Australia,” and White Cane Amplified, “a performance in which a cane used by a walker who is visually impaired is replaced by a megaphone,” as ways of thinking about participation beyond inclusion (66)—although these examples seem to be negative ones. “[I]nclusion in events like Ring of Fire and the Parapan Am Games produces and maintains settler colonialism and White ableist homonationalism,” they argue, while The Warren Run “and the ways in which participation framed as inclusion in public art projects diffuses conflict, dissension, and difference through convivial notions of rationality” (67). “Our critiques aim to demonstrate the failure of thinking about participation as inclusion, rather than the limits of these particular projects,” they continue. “Following the crucial critiques of inclusion, we draw on theories of immanent movement, to ask questions about how we might think differently about participation,” “beyond a rhetoric of inclusion” (67). They argue that “participation begins before the invitation of inclusion commences,” and they suggest that they will conclude with “an analysis of participation that is composed from within, is immanent, vital, and of difference” (67).

The first example, Ring of Fire, brought together a wide range of communities in a procession for the Parapan Am Games. Springgay and Truman describe such “mega-events” as “corporate, neoliberal sites of homonationalism, crip nationalism, and settler colonialism” (68), which seems to be a critique of the project’s intention. They use Sykes’s (oh, that APA) distinction between “taking part” and “taking place”: “‘Taking part’ celebrates queer, disabled, and Indigenous participation in mega events”; it is “a form of inclusion” (69), while “‘taking place’ . . . perpetuates the displacement of Indigenous peoples from their traditional territories” (69). “Taking part” is “a practice of managing dissent” (69), while “mega events ‘take place’ from Indigenous peoples” (70). They cite Puar’s contention that “[r]acism, lack of medical care, settler colonialism, occupation, and incarceration are all tactical practices deployed by the State to create and maintain precarious populations through debilitation,” which, they conclude, means that “inclusion functions to produce and sustain debility” (70). “Rather than a ‘taking part,’ which continues to pathologize the differently abled body, critical disability and crip scholars . . . insist that the body-technology-environment be understood not as a supportive device that helps an individual overcome limitations, but as a moving assemblage that has different configurations and rhythms,” they continue, noting that people using a variety of assistive devices were encouraged to participate in Ring of Fire (71). “If participation as inclusion continues to normalize and pathologize different bodies, maintaining White, ableist, heteronormative, settler colonialism then what other ways can we think-with participatory projects like Ring of Fire?” they ask (71). One possibility is the notion of affirmation as a form of participation that, quoting Erin Manning, “‘keeps things unsettled, a push that ungrounds, unmoors, even as it propels’” (qtd. 71). Okay, but what would that look like in practice? Is there an example the authors can point towards? The section ends without any.

The chapter’s next section, “Conviviality and conflict-free participation,” looks at The Warren Run, an orienteering-inspired race through a neighbourhood in Sydney, Australia. “Walking art projects like The Warren Run that include communities and groups of people in the work, are often described using an assortment of terms including socially engaged art, social practice, relational, and participatory,” Springgay and Truman note (73). The same could be said of Ring of Fire. They review various critiques of this art form, including the idea “that there is a unified, pre-existing, and self-determining subject who participates, which obscures the complex ways that humans and nonhumans act” (73). They cite Brian Massumi’s claim “that participation occurs prior to cognition, before the act of thinking about taking part” (74), which might sometimes be true, but also might sometimes not be true. This idea leads into the next section, in which Springgay and Truman “tease out an immanent conceptualization of participation, arguing that such an ontology of participation might propose a more ethical-political understanding of taking part and coming together” (74). That section, “Relative and absolute movement,” begins with a discussion of rhythm, particularly as Deleuze and Guattari use the term (75). That leads to a distinction between absolute and relative movement in the work of Erin Manning. Relative movement is about the body moving while other objects in space remain stationary; absolute movement “is a form of movement that proliferates endlessly” (75). “In absolute movement, motility does not pass between points” (76); like a yoga pose, it involves “a composition of ceaselessly moving micro-movements” (76). Walking involves both absolute and relative movement (76). Manning suggests that movement becomes a vibrational force, and so rhythm “is composed of vibratory micro-movements that are constantly in flux and change. These vibrations of micro-movement are imperceptible and molecular” (76). If they are imperceptible, though, how does one know they are actually happening? “A vibrational account of rhythm provides a means to interrogate how encounters that are imperceptible produce affects across different entities,” they continue. “Thus, vibratory accounts of rhythm enable different kinds of analysis that attend to the immanent and affective dimensions of participation” (76). How so? Springgay and Truman provide no examples to support this idea.

Instead, in the next section, “Volitional and decisional movement,” they discuss Manning’s distinction between volitional, or conscious movement, and decisional, or unconscious movement (76-77). “In decisional movement, a body reacts and moves, in relation to other decisional movements,” the way a trained baseball player can respond to a ball without thinking through that response (77). Manning seems to think that decisional movement is more important, that volitional movement gets in its way, and that decisional movement “leaves room for mutation” (77). I don’t understand the hierarchy that is being asserted here. “The problem with volitional movement is that it conceives of participation through inclusionary rationalities and, as we have demonstrated, these continue to support White, ableist, settler, and heteronormative logics,” Springgay and Truman write. “Volitional movement as ‘taking part,’ while inviting different subjects and different bodies to participate, supports and reinforces norms. Furthermore, this rhetoric of inclusion is in fact exclusionary, where certain bodies are always marked as different and only included by conforming” (77). On the other hand, 

if participation is composed of absolute and decisional movement, where bodies—human and nonhuman—are rhythmically moving in variation and difference—then we can begin to think of participation beyond the rhetoric of inclusion. This is crucial. We need different ways to conceive of and understand participation, and think about participation’s political potential. This is where absolute and decisional movement become important. (78)

“If participation isn’t reduced to the volitional act of an individual, but is rendered in rhythmic terms of assemblage and composition, participation engenders a politics of potentiality,” they continue. “Instead of ‘taking part,’ which privileges inclusion, and evaluates the kind of interaction inclusion creates, we ask: how to tend to the proliferation of difference, the immanence of participation?” (78). 

Their answer lies in the importance of decisional and absolute movements. Because inclusionary participation “implies volitional movement, a form of free will or choice,” it is “linked to individual agency, rationality, and mastery” and “continues to render some bodies outside of an event, or outside of what it means to be human. Inclusionary logics reinforce and inside and an outside” (78). However, decisional movement “engenders variation and difference”; decisional movements “are rhythmic relations that are produced in and of the event. They are immanent to the event itself” (78). As a result, “[p]articipation becomes intensive, it is internal to itself, and constituted through movement and affect. In other words, participation is produced without knowing what the production will look like. It is creative and experimental” (78). How would one be able to tell that this participation was taking place, though, if it was only made up of decisional and absolute movements? What would that kind of participation look like? Is it the only “creative and experimental” form of movement? Is volitional movement really that bad? Am I not choosing to type these notes, for instance (a form of volitional movement) while reading this book (another form of volitional movement) that Springgay and Truman researched and wrote (a third form of volitional movement)? Writing can’t be a decisional form of movement—at least, it isn’t all the time; one makes a conscious choice to write. The same goes for research. Without a tangible example of the kind of participation Springgay and Truman approve of, one based in decisional and absolute movements, I really have no idea what the thing they are advocating might look like.

“‘Taking part’ in an event assumes that any negative limitations have been removed and that by being included the subject is now transformed, empowered, and liberated,” Springgay and Truman write. (They’ve never seen me grudgingly agree to participate in an office softball match; my limitations remain, and I am neither empowered by striking out nor liberated by missing a fly ball.) “However, inclusion continues to render an outside and an inside,” and it “implies a degree of choice” (78). They cite Elizabeth Grosz’s notion of “free acts,” which do not involve “rational choice and individual agency,” but are “indebted to decisional movement, to cleaving, cuts, intra-actions and transcorporeal entanglements between all bodies” (78). Their example is Carmen Papalia’s White Cane Amplified project, which “replaces the white cane with a megaphone,” allowing Papalia, who is a “non-visual learner,” Papalia’s term for blindness, which doesn’t reduce his sightlessness to a disability, “to instruct other pedestrians and vehicles about his presence and to request help from participants in crossing streets and navigating urban spaces” (79). Papalia, “in contrast to heteronormative notions of a self-reliant male strolling through the city, requires participation from others to navigate safely” (79). (Why “heteronormative”? Are there no gay flâneurs?) Papalia does not ask people to participate in guiding him “as an act of community building or empowerment,” Springgay and Truman contend. “Rather, the participants—much like the megaphone, the sidewalk, and other obstacles he encounters—are decisional in that they become inflexions that alter his movements discretely” (79-80). But aren’t those participants making a conscious decision to participate? Aren’t their movements thereby volitional? I honestly don’t understand how the theoretical paradigm they have outlined has any practical significance. I’m missing something important and I don’t know what it might be.

“Walking methodologies are commonly understood as participatory,” Springgay and Truman conclude; it is “social and interactive, whether you walk with others, or commune with your senses on a solo walk” (81). “But the inclusionary logics of participation, as we have outlined, normalize, commodify, and stratify particular bodies,” they write (I don’t recall the words “commodify” or “stratify,” but maybe I missed them), and also “establish an inside and an outside are distinct. To participate means to move from the outside into the inside. In this regard, participation would appear to be a concept that stifles a work” (81). How does it stifle a work? Were Ring of Fire or The Warren Run stifled? How so? “But if participation is immanent to life, to walking, to events, and as such to research, different questions can be asked about what participation does, or how it operates,” they continue. “Participation as immanent proliferates and multiplies endlessly. Participation as relational, always taking part, emphasizes movement and rhythm as difference” (81). But how could one tell if that kind of participation were to be taking place? What, in practical terms, would participation as an immanent proliferation that multiplies endlessly look like? 

The fifth chapter, “On the need for methods beyond proceduralism: Speculative middles, (in)tensions, and response-ability in research), begins with the “agitations that are occurring in qualitative research”: a host of conflicts that suggest that qualitative research is “stuck . . . between new empiricist theories as methodologies and traditional phenomenologically informed methods” (82). I don’t know what those new empiricist theories might be, and I’m not a qualitative social scientist, so I’m not that concerned about my lack of knowledge. This chapter responds to the suggestion that method can be done away with. “First, there is an assumption that methods are particular things, such as interviews, participant observation, or video ethnography,” but methods already “resist representation” (83). “Second, although we agree with a radical empiricist understanding that posits thought as a form of inquiry,” they feel that “methods are significant and very much present in a research event” (83). “Thus, rather than a refusal of methods, the remaining sections of this chapter propose that particular (in)tensions need to be immanent to whatever method is used,” they write. “If they intention of inquiry is to create a different world, to ask what kinds of futures are imaginable, then (in)tensions attend to the immersion, tension, friction, anxiety, strain, and quivering unease of doing research differently” (83). (I’m not convinced that the neologism “(in)tension” is communicating very much—what is the crossover between “tension” and “intention” supposed to produce?) I would like my walking practice to imagine different futures, but I’m not sure that any of this speaks to the kind of work I do and intend to do.

“We approach methods propositionally, speculatively, and experimentally and maintain that it is the logic of procedure and extraction that needs undoing,” they continue (83). Yes, extraction is something I hope my walking practice can avoid: relatively easy in a solo practice, but perhaps harder when one is walking and talking with others. “We attend to the how of research by thinking-with various walking projects from WalkingLab and beyond,” they continue. “We use the idea of the walk score as a catalyst for movement” (83). Such walk scores are propositions, “different from research methods or a research design in that they are speculative and event oriented,” and “not intended as a set of directions or rules that contain and control movement” (83). Rather, walk scores “emphasize chance and improvisation” (83). “We need to shift from thinking about methods as processes of gathering data towards methods as becoming entangled in relations,” a perspective which “requires a commitment to methods in which experience gives way to experimentation” (83-84). Since I’m not engaged in qualitative social science, though, I’m not sure this discussion is relevant to my work—although Springgay and Truman do cite Elizabeth Adams St. Pierre’s argument that one can’t simply employ new empiricist methodologies (informed by Deleuze and Guattari) or the new materialisms along with phenomenological methods, because these methodologies are situated in different “‘ontological arrangements’” (84-85). That’s worth thinking about, and St. Pierre is always worth reading. Springgay and Truman suggest that they agree with St. Pierre’s contention “that reflexiity (humanist) and radical empiricism (more-than-human) are incommensurate,” because reflexivity, “even as an entangled practice, presupposes a subject and is founded on interpretive practices” (86). 

“In instrumentalizing walking as a method there is the presumption that walking is going to do something specific before the event occurs, and that walking is uniquely situated to discover and gather data,” they write. The problem with this notion “is that instead of attending to the ecologies of research, or what we prefer to call the thinking-making-doing of research, researchers fall into the trap of believing that creating new methods will offer different solutions” (86). “We posit that methods are not the issue,” they continue. “Methods must be engaged with in the speculative middle and (in)tensions must be brought to bear on them” (87). That’s because research begins in that speculative middle, the place where Deleuze and Guattari claim “things grow, expand, and pick up speed” (87). “In the middle, immanent modes of thinking-making-doing come from within the processes themselves, rather from outside them,” they write. “In the middle, the speculative ‘what if’ emerges as a catalyst for the event. The middle is a difficult place to be,” a place where it’s hard to see clearly (87). “That is the point. The middle can’t be known in advance of research. You have to be ‘in it,’ situated and responsive. You are not there to report on what you find or what you seek, but to activate thought. To agitate it” (87). Of course, that would be hard to put on a Research Ethics Board application. 

“A speculative middle does not stop a researcher,” they write. “It’s a thrust, a future provocation for thinking-making-doing. . . . Speculative middles, through processes such as walking, reading, and writing, emerge as agitations and as affective force” (89). The “speculative middle” is “an event” in which “(in)tensions, concerns, and gnawings continually emerge. As the agitations take shape, it is the (in)tensions that incite further action,” changing “the how of methods the research event” (89-90). I wish the word “(in)tensions” had been defined here. “Deleuze’s thought compels researchers to experiment with problems rather than seek solutions,” they continue, citing Elizabeth Grosz’s argument that political activism should be about dreams of the future which are unattainable, rather than solutions (91). Springgay and Truman describe their use of pinhole photography as a method that is “entangled with an (in)tension of problematizing what matters” and that “demands we reimagine ‘land care’” (92). “Our methods of walking-with insists that the Land, the sediment of the escarpment that consist of rocks and Indigenous peoples, stays with us in unrestrained fullness” (92-93). (I’m not sure how the sediments of the Niagara Escarpment, which were formed by oceans that predate the existence of our species, consist of Indigenous peoples.) Another technique Truman used in her PhD research was the dérive, which was problematized in the “speculative middle” by a number of techniques, “including mapping using literary devices, writing poems that examined the spatial politics of their walks to and from school, and writing exercises that activated rhythm in conjunction with movement” (94). “What these minor gestures opened up for the dérive was a place for different (in)tensions to matter,” they continue. “But a dérive inflected with minor gestures is infused with intimacy where knowledge of place is not something grasped from a distance but emerges through proximity; where proximity is not a voyage of discovery, but where one bears the consequences for the things that are not even known yet” (94). I’m wondering, once again, if the theoretical conclusions that the authors place on their practical examples aren’t too strong, too certain. I would certainly be more tentative in evaluating the results of my work. Maybe that’s one of my problems.

Chapter 6, “‘To the landless’: Walking as counter-cartographies and anarchiving practices,” begins with a recognition of the way walkers have experimented with a variety of mapping techniques, although it remains “entrenched in imperial and colonial powers who use and create maps to exploit natural resources, claim land, and to legitimize borders” (99). For that reason, many artists and social scientists “deploy counter-cartographical approaches to map against dominant power structures, question the assumptions that conventional maps produce, and recognize different spatial knowledge systems” (99). Three WalkingLab projects, they suggest, “re-map—as a form of counter-cartography—erased and neglected histories” (99). They “consider the ways that re-mapping offers possibilities for conceptualizing space that is regional and relational, as opposed to state-sanctioned and static. As White settler artist-academics, we problematize the ways that new materialisms and posthumanisms have failed to account for a deeper understanding of the Anthropocene as racialized” (99-100). Walking “can re-map archives and disrupt linear conceptualizations of time,” they state. “Walking as ‘anarchiving’ attends to the undocumented, affected, and fragmented compositions that tell stories about ‘a past that is not past but is the present and an imagined future.’ As counter cartographies and anarchiving practices, the walking projects disrupt dominant narratives of place and futurity, re-mapping Land and ‘returning it to the landless’” (100). The three WalkingLab projects they discuss are Dylan Miner’s To the Landless, Walis Johnson’s The Red Line Archive and Labyrinth, and Camille Turner’s Miss Canadiana’s Heritage and Cultural Walking Tour: The Grange. 

Next, Springgay and Truman discuss borders as “social and physical constructions that paradoxically connect and divide” (101). They note that Miner (among others) argues “that settler colonial borders have impacted and limited ancestral Indigenous practices and fail to recognize Indigenous spatial knowledges” (102). They describe in detail his To the Landless project in Toronto, describing it as “a counter cartography” that “re-mapped anarchism onto the Toronto landscape” (104). The Red Line project is another example of counter-cartography that “re-claims the community spaces within the red line” that excluded African-Americans from certain neighbourhoods in New York City (105). “Walking the red line becomes a transcorporeal materialization revealing the connections between race and place on and through the lived body,” they write (106-07). These counter-mapping practices are “‘anarchival’” because they “rely on fragments of memories, oral stories, songs, marginal ephemera, and affects and emotions” (107). They also rely on archival research, I think, despite the critique Springgay and Truman make that archives are “technologies that served the production of imperialism and settler colonialism” (107); indeed, Brian Massumi states that “the archive . . . becomes the departure point for the anarchive” (108). Anarchives, though, “resist mere documentation and interpretation in favour of affective and material processes of production. . . . approaching matter from new perspectives that may be incongruent with conventional archiving practices, in order to activate erased, neglected, and hidden histories” (107). Camille Turner’s walking tours “re-map” the “erased and forgotten history” of racial intolerance in Canada “onto the Canadian landscape” while questioning “the mechanisms that enable this ongoing erasure” (109). Because there is very little documentation of African-Canadian communities in Toronto, Turner uses “alternative methods, including creating composite fictions” (110). Turner also “materialize[s]” Afrofuturism in her anarchive: “the narratives, songs, sounds, and places encountered on the walk. This is a time that is looped and haunting, rupturing teleological and linear understandings of time. Afrofuturism as a walking methodology could be described as both a method of recovering histories and futures and as an anarchiving of aesthetic productions that enact such a method” (112). Afrofuturism, they write, “is not only literary-based but can be a theoretical, material, sonic, performative, mapping, and anarchival practice” (112).

“The WalkingLab projects that we have assembled in this chapter take up walking methodologies in relation to space and time, acknowledging the possibilities and tensions that such work might produce,” Springgay and Truman conclude. “Counter-cartographies and anarchiving practices might in face reproduce the very geographies they seek to undo. However, in attending strategically to re-mapping the past that is not past, these projects offer avenues for imagining a different future. Re-mapping space and time are significant components to a counter-cartographical approach to walking methodologies” (112-13). Futurity, they continue, “refers to the ways that the future is projected and re-imagined” (113). (I’m very happy to read that definition!) “It also considers how the future is implicated in the past and the present, through different conceptualizations of time. Here time shifts from heteronormative colonial chronos”—why, again, “heteronormative”?—“to vectors, hauntings, spectres, regions, and relations. It also speaks to the ways that any reference to the future makes some futures possible while disavowing others” (113). As a counter-cartographical and anarchiving practice, walking can “enact these understandings of futurity, where the future is not a romanticized ideal, but in constant re-figurations” (113).

The seventh chapter, “Reflective inversions and narrative cartographies: Disrupting outcomes based models of walking in schools,” examines two research-creation projects that WalkingLab conducted in schools in Toronto and Cardiff. Regarding the project in Toronto, they write: “Working against the history of Canadian landscape, which is temporal, spatial, and racial, the walking-with events contest the imagined images of citizenship and identity. The work contributes to critical discourses and contemporary art practices on race, ethnicity, colonialism and land” (121). The organizers and the students “resisted the racialized dispossessions of belonging, creating new spacetimes and landscapes” (121). Again, the claim that the project created “new spacetimes and landscapes” seems hyperbolic to me. The project in Cardiff, which involved students participating in dérives, produced “narrative cartographies” that “mapped students’ understandings of how language functions to control and dehumanize students. Walking-with became a method for exploring inside and outside of school place collectively, to consider the ways that language is already pre-supposed and pre-determined in advance” (126). The maps created by the students “enabled new connections and different ontologies to become possible” (126). That seems like a lot: new ontologies? “Walking-with can be a significant and important method for working with students in educational contexts, if it does not become instrumentalized as an anti-technology and as an uncritical mode of being in place,” they conclude. “Walking-with is an ethical and political response-ability that intimately understands that any step towards a different world is always imbricated in a particular conceptualization of the human, one that continues to re-inscribe a separation between nature and culture, human and nonhuman, landscape and Other” (128). “[W]alking-with materializes horizontal and sideways ontologies where spacetimes reflect, invert, and bend,” they write, in another example of hyperbole, or perhaps metaphor (128).

Finally, Chapter 8, “A walking-writing practice: Queering the trail” is a set of propositions. “We use the propositional form for this chapter because propositions are not directions or procedures for writing,” Springgay and Truman state. “Propositions act as hybrids between potentiality and actuality: they propose what could be” (130). “In the first walk queering, we introduce walks by women, Indigenous walkers, people of colour walkers, and queer and trans walking artists, whose methods of walking defamiliarize the historical tropes of the lone walker drawing inspiration from the landscape,” they continue. “Some of these artists’ projects link walking and writing, while others illustrate a thinking-in-movement” (131). The following five walks “are walking-writing propositions that shape our collaborative practice. These are: differentiation; surfacing; activation devices; with; and touch. The seventh walk, contours, re-visits key concepts in the book and reflects on the implications of walking methodologies in a more than human world” (131).

“Walking-writing is a practice of invention, where the movement of thought is more-than a moment of walking, thinking, or inscribing,” Springgay and Truman contend (131). I’m not sure quite what that means, but they offer further description:

Walking-writing is a thinking-in-movement. Walking-writing is a practice of concept formation. We do not conceptualize walking in one register and writing in another, any more than we understand our research-creation walking events as pre-writing. Walking activates the creation of concepts. To walk is to move-with thought. In addition, we understand writing as something more-than what exists on a page or in a book. Walking-writing is experimental and speculative. Walking-writing surfaces. It is viscous and intense. Walking-writing is collaborative. (131)

I’m not sure that paragraph clarifies much for me. On one hand, to claim that walking “activates the creation of concepts” suggests an almost Wordsworthian claim that walking encourages creativity or thought, which I’m sure is not what is meant at all here. And the claim that writing is more than what gets recorded “on a page or in a book” baffles me. Is writing a metaphor, then? For what? What does it mean to say that walking-writing “is viscous and intense”? Does it have to be collaborative? What if one is alone? Are one’s collaborators then more-than-human? Would they be more-than-human even if one were with other walkers? 

The first provocation, written in the imperative, states: “Read this section and then go on a walk. Queer the trail. Defamiliarize Euro-Western traditions and other heteronormative, solo peramulations that link walking with unfettered inspiration” (131). Again, heteronormative? What about, to take one example, Virginia Woolf? And I’m not entirely sure what, in this context “queer the trail” necessarily means. In any case, as promised, the section describes the work of a variety of artists and writers: “African American poet Harryette Mullen” and her 2014 book Urban Tumbleweed; Anishinaabe artist Lisa Myers’s Blueprints for a Long Walk project; “[t]rans Black artist and activist Syrus Ware’s practice,” which “takes on many different forms”; Latai Taumoepeau’s performances; and “queer Black writer Rahawa Haile,” who walked the Appalachian Trail (132-33). “In academic scholarship and popular literature, walking is extolled and prized because: it benefits health; inspires creativity; attunes the walker with the landscape; and is a tactic for re-writing the city,” Springgay and Truman state. “While these fraught inheritances nudge at our practice, WalkingLab has intentionally sought out collaborations with women walkers, Indigenous walkers, queer and trans walkers, differently abled walkers, and people of colour to Queer the Trail. This is the ethical-political thrust of our walking-writing practice” (133). That’s commendable, but what if one doesn’t fit those categories? What if one is a straight, White, cisgendered man in his mid-fifties? What then? I suppose that kind of person is excluded. That seems ironic, given the radically inclusive practice being advocated here—and yes, I know that the authors have already argued that inclusivity is the wrong way to frame the issue, but I’m pretty sure that going for a walk is volitional, rather than decisional, so I’m not convinced that the theoretical justification for those terms works in actual practice. And Springgay and Truman can collaborate with whomever they choose; I’m not really complaining. It’s time to let people from a variety of identities into the walking game. However, I’m still not quite sure what the command to “queer the trail” might mean for that hypothetical middle-aged man: to make walking strange and different and new, I suppose, perhaps through one of the prompts that follows.

“Walk two: differentiation” begins with a command to walk to a destination, but to walk “a different path than you might normally walk” and to “[w]alk slowly” (133). The text then describes the collaborative practice Springgay and Truman have developed. which involves periodic walking. “Walk three: surfaces” suggests that a long walk “surfaces” (134), drawing on the work of Kathleen Stewart, who “describes place through terms like atmosphere, surface, and event” (134). “Surfaces are ambient and effective,” they write. “Surfaces do not refer to a specific location or form but the tonality, the expressiveness, and undulation of body-space. Surfaces vibrate, flow, and move. Surfaces are not without duration” (134). A walk that surfaces is “visceral, bodied, and shimmer” (134). “Surfacing is writing,” they continue. “Surfacing writes the body” (134). “Surface walks foreground bodily intensity,” but they also “disorient and defamiliarize” (134-35). “Walk four: activation device” demands that the reader go for a walk with an activation device, which could be anything that enables a documentary or creative response to the walk. However, the prompt demands that the device not be used for documentary purposes, “but to alter the function of the walk” (135). “The activation device experiments with the walk and enables new ways of thinking-making-doing,” they explain. It “pushes walking-writing to an edge. It forces something new to occur. The activation device is not intended to extract or collect information, but to insert itself within the walking-writing practice as a thinking-making-doing” (135). One might carry helium balloons or a bucket of water or fill one’s pockets with rocks; it doesn’t matter, as long as one is able to “modify habits of walking through various modalities” (135). Those modifications, those activation devices, “rupture and queer the walk, they slow us down and change our gat, they problematize what it means to walk, they agitate and provoke,” they write (136). Activation devices “propel us into a speculative middle and churn our thinking. They surface. They function propositionally because we don’t have a clear procedure of how they will activate the walk beforehand. They are prompts for further walking-writing, as opposed to a representation of the walk” (136).

“Walk five: ‘with’” is a group activity (the group can be composed of humans or nonhumans), but the group “composes only one aspect of ‘with.’ ‘With’ is about co-composition rather than inclusive collaboration” (136). The purpose of the activity is to find a place where the group can write together (probably that will be more difficult for the nonhumans). WalkingLab organizes Itinerant Reading Salons, in which participants walk and read out loud (237). “Walk six: touch” calls upon readers to “[f]eel the haptic; the corporeal” while walking, preferably in a graveyard (because they evoke chronological time) (138). “Walking-writing invokes the intimacy and rhythm of touch,” they write. It evokes what Karen Barad calls “a queer self-touching” in which we “encounter an uncanny sense of the stranger or otherness within the self” which “is a queer perversion of being and time” (138). “Touch queers and perverts individual identity,” they continue, generating an ethics “that queers and undoes the limits of what counts as human or otherwise in the first place. Self-touching means thinking about alterity—our touching indifference—within ourselves. It requires an ethics response-able to the inhuman within us” (139). Walking-writing, they suggest, “recognizes the radical alterity and openness, the ongoing inventive intra-actions of difference that make up the world” (139). “Walk seven: contours” demands that the walker follow edges (141). “Walking-writing contours thinking-in-movement,” they write. “As a practice of edging, contours are thresholds—an in-between space. Thresholds are full of potentiality. They seed things” (141). Part of their own contouring “has been to hold in tension the history and inheritances of walking and walking methods. Who walks, how they walk, and where requires constant queering” (141). The book concludes with a sort of manifesto about their work:

Shifting the focus from walking as a method to move from one point to another, towards an emphasis on walking as an entangled, transmaterial, affective practice of experimentation, our research considers the ethical and political dimensions of ambulatory research. Frictionally theorizing walking scholarship with feminist new materialisms, posthumanisms, queer and trans theories, critical race theory, Indigenous scholarship, and critical disability studies offers vital interventions into walking’s potential as a research methodology. Our queer orientation to walking methodologies is significant because it emphasizes the speculative and experimental potential of walking as research, while simultaneously attending to the complexities of subjectivities, mobilities, and situatedness. Queering the Trail, as [a] concept for critical walking methodologies disrupts the all too common tropes of walkers drifting through the city or rambling along a country path, and the normative narratives that inscribe walking as inherently healthy and meditative. (142)

“Walking can be overlooked in qualitative research because of its able[i]st Euro-Western history or because it is assumed to be uncritical,” they continue (142). Other assumptions are that it is too quotidian in nature, or that it is romanticized “as a method to counter technology,” or that it is naively embodied (142). “The theories and experimentations that compose this book attest to walking’s capacity to interrupt these assumptions,” they write. “Walking-with becomes a practice of thinking-making-doing that attends to the transmaterial knottings between all matter” (142).

If I had the appropriate theoretical or philosophical background, or if the book’s form welcomed those without such a background into its argument, then I might be in a position to determine whether that concluding manifesto—or the rest of the book’s argument—holds up to scrutiny. But since I don’t, and it doesn’t, I can’t. However, the good news is that the references and citations, if pursued, ought to provide readers with a crash course in the theoretical background required to assess the book’s merits. After my comprehensive examinations are finished, I’ll start doing the work of acquiring that theoretical background. Springgay and Truman aren’t the only walking researchers or artists who begin with Deleuze and Guattari, assemblage theory, or affect theory. So I will need to catch up to my peers. Then perhaps the points in this text where I was left confused will become clear. Or perhaps they won’t: in either case, I’ll be returning to this frustrating text in the future.

Works Cited

Ahmed, Sara. Queer Phenomenology: Orientations, Objects, Others. Duke University Press, 2006.

Deidre Heddon and Cathy Turner. “Walking Women: Shifting the Tales and Scales of Mobility.” Contemporary Theatre Review, vol. 22, no. 2, 2012, pp. 224-36.

Smith, Phil. Making Site-Specific Theatre and Performance: A Handbook, Red Globe Press/Macmillan International, 2019.

Springgay, Stephanie, and Sarah E. Truman. Walking Methodologies in a More-than-Human World: WalkingLab, Routledge, 2018.

Young-Ing, Gregory. Elements of Indigenous Style: A Guide for Writing By and About Indigenous Peoples, Brush, 2018.